The Bride!

My View:  The Bride!  (2026) R The Bride! is a retelling of the story of the Bride of Frankenstein. In the 1930s, Frankenstein’s monster (Christian Bale) had traveled to Chicago to seek the aid of Dr. Eupronius (Annette Bening) in creating a companion. Together, they revive a murdered woman, creating The Bride (Jessie Buckley), who is far more than expected. This sparks a romance, police attention, and more. It’s very hard to describe what this film is. Is it a horror film? Sort of. A musical? Sort of. A comedy? Sometimes. A romance?Nearly. Hard to follow? Absolutely. It is a film with some outstanding performances by Christian Bale as the love-lorn monster and Jessie Buckley as his intended love interest, but to say this movie is off-the-wall bonkers and all over the place would be putting it mildly. I mean, this film even has an homage to Mel Brooks’ Young Frankenstein. Buckley gives an incredible performance of a young woman who is raised from the dead and has a second person in her brain. That person is Mary Shelley, the author of Frankenstein, credited with creating a story that is the origin of both horror and science fiction. Few actors could master this role, but Buckley mesmerizes, switching smoothly between characters, even within a single line. Bale’s monster is mostly a sidekick to The Bride and is happy to go along for the ride. Writer/director Maggie Gyllenhaal went for way over the top with a storyline that just gets weirder as it goes along, with musical numbers, murders, and lots of yelling. It’s a big swing by Gyllenhaal that just never connected for me and, frankly, by the end of the film, gave me a bit of a headache. A little of this film goes a long way, and I wasn’t willing to go that far with it. Still, Bale’s monster in tux and tails, doing a song-and-dance number, will stick with me for a long time. Ultimately, The Bride! left me more exhausted than entertained. There is a mid-credit scene if you can make that far.   My Rating: Bargain Matinee  The Bride! Website  Now playing in theaters

My View:  Hoppers  (2026)  PG  Hoppers takes place after a group of scientists invent a way to “hop” a human mind into a lifelike robot-animal body. Mabel (voiced by Piper Curda), an animal-loving teen, ‘hops’ into a robotic beaver to thwart a construction company from destroying an animal habitat. Mabel discovers that the animal world is full of surprises, including her unwitting role in an animal uprising. Hoppers is a fun, funny, and delightful return to good filmmaking for Pixar. The storyline is inventive, and the humor works from start to finish. Hoppers message about taking care of the environment is effective without being preachy. The film is fast-moving, and young kids are going to love all the talking animals. The humor makes this film stand out, and while the kids will be laughing at the antics, adults will enjoy all the side quips the characters make. Hoppers keeps the storyline moving as we go on a riotous adventure into the animal world that you won’t soon forget. The film has two post-credits scenes you'll want to stick around for. My Rating: Full Price  Hoppers Website  Now playing in theaters

My View: Protector  (2025)  R  Protector is about Nikki (Milla Jovovich), a decorated ex-soldier who left that life to raise her daughter, Chloe (Isabel Myers). When Chloe is kidnapped, Nikki sets off in a race against time to find her daughter, combing through the seamy criminal underworld. Nikki will stop at nothing to find and destroy the people who threaten her daughter. I have a feeling that they either didn’t have a huge budget or Milla wanted to take a day off, because once the film gets to the kidnapping, we are just told about Nikki’s first attempt to rescue Chloe. Then, later in the big battle sequence, there are a couple of times when we hear gunshots but see nothing other than Nikki coming through the doors where the shots were fired. I think fans of Milla will be disappointed with the action sequences, which mostly feature her shooting people rather than hand-to-hand combat. And Protector has an ending that just feels like the writer wanted a twist at the end and then said screw it, here’s a twist that will mess with you. Instead, it just makes you mad. My Rating: Cable   Protector Website   Now playing in theaters

Indiefest:  Dolly  (2025)  R  Macy (Fabianne Therese) is out in the woods with her boyfriend when they encounter a monstrous, doll-masked figure, Dolly (Max the Impaler), who takes Macy back to a house of horrors, where Dolly intends to raise Macy as their own child. This gore-fest horror film starts out strong but runs a bit out of steam by the end. The film is shot on 16mm film, which gives it a great 70s horror vibe, with plenty of Texas Chainsaw Massacre homages thrown in, but it lacks the scares to keep our interest in the slender storyline throughout. Fabianne Therese does an admirable job as our heroine, but there’s not enough in this film to make it more than an interesting idea that just doesn’t have enough substance for a full-length film. My Rating: Cable  Dolly Website     Now playing in theaters

Indiefest:  Heel  (2025)  Heel follows 19-year-old Tommy (Anson Boon), whose life revolves around drugs, parties, and violence. After a night of debauchery, he is kidnapped by a married couple (Stephen Graham and Andrea Riseborough) who hold him in the basement and subject him to relentless mind games in an attempt to put him on the right path and make him a ‘good boy.’ This is an interesting concept for a film that spends too long developing the story and then ends up very predictable. However, the film is worth watching for the two leads, with Stephen Graham as the dad/kidnapper/jailer and Anson Boon as the punk imprisoned and subjected to constant brainwashing. Stephen Graham has just the right amount of creepiness, making his character seem sincerely nuts while also showing a bit of caring. Anson Boon is perfect as the young man who thinks he can live forever and get away with anything he wants to, including violence. Boon keeps the film moving, and we never know when he will erupt and unleash the retribution he promises. Still, the film feels stunted in its character background, and we never find out why the whole family accepts the kidnapping. We just know that Tommy will never change. Or will he?  My Rating: Bargain Matinee   Heel Website  Now playing in select theaters and available to rent on some streaming platforms.

My Rating: Peaky Blinders: The Immortal Man  (2026) R Peaky Blinders: The Immortal Man is set in 1940 Birmingham, amidst the chaos of World War II. Tommy Shelby (Cillian Murphy), against his better judgment, has returned to face his own demons and choose between confronting his legacy or destroying it. This is a must-see for fans of the TV series, but if you haven’t seen the TV program, you can still get the gist of the plot pretty easily. This is a wonderful and interesting character study of two men: Tommy, who has lost everyone he cares about, and Tommy’s son, Duke (Barry Keoghan), who has taken over the Peaky Blinders gang. Duke is trying to make his own way in the world, but he's making some risky decisions that will have major consequences. Tommy has escaped into the countryside and is writing his memoirs. Two people show up to convince Tommy to save his son from a major mistake. His sister, Ada (Sophie Rundle), pleads for him to come back with little result, and Kaulo (Rebecca Ferguson), the twin sister of Duke’s mom, who was the love of Tommy’s life. Kaulo, though some seducing and Romani Gypsy logic, convinces Tommy to come back. Now the question is, can he reach Duke in time, and will Duke betray him? The film is a blast to watch, as Cillian Murphy does what he does best: brood and be imposing. Adding to the mix is Keoghan, who plays the wild-card kid perfectly, whose choice we don’t know what it will be or when he will erupt. This is a perfect companion to the series, and even if you don’t know the story, the film’s storyline and performances will keep you on the edge of your seat.  My Rating: Full Price  Peaky Blinders: The Immortal Man Website   Now in select theaters and on Netflix on Friday, March 20, 2026

Forgotten Film:  Best in Show (2000) PG-13  A behind-the-scenes mockumentary about what goes on in the cut-throat world of competitive dog shows. We follow a group of dog owners who are willing to do anything to ensure that their pampered canines have every chance of winning. Directed by Christopher Guest and co-written by Guest and Eugene Levy (though much of the film features improvised dialogue), the film is a hilarious look at a special group of people who believe their dogs are better than even they are. I picked this film out because, even though it has an all-star cast, the late Catherine O’Hara stands out as Cookie Fleck, the co-owner with her husband, Gerry (Eugene Levy), of their dog, Winky. Cookie, it seems, has slept with everyone at the show with the possible exception of her husband. O’Hara’s performance is a masterclass in how to deliver comedy with such ease and is a delight to watch. My Rating: I Would Pay to See it Again  Best in Show Info The film is available on most streaming platforms.

Weird Credits: From the credits of The Bride!: Special wigmaker to The Bride

Coming Soon to a Screen Near You: They Will Kill You (2026)  R  A young woman (Zazie Beetz) takes a job as a housekeeper at a NYC high-rise that has a history of mysterious disappearances. She soon realizes that the high-rise is a deathtrap, and she is its latest victim. They have no idea who they hired, but the high-rise is about to find out. Zazie has been on a hot streak with her Supporting Actress Emmy nod in the TV series Atlanta, and films like Good Luck, Have Fun, Don’t Die, and Joker: Folie a Deux.  They Will Kill You Website The film will be in theaters on Friday, March 17, 2026

Until Next Time!

The Flash

My View: The Flash (2023)  PG-13  Barry Allen, aka The Flash (Ezra Miller), uses his super speed to change the past and bring back his mother from the dead. However, messing with the past can have massive effects, including creating a world without heroes. The Flash’s only hope: a retired Batman, another Barry, and an imprisoned Kryptonian. The Flash is an attempt to reboot the DC superhero franchise. Does it succeed? Yes and no. The film is helped by an outstanding performance by Ezra Miller, who plays Barry as a young man who desperately wants to be a superhero but also wants to, somehow, someway fix the mistakes of the past. Barry discovers that through a thing called Speed Force, he can go fast enough to travel back in time. The Flash isn’t the first DC movie to do this (Christopher Reeve’s Superman), but it’s the first to do something that impacts every part of the DC universe. Because of the Flash using Speed Force to change the past successfully, it affects the present, and that’s when things get messy. It’s not a secret that Michael Keaton gets to get back into the Batman costume, and I am happy to say that it’s not just a one-scene appearance, but Keaton’s Batman is a major cog in the film and how The Flash is going to right things in the universe. I liked the action sequences and the amount of humor in the movie, but the film goes on for too long and tries to explain everything in detail. Having been a fan of The CW’s The Flash TV series, I am very aware of the Speed Force ability of Flash and the consequences that it can create. There are some fantastic cameos, and I enjoyed a new take on Supergirl (played by Sasha Calle), but an ending that seemed too easy to defeat the bad guy let me down. The Flash has created a DC multiverse with a ton of possibilities to explore in the future. It will be interesting to see where DC films go from here and how much Ezra Miller’s the Flash will be involved with them. And yes, there is a post-credit scene that brings up more questions.   My Rating: Bargain Matinee  The Flash Website  Now playing in theaters nationwide.

Familyfaire: Elemental (2023)  PG  Ember (voiced by Leah Lewis) and Wade (voiced by Mamoudou Athie) live in a city where fire, water, land, and air residents work and play. Ember, a fire resident, and Wade, a water resident, aren’t meant to interact, but they start up a friendship, much to the dismay of their family and friends. Can fire and water really mix? Elemental may not be remembered for long, which is a pity, as its story of finding love in unexpected places is beautiful. Elemental is more a film for kids than adults, and they will love the brilliant animation and the unique world that it depicts. I love the two main characters. Ember wants to follow in her father’s footsteps and take over his store, but sometimes wishes she could do more. Wade is a good-hearted guy, a bit over-emotional, whose heart is huge, and who sees the best in everyone. The two star-crossed lovers learn that even though their worlds are so different, they can find common ground to explore together. I think the weak link in the film is that it isn’t as funny as I wanted it to be. Still, this is a beautiful tale worth seeing on the big screen. So go into a world where fire and water don’t mix…until they do.  There is a short film called Carl's Date, starring Carl (voiced by the late Ed Asner) and Dug the Dog from Up, before the feature film. It is a major disappointment, nowhere near past Academy Award-winning shorts that Pixar has made. It's basically a one joke story that tries to tug on your memories of that beautiful film and fails badly.  My Rating: Bargain Matinee  Elemental Website  Now playing in the theaters nationwide.

My View: The Blackening (2022) R  Seven black friends go away for a weekend only to find themselves trapped in a cabin and forced to play a game created by a killer who has a vendetta. Can the group use their street smarts and knowledge of horror movies to help them survive? Probably not. This film uses horror tropes and cliches about being Black in America, racism, and relationships for comedic effect. The game asks the group to answer questions. Some are trivia questions like ‘Name the five black actors who appeared on Friends.’ Other questions are more challenging and have dire consequences. The film uses films like Saw and any horror movie that takes place in the woods as fodder for the humor. The cast is fun and seems to have a good time making fun of horror films as they have to make choices that every horror film character has to make, like, should we stay together or split up? Should we go down to the basement? And what household items to use as protection (there is a nice callback on that one). The audience I saw it with had a blast and laughed throughout. I wanted a little more horror in the plot, but I still enjoyed the film, and the ending was a lot of fun.   My Rating; Bargain Matinee  The Blackening Website  Now playing in theatres nationwide.

My View: Extraction 2 (2023) R  After barely surviving his last mission, Tyler Rake (Chris Hemsworth) has recovered enough to take on his next assignment. Tyler and his team are to extract a family from a Georgian gangster, who, along with his family, is in a maximum prison. This time the mission is personal, and it’s going to get messy. I wish Netflix had released this in theatres because some of the action sequences don’t belong on a small screen. The film starts where the last movie ended, with Tyler Rake victorious but on death’s door. He is soon rescued and is in isolated recovery (retirement?) when a new job is thrown his way and we are off. I find it interesting that the person offering the job is played by Idris Elba, which I think means that there are plans to make this more than just a sequel. There is an action sequence in the prison that has to be seen to be believed, with Chris Hemsworth’s character in hand-to-hand combat while on fire. Extraction 2 is not your ordinary action film because Rake is a character that not only takes a lot of punishment but is a character with a tortured past that makes him not care about his wellbeing, just completing the mission. We get to see more of what makes Tyler tick and how he bonds with his fellow soldiers, and who he rescues. The action is brutal, and the kill count must be in the hundreds. And if you think the action sequence is impressive in the prison (which is in the film’s first half), wait until the ending. So get to your big-screen TV, turn up the sound, and watch Tyler beat the crap out of a ton of bad guys. Will there be more Extraction films? I think you can count on a few more bad guys dying at the hands of Tyler in the future.   My Rating: Full Price   Extraction 2 Website  Now playing on the Netflix platform.

Indiefest: Past Lives (2023)  PG-13   Nora (Greta Lee) and Hae Sung (Teo Yoo) were two childhood sweethearts who had a special connection. Then Nora moved away with her family to America and the two lost contact with each other. Twenty years later, they are reunited one fateful week in Seoul as they confront notions of love and destiny. One minor problem, Nora is married. Past Lives is one of the best films of the year, a sure bet to be on my top ten list. Past Lives is a film about love and how relationships don’t always work out how they should. It’s a film about what if. Nora has changed from when she was a kid living in Korea. She and Hae Sung have grown in different worlds, affecting how they view themselves and their place in society.. I loved Nora is in a good marriage with a husband, Arthur (John Magaro), who supports and understands her. Filmmaker Celine Song doesn’t make Arthur the villain of the film. Instead, the villain is time. What makes this film work is the brilliant performances of the two leads. Greta Lee is perfect as the headstrong young woman who has made a life in a new world and is happy but still wonders what her life would have been if she had stayed in Korea. Teo Yoo is fantastic as the idealistic young man who clings to a relationship rooted in the past. Hae Sung has years of living in a different culture than Nora, one with varying expectations of relationships, and that’s his downfall. Past Lives explores love and relationships, both ones that work and those that are better left in the past, because love doesn’t always end like a fairytale.   My Rating: I Would Pay to See it Again   Past Lives Website  Now playing in select theatres. 

Indiefest:  Persian Lessons  (2020)   In 1942, Gilles (Nahuel Perez Biscayart) is among his fellow Jewish prisoners facing a Nazi firing squad. Gilles, through a bit of luck, is able to talk his way from death by claiming he isn’t Jewish but Persian. An officer named Koch (Lars Eidinger) in the prison camp wants to learn Farsi so that after the war, he can move to Tehran and open a restaurant with his brother. He enlists Gilles to teach him Farsi, telling him as long as he can teach him the language, Gilles will live. The only problem, Gilles doesn’t know Farsi and will have to make up a language to teach the German. This is one of those films that I liked a lot, but I didn’t love it. I enjoyed the cat-and-mouse game that the officer and Gilles played back and forth. Gilles constantly must change his plan to adapt to the officer’s demands, and Koch is, at first, looking for a slip-up that signals Gilles isn’t Persian. The two actors work well with each other, and they overcome some awkwardly handled moments in the film. It’s hard to make a film set in The Holocaust where the horror of the situation doesn’t overwhelm the film’s plot, and Persian Lessons does an admirable job of focusing on Gilles's story and his almost impossible quest to survive. Persian Lessons is a story of one man’s clever survival and an interesting one at that. However, the story overshadows that so many perished, and we see them, much like the Nazis did, as a continuous progression of people coming into the camp and leaving to die without knowing who they were. That being said, the film keeps the tension going as Gilles somehow, someway, stays alive for another day.   My Rating: Bargain Matinee  Persian Lessons Website  Now playing in select theatres. 

Forgotten Film: Sid & Nancy (1986) R  Sid Vicious (Gary Oldman) was on top of the world as a member of the punk rock groundbreaking band the Sex Pistols. He was all about breaking the rules, drugs, and having a good time. Sid then met an American groupie named Nancy (Chloe Webb), and his world changed. Sid & Nancy is a Romeo and Juliet story of two people who loved each other but were on a collision course with disaster. Gary Oldman burst on the scene with this film, and it’s a remarkable performance, giving us a personal look at a man who was a tortured soul who found love, but it wasn’t enough.   My Rating: Full Price  Sid & Nancy Info  The film is available on DVD and BlueRay.

Weird Credits: From the credits of The Blackening: Assistant Crafty

Coming Soon to a Screen Near You: Oppenheimer (2023) R The story of American scientist J. Robert Oppenheimer (Cillian Murphy) who, at the urging of a desperate U.S. government wanting to end WWII, developed the atomic bomb. The film is from Christopher Nolan (The Dark Night series, Interstellar (2014), Dunkirk (2017)) and boasts a cast that includes Emily Blunt, Robert Downey Jr., Matt Damon, Gary Oldman, Florence Pugh, Rami Malek, and Olivia Thirlby. Many theatres will show this in 70mm, and it was shot entirely with IMAX cameras. Oppenheimer will be an event film not to be missed in theatres! Oppenheimer will be released nationwide on July 21, 2023.   Oppenheimer Website

Until Next Time!

The Way Back

My View:  The Way Back (2020) R   A former high school basketball star, Jack (Ben Affleck), is struggling to overcome his alcoholism and is offered a job to coach at his alma mater. When his team starts on a winning stream, his old demons resurface to try to stop his road to redemption. While technically a ‘sports’ film, the movie focuses more on the struggles of Jack, who is dealing with demons from his past through alcohol, and the relationships he develops with the members of the team he takes over. Affleck gives one of his best performances as a man who reluctantly takes over a team that barely has enough players to fill out a team. Jack deals with coming back to the place of his glory days and tries to inspire his team to play for each other and believe in themselves. The beauty of this film is the emphasis on the people in the story and not the outcome of the games themselves. My guess is that this might get Ben Affleck the two-time Oscar winner the Academy Award nomination for acting that he has long deserved.   My Rating; I Would Pay to See it Again     The Way Back Website

Familyfaire:  Onward (2020) PG    Two brothers (voiced by Tom Holland and Chris Pratt) go on a magical quest to try and revive their dead father for one day, a father the two barely remember. While not quite the gold standard that past Pixar movies (Toy Story franchise is the model) have brought us, Onward is still a fun and at times, moving tale that is perfect for young children to learn about the importance of family and how we have to believe in ourselves in order to succeed in life. The film has quite a few funny moments and takes a couple of twists and turns to keep the storyline moving at a quick and smart pace. Pratt, as the older, almost bumbling brother and Holland as the younger and less adventurous younger brother, make a great pair and play off each other with ease. While not a home run, Onward is still an enjoyable film that lets us tag along on a journey of two brothers who would do anything to bring their father back, even if it’s for a brief instant.    My Rating: Full Price     Onward Website

My View:  Burden (2018) R   When a museum celebrating the Ku Klux Klan opens in a small South Carolina town, the Reverend Kennedy (Forest Whitaker) tries to broker a peace all the while sheltering a former Klansman, Mike (Garrett Hedlund), much to the shock of his family and his church. While its heart is in the right place, Burden just doesn’t quite hit the mark, making the film feel a little too long and slightly flat in tone. I enjoyed Hedlund as Mike, a man who’s troubled past he must overcome with the help of the Reverend and Mike’s long-suffering girlfriend (Andrea Riseborough). I thought Hedlund went a little too far in his performance until I saw the real Mike talk in the closing credits, and I realized that Hedlund had captured the essence of the man. The film feels a little too much like a Lifetime movie, going for some of the easy emotional pulls, especially when Mike turns his back on the Klan. Whitaker is enjoyable as the Reverend, but this is a part that he probably could have played in his sleep, as the Reverend is portrayed as a one-trick pony, a man who never wavers in his beliefs that he can overcome evil with love and kindness.    My Rating: Bargain Matinee     Burden Website

Indiefest:  Greed (2019) R    Sir Richard McCreadie (Steve Coogan), a billionaire fashion mogul, is determined to celebrate his 60th birthday in the grandest scale on the Greek island Mykonos, even if it kills him. This satire badly misses the mark, making the film feel shallow and way too long. Coogan gamely gives the part of the very unlikeable Sir Richard, but he can’t overcome a script that feels like it wanted to be a harder hit on the super-rich and their life of excess but never quite has power or message to hit its mark. The ending of the film feels very unsatisfying and rushed, with a setup that takes way to long to come to its climax.    My Rating: Cable     Greed Website

My View:   The Banker (2020) PG-13    Two African American businessmen, Bernard (Anthony Mackie) and Joe (Samuel L. Jackson), devise a plan to help other African Americans get bank loans. The two men hire a working-class white man, Matt (Nicholas Hoult,) to pose as the face of the banking empire, while the two businessmen pose as his janitor and chauffeur. Their plan succeeds beyond their wildest dreams, that is, until the federal government begins snooping around. I loved the relationship between the straight-laced Bernard and the free-wheeling, hard-drinking Joe, making them the ‘odd couple’ of banking. Mackie and Jackson seem to enjoy being on screen together, and the two play off each other with an ease that makes their success and their friendship seem real and genuine. I wish the film wasn't so slow in developing and so bland in its storytelling. I had a bit of a problem with Nicholas Hoult in the part of the ‘aw shucks’ Matt, who is pretty dull in the part, especially when on the screen with Mackie and Jackson. The film seems to be on the verge of making some real and exciting points about race in America but never quite can figure out how to deliver that message.    My Rating: Bargain Matinee     The Banker Info

Indiefest:  Seberg (2019) R I  nspired by real events, Seberg chronicles the life of actress Jean Seberg (Kristen Stewart), an actress that rose to fame during the French New Wave films of the 1960s. Hoover’s FBI targeted her because of her politics, and the fact that she was dating black activist Hakim Jamal. When I was a kid, I saw the 1969 film Paint Your Wagon and fell in love with Jean Seberg. As an adult, I always wondered what happened to her and her promising career, so I read several books about her. I am sad to report that though Kristen Stewart valiantly tries, this film falls way short in bringing anything new to the story of Seberg, a woman who was deeply troubled. The film never really explores or even tries to explain Seberg’s mental troubles, seemingly blaming all her misfortunes on the harassment by the FBI. A great many people tried to help her throughout her short life, but Seberg never scratches the surface of this complicated, talented woman. Instead of this film, watch her landmark performance in the 1960 classic Breathless or heck, even Airport (1970). Anything in her early career would be better than this film.    My Rating: Cable    Seberg Website

Forgotten Film: The Killer (1989) R    An assassin (Chow Yun-Fat) accidentally blinds a singer during a hit gone wrong. He falls for the singer and decides to take one last hit in order to pay for an operation to hopefully restore the singer’s sight. He is double-crossed and must now team up with a cop to take down the mob boss who was out to kill him. Written and directed by John Woo ( Broken Arrow, Face/Off), this is a movie that blends perfectly action (which can get quite bloody) and drama. The reason to see this film is the final gunfight, one of the best gunfights that I have ever seen.    My Rating: Full Price     The Killer Info

Weird Credits: From the credits of The Way Back: Face Painter

Coming Soon to a Theatre Near You: The New Mutants (2020) PG-13   Five young mutants, who are still discovering their abilities, are held against their will and now must learn to fight on their own. The cast includes Anya Taylor-Joy, who just wowed us in Emma. and Maisie Williams, who I loved in as Arya Stark in Game of Thrones.      The New Mutants Website

Until Next Time!

Creed

My View:  Creed  (2015) PG-13   The illegitimate son of Apollo Creed, Adonis Johnson Creed (Michael B. Jordan), wants to follow in his father’s footsteps and be a boxer.  He is willing to do just about anything to reach his goal, including moving to Philly to get the man who beat his father, Rocky (Sylvester Stallone), to help him train.  This is one of the best films of the year and has some of the greatest fight sequences I have ever seen. There is a fight in the film where we follow Adonis from the cramped dressing room to the small ring in a seedy auditorium, that in one continuous shot that doesn’t cut away till the whole fight is completed. It’s a spectacular sequence that punctuates this film with a bang. Jordan sizzles on-screen as the troubled but talented son of Apollo Creed. Stallone gives an Oscar-worthy performance that is understated and moving. Jordan and Stallone have phenomenal chemistry that makes this film work from all angles. This film is a nice homage to the “Rocky” films without getting too campy or sweet, and the final fight sequence is thrilling and just as exciting as any action film that has come out in the past few years. Just like the original Rocky, you will want to see Creed more than once.    My Rating: I Would Pay to See It Again   Creed Website

Family Faire:  The Good Dinosaur  (2015) PG  What if the asteroid that caused the dinosaurs to die off never hit earth and humans and dinosaurs lived at the same time? An Apatosaurus named Arlo (voiced by Raymond Ochoa) has been separated from his family, and he enlists a human boy named Spot (voiced by Jack Bright) to help him complete the tough journey home. The animation in this film is unimaginably beautiful, highly realistic and drop dead gorgeous  looking film. The story isn’t quite up to the Pixar magic touch of films like the Toy Story franchise, but it’s a sweet story of finding courage within yourself to tackle life’s obstacles. Kids will enjoy the antics of Spot, and adults won’t be bored with the storyline. The film is reminiscent of the old Disney films like The Incredible Journey, and, for some, will bring a few tears near the end. This film is delightful, and, while not quite Pixar’s best, is still fun to watch.  My Rating: Full Price   The Good Dinosaur Website

My View:  Victor Frankenstein (2015)  PG-13  The legend of Frankenstein (James McAvoy) before he created his monster, told from the perspective of his friend and colleague, Igor (Daniel Radcliffe).The film is a retelling of the Frankenstein’s monster story, centering on Igor. Unfortunately, it loses all the meaning behind the story, making the film feel shallow and simple, something the Frankenstein story isn’t. Radcliffe is wasted as Igor and James McAvoy chew up the scenery in every scene. The ending feels rushed and unsatisfying.    My Rating: Cable     Victor Frankenstein Website  

Indiefest:  Legend  (2015)  R  Two identical twins, Reggie, and Ronnie Kray (Tom Hardy), are bent on creating an organized crime empire in the East End of London during the 1960’s. Their reign will be noted as one of the bloodiest times in the city’s history. This film wastes an intense and virtuoso performance by Hardy in the two Kray roles. The film never finds it’s footing, getting caught up with the violence without letting us ever understanding the characters. The movie is overly long, sometimes tedious and only occasionally shows us glimpses of what the film could have been. Only the most devoted Tom Hardy fan will enjoy this film. If you are interested in the subject matter, there is a much better film from 1990 called The Krays that deals with the storyline in a much more satisfying conclusion.   My Rating: Bargain Matinee   Legend Website

Indiefest:  Trumbo  (2015)  R  In 1947, Dalton Trumbo (Bryan Cranston) was Hollywood’s highest paid screenwriter and one of t he most talented writers out there. There was one problem: Trumbo was a registered member of the Communist Party, and the U.S. government was targeting communists for persecution. Trumbo is fired from his job and suffers the injustice of the blacklist, which kept writers, actors, and directors from working on any film.  Cranston gives a complex and scintillating performance of a man who liked to tweak the establishment and was probably too smart for his own good. The talented cast includes Diane Lane as Trumbo’s wife, Helen Mirren as gossip maven Hedda Hopper, Louis C.K. as troubled screenwriter Arlen Hurd, and John Goodman as Frank King, the king of “B” pictures. Dean O’Gorman stands out doing a dead-on portrayal of Kirk Douglas, the actor who was instrumental in Trump’s triumphant return from the Blacklist. The film's big flaw is that it tries to cover too much ground and deals with too much time and too many instances of Trumbo battling the system. It’s a film with some sparkling and vivid performances that, unfortunately, is brought down by its length.    My Rating: Bargain Matinee   Trumbo Website  

Indiefest:  Peggy Guggenheim: Art Addict  (2015)  Documentary about Peggy Guggenheim,  an heiress to her family fortune who became a central figure in the modern art movement. As she moved through the cultural upheaval of the 20th century, she collected not only art but artists. Her colorful personal history included such figures as Samuel Beckett, Max Ernst, and Jackson Pollock. This is a fascinating film about a woman who lived a life filled with art and artists. The film shows us that not only did Guggenheim have great taste, but she also single handily saved some of the great modern art paintings from the Nazi’s, buying up hundreds of paintings and then shipping them to the U.S. just before the fall of Paris. I have always loved modern art, and this film made love it even more.    My Rating:  Full Price   Peggy Guggenheim: Art Addict

Forgotten Film:  Being There (1979)  PG  A simple, sheltered gardener (Peter Sellers) is pushed out into the real world when his employer dies. Through a series of chance events, he becomes an advisor to a powerful businessman who has the ear of the most powerful people in Washington. Sellers is brilliant as Chance, a man who has only known gardening and spouts gardening tips that are perceived as highly intelligent commentaries on the ills of society.  The film, beautifully directed by Hal Ashby, is part black comedy and part satire. Melvyn Douglas won a Best Supporting Actor for his role of the businessman who takes Chance under his wing and unwittingly makes him one of the most admired men in America. The last scene of the film is not to be missed.    My Rating;  Full Price   Being There Info

Weird Credits:  From the credits of Creed:  Additional Voices

Coming Soon To a Theatre Near You:  The Lady in the Van  (2015)  PG-13  A man (Dominic Cooper) makes friends with a feisty old homeless woman (Maggie Smith) who lives in a van that has been parked in his driveway. Hey, any film is made better with Maggie Smith.   

Until Next Time!

Inside Out

Family Faire: Inside Out (2015)  PG   Riley (Kaitlyn Dias) is dealing with a lot in her young life; a move from the Midwest to San Francisco, a new school and having to make friends. Good thing she has emotions, Joy, Disgust, Sadness, Fear and Anger to help her cope. This film is destined to be a classic, in-line with other great Pixar films like Toy Story (1995), Finding Nemo (2003) and Up (2009). The film has a brilliantly written script and contains an inventive storyline. Amy Poehler is phenomenal as the character Joy, and Lewis Black is priceless as Anger. The film is funny, a joy to watch (no pun intended) and melts your heart. Though made in 3-D,  it’s not necessary to see the movie in 3-D as it didn't add anything to the experience. Don’t miss this film that the whole family will fall in love with and teaches us, it's OK to have feelings.    My Rating: I Would Pay to See It Again   Inside Out Website

Indiefest: Dope (2015)  R   Malcolm (Shameik Moore) is a geek just trying to survive in a tough neighborhood. His life changes when he is invited to an underground party, and he and his friends go on an adventure of a lifetime.  I enjoyed this film, especially the performance of Shameik Moore, who is a delight to watch on the screen as the geeky and shy Malcolm. The storyline is interesting, and I loved the ending of the film. I didn’t like that Malcolm and his two best friends get involved (not by choice) and are rewarded for distributing drugs. I also didn’t like that Molly’s drug use was seen as okay and a fun way to party. But those problems don’t overshadow that this is a unique film with a very unconventional hero at its core.    My Rating: Full Price   Dope Website

Indiefest:  The Connection (2014)  R  One man, Marseilles magistrate Pierre Michel (Jean Dujardin), makes it his life work to take down one of the most notorious drug smuggling operations in history: The French Connection. This is a well-done crime drama that focuses on the magistrate that tirelessly works to bring down a gang responsible for so many people’s deaths and destruction.  Dujardin and Gilles Lellouche, who plays the drug lord that the magistrate is trying to bring down, are both exceptional in their roles, and their scenes together are full of sparks and high drama. Lellouche does a remarkable job in making us care about a very despicable character. Unfortunately, The Connection is going to be compared to the 1971 film, The French Connection even though they are two very different films. The Connection is an excellent addition to the crime drama genre with two outstanding performances by Dujardin and Lellouche.    My Rating: Full Price   The Connection Info

Indiefest:  The Wolfpack (2015)  R   A documentary on six brothers and one sister who have lived their whole lives inside a New York City apartment. The children have been home-schooled and almost never leave the apartment due to a controlling father. To entertain themselves, the six brothers re-create their favorite films with homemade costumes and scripts.  I enjoyed the film, mostly because the boys are so outgoing, and their re-creations of films are fascinating. I wanted more on their background, and while we do see quite a few home movies, I never felt that I got to know anyone in-depth in the family. The movie also never fully explores the darker side of the father and his hold on his family. There are hints that he bullies the boys and that he might have hit his wife, but these are never fully explored. The Wolfpack is a film that never quite lives up to its potential, leaving me thinking that the boys were merely characters in their own film, instead of real kids trying to find their way in the big, wide world of New York City.    My Rating: Bargain Matinee    The Wolfpack Website 

Forgotten Film:  La Cage aux Folles (1979) R   This is a far better film than the American remake, The Birdcage (1996). The plot is roughly the same; a gay couple’s son is getting married into a conservative family, so the couple attempts (very badly) to act straight so that the wedding will go off. This French film is funny, warm and is a combo of a farce and a musical. The film brilliant plays out, becoming funnier as it goes along. The film is worthy of its three Oscar nominations and is a joy to watch.    My Rating: Full Price   La Cage Aux Folles Info

Weird Credits: From the credits of Inside Out: Character Modeling and Articulation Artist

Coming Soon to a Theatre Near You:  The Bronze (2015)     A foul-mouthed former gymnast (Melissa Rauch) has made a living on the fact that she won an Olympic bronze medal. Now she is asked to put her ego aside and help mentor a new up-and-coming star. I love Melissa Rauch and am looking forward to seeing what director Bryan Buckley can do with this material. Buckley has directed some of the best commercials of the past ten years.   The Bronze Info

Until Next Time!