The Bride!

My View:  The Bride!  (2026) R The Bride! is a retelling of the story of the Bride of Frankenstein. In the 1930s, Frankenstein’s monster (Christian Bale) had traveled to Chicago to seek the aid of Dr. Eupronius (Annette Bening) in creating a companion. Together, they revive a murdered woman, creating The Bride (Jessie Buckley), who is far more than expected. This sparks a romance, police attention, and more. It’s very hard to describe what this film is. Is it a horror film? Sort of. A musical? Sort of. A comedy? Sometimes. A romance?Nearly. Hard to follow? Absolutely. It is a film with some outstanding performances by Christian Bale as the love-lorn monster and Jessie Buckley as his intended love interest, but to say this movie is off-the-wall bonkers and all over the place would be putting it mildly. I mean, this film even has an homage to Mel Brooks’ Young Frankenstein. Buckley gives an incredible performance of a young woman who is raised from the dead and has a second person in her brain. That person is Mary Shelley, the author of Frankenstein, credited with creating a story that is the origin of both horror and science fiction. Few actors could master this role, but Buckley mesmerizes, switching smoothly between characters, even within a single line. Bale’s monster is mostly a sidekick to The Bride and is happy to go along for the ride. Writer/director Maggie Gyllenhaal went for way over the top with a storyline that just gets weirder as it goes along, with musical numbers, murders, and lots of yelling. It’s a big swing by Gyllenhaal that just never connected for me and, frankly, by the end of the film, gave me a bit of a headache. A little of this film goes a long way, and I wasn’t willing to go that far with it. Still, Bale’s monster in tux and tails, doing a song-and-dance number, will stick with me for a long time. Ultimately, The Bride! left me more exhausted than entertained. There is a mid-credit scene if you can make that far.   My Rating: Bargain Matinee  The Bride! Website  Now playing in theaters

My View:  Hoppers  (2026)  PG  Hoppers takes place after a group of scientists invent a way to “hop” a human mind into a lifelike robot-animal body. Mabel (voiced by Piper Curda), an animal-loving teen, ‘hops’ into a robotic beaver to thwart a construction company from destroying an animal habitat. Mabel discovers that the animal world is full of surprises, including her unwitting role in an animal uprising. Hoppers is a fun, funny, and delightful return to good filmmaking for Pixar. The storyline is inventive, and the humor works from start to finish. Hoppers message about taking care of the environment is effective without being preachy. The film is fast-moving, and young kids are going to love all the talking animals. The humor makes this film stand out, and while the kids will be laughing at the antics, adults will enjoy all the side quips the characters make. Hoppers keeps the storyline moving as we go on a riotous adventure into the animal world that you won’t soon forget. The film has two post-credits scenes you'll want to stick around for. My Rating: Full Price  Hoppers Website  Now playing in theaters

My View: Protector  (2025)  R  Protector is about Nikki (Milla Jovovich), a decorated ex-soldier who left that life to raise her daughter, Chloe (Isabel Myers). When Chloe is kidnapped, Nikki sets off in a race against time to find her daughter, combing through the seamy criminal underworld. Nikki will stop at nothing to find and destroy the people who threaten her daughter. I have a feeling that they either didn’t have a huge budget or Milla wanted to take a day off, because once the film gets to the kidnapping, we are just told about Nikki’s first attempt to rescue Chloe. Then, later in the big battle sequence, there are a couple of times when we hear gunshots but see nothing other than Nikki coming through the doors where the shots were fired. I think fans of Milla will be disappointed with the action sequences, which mostly feature her shooting people rather than hand-to-hand combat. And Protector has an ending that just feels like the writer wanted a twist at the end and then said screw it, here’s a twist that will mess with you. Instead, it just makes you mad. My Rating: Cable   Protector Website   Now playing in theaters

Indiefest:  Dolly  (2025)  R  Macy (Fabianne Therese) is out in the woods with her boyfriend when they encounter a monstrous, doll-masked figure, Dolly (Max the Impaler), who takes Macy back to a house of horrors, where Dolly intends to raise Macy as their own child. This gore-fest horror film starts out strong but runs a bit out of steam by the end. The film is shot on 16mm film, which gives it a great 70s horror vibe, with plenty of Texas Chainsaw Massacre homages thrown in, but it lacks the scares to keep our interest in the slender storyline throughout. Fabianne Therese does an admirable job as our heroine, but there’s not enough in this film to make it more than an interesting idea that just doesn’t have enough substance for a full-length film. My Rating: Cable  Dolly Website     Now playing in theaters

Indiefest:  Heel  (2025)  Heel follows 19-year-old Tommy (Anson Boon), whose life revolves around drugs, parties, and violence. After a night of debauchery, he is kidnapped by a married couple (Stephen Graham and Andrea Riseborough) who hold him in the basement and subject him to relentless mind games in an attempt to put him on the right path and make him a ‘good boy.’ This is an interesting concept for a film that spends too long developing the story and then ends up very predictable. However, the film is worth watching for the two leads, with Stephen Graham as the dad/kidnapper/jailer and Anson Boon as the punk imprisoned and subjected to constant brainwashing. Stephen Graham has just the right amount of creepiness, making his character seem sincerely nuts while also showing a bit of caring. Anson Boon is perfect as the young man who thinks he can live forever and get away with anything he wants to, including violence. Boon keeps the film moving, and we never know when he will erupt and unleash the retribution he promises. Still, the film feels stunted in its character background, and we never find out why the whole family accepts the kidnapping. We just know that Tommy will never change. Or will he?  My Rating: Bargain Matinee   Heel Website  Now playing in select theaters and available to rent on some streaming platforms.

My Rating: Peaky Blinders: The Immortal Man  (2026) R Peaky Blinders: The Immortal Man is set in 1940 Birmingham, amidst the chaos of World War II. Tommy Shelby (Cillian Murphy), against his better judgment, has returned to face his own demons and choose between confronting his legacy or destroying it. This is a must-see for fans of the TV series, but if you haven’t seen the TV program, you can still get the gist of the plot pretty easily. This is a wonderful and interesting character study of two men: Tommy, who has lost everyone he cares about, and Tommy’s son, Duke (Barry Keoghan), who has taken over the Peaky Blinders gang. Duke is trying to make his own way in the world, but he's making some risky decisions that will have major consequences. Tommy has escaped into the countryside and is writing his memoirs. Two people show up to convince Tommy to save his son from a major mistake. His sister, Ada (Sophie Rundle), pleads for him to come back with little result, and Kaulo (Rebecca Ferguson), the twin sister of Duke’s mom, who was the love of Tommy’s life. Kaulo, though some seducing and Romani Gypsy logic, convinces Tommy to come back. Now the question is, can he reach Duke in time, and will Duke betray him? The film is a blast to watch, as Cillian Murphy does what he does best: brood and be imposing. Adding to the mix is Keoghan, who plays the wild-card kid perfectly, whose choice we don’t know what it will be or when he will erupt. This is a perfect companion to the series, and even if you don’t know the story, the film’s storyline and performances will keep you on the edge of your seat.  My Rating: Full Price  Peaky Blinders: The Immortal Man Website   Now in select theaters and on Netflix on Friday, March 20, 2026

Forgotten Film:  Best in Show (2000) PG-13  A behind-the-scenes mockumentary about what goes on in the cut-throat world of competitive dog shows. We follow a group of dog owners who are willing to do anything to ensure that their pampered canines have every chance of winning. Directed by Christopher Guest and co-written by Guest and Eugene Levy (though much of the film features improvised dialogue), the film is a hilarious look at a special group of people who believe their dogs are better than even they are. I picked this film out because, even though it has an all-star cast, the late Catherine O’Hara stands out as Cookie Fleck, the co-owner with her husband, Gerry (Eugene Levy), of their dog, Winky. Cookie, it seems, has slept with everyone at the show with the possible exception of her husband. O’Hara’s performance is a masterclass in how to deliver comedy with such ease and is a delight to watch. My Rating: I Would Pay to See it Again  Best in Show Info The film is available on most streaming platforms.

Weird Credits: From the credits of The Bride!: Special wigmaker to The Bride

Coming Soon to a Screen Near You: They Will Kill You (2026)  R  A young woman (Zazie Beetz) takes a job as a housekeeper at a NYC high-rise that has a history of mysterious disappearances. She soon realizes that the high-rise is a deathtrap, and she is its latest victim. They have no idea who they hired, but the high-rise is about to find out. Zazie has been on a hot streak with her Supporting Actress Emmy nod in the TV series Atlanta, and films like Good Luck, Have Fun, Don’t Die, and Joker: Folie a Deux.  They Will Kill You Website The film will be in theaters on Friday, March 17, 2026

Until Next Time!