Moana

Familyfaire:  Moana (2026) PG  Moana is about the young, inquisitive daughter (Catherine Laga’aia) of a village chief. Moana has always felt that she was destined to do something great and is summoned by the ocean to undertake a voyage to save her community. She will need help and finds it in Maui (Dwayne Johnson), a legendary shapeshifting demigod who, along with Moana’s dimwitted rooster, Heihei, undertakes a journey that will test her will and belief in herself. I loved the 2016 animated film, saying, “The animation is crisp and gorgeous, taking advantage of the tropical look of the islands,” and loving the message to young girls that you can do anything you put your heart and soul into. So now Disney has decided to bring back the story as a live-action film. Why? I have no clue, other than making money (but with a reported budget of 200 million, that could be in serious doubt). Does this bring anything new to the storyline? No. Unlike the 2025 live-action remake of Lilo & Stitch, which did a fantastic job of making changes from the animated film to make it work with live action, Moana is almost a shot-for-shot remake and not for the better. The film feels exactly as if it were shot on a soundstage in front of a green screen. The film fails to capture the beauty, brightness, and fun of the animated film. And it uses animation to bring to life Mona’s pet rooster and piglet, both of which don’t look real and feel like props for the film, rather than bringing fun and life to it as they did in the animated film. And then there’s Dwayne Johnson as the demigod Maui. I loved his character in the animated film, thinking that, while he can’t sing very well, he is perfect as an animated character, bringing fun and life to the storyline. The problem, like actors like Vin Diesel, Arnold, and Johnson, is that they are larger than life, and you sometimes see them not as their characters but as the actors themselves. The animated film let Maui dance and be a virtual ball of energy, bouncing around as Johnson sang songs like "Your Welcome" to our delight. The problem is that the live-action Johnson can’t match the action of animated Maui, and so the songs become more about Johnson posing than dancing around. Your Welcome song still works, but it’s not as much fun as the animated film song; it just can’t recreate it, no matter how much his animated tattoos move around in this version. The bright light in all this is Catherine Laga’aia’s performance, who shines on screen and has a wonderful, powerful voice that makes her solos worth watching the film for. Kids are still going to like this film, especially watching the rooster do his stupid stuff, but I don’t see them falling in love with it as they did with the animated one. The magic just isn’t there, and that’s a sad thing to say about a Disney film.  My Rating: Cable  Moana Website  Now playing in theaters

My View:  Gail Daughtry and the Celebrity Sex Pass  (2026)  R   Gail Daughtry and the Celebrity Sex Pass follows Gail (Zoey Deutch), who is devastated that her fiancé has slept with his “celebrity pass” Jennifer Aniston. She goes to a fortune teller, who tells her that to make things right and go on with the marriage, she must sleep with her own celebrity pass. Gail, along with her best friend, Otto (Mile Gutierrez-Riley), travels to Hollywood to find her own ‘free pass’: Jon Hamm. This is a wild and crazy film that reminded me of those wonderful Zucker and Abrahams films like Airplane! and Top Secret!, where jokes and ridiculous scenes came at you at an incredibly fast pace. This is a film where lines like “We have three years’ experience between us” and “I can make you sick” are just thrown out at you at a rapid pace. Zoey Deutch, who is on a roll this summer, is amazing as the incredibly naïve and earnest Gail, who is determined to sleep with Jon Hamm to save her wedding plans. Zoey plays her perfectly as she greets everyone she meets with a “Hi, I’m Gail” and is amazed by the big city of L.A., where everything seems wonderful to her, even when it’s not. The film is full of incredibly stupid and funny scenes, like an overzealous concierge who gets out a map and shows Gail and Otto all the sights they need to see, which include 7-Eleven, Starbucks, McDonald's, and a back alley where you can meet a guy for a good time. Then we see the two going to all these places and acting as if they have just discovered the most amazing city in the world. You have to see the film to understand the plot, but just say there is the old luggage switcheroo, a gang of bad guys after Gail and Otto, and the quest to find Jon Hamm. The film is if the Zucker brothers and Jim Abrams took the Wizard of Oz and turned it into a sex quest with martial arts and bloody deaths. There are so many cameos in this film, you could get drunk taking shots of when someone shows up that doesn’t even say a line. And wait till you see what Jennifer Aniston does in the film! Can Dorothy, I mean Gail, find her celebrity pass and get her long-awaited marriage ceremony back on track? Not without a lot of help and a few dead bodies.   My Rating:  Full Price  Gail Daughtry and the Celebrity Sex Pass Website   Now playing in theaters

My View:  Evil Dead Burn  (2026)  R   In Evil Dead Burn, Alice (Souheila Yacoub) has just lost her husband. Seeking comfort, she visits his family at their secluded home. But grief turns to terror as her in-laws morph into Deadites, monstrous creatures bent on her destruction. Trapped and hunted, Alice’s only hope is a makeshift scrapbook containing the forbidden Book of the Dead. I am a big fan of the original trilogy starring the man, the myth, the legend, Bruce Campbell. The series is now going on without Mr. Campbell, and it loses some of its mojo because of it. This film appears to be using the Evil Dead moniker and the ‘Book of the Dead’ as an excuse for making a film that is incredibly violent (mostly towards women) and almost pointless, other than a knife that the Deadites want to destroy or have (I never quite figured that part out). Not only do the Deadites take a lot of hits (or gunshots), so do the humans they are trying to kill, with an incredible amount of damage that professional wrestlers take fewer hits. The film is worth seeing for one scene in the final ten minutes (kind of right out of the Terminator films) that makes up for most of the mess it is. And yes, by the way, there is a mid-credits scene that is kind of fun. Just wish the rest of the movie was as much fun as its predecessors.  My Rating: Cable    Evil Dead Burn Website Now playing in theaters 

Indiefest:  The Isolate Thief  (2026)  R   The Isolate Thief is set in a snowbound Civil War-era outpost, where a young caretaker, Ada (Mackenzie Foy), isolated from the nearest town,  finds a hidden stash of stolen gold. She must use her wits and perseverance to survive both a deadly winter and a gang of ruthless outlaws who want their gold back. I am a big fan of westerns, a genre that dominated the early days of film but is rarely seen in today’s marketplace. Ada is barely coping with running the outpost because her father, a military man who was in charge of the outpost, has died. This is a film about survival, and Ada uses both her skills and her wits to survive a gang that has come to find a stash of gold. Sean Bean plays the leader of the gang, who at first pose as soldiers, but Ada soon figures out that they aren’t who they say they are. This is a film about surviving in a brutal world where danger is just around the corner, and it takes guts to do so. The story goes on a little too long, but it’s worth seeing for Mackenzie Foy’s performance as a woman who defies the odds to stay alive and Sean Bean as a crafty gang leader who is willing to play the long game to get what he wants.  My Rating: Bargain Matinee  The Isolate Thief Info Now playing in theaters

My View: The Invite  (2026) R   The Invite starts at a point where Joe (Seth Rogen) and Angela’s (Olivia Wilde) marriage is going quickly down the drain. When they invite their mysterious neighbors, Hawk (Edward Norton) and Pina (Penélope Cruz), over for a dinner party, the night quickly spirals into chaos in very unexpected places. I am not a big fan of films where I don’t like the main characters, and when this film starts, I hated Joe and Angela. They don’t like each other and aren’t interested in each other at all. They are just one big fight that starts the moment they see each other. Into this mess of a marriage come Hawk and Pina, a beautiful and cool couple that Joe and Angela have been hearing having deafening sex almost on a nightly basis. At first, only Angela seems to want the other couple in their lives, but as the night goes on, Joe becomes intoxicated by this dynamic couple. This is a hilarious film that continues to push boundaries, making Joe, Angela, and us very uncomfortable as the evening progresses. I loved the performances in this film, with Rogan as the combative Joe, who at first just wants them to leave but slowly comes around to enjoying their company while still trying to push his wife’s buttons. Wilde is hilarious as the overeager hostess who sees every slip-up (like serving ham to the vegan Pina) as a crashing ruin to her night. Edward Norton is so much fun as the overly attentive Hawk, the former “firefighter” who seems overly amused at how uncomfortable the other couple seems, especially Joe. And Penélope Cruz is amazing as the almost overly sexy Pina, who, it turns out, is a sex therapist and is willing to analyze everything at a moment’s notice. This is a sex farce as we find out more about both couples, and as the evening becomes more than just a dinner party. So get ready to laugh a lot and squirm a bit in your seat because it’s going to be a bumpy but highly enjoyable night.  My Rating: Full Price  The Invite Website Now playing in theaters

Sorry I Missed It (A film that I didn’t see when it first came out but have seen recently): Chris & Martina: The Final Set  (2026)  TV-MA  The story of two tennis legends, Chris Evert and Martina Navratilova, who met in tournaments 80 times, with both winning 18 major titles in their careers. Chris was the All-American girl who broke on the scene at age 16 and started winning tourneys right away. Martina was the outsider, having defected in 1975, when she was just 18, from communist Czechoslovakia to the US. Chris was cool, determined, and loved by the media. The media saw Martina as reckless, combative on the court, and sometimes as the villain when they faced each other. What is fascinating about this documentary is that it is not just about their careers but also about their friendship. Chris took Martina under her wing early on, even teaming with her in doubles, and they were friends. Then Martina got serious about winning, and their friendship became combative. Both spent years as the world's number one women's tennis player, and often the other was number two. Then, later in their careers, they became friends again. And then both women had battles with cancer, and that made their bond even stronger. What I enjoyed about this film was watching the two of them together, their matches, and how they get carried away by the emotions of the time. This is a wonderful film about not only two great athletes who changed the face of women’s tennis, but also about friendship and overcoming the obstacles life throws our way.   My Rating: Full Price  Chris & Martina: The Final Set Website  Now playing on the Netflix platform 

Forgotten Film:   The Evil Dead  (1981)  R  Five college students (Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker, and Theresa Tilly) go on an outing to a remote cabin in the Tennessee mountains. They find in the cellar a book, “The Book of the Dead,” and a tape recording of an archaeologist. When one of them plays the tape, a legion of demons and spirits are released, and the group starts to suffer from demonic possession. Will anyone survive? Shot on location in Tennessee by Sam Raimi (Spider-Man trilogy starring Tobey Maguire), the film was shot with almost no money and took over a year to complete, with the cast/crew shooting on weekends and the director turning 20 during the shoot. The film made over 30 million worldwide and spawned a film franchise that is still going today. The film was part horror film, part gore-fest, with a bit of the Three Stooges thrown in. It’s one of my favorite horror films, with some truly stunning scenes and lots of blood splattering everywhere. The Evil Dead is a film that set the standard for the low-budget horror genre with its intense scenes and terrific special effects. The film continues to inspire and amaze film fans and filmmakers worldwide.   My Rating: I Would Pay to See it Again  The Evil Dead Info  The film is available on most online platforms

Weird Credits:  From the credits of Moana:  Tattoo Artist Coordinator

Coming Soon to a Screen Near You:  The Odyssey  (2026)  R  The Odyssey follows Odysseus (Matt Damon), the Greek king of Ithaca, who goes on a long and perilous journey home after the Trojan War and his encounters with mythical beings as he attempts to reunite with his wife, Penelope (Anne Hathaway), and his son, Telemachus (Tom Holland), before Penelope succumbs to a nefarious suitor, Antinous (Robert Pattinson). The film is written and directed by Christopher Nolan, who shot for the first time completely with IMAX 70mm cameras.  The Odyssey Website   In theaters and IMAX on Friday, July 17, 2026

Until Next Time!

Toy Story 5

My View:  Toy Story 5  (2026)  PG   In Toy Story 5, Woody, Buzz, Jessie, and the rest of the gang meet LilyPad, a chatty electronic toy, and their connection to playtime is put to the test. The Toy Story magic works again, and you will love going back to the world where toys not only talk but also care about you. This time, Jessie (voiced by the brilliant Joan Cusack), the cowgirl with the lovable horse, is the main character. We learn that not only has Buzz become smitten with Jessie, but he wants to marry her, but can’t find the courage or the right time to pop the question. However, there are bigger things going on in the household. Bonnie (voiced by Scarlett Spears) is having a tough time making friends. Her parents are concerned and finally bite the bullet, buying her a LilyPad (voiced by Greta Lee), an electronic device that Bonnie, along with all her classmates, becomes obsessed with, ignoring Buzz, Jessie, and the gang, for games and chat with others on the device. Soon, it becomes a war between Jessie, Buzz, and the rest of the toys, with Lily vying for Bonnie’s attention. This is a film about losing oneself to the electronic world and missing out on the world that kids create with their own imagination. It’s also about the isolation that kids feel, even when the electronic devices they are glued to promise friendship and connection. There are some new characters that we get introduced to, with a character voiced by Conan O’Brien who makes this Toy Story one of the funniest in the series. There is also a wonderful subplot involving a new version of Buzz Lightyear that I am sure kids will want. This is a remarkable film franchise that keeps hitting the movies out of the park, being able to find humor, warmth, and bittersweetness that both kids and adults will love, and yes, bring a few tears to an eye or two. Here’s to the wonderful group of toys that make us feel like kids again, even if only for a couple of hours. Note: You will want to wait until Taylor Swift finishes singing during the credits before you leave because there are some bonus scenes that you won’t want to miss.  My Rating: I Would Pay to See it Again  Toy Story 5 Website Now playing in theaters

My View:  The Death of Robin Hood  (2026)  R The Death of Robin Hood follows the legendary Robin Hood (Hugh Jackman), who, unlike the tales about him, has lived a life of crime and murder. Fighting in a battle that he assumes will be his last, Robin Hood is gravely injured. A mysterious woman (Jodie Comer) finds him, offering him healing and a chance at salvation. The Death of Robin Hood is set in a time when no good or bad deed goes unpunished. This is a film about legends and the tales that are told to make heroes out of villains and give hope to people who need something to hang onto. Robin isn’t a hero, and he will tell you himself. We find this out from the beginning, when a man who is weary of living has to keep his wits about him because it seems during his life he has killed many people, and their families want vengeance. The first half of this film is a brutal bloodbath that is incredibly disturbing to watch, and in no way should any child see this film. In fact, I will warn you in advance that there is a scene with a child that is bone-chilling to watch. This is the story of a man living in a kill-or-be-killed world, and he knows his time is just about up. The Death of Robin Hood is a film in two parts: the first shows us Robin as the man who doesn’t hesitate to fight and kill, and the 2nd part is a man who is struggling with what he has done in the past and trying to come to grips with that, wanting to slowly fade into obscurity, but the past won’t let him. The second part of this film is incredibly slow (especially compared to the violent first half, and the friendship that develops between Jodie Comer’s healer character and Jackman’s Robin takes a long time to develop. If you are expecting a big finish to the legend of Robin Hood, you will be disappointed, because that isn’t the idea behind the film. It’s about a man who is ready to fade into the past, not realizing that his story will be continued, right or wrong, to be told long after his misdeeds are forgotten. The film’s two parts are so shockingly different that the second half feels like a letdown, even with some outstanding performances. Sometimes you want the legend and not the truth.  My Rating: Bargain Matinee  The Death of Robin Hood Website   Now playing in theaters

My View: Girls Like Girls  (2026) R  Girls Like Girls takes place in rural Oregon, where Coley (Maya da Costa), a 17-year-old, is dealing with the death of her mother. Things look up when she meets the ever-popular Sonya (Myra Molloy), and the two quickly become friends. Coley realizes she is having stronger feelings for Sonya than Sonya will admit. The teen years are hard enough, but dealing with a now deceased mom who was probably had bipolar disorder, a father that she doesn’t know, and someone you have fallen for but is giving you mixed signals, and you get what Coley is dealing with. Maya da Costa carries this film with flair, delivering a performance that is both sweet and heartbreaking. Girls Like Girls perfectly depicts what it is like to find someone you care about, but having to deal with a person who isn’t ready to go on that journey with you. The film is set in the early 2000’s, when AOL was the norm, and everyone had a Sidekick for messaging. Girls Like Girls is silly, funny, and full of tears and thoughts about a teen’s world crashing down and never being fixed. Until it is. My Rating: Full Price  Girls LIke Girls Website  Now playing in theaters

My View: Leviticus  (2026)  R  Leviticus is set in a remote Christian community, where Naim (Joe Bird) has just moved in. He strikes up a friendship with a local boy, Ryan (Stacy Clausen), and it is evident that the two want more than just friendship. Little do they know that there is evil in the community, and if the two boys act out their forbidden desires, there will be deadly consequences. What do you do when the person you love is the person you cannot trust? How about the mother who you thought cared about you, but turns on you? How about the religious community that you thought would give some comfort and appearance, but instead sees you as evil? That is what Naim faces in the terrifying story of a young man whose choice of whom to fall in love with will harm him. This is a combination of a horror story and a love story. It’s about a first love and wanting to be the one. However, it’s also about a community that can’t tolerate other lifestyles and will punish those who stray from their ideas of what is normal. Even if the consequences are deadly. My Rating: Full Price   Leviticus Website  Now playing in theaters

Indiefest:  Color Book  (2024)  R  Color Book is about Lucky (William Catlett), a widower, who is dealing on his own for the first time with his 11-year-old son Mason (Jeremiah Daniels), who has Down syndrome. Lucky wants to give Mason a day he won’t soon forget: an Atlanta Braves baseball game. It’s a journey that will test their bond. This is about a parent who is still grieving and is overwhelmed at taking on the duty of being a single parent with a child who constantly needs attention and love. It’s a slice-of-life film presented in stark black-and-white photography as the two navigate their relationship and their place in the world. The chemistry between Catlett, as the patient father who has one setback after another, and Daniels, who plays his son, who misses his mother but is ready to go on a journey to be with his dad. This is a remarkably touching film that is at times heartwarming but ultimately heartbreaking, as the obstacles the two encounter are just too big to overcome. Color Book is a remarkable work that will make you frustrated and proud in the same film. My Rating: Full Price  Color Book Info  Premiering on Netflix and in select theaters on Friday, June 19, 2026.

Indiefest:  Gregg Allman: The Music of My Soul (2026)  Gregg Allman: The Music of My Soul is a documentary on the life and origins of one of the founding members of the Rock & Roll Hall of Fame group, The Allman Brothers Band. I am a big fan of a couple of James Keach’s documentaries: the fantastic Glenn Campbell: I’ll Be Me and the film about the fitness guru who gets ALS in Augie. Unfortunately, this documentary feels shallow and spends too much time on Gregg’s last few years. The film never captures the magic that was Gregg or the Allman Brothers Band performing live. The film seems to barely scratch the surface of a man who was incredibly complex and was a very troubled soul for most of his life. The man was married six times and had lots of kids, but we really only get glimpses of his marriage to Cher, and then spend a lot of time with his last wife, Shannon. Gregg Allman: The Music of My Soul's last 20 minutes is about his last few years overcoming alcohol and drug addiction, reconnecting with some of his children, and featuring extensive songs played during an all-star tribute to Gregg. I wanted more and got what seemed like a liner notes type film about his life.  My Rating: Bargain Matinee   Gregg Allman: The Music of My Soul Website Now playing in select theaters.

Indiefest:  Rose of Nevada  (2025)   Rose of Nevada is set in an almost abandoned fishing village in Cornwall, UK. Thirty years ago, the loss of the fishing vessel Rose of Nevada and its crew rocked the community. One day, the fishing vessel reappears, tied up in the harbor. It’s decided that a crew will man the ship in search of fish. When the crew returns, they find something amiss: they are back where they started, but from 30 years ago. This is a strange and wonderful film about what it would be like if you could go back into the past and heal old wounds. Shot on grainy 16mm film and featuring a soundtrack that seems to be fed through a speaker from 30 years ago, this is a magical film where two fishermen go back in time. One, Liam, played by the always-interesting Callum Turner, is happy in this new world, finding a home and family. Whereas Nick (George MacKay) is now Liam’s opposite, having lost his wife and child in the present, and is now part of a family that isn’t his. Nick, in fact, keeps getting back onto the ship, hoping that at some point he will return to his life in the present. This is a fascinating film about time travel and its effects on the men sent back to the past to start their lives over. A life that isn’t their own, but fate has made it theirs anyway.   My Rating: Full Price  The Rose of Nevada Website  Now playing in select theaters

Indiefest:  Unidentified  (2025)  PG-13  In Unidentified, the body of a teenage girl is found in the desert. When no one claims the body, Nawai (Mila Al Zahrani), a divorced woman who recently lost a child of her own and is a true crime aficionado, gets involved in trying to solve the girl’s senseless death. It is rare to find a film that shows another culture through a woman’s point of view, with her as the hero of the story. This is one woman’s fight to find the truth, as she battles both her culture and her bosses to doggedly uncover what happened to a woman nobody wants to claim. Mila Al Zahrani gives a magical performance as a woman who loves listening to and watching true crime stories (which are also done while the host shows makeup tips), and takes on a case that most feel is unlovable. The film slowly reveals the secrets that everyone wants to keep buried. We get immersed in Nawai’s life, a mother who is on her own after divorcing her husband and losing her newborn daughter. She finds purpose in finding out who the dead woman is and why there is a cover-up about her death. It’s a film with lots of twists and turns, many that seem to be dead ends, but Nawai keeps at it, against the odds and her culture. It’s a fascinating film that keeps you guessing until the very end. My Rating: Full Price  Unidentified Website  Now playing in select theaters

My View:  Voicemails for Isabelle  (2026) TV- 14  In Voicemails for Isabelle, Jill (Zoey Deutch) is leaving voice messages for her sister, detailing her life in the big city. Unbeknownst to Jill, the phone number is now for Wes (Nick Robinson), a real estate agent who becomes intrigued by this mysterious woman on his voicemail. I am a fan of rom-coms, but the good ones are hard to find. Voicemails for Isabelle, while hitting your usual rom-com tropes, works thanks to an inventive storyline and Zoey Deutch's charisma and charm. Deutch gives us a multilayered performance that combines humor, warmth, and goofiness, with a solid layer of grief over missing someone who was a huge part of Jill’s life. There is some nice chemistry between Nick Robinson and Zoey Deutch, but this is Zoey Deutch’s film, and she delivers. And yes, the plot is easy to predict, but Deutsch makes it so enjoyable to watch that we follow along just to see how she will react to each scenario. And I have to say that no one has danced to Robyn’s “Dancing On My Own” with such joyful abandon as Deutch. This is a rom-com with heart, setting it apart from most of its genre. Plus, who doesn’t want a dessert taco? My Rating: Full Price  Voicemails for Isabelle Website  Now playing on the Netflix platform

Forgotten Film:  The Long Goodbye  (1973) R  Set in 1973 Los Angeles, private eye Philip Marlowe (Elliott Gould) investigates a friend’s suicide that he is convinced is a murder. The more Philip investigates, the more the plot thickens, as the mob, money, and a missing novelist all become part of the mystery. This is not your typical Marlowe mystery, with Robert Altman directing and Leigh Brackett adapting the Raymond Chandler novel originally set in the 50s. This is more of a commentary on L.A., the people who will do anything to make money in a world where truth, loyalty, and friendship are worthless. Gould is fine as the down-on-his-luck P.I., but it’s Sterling Hayden that steals the show as the missing novelist who is the key to everything going down. The casting is eclectic, with Gould nowhere near the ideal Chandler Marlowe and a bunch of character actors filling out the cast, including Nina van Pallandt, Mark Rydell, Henry Gibson, David Arkin, and Jim Bouton, and a very small (blink and you'll miss it) appearance by Arnold Schwarzenegger.  My Rating: Bargain Matinee  The Long Goodbye Info  The film is available to rent on Apple TV+

Weird Credits:  From the credits of The Death of Robin Hood:  Snow Effects Technician

Coming Soon to a Screen Near You: The Invite  (2026)  R   The Invite starts at a point where Joe (Seth Rogen) and Angela’s (Olivia Wilde) marriage is going quickly down the drain. When they invite their mysterious neighbors (Edward Norton and Penélope Cruz) over for a dinner party, the night quickly spirals into chaos in very unexpected places. The film is directed by Olivia Wilde and written by Rashida Jones and Will McCormack.  The Invite Website   In theaters on Friday, June 26, 2026.

Until Next Time!