The Dink

My View:  The Dink  (2026)  PG-13   The Dink follows a washed-up former tennis prodigy, Dusty (Jake Johnson), who, to survive, has been forced to teach tennis to children at his father’s (Ed Harris) failing country club. After Dusty is injured, his rehab assignment is pickleball, a sport that he thinks is stupid and beneath his talent. Little does he know, pickleball could save both the country club and his self-respect. The Dink is a funny, goofy movie that makes fun of all the sports-themed movies about the underdog coming back from the brink of defeat. The film is silly and pushes the boundaries a bit in terms of believability. Still, with performances by Ed Harris, Aaron Chen, and Patton Oswalt, it keeps moving along, even when we get a little tired of Jake Johnson’s character. The film is buoyed by the absolutely adorable Mary Steenburgen, who lights up the screen and steals every scene she is in. And there is a great cameo by John McEnroe that gets funnier as it goes along, with some great props that reminded me of Airplane! and Top Secret!. So grab a paddle, have a good time with The Dink, and be sure not to go into the kitchen, or you will be mercilessly razzed!  My Rating: Bargain Matinee  The Dink Info  Now playing on the Apple TV+ platform

Indiefest:  Her Private Hell  (2026)  R   Her Private Hell takes place in a futuristic metropolis where a troubled young actress (Sophie Thatcher) searches for her father to stop his marriage, while a man dressed in leather from Hell is going around killing young women, and a soldier (Charles Melton) is on the hunt to find his daughter, whom he thinks has been kidnapped by the Leatherman from Hell. Well, it’s a cool-looking movie, with gorgeous cinematography and set design. The film makes Charles Melton look like a cross between Bruce Lee and a Greek god. Sophie Thatcher wears a lot of very stylish clothes, and the soundtrack is interesting. The rest of the film: an enormous mess from a filmmaker who makes films to please himself and doesn’t care about the audience. Is it a sci-fi movie or a film about making a sci-fi movie? Is it a horror film or a psychological thriller? Heck, if I know. I have no clue what this film was about, other than some guy with lasers for eyes and dressed in all leather was ripping apart women. Why? Not a clue. When does this take place and where? Your guess is as good as mine. If you want to watch pretty people in stunning lighting and mod settings, then this is a film for you. If you want style and dazzling visuals, here you go. If you want a film to make any sense, this isn’t it. Go see something else.  My Rating: You Would Have to Pay Me to See it Again     Her Private Hell Website  Now playing in theaters

My View:  72 Hours  (2026)  R   In 72 Hours, Joe (Kevin Hart) is a 40-year-old ad executive who has lost his touch with what twenty-somethings do and enjoy. After mistakenly being added to a Gen Z group chat, Joe decides to crash their bachelor party weekend to find out what makes them tick. Not one of Joe's better ideas. I knew we were in trouble from the start when our hero, Joe, packed a bottle of hair dye on top of his clothes in the suitcase. This, of course, ruined the clothes, and now Joe has to steal clothes out of the fancy Airbnb house he is renting with the college kids. Which is, of course, being watched by a mobster’s gang via remote cameras. And we are off to fun and hijinks. If you think projectile vomiting after drinking two bottles of Pepto is funny, then this is a film for you. Everything Joe touches goes badly for himself and the four college kids that he has latched onto by paying for their bachelor party weekend. The laughs keep coming with a mobster thinking Joe is moving into the territory because anytime Joe does cocaine, he becomes a bad imitation of Scarface’s Tony Montana. And oh, by the way, Joe finds out that today’s college kids are all about getting in touch with their feelings and scrapbooking. And the film is constantly concerned with male appendages, including those of whales. There isn’t one scene in this sad tale that is funny, and that includes the outtakes that take place during the credits. It’s sad when a film feels as if it takes as long as its title says it is.  My Rating: You Would Have to Pay Me to See it Again   72 Hours Website   Now playing on the Netflix platform

My View:  Motor City  (2025)  R   Motor City is about John Miller (Alan Ritchson), who was framed for a crime he didn’t commit, so a local gangster (Ben Foster) could steal John’s girlfriend (Shailene Woodley). Now John is out for revenge, and it’s going to be brutal. If you are a fan of 70s music, don’t like a lot of dialogue but love action films with lots of guns and blood, then this film is for you. Motor City is a film that tells its story through action and music, with little dialogue (I think there are a total of 5 lines, plus a few more names shouted out). Does it work? Sometimes, but not for a full hour and forty minutes. Former White Stripes frontman Jack White picked the needle drops in this film, and I loved most of the music, which fit the film's mood and setting (1970s Detroit). But the storyline isn’t strong enough to sustain, and the characters seem stuck in archetypal roles, such as the evil cop, the gangster, and the down-on-her-luck girlfriend. This makes the film feel like those music videos that used to be on MTV in the 80s, starring a Hollywood star or two as a song plays about a guy and a girl who are down on their luck. Alan Ritchson does kick some butt in the film, but it takes a long time to get to the revenge sequence and then tacks on an ending that doesn’t fit the rest of the film. I give director Potsy Ponciroli and screenwriter Chad St. John the props for trying something outside the norm, but the film takes too long to get to the action and then goes overboard with the violence.  My Rating: Cable   Motor City Website    Now playing in theaters

Indiefest:  Reading Lolita in Tehran (2025)   Reading Lolita in Tehran is about a Literature professor, Azar Nafisi (Golshifteh Farahani), in post-revolutionary Iran, who continues to teach in secret to six devoted female students about Western literary classics, giving them the freedom to find a world beyond Iran. This film is based on a book that spans 19 years, starting with Azar’s return to Tehran with her husband, who has gotten a job. The film is broken into four sections, each named after a famous Western novel, all of which are still banned in Iran. Reading Lolita in Tehran is a film where the acting far outshines the script. Golshifteh Farahani is extraordinary as the bold and brave Azar, who continues to teach Western literature despite constant threats to conform. I loved that the women who make up the group come from different backgrounds and have vastly different experiences with the government regime. The film, even in the early part of the story when some students are suffering in horrible conditions in jail, never hits home hard enough, making its impact feel less. Every time I felt the film was going to have a greater emotional impact, it seemed to back off and move on to the next chapter. We spend a lot of time with Azar and her followers, but we seem to get only brief glimpses into their lives because there is always another meeting with the professor and the gang. The film is like Azar’s nightmares. We see her suffering from them through the years, but we never get an idea what they are about other than a few repeated phrases that we have heard earlier. Golshifteh Farahani and Zar Amir Ebrahimi, who portrays Sanaz, a young student who is the shyest of the six women, both live in exile in Paris, which makes their performances in the film even more heartfelt and poignant. I wish there were more emotional impact in the story to make the film more compelling. Ultimately, while the performances are powerful, Reading Lolita in Tehran never quite delivers the emotional depth it promises, leaving its message feeling muted and not memorable.  My Rating: Bargain Matinee   Reading Lolita in Tehran Website  Now playing in select theaters 

Forgotten Film (updated from March 2012): Jason and the Argonauts (1963) G  Jason and the Argonauts is a film that tells the story of Jason, the legendary Greek hero, as he seeks the Golden Fleece to reclaim the throne from the king. Jason assembles a crew, including Hercules, to aid him on his quest. Their voyage takes them through encounters with mythical creatures: harpies, a giant bronze warrior, a many-headed hydra, and, finally, an epic battle with an army of animated skeleton warriors. Master special effects artist Ray Harryhausen used stop-motion animation for these scenes, notably showcasing his skill in the memorable skeleton fight, in which live actors battle animated skeletons. The film is widely regarded as Harryhausen’s masterpiece. At the Academy Awards, Tom Hanks, presenting Harryhausen’s Lifetime Achievement award, famously said: “Some people say Casablanca or Citizen Kane. I say Jason and the Argonauts is the greatest film ever made.” Harryhausen spent three months animating the skeleton battle, which remains a landmark in cinema history. My Rating: I Would Pay to See the Film Again  Jason and the Argonaunts Info Available on Tubi, Amazon Prime and Apple TV+

Weird Credits:  From the credits of The Dink:  Pickleball Gameplay Designer

Coming Soon to a Screen Near You:  I Want Your Sex  (2026)  R  I Want Your Sex follows the adventures of Elliot (Cooper Hoffman), who thinks he has landed his dream job at the art gallery of renowned and provocative artist Erika Tracy (Olivia Wilde). Soon, Elliot’s fantasies come true as Erika hires him to become her sex slave muse. However, Elliot soon discovers that his life is now full of obsession, betrayal, and maybe even murder. In addition to Hoffman and Wilde, the cast features Mason Gooding, Daveed Diggs, Charli XCX, Johnny Knoxville, Chase Sui Wonders, Margaret Cho, Roxane Mesquida, and James Duval.   I Want Your Sex Website  In theaters on Friday, July 31, 2026

Until Next Time!

You're Cordially Invited

My View: You’re Cordially Invited  (2025)  R  In You’re Cordially Invited, Margot (Reese Witherspoon) is planning her sister’s wedding, and Jim (Will Ferrell) is the father of another bride-to-be. They discover their destination weddings are double-booked, so they decide to share the venue. What could go wrong? How about everything? You’re Cordially Invited is a film that, with the cast it has, should be much funnier and happier than it ends up being. The story is about two miserable people who expect too much from others to be happy in the moment. This is more of a raunchy comedy than a rom-com, though it tries very hard to put Ferrell and Witherspoon into the romantic side by the end of the film, but it feels like the film is vastly overstepping that outcome. Most of the comedy falls flat, and the much-anticipated alligator scene (see the poster) is incredibly forced into really bad slapstick. There were too many times in this film that I wanted to go ‘don’t go there’ to director/writer Nicholas Stoller, but he kept pushing the film along with one cringy scene after another. Let’s put it this way, I never want to hear the old Dolly Parton/Kenny Rogers song “Islands in the Stream" ever again. By the way, you can stay and listen to Ferrell/Witherspoon and the rest of the cast sing the song again and again during the credits. I wanted to scream 'Please stop singing!"  My Rating: Cable  You're Cordially Invited Info  Now playing on Prime Video. 

My View:  Companion  (2025)  R  In Companion, Iris (Sophie Thatcher) meets a dashing young man named Josh (Jack Quaid) at a grocery store. Josh talks Iris into a weekend getaway on his country estate, but there she learns an extraordinary thing: she is a sophisticated human companionship doll at Josh’s command. If it’s up to Iris, it won’t be for long. I had no idea what I was getting into, other than (spoiler alert, not really, it’s in the trailer) that Iris is a companion robot. I immediately figured out the first twist, but the rest took me for a fun ride. Companion is a suspense film with murder and mayhem, along with a dash of romance. The film paints itself into a corner that it has trouble getting out of, but it’s a twisted, fun story that gets a little bloody along the way. Sophie Thatcher has a blast playing Iris, someone we can root for, while also having a few laughs and a lot of shocks along the way. Just a warning: this film might change how you look at the ‘meet cute’ scenes in movies.   My Rating: Full Price   Companion Website    Now playing in theaters. 

Indiefest:  Love Me  (2024) R    Love Me is a post-apocalyptic romance in which a buoy and a satellite start communicating with each other and decide to explore what it would be like to be human. They both pick human forms (Kristen Stewart and Steven Yuen) and find that they are falling for each other. Love Me is a very strange love story that occasionally works, but most of the time, it seems to be a film that can’t find where it wants to go. Part sci-fi film, part romance with characters played first by a buoy and a satellite, then animated characters, and finally by human forms. The film explores the question of how we love, laugh, and experience life. The problem for our two characters is that they only have what was on the internet to help them figure out how to become a couple. I found the first 30 minutes to be the most interesting, as the two machines slowly develop a relationship. Once the two become animated in a weird world where they recreate a date over and over, the film slows down too much. When the two separate and explore how they see life and love on their own, the final third of the movie suffers. The ideas that the characters explore are probably too complex for two machines to find the answers to. By the end of the movie, I was uninterested in what happened to the two characters as I had lost interest in their attempts to become human long before they did.    My Rating: Cable  Love Me Website  Now playing in theaters. 

My View:  Valiant One  (2024) R  In Valiant One, a mission goes bad when a U.S. Army helicopter crashes in North Korean territory.  Now, a team of non-combat specialists must try to make it back to the South Korean side before being caught. The team is led by Captain Brockman (Chase Stokes) who isn’t too pleased to be taken off his desk duty to lead a bunch of reservists to fix a monitoring device placed near the DMZ. After their helicopter crashes, the team comes to the realization that they are in enemy territory and that no one will rescue them. It’s up to Brockman and his team to find a way back to the border before the North Koreans can find them. The cast is forgettable, with the exception of Lana Condor, who plays Specialist Selby, who becomes the sounding board for Brockman and is a kind of jack-of-all-trades type of soldier. Condor gives the film a badly needed spark when she is on screen. The film is more of your typical escape from the bad guys while dealing with the inner turmoil of a crew that didn’t think they would ever be in danger.   My Rating; Bargain Matinee  Valiant One Website    Now playing in theaters. 

Familyfaire:  Dog Man  (2025)  PG  Dog Man takes place when a human police officer named Knight and his dog partner Greg are injured together in an accident. A life-saving surgery puts Greg’s head on top of Knight’s body, and Dog Man is born. The film is based on the beloved and popular graphic novel series by Dav Pilkey and is directed by Peter Hastings, best known for writing over 70 episodes of the animated TV show Animaniacs. While not as over the top as Animaniacs was, this is an irreverent animated comedy that fans of the books will love, and parents will find some of the jokes funny, too. I loved the animation, which was lively and colorful. The characters are fun, with Lil Rel Howery’s Chief stealing every scene he is in. The film is fast-paced and features a lot of action sequences to keep small children engaged. Overall, Dog Man is an enjoyable film that kids will love, and parents won’t be too bored. There is a short The Bad Guys film at the beginning of Dog Man which doesn’t do a lot, but is harmless fun. My Rating: Bargain Matinee  Dog Man Website  The film is now in theaters.

Forgotten Film: Into the Wild  (2007)  R Christopher McCandless (Emile Hirsch) graduates from college as an honor student. He gives away all his possessions and money and takes off for the West Coast, then heads up to Alaska, armed with a sleeping bag and a few books on how to survive in the wilderness. Along the way, he meets people who impact his life. Directed by Sean Penn and based on a true story, this is a strange film that, while it has some fantastic performances, doesn’t quite tell the story in a way that makes the impact the ending should make. Still, there are some brilliant performances of the people that Christopher meets on his travels, including Hal Holbrook, Kristen Stewart, and Vince Vaughn.  My Rating: Bargain Matinee The film is available to buy/rent on most streaming services.

Weird Credits:  From the credits of Companion: Facial Hair Fabricator 

Coming Soon to a Screen Near You:  Mickey 17  (2025)  R  Mickey (Robert Pattinson) is unhappy with his life, so he signs up to be an ‘expendable’, a disposable crew member on a space mission. As an expendable, Mickey is given dangerous tasks because he can be ‘renewed’ if he dies. Two problems: He renews with his memories intact, and something has gone wrong, and now there are two Mickeys. From Academy Award winner Bong Joon-ho (Parasite).  Mickey 17 Website The film will be in theaters on Friday, March 7, 2025.

Until Next Time!