Showing posts with label Anya Taylor-Joy. Show all posts
Showing posts with label Anya Taylor-Joy. Show all posts

Friday, May 24, 2024

Furiosa: A Mad Max Saga

My View: Furiosa: A Mad Max Saga (2024) R  As the world falls, a biker horde led by the warlord Dementus (Chris Hemsworth) takes a young Furiosa. Years later, Furiosa (Anya Taylor-Joy) tries to escape and find her way home as two tyrants wage a war. Having been a huge fan of the Mad Max franchise since I saw the original film at a midnight screening when in college, falling in love with the action and Mel Gibson (even with his voice dubbed because the studio thought American audiences wouldn’t be able to understand Gibson’s Australian dialect). I consider Mad Max 2 (The Road Warrior) (1981) one of the great action films of the 80s, and I picked Mad Max: Fury Road (2015) as one of the best films of that year. I am happy to say that while not as good as Fury Road, Furiosa is still an excellent action picture that gives us a ton of backstory on the origin of Furiosa, a character we all fell in love with in the 2015 film. A lot was made of the decision by filmmaker George Miller to not cast Charlize Theron again in the role, but Miller, after seeing how badly CGI did de-aging De Niro in The Irishman, Miller went with Anya Taylor-Joy for the role. It must be said that Taylor-Joy is only in the 2nd half of the film, as the early days of Furiosa use a much younger Alyla Browne in the role, as we learn she was kidnapped as a child by Dementus (Chris Hemsworth) and used as a kind of good luck charm as he terrorizes the world with his biker gang. The film is divided into segments, each telling an essential part of Furiosa’s life. When Anya takes over the role, she shows us she can kick butt with the best of them. I loved her in this role, and she showed she can handle the action sequences. There is an excellent sequence in the middle of the film as Furiosa has become the sidekick of the best rig driver, Praetorian Jack (played by a very charismatic Tom Burke), as he drives a massive war rig across the desert delivering precious gas while Furiosa and Jack fight off a seemingly endless group of attackers who are trying to highjack the rig. It’s a fantastic bit of stunt work that goes on for at least ten minutes of high-octane action. Chris Hemsworth dominates the screen every time he is on it, as the mad as a hatter warlord who loves to cause as much trouble as he can. Hemsworth chews scenery with the best of them, and it’s always fun to see just how nuts his character is in each chapter of the film. While not a great film like Fury Road, Furiosa is still a rousing action film filled with characters you will keep thinking about long after the last scene leaves the screen.   My Rating: Full Price  Furiosa: A Mad Max Saga Website  Now playing in theaters nationwide.

Familyfaire: The Garfield Movie (2024) PG  Jon (voiced by Nicholas Hoult) rescued Garfield (Chris Pratt) after finding the cat abandoned in a restaurant. Now grown, Garfield has a sudden reunion with his long-lost father, an alley cat named Vic (voiced by Samuel L. Jackson). Now Garfield and his dog pal Odie (voiced by Harvey Guillen) are forced from their perfectly pampered life into joining Vic in a high-stakes heist. The bar is pretty low for any Garfield movie. I mean, Bill Murray sleepwalked doing the voice of Garfield for two movies in the early 2000s. So, how does this film stack up? It’s ok, which in Garfield movie-land means it’s watchable. Kids are going to enjoy the film. There is plenty of action, Garfield gets into lots of trouble and still saves the day, and the cast of characters are at least interesting and colorful. I was bored by most of the film, even with many movie references, but the kids in the theatre with me seemed to enjoy the antics of the fat cat. Chris Pratt does a fine job as the voice of the cat with an attitude. Unlike Mr. Murray, he at least sounded like he was having fun. My Rating: Bargain Matinee  The Garfield Movie Website Now playing in theaters. 

My View: Atlas (2024) PG-13   Atlas Shepard (Jennifer Lopez) is a data analyst who deeply mistrusts AI technology, even though her mother is responsible for creating the technology that gave AI robots their power. Atlas decides to join an anti-terrorist mission to stop an AI from destroying Earth. After an attack, Atlas is marooned on a planet, and her only ally is an AI robot named Smith. Together, they will have to succeed, or the Earth is doomed. I’ve always felt that Jennifer Lopez could have been a bigger film star if she hadn’t gone off to become a pop star. She had a successful run in the late 90s with Selena, U-Turn, and an outstanding performance in Out of Sight. Even Anaconda is fun to watch, and The Cell is so weird that it is extremely watchable. Then she went with the rom-com route, and we got Gigli, among others. I had hope when she got great reviews with Hustlers (2019), but then she went back to the rom-com route again with stuff like Marry Me and Shotgun Wedding. So now we have Jennifer as a tough-as-nails woman who is determined to stop an AI named Harlan (played by Simu Liu) from destroying the world, an AI that her mother created and set loose on the world. Jennifer spends most of the film inside a giant robot-like war machine that, to work properly, must sync with Atlas so that they both share each other’s thoughts. I liked the action sequences, and the ultimate battle between Atlas and the AIs is fun to watch, but it takes a long time to get there, and that’s what slows this film down. We slowly get the real reasons Atlas is so determined to defeat Harlan (besides his desire to kill humans). This isn’t a bad film; in fact, I enjoyed it for what it is: a sci-fi action film with not enough action in it. I am hoping that Jennifer will find the right role again in the near future. Just stay away from the rom-coms for awhile.  My Rating: Bargain Matinee  Atlas Website  Now playing on Netflix. 
My View:
The Blue Angels  (2024)  The documentary The Blue Angels delves into the selection and training of the Navy/Marine Corps Flight Demonstration Squadron, called The Blue Angels. I grew up in San Antonio, TX, which is a big Air Force and Army town. So, I didn’t know much about the Blue Angels, but this film has corrected that. This film will amaze you with how skillful these Navy and Marine pilots are. The aerial photography is mind-blowing, and you will be thrilled at the precision it takes to fly these planes like the Blue Angels do. We get to know the pilots and, to a lesser extent, their families as the camera spends a year following the pilots as they crisscross the country, bringing their air show to crowds that sometimes are larger than a Super Bowl. What I loved was the behind-the-scenes training that these pilots do, showing us all the classwork and study sessions that go on throughout the year to try and achieve perfection in their flying. Like their airshows, I have a feeling that this film will inspire a few kids to want to become pilots and someday fly with The Blue Angels.  My Rating: Full Price  The Blue Angels Website  Now playing on Amazon Prime. 
Indiefest:  
Babes  (2024) R  In Babes, Eden (Ilan Glazer) and Dawn (Michelle Buteau) have been friends forever. They grew up in NYC and experienced everything together. Eden, carefree and single, has a one-night stand and becomes pregnant. She decides to have the baby and will need all the help that her best friend can supply. This film is a hilarious and touching depiction of friendship and family. It's also about the family you create through friendship, and sometimes that bond is stronger than your real family. When we meet Dawn and Eden, they are getting together for their annual watching of a movie in a theater on Thanksgiving, and they will not stop for anything, even if Dawn is having a baby. We instantly see the dynamic between the two as they decide to leave the movie and get something to eat before Dawn has to suffer for ’25 hours like last time. ’ They are best friends, and nothing can get in the way of that. Except for life, especially after a great one-night stand, Eden finds out she is preggers, and Dawn is having trouble managing a new baby, a job, and a toddler. Glazer and Buteau's comedic timing is incredible, as the chemistry between the two women is off the charts. Their banter is laugh-out-loud funny, and the situations they are in seem based on real-world experiences. The film is helped by a great supporting cast, including John Carroll Lynch, who plays both women’s baby doctor. Every time he is on camera, there is a running gag that just made me lose it. While men are going to have a great time, and by the way, Marty (Hasan Minhaj), Dawn’s husband, is a saint, women are going to fall in love with Babes, and its observations on motherhood, pregnancy, birth, and friendship. Go see this film. You will laugh (with a few tears in between) from beginning to end.  My Rating: I Would Pay to See it Again  Babes Website  Now playing in theaters. 

Forgotten Film: Clean and Sober (1988) R  Daryl (Michael Keaton) is a successful real-estate salesman who has seen better days. He is a drug addict and is in trouble with his job for taking some money and investing it (badly) in the stock market. Oh, and a woman he picks up at a bar dies from a heart attack due to all the drugs they did together. He decides to escape and enroll in an anonymous drug rehab program. His thinking is he can hang out until things cool down. Little does he know this program is run by a counselor who has seen guys like Daryl a hundred times before and will make Daryl work at his recovery. The movie is helped by a supporting cast that includes Morgan Freeman as the counselor, Kathy Baker as a fellow addict whose life is as big a mess as Daryl, and the great M. Emmet Walsh as Daryl’s AA sponsor. Keaton is perfect in the role of a guy who thinks he can either charm or BS anyone into believing anything. The film lets you know at the end that it will be a long and bumpy road for Daryl. We don’t know if he will succeed in staying sober, but at least he has a chance.   My Rating: Full Price  Clean and Sober Info The film is available on streaming services.

Weird Credits: From the credits of Furiosa: A Mad Max Saga: Earthworks Manager

Coming Soon to Screen Near You: Beetlejuice Beetlejuice (2024)   After an unexpected family tragedy, three generations of the Deetz family have come home to Winter River and the house we all know so well. Lydia (Winona Ryder) is still haunted by Beetlejuice, and to make things worse, her daughter, Astrid (Jenna Ortega), has discovered that mysterious model of the town. It’s only a matter of time before someone’s name will be uttered three times. Tim Burton and Michael Keaton have returned to bring us the magic back. As someone in a dirty, black-and-white suit says, “The Juice is loose!”  Beetlejuice Beetlejuice Website The film is slated for release in early September.

Until Next Time!




Friday, March 18, 2022

Master

My View: Master (2022) R  Gail Bishop (Regina Hall) has been named dean at a prestigious New England university, the first Black dean in the school’s history. Jasmine (Zoe Renee) is a new student at the university, and she learns that the students at this school believe that the campus is haunted. Both Gail and Jasmine aren’t just dealing with systemic racism at the university because there is something far more sinister in these hallowed halls. Something that could prove deadly. This is not your ordinary horror film as it only makes up half of this film’s content. The other half is about racism, white privilege, and how institutions of high learning are more about politics and less about higher education. The film follows two stories connected by a sinister force that is alive and well on the campus; the question is, is it a supernatural force, or is it just underlying racism that hides under the surface. I liked this film for the first two-thirds, but then the storyline fails to come to a satisfying ending, leaving me wanting more from its resolution. The film doesn’t quite deliver on the scares, and I didn’t think the character of Jasmine was ever in mortal danger that the film wants you to feel that she is in. Still, there is quite a bit that you will be discussing afterwards about this film and its subject matter.   My Rating: Bargain Matinee   Master Website   Now playing in select theatres and on the Amazon Prime platform.

Indiefest: The Outfit  (2022) R  Leonard (Mark Rylance) is an English tailor who used to work on London’s Savile Row. After a personal tragedy, Leonard now makes his home in Chicago, in a part of town where only mobsters can afford his hand-crafted suits. Basically, all Leonard wants to do is be left alone to make clothes with his assistant (Zoey Deutch), but his life is about to get complicated when two killers show up on his shop’s doorstep. This is an absolute thrill ride of a film where you are kept guessing until the end. Buoyed by a brilliant performance by Mark Rylance and a script that values words more than actions, this film is a mystery inside another mystery. It slowly peels back its layers of plot woven together better than any other fine suit that Leonard constructs. The Outfit is a film that lets Rylance show us just how good an actor he is, giving us a far craftier and wise character than the people around him. I can’t tell you how much fun I had watching this film, making me think of some of the great Hitchcock films of the 30s and how a character can get them in and out of impossible situations, taking us along for the thrilling ride.   My Rating: I Would Pay to See it Again   The Outfit Website  Now playing in theatres nationwide.

My View: Deep Water (2022) R Vic (Ben Affleck) and Melinda (Ana de Armas), on the surface, have the perfect marriage. However, both love to play mind games, and their marriage is holding on by a thread. Vic allows Melinda to take any number of lovers, as long as she doesn’t desert her family. Their marriage is about to fall apart when one of Melinda’s former lovers is discovered murdered. While I don’t think this is a great film, I still enjoyed going on this weird, strange, and sometimes horrifying journey with two very messed-up people. Directed by Adrian Lyne (Flashdance, 9 1/2 Weeks, Fatal Attraction) and based on a book by Patricia Highsmith (The Talented Mr. Ripley), this is a mystery/suspense film about two people who are in a twisted and peculiar relationship. The film is sure to be compared to Gone Girl (2014) and possibly the Harrison Ford film Presumed Innocent (1990), this film is about two people who are in a relationship that is complicated, messy, and dangerous. Affleck and de Armas portray to beautiful people that do very ugly things to each other. This film takes a lot of twists and turns, with you wondering if you saw something that was real or fantasy until the very end.   My Rating: Bargain Matinee   Deep Water Website  Now playing on the Hulu platform.

Familyfaire: Cheaper by the Dozen (2022) PG  Zoey (Gabrielle Union) and Paul (Zach Braff) are parents of a large blended family, the Bakers. Whoever thought living in this family of 12 would be easy thought wrong. This is the third version of Cheaper by the Dozen. The first is an excellent classic film from the 1950s that stars Clifton Webb. The second was a mildly funny film starring Steve Martin from the 90s. And now we have a modern-day version that is painful to watch. Incredibly dull, not a bit funny, and so long it seems to last for days, this version is an attempt to pack a lot into a film that doesn’t work as a comedy or as a commentary on race relations. Add into the mix some horrible acting by some of the kids and a script that is so poorly constructed I almost got whiplash from the events of the film (the family goes from barely paying their bills to a mansion in an exclusive neighborhood in a matter of days) and you have a film that is just dull to watch. Go watch one of the latest animated films from Disney or the wonderful Mitchells vs the Machines if you want some family fun because this version of Cheaper by the Dozen doesn’t even come close to being entertaining.   My Rating: You Would Have to Pay Me to See it Again   Cheaper by the Dozen Website  Now playing on the Disney+ platform.

Forgotten Film: White Fang (1991) PG  The story of a young man who goes to the Yukon to find gold and a dog who was raised by wolves. The two find each other in the wilds of Alaska and make a great team to survive the wilderness together. I loved this book as a kid, and though the film doesn’t quite match the book in the storyline, it’s still a great adventure film. I think we forget just how good an actor Ethan Hawke was at such an early age. The film is one of the better wilderness action films and has a dog you will fall in love with. What more could you want?   My Rating: Full Price    White Fang Info


Weird Credits: From the credits of The Outfit: Rushes Runner


Coming Soon to Screen Near You: The Northman (2022) R A Viking prince (Alexander Skarsgard) has come back to avenge his father’s death and rescue his mother. From filmmaker Robert Eggers (The Witch) comes an epic tale with a cast that includes Nicole Kidman, Ethan Hawke, Willem Dafoe, and Anya Taylor-Joy. Add in Bjork as a character named Seeress, and you have a movie that could be really interesting to watch.    The Northman Website

Until Next Time!




Friday, March 6, 2020

The Way Back


My View:  The Way Back (2020) R   A former high school basketball star, Jack (Ben Affleck), is struggling to overcome his alcoholism and is offered a job to coach at his alma mater. When his team starts on a winning stream, his old demons resurface to try to stop his road to redemption. While technically a ‘sports’ film, the movie focuses more on the struggles of Jack, who is dealing with demons from his past through alcohol, and the relationships he develops with the members of the team he takes over. Affleck gives one of his best performances as a man who reluctantly takes over a team that barely has enough players to fill out a team. Jack deals with coming back to the place of his glory days and tries to inspire his team to play for each other and believe in themselves. The beauty of this film is the emphasis on the people in the story and not the outcome of the games themselves. My guess is that this might get Ben Affleck the two-time Oscar winner the Academy Award nomination for acting that he has long deserved.   My Rating; I Would Pay to See it Again     The Way Back Website
Familyfaire:  Onward (2020) PG    Two brothers (voiced by Tom Holland and Chris Pratt) go on a magical quest to try and revive their dead father for one day, a father the two barely remember. While not quite the gold standard that past Pixar movies (Toy Story franchise is the model) have brought us, Onward is still a fun and at times, moving tale that is perfect for young children to learn about the importance of family and how we have to believe in ourselves in order to succeed in life. The film has quite a few funny moments and takes a couple of twists and turns to keep the storyline moving at a quick and smart pace. Pratt, as the older, almost bumbling brother and Holland as the younger and less adventurous younger brother, make a great pair and play off each other with ease. While not a home run, Onward is still an enjoyable film that lets us tag along on a journey of two brothers who would do anything to bring their father back, even if it’s for a brief instant.    My Rating: Full Price     Onward Website
My View:  Burden (2018) R   When a museum celebrating the Ku Klux Klan opens in a small South Carolina town, the Reverend Kennedy (Forest Whitaker) tries to broker a peace all the while sheltering a former Klansman, Mike (Garrett Hedlund), much to the shock of his family and his church. While its heart is in the right place, Burden just doesn’t quite hit the mark, making the film feel a little too long and slightly flat in tone. I enjoyed Hedlund as Mike, a man who’s troubled past he must overcome with the help of the Reverend and Mike’s long-suffering girlfriend (Andrea Riseborough). I thought Hedlund went a little too far in his performance until I saw the real Mike talk in the closing credits, and I realized that Hedlund had captured the essence of the man. The film feels a little too much like a Lifetime movie, going for some of the easy emotional pulls, especially when Mike turns his back on the Klan. Whitaker is enjoyable as the Reverend, but this is a part that he probably could have played in his sleep, as the Reverend is portrayed as a one-trick pony, a man who never wavers in his beliefs that he can overcome evil with love and kindness.    My Rating: Bargain Matinee     Burden Website
Indiefest:  Greed (2019) R    Sir Richard McCreadie (Steve Coogan), a billionaire fashion mogul, is determined to celebrate his 60th birthday in the grandest scale on the Greek island Mykonos, even if it kills him. This satire badly misses the mark, making the film feel shallow and way too long. Coogan gamely gives the part of the very unlikeable Sir Richard, but he can’t overcome a script that feels like it wanted to be a harder hit on the super-rich and their life of excess but never quite has power or message to hit its mark. The ending of the film feels very unsatisfying and rushed, with a setup that takes way to long to come to its climax.    My Rating: Cable     Greed Website
My View:   The Banker (2020) PG-13    Two African American businessmen, Bernard (Anthony Mackie) and Joe (Samuel L. Jackson), devise a plan to help other African Americans get bank loans. The two men hire a working-class white man, Matt (Nicholas Hoult,) to pose as the face of the banking empire, while the two businessmen pose as his janitor and chauffeur. Their plan succeeds beyond their wildest dreams, that is, until the federal government begins snooping around. I loved the relationship between the straight-laced Bernard and the free-wheeling, hard-drinking Joe, making them the ‘odd couple’ of banking. Mackie and Jackson seem to enjoy being on screen together, and the two play off each other with an ease that makes their success and their friendship seem real and genuine. I wish the film wasn't so slow in developing and so bland in its storytelling. I had a bit of a problem with Nicholas Hoult in the part of the ‘aw shucks’ Matt, who is pretty dull in the part, especially when on the screen with Mackie and Jackson. The film seems to be on the verge of making some real and exciting points about race in America but never quite can figure out how to deliver that message.    My Rating: Bargain Matinee     The Banker Info
Indiefest:  Seberg (2019) R I  nspired by real events, Seberg chronicles the life of actress Jean Seberg (Kristen Stewart), an actress that rose to fame during the French New Wave films of the 1960s. Hoover’s FBI targeted her because of her politics, and the fact that she was dating black activist Hakim Jamal. When I was a kid, I saw the 1969 film Paint Your Wagon and fell in love with Jean Seberg. As an adult, I always wondered what happened to her and her promising career, so I read several books about her. I am sad to report that though Kristen Stewart valiantly tries, this film falls way short in bringing anything new to the story of Seberg, a woman who was deeply troubled. The film never really explores or even tries to explain Seberg’s mental troubles, seemingly blaming all her misfortunes on the harassment by the FBI. A great many people tried to help her throughout her short life, but Seberg never scratches the surface of this complicated, talented woman. Instead of this film, watch her landmark performance in the 1960 classic Breathless or heck, even Airport (1970). Anything in her early career would be better than this film.    My Rating: Cable    Seberg Website

Forgotten Film: The Killer (1989) R    An assassin (Chow Yun-Fat) accidentally blinds a singer during a hit gone wrong. He falls for the singer and decides to take one last hit in order to pay for an operation to hopefully restore the singer’s sight. He is double-crossed and must now team up with a cop to take down the mob boss who was out to kill him. Written and directed by John Woo ( Broken Arrow, Face/Off), this is a movie that blends perfectly action (which can get quite bloody) and drama. The reason to see this film is the final gunfight, one of the best gunfights that I have ever seen.    My Rating: Full Price     The Killer Info

Weird Credits: From the credits of The Way Back: Face Painter


Coming Soon to a Theatre Near You: The New Mutants (2020) PG-13   Five young mutants, who are still discovering their abilities, are held against their will and now must learn to fight on their own. The cast includes Anya Taylor-Joy, who just wowed us in Emma. and Maisie Williams, who I loved in as Arya Stark in Game of Thrones.      The New Mutants Website
Until Next Time!


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