Tron: Ares

My View: Tron: Ares  (2025)  PG-13 Tron: Ares follows a highly sophisticated program named Ares (Jared Leto), who has been sent from the digital world into our real world on a dangerous mission, marking humankind’s first encounter with A.I. beings. The first film in the series, 1982’s Tron, was an animation wonder, using computer animation combined with live action to create a mind-blowing (at the time) theater experience. Unfortunately, the plot was weak and didn’t make much sense. But the visuals made it a minor hit. It’s been 15 years since the second film in the series, Tron: Legacy, and this film takes place after those events. An evil CEO named Julian (Evan Peters) has developed the Tron technology so that computer programs can come to life, but only for 29 minutes. A program named Ares is sent out into the world, and guess what, he wants to stay. He teams up with the CEO of Julian’s rival company (Greta Lee), and this leads to a whole lot of explosions, chases, and deaths. Fans of the first two films or the video games will likely enjoy this new installment. For others, the impressive action sequences may be the only draw, but true to the Tron legacy, the plot quickly falls apart within the first five minutes. The film drags on for too long, running for two hours, and the Nine Inch Nails soundtrack is overwhelming and intrusive. Tron: Ares is best experienced on a big screen; if you plan to watch it at home, you might find yourself folding a lot of clothes.  My Rating: Cable   Tron: Ares Website   In theaters nationwide, including IMAX

My View:  Kiss of the Spider Woman  (2025)  R Kiss of the Spider Woman is the story of Valentin (Diego Luna), who has been put into prison as a threat to the current government. His new cellmate is Molina (Tonatiuh), a window dresser convicted of public indecency. The two bond as Molina retells the plot of a Hollywood musical starring his favorite silver screen diva, Ingrid Luna (Jennifer Lopez). I am a big musical fan (having been in some local high school productions), so I was looking forward to seeing what the film and Jennifer Lopez could do to capture the old classic Hollywood musical look and feel. Lopez gives an inspired performance as a classic old-school Hollywood musical song and dance performer. This isn’t your typical Lopez song/dance act from her concerts and music videos. Instead, these are set pieces that would be right at home in a 50s musical film. Tonatiuh holds his own with Lopez, putting himself into the role of playing opposite Lopez’s character in the retelling of the Hollywood musical. Tonatiuh has an incredible voice, and the film works when in the dance numbers. The film’s weak point is the character Valentin and Diego Luna’s performance, particularly during the musical numbers. Luna looks and sounds uncomfortable in the numbers, and I had trouble buying the love story between Valentin and Molina. I think this film worked better on the Broadway stage, where Chita Rivera could captivate an audience with her style and charisma. Lopez has both, but can’t save the scenes where she isn’t present, and that’s a lot. My Rating: Cable Kiss of the Spider Woman Website  Now playing in theaters

My View:  A House of Dynamite  (2025)  R  In A House of Dynamite, a foreign power has launched a nuclear missile aimed at the U.S. mainland, and government officials have just minutes to make decisions that will have lasting consequences for America and the rest of the world. Any time you make a movie about nuclear warheads heading anywhere, the stakes are high. As it is with A House of Dynamite, a film filled with tension and nail-biting scenes, it somehow didn’t hit the mark for me. It’s not the performances; Rebecca Ferguson and Idris Elba stand out in a huge ensemble cast. It’s not the subject matter, as it seems now more relevant than ever, with some of America’s enemies either having nuclear weapons or being very close to it. I think it was the format of this film. We spend the same 20 or so minutes from the viewpoints of different people in the White House, observing the decisions and possible mistakes made, and gaining insight into why they reacted the way they did during this stress-filled time. The film just never gelled for me as I never connected to it, especially with the retelling of the same time period. A House of Dynamite is a film that will stick with me for a while, but only because I can’t quit figuring out why I didn’t like it more. My Rating: Bargain Matinee A House of Dynamite Website  Now in select theaters and on Netflix on Friday, October 24, 2025.

My View:  Roofman  (2025)  R Roofman follows the exploits of Jeffery Manchester (Channing Tatum), a criminal known for breaking into stores through their roofs, earning his nickname, Roofman. After escaping from prison, Jeffery hides out in a Toys ‘R’ Us store, remaining undetected for several months. However, when he falls for Leigh (Kirsten Dunst), a divorced mom who works for the store, his life in the free world could come to an end. I enjoyed this likable film with two winning performances from Channing Tatum and Kirsten Dunst. Channing gives Jeffery the Roofman Manchester an air of nice guy vibes while also being a bit of an idiot. Jeffery is a nice guy robber (though when confronted, he can become violent) who does things like give up his coat when he is locking a manager into a freezer. Jeffery needs a place to hide after escaping from prison, and he finds a Toys ’R’ Us store that is the perfect hideout. The problem is that he is a good guy robbing businesses, which he is good at, but only for a short time. His kindness allows him to meet Leigh at a church, where they quickly start a relationship. Roofman is a fun, somewhat romantic film about a relationship destined to crash and burn, but not before a lot of funny stuff happens. I thoroughly enjoyed Kirsten Dunst’s performance as a single mom of two who had given up on romance until a handsome guy crashed into her world. This film is based on a true story, and be sure to stay through the credits to see actual interviews with all the people who had interactions with the Roofman. My Rating: Bargain Matinee Roofman Website Now playing in theaters

My View: Predators  (2025)  Predators is a documentary that explores the controversial NBC series “To Catch a Predator,” which used multiple camera sting operations to catch child predators. The TV series was a huge ratings success until it was abruptly cancelled after the suicide of one of the men it profiled. “Understanding is not the goal of the show” is a quote from this thought-provoking documentary that sums up what the show was about. One problem is that while no longer on NBC, it continues in many forms, most with little or no input from law enforcement. The film is in three sections. The first section discusses the NBC show itself, which aired from 2004 to 2007 and was a massive hit for a while. In fact, the documentary highlights how integral the show was to the culture by showing clips of Jimmy Kimmel, Conan O’Brien, and John Stewart making jokes or skits about it. The second part is about the ‘actors’ in their early twenties who posed as kids to ‘catch the predators.’ The third part discusses To Catch a Predator host Chris Hansen, how he continues to do this type of show, and how it has destroyed lives that may never recover. This documentary asks a lot of questions, some of which are incredibly complicated. As for why the filmmaker wanted to make this film, the answer is revealed about an hour in. Predators shows some compassion and even hesitation towards the people that are on the screen. And that’s something that the original show never did.   My Rating: Full Price Predators Website  Now playing in select theaters

My View: John Candy: I Like Me  (2025)  PG-13  John Candy: I Like Me is a documentary about the beloved actor who starred in the TV series SCTV and in films that delighted audiences. I was a big fan of John Candy. I loved him on SCTV, and some of my favorite movies of his are Splash, where he stole the movie from Tom Hanks; Uncle Buck, which was probably his best role; and a little-seen movie called Only the Lonely, notable for his scenes with Ally Sheedy that felt real and charming. Directed by Colin Hanks and produced by Ryan Reynolds, John Candy: I Like Me is a touching and insightful documentary about this comedy legend, who was not only immensely talented but also a genuinely nice person who loved people and cherished his wife and family. The film features some excellent interviews with Candy, and what resonated with me was how kind he was even to interviewers who weren’t nice to him. As you would expect, all his SCTV buddies are interviewed, along with Bill Murray, Tom Hanks, and Steve Martin. We see how much they loved and respected the man, but also how much fun they had working with him. I learned a lot about his early years, especially his early SCTV days, and I thoroughly enjoyed going down memory lane with a man who was loved not only for his talent but also for his character. They say, ‘Never meet your heroes; they’ll surely disappoint,’ but man, I wish I had met John Candy. I have a feeling he would have lived up to all my expectations; I know this documentary did.  My Rating: Full Price  John Candy: I Like Me Website  Now playing on Amazon Prime

Forgotten Film: Streets of Fire  (1984) PG  A rock star (Diane Lane) is kidnapped by an outlaw biker gang led by a bad guy named Shaddock (Willem Dafoe). A mercenary named Cody (Michael Pere) and his sidekick, McCoy (Amy Madigan), are hired to bring her back. Directed by Walter Hill (The Warriors, Southern Comfort, 48 Hrs.), this film is a weird mix of 1950s and 1980s cultures, featuring a soundtrack that is a wonder to listen to. While not as good as some of Hill’s other films, it’s still a fun ride, and Amy Madigan as a tough-nosed fighter who smokes cigars and loves to kill bikers is a blast to watch. Even if you just watch the first five minutes of this film, with Lane singing her heart out, you will have fun with this one.  My Rating: Bargain Matinee Streets of Fire Info Available to rent/buy on Amazon

Weird Credits: From the credits of Roofman: Products Used With Permission: Tickle Me Elmo

Coming Soon to A Screen Near You:  Springsteen: Deliver Me from Nowhere  (2025) PG-13  Just when Bruce Springsteen is climbing into the stratosphere of rock stardom, he decides to craft and record an album in 1982 called Nebraska that caused him to reconcile his stardom with the ghosts of the past. Jeremy Allen White stars as Bruce Springsteen and is considered one of the favorites to be nominated for an Oscar. Springsteen: Deliver Me from Nowhere Website The film will be in theaters nationwide on Friday, October 24, 2025. 

Until Next Time!