One Night Only

My Take: One Night Only  (2026)  R   In One Night Only, Owen (Callum Turner), who has been recently dumped, and Allie (Monica Barbaro), a young woman who wants to finally meet someone, keep crossing paths on a chaotic night when love is in the air. So when I saw the trailer for this film, I thought it was set on Valentine’s Day. Nope, it takes place in an alternate timeline where extramarital sex has been outlawed. Everyone gets a chip that lets the government know when you have sex, and get this, if you don’t wear a condom. The government has set aside one night (a full twelve hours) for everyone to have sex out of wedlock. What makes this film fun is that the filmmakers do a good job of setting up the premise and letting the hijinks begin. I loved that Allie is a singer who sings those TV jingles for all sorts of products. Her best friend abandons her on the night, and Allie sets off on her own to find someone worthy of having sex with. Owen, on the other hand, has picked this night to propose to his longtime girlfriend (played by Maya Hawke), but she has plans of her own. So after Allie and Owen have a not-so-cute meetup, they keep encountering each other throughout the night, even when it seems they have found other people to have sex with. We know better, and that’s part of the fun of this rom-com: watching the two keep meeting throughout the night. Turner and Barbaro have amazing chemistry and play off each other extremely well. They throw barbs at each other with dexterity and abandon. Adding to the fun is Molly Ringwald, who plays Owen’s mother. LaVar Burton appears as her amorous lover who kicks Owen out so that they can join in on the night’s activities. Before leaving, both give Owen some romantic advice on how his night should go. This is a fun, silly rom-com with two beautiful actors who clearly enjoy the roles. We can’t help but root for Allie and Owen to end up together. But will they figure out they are meant to be together in time to have sex? You will have to go on the adventure with them to find out.   My Rating: Bargain Matinee  One Night Only Website  Now playing in theaters

My View:  The Last House  (2026)  PG-13  In The Last House, a family of four finds themselves suddenly sealed inside their home with no way out. They will have to band together to survive, with their resources dwindling and a mysterious, looming threat responsible for their entrapment. The Last House takes forever to get going, giving us what seems like a typical TV drama you would see on cable, with some money troubles and a teen son who is starting to rebel against his parents. I had a few COVID flashbacks, including saying hello to people at a distance (they communicate with their neighbors with writing boards), but it takes a long time for there to be any scares. The film, almost from the start, gives us clues to what is going on, but it takes forever for anything to happen beyond the kids complaining about not having enough to eat or not being understood. When the external threat finally appears, it's underwhelming, and the family suddenly becomes action heroes (all thanks to the father’s workout regimen). The inconsistent CGI and choppy action sequences don’t help make the film work. At least we don’t have to wait for next week’s episode, where the littlest one gets a crush on her teacher. Just a warning. There are a number of animal deaths in this film and all are caused by humans.    My Rating: Cable    The Last House Website Now playing on the Netflix platform

My View:  Ice Cream Man  (2026)  R  Ice Cream Man is set in a small suburban town that descends into madness when a creepy, smiling ice cream vendor (Ari Miller) comes to town and serves ice cream to children that turn them into homicidal maniacs. Ice Cream Man, directed by one of the genre’s big names, Eli Roth, doesn’t deliver more than lots of blood and guts without any thought. The kills by the kids become tedious, and the plot, when explained why it’s happening, is just downright boring. I guess some of the kids' kills are funny, but is this a horror film or a comedy? I say neither, as it’s not funny or scary. The dialogue gets worse as the quips keep coming, and some of the acting is right out of a bad 50s horror movie. Add in the fact that director/writer Roth has admitted that he used generative AI for the black-and-white, Fleischer Studios-style cartoons that hypnotize children in the film. And this is a horror film to avoid, unless you are a die-hard Eli Roth fan and even then you might not enjoy it. I have no idea what point Roth wanted to make with this film other than that kids love ice cream and killing adults. There is a very small bonus scene at the end of all the credits of the film.  My Rating: You Would Have to Pay Me to See it Again  Ice Cream Man Website   Now playing in theaters

Indiefest:  The Samurai and the Prisoner  (2026)   The Samurai and the Prisoner takes place inside Arioka Castle, where a samurai, Lord Araki Murashige (Masahiro Motoki), has barricaded himself after rebelling against his lord. As the siege by the lord wears on, a brutal murder occurs within the castle. In response, Araki turns to a man he has imprisoned in his dungeon, Kuroda Kanbei (Masaki Suda), to solve the crime. This is about a man playing the long game to overthrow a ruthless warlord, with a plan that involves winning without killing. This is a man who thinks that he can not only tempt fate, but he can defeat it. The problem is that people die in mysterious ways, and Lord Murashige must use a prisoner to help figure out who is doing the killing and why. Murashige soon learns that Kanbei is not only smart but is wise in the ways of politics, and so Murashige trusts the man with all his secrets. This is a fascinating film that combines political intrigue with a whodunit, slowly allowing us and the Lord to figure out the motive for the murders and who was behind them. The Samurai and the Prisoner is a film that requires a lot of concentration from the viewer to keep up with all the plot twists. With beautiful cinematography and remarkable costumes, the film requires attentive viewing; you will miss a clue or two if you don't. While there are some battle sequences for samurai action fans, the focus remains on the characters’ attempts to unravel the murders. This unique period piece keeps you guessing until the last sword is drawn and the last conversation over tea is finished. My Rating: Full Price   The Samurai and the Prisoner Website The film is in select theaters 

Indiefest: Cookie Queens  (2026) G  Cookie Queens is a documentary that follows four young Girl Scouts as they navigate the high-pressure, million-dollar business of Girl Scout cookie-selling season. Be prepared to fall in love with four girls, from vastly different backgrounds, who all want to hit their goals and win prizes. You have Olive, the record-setting Girl Scout who sells her cookies online with commercials that she shoots with her dad. Nikki, who is following in her sister's award-winning footsteps, with a family that orders over 18,000 dollar’s worth of cookies. And her opposite, Shannon Elizabeth, whose parents constantly worry about taking a financial hit if she can’t sell her cookies. And then there is little Ara, a five-year-old diabetic who takes Pilates classes so she can pull her wagon full of cookies through the neighborhood and sell the 55 boxes she has set as her goal. We see how hard the girls work, the pressure that they and their families are under to succeed, and how some of the girls are just born show-stopping sellers. What makes this film such a blast to watch is that it lets us see that all four girls are fun, funny, and just nice little girls with a dream. A dream to sell enough cookies to go on a camping trip, or to Europe, or just to get a pin that they can wear. And I have a feeling, after seeing this lovely, terrific documentary, you won’t pass by a Girl Scout selling her cookies outside your grocery store without stopping to get the sales pitch for a box or two… okay. Maybe three. My Rating: Full Price  Cookie Queens Website  Now playing in theaters

Forgotten Film:  Best Worst Movie  (2009)  Documentary on the making of Troll 2, considered one of the worst movies of all time, the cast of characters that made the movie, and the fans who, for the past 35 years, have made the film into a beloved cult classic. Back in 1986, a cheesy horror film called Troll was made. It was a modest success, best known for its stop-motion effects and weird, bad-guy trolls. For some reason, Troll 2 was then made by an Italian filmmaker, Claudio Fragasso, and his wife, and it made almost no sense and had very little to do with the original Troll movie. It doesn’t help that Claudio didn’t speak English, and his wife wasn’t the greatest scriptwriter. The film was barely released, but through the magic of a few old VHS tapes that traveled throughout the country, a fandom started reveling in the weirdness and downright horrible filmmaking. This documentary explores how the film came about and the band of somewhat strange cast and crew that made the film what it is. The documentary is a joy to watch, especially for highlighting the small-town dentist who was one of the stars of the film and revels in the newfound stardom it has created.  My View:  Full Price  Best Worst Movie Info  Available on most streaming services

Weird Credits: From the credits of One Night Only:  Shooting Medic

Coming Soon to a Screen Near You:   Don’t Say Good Luck  (2026)  PG-13   Don’t Say Good Luck follows 15-year-old Sophie Birenbaum (Sunny Sandler), who gets the role of a lifetime, the lead in her high school’s production of the musical Waitress. Just as Sophie has hit the spotlight, she finds out that her mother’s (Melanie Lynskey) cancer has returned. The all-star cast includes Steve Buscemi, Bebe Neuwirth, Max Greenfield, Jack Champion, Jon Lovitz, and Stephanie Beatriz.  Don't Say Good Luck Website  Premiering on Netflix on Friday, August 14, 2026

Until Next Time!

A Complete Unknown

My View:  A Complete Unknown  (2024) R  A Complete Unknown begins in 1961, when a young man from Minnesota arrives in New York City with only a few clothes and a guitar on his back. That man was Bobby Dylan (Timothée Chalamet), and in just a few short years, he would become a worldwide folk singer sensation. But Bob wanted more, and he was about to set the folk world on fire. I am a huge Bob Dylan fan and have seen him in concert 8 times, including my first time with his Rolling Thunder Revue in the Astrodome in Houston, Texas, in January 1976. I still can’t believe that my parents let me and a bunch of teenage nerds drive 3 hours to Houston to see a concert. I had high expectations for this film, and I am pleased to say that it lives up to them. Timothée Chalamet is dazzling in what is undoubtedly an Oscar-nominated performance. Chalamet captures the essence of Dylan up on the screen, while his singing is spot on in the familiar Dylan cadence and tone. It’s a daunting performance, and Chalamet nails it. In fact, all three leads, Chalamet as Dylan, Edward Norton as the folk singer Pete Seeger, and Monica Barbaro as the legendary singer/songwriter Joan Baez, are brilliant in their roles. I loved Norton as Pete Seeger, a man who has been forgotten but was a huge star in the 50s/60s and was known as one of the nicest guys ever to play the musical stage. It's an uncanny performance where Norton effortlessly slips into the character. Monica Barbaro has the most demanding role in the film, as Baez was a singer who had a unique vocal style and range. Barbaro is a force to be reckoned with, even when sharing the screen with Chalamet. When Dylan hit the scene in New York, Baez was the toast of the town and was a huge star in the folk circles. That Dylan was soon to eclipse her is part of the film’s story. The film does a remarkable job of allowing us to watch Dylan navigate his way through stardom, but it never attempts to explain who he is or what he is thinking. That’s because only Bob Dylan knows what the hell is going on in the world that he has created for himself. Also, as Joan says early on, Bob Dylan was and is an asshole. While I loved this film, it's more for the performances than the story, which goes on a little too long and is over-filled with songs. Despite any flaws, A Complete Unknown is filled with brilliant performances and Bob Dylan's music, and that's all you can ask for. Oh, and one more thing: I love Boyd Holbrook as an actor, but he is too pretty to be playing Johnny Cash.  My Rating: Full Price  A Complete Unknown Website Now playing in theaters. 

My View:  Nosferatu  (2024)  R  Nosferatu tells the tale of an obsession between a newly married young woman (Lily-Rose Depp) who is haunted by her dreams and a master vampire, Count Orlok (Bill Skarsgård), who is so infatuated with her he travels across the ocean to be near her. I am a massive fan of films from the silent era, and one of the best is the 1922 film Nosferatu: A Symphony of Horror, directed by the great F. W. Murnau. You have probably never seen the movie, but I can guarantee you that you have scenes from the film as it has constantly been used in music videos and commercials, notably the Queen/David Bowie music video for ‘Under Pressure.’ Now filmmaker Robert Eggers put his stamp on a remake of the silent film that unquestionably delivers the dark gothic feeling from the original film. Nosferatu is a film about desire, and how that desire can take hold of you, making you do things you would never think you would do in the right frame of mind. Lily-Rose Depp plays Ellen, a newlywed to Thomas (Nicholas Hoult), both eager to start their lives together. Ellen is a woman who has had vivid nightmares since her younger days, some of which cause her to sleepwalk, and those nightmares have recently returned in frequency and intensity. Unfortunately, Thomas has been given a great opportunity. If he completes the sale of a castle to a foreign buyer, he will get a huge promotion. However, Thomas must leave his wife behind and travel a long distance to a remote castle to conduct the paperwork in person. Little does Thomas know that this is a trap, and the man he is to see is the one who has been invading Ellen’s dreams, Count Orlok. The Count is intent on moving near Ellen and taking her for his own. Nosferatu is a brilliant gothic horror film, where Eggers takes the source material and makes it his own. The original Nosferatu is known for its groundbreaking cinematography and set designs. Eggers, known for his films The Witch (2015), The Lighthouse (2019), and The Northman (2022), puts his own look and feel on the tale while also harking back to the shots that Murnau gave us. It’s an impressive-looking film, with tons of dark passages, lonely streets, and a woman’s bedroom that becomes the focus of a madman driven to find a woman he has been desiring for years. Bill Skarsgård plays the Count, and it’s a performance infused of evil and lust. Eggers and his cinematographer, Jarin Blaschle, don’t let us see the full features of the Count until near the end of the film when the horror that has been building comes to a head. Nosferatu is a masterful work that lovers of gothic horror will thoroughly enjoy. And it has an ending that will keep you talking about long after you have walked out of the theater. My Rating: I Would Pay to See it Again  Nosferatu Website  Now playing in theaters.

My View:  Babygirl  (2024)  R   In Babygirl, a high-powered CEO, Romy (Nicole Kidman), has everything she’s ever desired except one thing. She finds it in a torrid affair with her much younger intern, Samuel (Harris Dickinson). November is a month when film critics are inundated with screenings/screeners where studios want us to see films before we vote on the best films of the year. So I saw Babygirl a month ago and I am glad that I had time to reflect on the film, as my opinion has changed quite a bit as I have thought about the film. Now, it had nothing to do with the performances, as I think Nicole Kidman could easily get her sixth nomination for Best Performance by an Actress. And Harris Dickinson is outstanding as the young man who sees an opportunity to have some fun with a woman who he almost instantly sees as someone who is missing something in her life. And that something is that Romy wants to be in a role-playing submissive/dominant relationship, something that she feels she will never get from her husband, Jacob (Antonio Banderas), with whom her sex life is boring and unfulfilling. The more I thought about this film, the more I enjoyed that this wasn’t your typical high-powered CEO taking advantage of a younger person. Instead, it was two consenting adults who started a sexual relationship where each wanted something from the other person but were also careful and respectful of that person, pushing the boundaries but never going too far. The film doesn’t pass judgment on these two people. Babygirl creates a lot of suspense in how far the relationship will go and if they will ever be caught. Will it destroy Romy’s career and her marriage? Will others in the company find out about the relationship and use it over Romy? You will have to watch to find out. And give the film some time to percolate in your brain before you come to a conclusion about it.  My Rating: Full Price  Babygirl Website Now playing in theaters.

My View:  The Fire Inside  (2024)  PG-13  The Fire Inside tells the story of Claressa ’T-Rex’ Shields (Ryan Destiny), a boxer from Flint, Michigan, who, with the help of a local gym owner, Jason Crutchfield (Brian Tyree Henry), trained to become the first American woman in history to win an Olympic gold medal. Claressa realizes that a gold medal doesn’t matter when you’re trying to support your family. The Fire Inside is an outstanding movie based on a real woman, about beating the odds, not just in the ring, but in life as well. Ryan Destiny gives a powerful and moving performance of a young woman who is determined to fight her way to success but is crushed when her success in the ring doesn’t translate to real life in Flint, Michigan. Destiny plays a young woman who doesn’t have the best of home life, is battling the idea that women can’t and shouldn’t box, and the fact that she trains in a gym with limited means but has dreams to one day become an Olympic champion and bring her family wealth and fame. It is rare in a movie when the goal is met halfway through the film as T-Rex, against the odds, wins the first gold medal ever for the American women’s Olympic team (this isn’t a spoiler; it’s in the trailer). But things don’t change for T-Rex when she comes back, and she has to deal with all the problems she had before she won gold. Brian Tyree Henry plays Jason, who reluctantly lets Claressa train at his gym, only to realize she might be the real deal, a woman who can box. Henry was nominated for his role in the 2023 film Causeway, and he just might get another nomination for this role. It is a magical performance of a character who is willing to risk it all for a young woman who has dreams he wants to help come true. There is a scene near the end of the film between Ryan Destiny and Brian Tyree Henry that is brilliant between two actors that are bringing magic to the screen. Move over Rocky, there is another rags-to-riches boxing story told here. It just takes a little longer to come true.  My Rating: I Would Pay to See it Again  The Fire Inside Website  Now playing in theaters. 

Forgotten Film: The United States of Leland (2003) R  Leland (Ryan Gosling) is a young man who has been sent to a juvenile hall for killing a special needs kid. A teacher (Don Cheadle) spends time with Leland and convinces Leland to start a journal. The teacher soon figures out that he could write a book on Leland if he could read his journal. All the while, the people in the town where Leland lived are trying to comprehend why it happened and are trying to put their lives back together. Overall, the film attempts to put too many stories into the plot, but Don Cheadle, as the teacher who tries to reach Leland through writing, and Kevin Spacey, as Leland’s estranged father, gives us some great performances. Add in the fact the cast includes Jena Malone, Lena Olin, Michelle Williams, Sherilyn Fenn, and a very young Kerry Washington, making it a film worth watching.   My Rating: Bargain Matinee  The United States of Leland Info The film is available to rent/buy on Amazon and iTunes.

Weird Credits:  From the credits of The Brutalist:  Office Cleaner

Coming Soon to a Screen Near You:  Flight Risk  (2025)  A small plane pilot (Mark Wahlberg) is transporting an Air Marshal (Michelle Dockery) accompanying a fugitive (Topher Grace) to trial. As the flight goes across the Alaskan wilderness, tensions rise, and it becomes obvious that everyone on board isn’t who they seem. Two-time Academy Award-winning Mel Gibson directs the film.   Flight Risk Website  In theaters on Friday, January 24, 2025. 

Until Next Time!