Beetlejuice Beetlejuice

My View:  Beetlejuice Beetlejuice  (2024) PG-13  Beetlejuice Beetlejuice begins after an unexpected family tragedy, three generations of the Deetz family have come home to Winter River and the house we all know so well. Lydia (Winona Ryder) is still haunted by Beetlejuice, and to make things worse, her daughter, Astrid (Jenna Ortega), has discovered that mysterious model of the town. It’s only a matter of time before someone’s name will be uttered three times. So Tim Burton and Michael Keaton decided it was time to revisit the weird house up on the hill. So the big question is, does going back to see the ‘Juiceman’ work? Yeah, it does. Is it anywhere close to the original? No, but it’s still a good, funny popcorn film that you will have a great time watching. One thing that Burton did is realize that Keaton is in only about 15 minutes of the 1988 film because most of the film is about Alec Baldwin and Geena Davis’s characters dealing with being dead and then trying to get their unwanted houseguests the heck out of there. So Keaton is in this film a lot more; in fact, there seem to be about four plots going on simultaneously, and Keaton’s Beetlejuice is involved in all of them. Catherine O’Hara is back as Delia Deetz, and O’Hara steals every scene she is in, just as you would expect, with some of the film’s best lines. Ryder does an admirable job of playing the mom who has made a career as a woman who can see ghosts. Lydia is just trying to keep things together after her ex-husband disappeared on a trip to the Amazon. Besides Keaton, this is Ortega’s film, as she plays a young woman who had to grow up as the daughter of the ghost whisper, and she misses her father, who made things seem not quite as weird when he was around. Ortega does a great job of selling us on a person who is constantly giving the side eye to her mom, especially when she brings up seeing the afterlife around them. Keaton has a blast as the man we all came to see and he doesn’t disappoint with lots of quips that only Beetlejuice can say (or do). The film is a little bloated by a secondary plot led by a character played by Monica Bellucci, who never quite feels like her character really was needed. The film also has a bit of trouble trying to tie all the loose ends together, and some of the resolutions to big plot lines seem rushed. Still, I had a great time watching this film, and yes, there are plenty of callbacks to the first film, including the shrunken-head guys (one of who plays a pretty big part). I also loved that a lot of the special effects weren’t done with CGI but with things that made the first film so much fun to watch, with lots of strange and creepy puppet-controlled ghouls and some stop-motion animation. So get ready to say a certain guy’s name three times and go back to the world of the weird and creepy. You will have a fun time.  My Rating: Full Price  Beetlejuice Beetlejuice Website  Now playing in theaters nationwide. 

Indiefest:  His Three Daughters  (2024)  R  His Three Daughters is the story of three daughters (Elizabeth Olsen, Natasha Lyonne, and Carrie Coon) who converge on their father’s New York apartment to care for him in his last days. In the next three days, the daughters will try to heal old wounds and come together to patch together a family that has been separated for far too long. This is a film about how families aren’t always what they seem. Katie (Carrie Coon) is the woman who wants to plan everything, has opinions on everybody, and can’t seem to sit still. Christina (Elizabeth Olsen) is a free spirit who does yoga, tries to be the peacemaker, and seems to have a successful life. Rachel (Natasha Lyonne) is the daughter who has been living with their father for the past few years, taking care of him as his sickness took control of both their lives. Rachel, who has a different mother than the other two sisters, spends most of her days doing off-track betting and getting high. She would rather spend time in her room than interact with her sisters. The three are forced to work together to make their father’s last days as comfortable (aided by a couple of hostel nurses to help them make his death as painless as possible. His Three Daughters is a warm, funny, and touching film that also has a few tearful moments. All three women are wonderful in their roles. Coon has the most demanding role because Katie is not a likable person, and it’s Coon’s job to let us see beyond the hard shell that Katie has put up. Coon lets us know she does care but couldn’t always deal with the fact that her father was sick and dying. Olsen is fun to watch as the seemingly always positive Christina, who tries to keep things moving along but uses her yoga to escape when things get too tough. Of the three, Natasha Lyonne is the actor who shines throughout as a woman who just wants the whole thing to be over and uses her betting and getting high to escape the reality of her father’s soon-to-be death. Lyonne is perfect in the role, delivering the film’s center, as we see things through her (sometimes bloodshot) eyes. There are some incredible moments in this film, one of which is when Rachel’s boyfriend, played by Jovan Adepo, who knows how much Rachel has done for her father and lets the other two sisters have a piece of his mind on how they don’t known Rachel and what she has done this past year. I loved everything about His Three Daughters (though there is a section near the end that I wish wasn’t a part of the film, but that’s nitpicking), and the performances by these three outstanding actors are worth the price of admission alone. Just bring a tissue or two.  My Rating: Full Price  His Three Daughters Website    Now playing in select theaters and on the Netflix platform on September 20th. 

Sorry I Missed It (A film that I didn’t see in theatres but have seen recently):  The Killer  (2024) R   In The Killer, Zee (Nathalie Emmanuel) is the most lethal and feared assassin in the business. In fact, she is known by the name Queen of the Dead. Zee takes a job to kill a young blind woman (Jenna Silvers) and has a change of heart. Now, every hitman in Paris is out to kill her, and her only ally is a French detective (Omar Sy). A few directors have remade their own films through the years. Hitchcock is the one everyone remembers when he remade The Man Who Knew too Much. Was it a better film? I am a fan of Hitchcock’s early work, so I don’t think any film that has Doris Day sing Que Sera, Sera about a million times is a better film. In 1989, John Woo brought us The Killer, considered one of the best action films of all time, and brought Woo to Hollywood. So why would Woo remake this film? Sure, you can do a few more things with CGI than you could with actual stunts in 1989, but that’s what made that film stand out. Its action sequences are brilliant, and I loved how Ah Jong, the hitman played by the totally cool Chow Yun-fat, didn’t just shoot a person once (like so many of Hollywood’s action heroes). No, he shot them 6 to 10 times before moving on to the next guy. So, in this remake, Woo has our hero as a woman, Zee (Nathalie Emmanuel), known as the Queen of the Dead. It’s basically the same setup: our hero goes out to do a hit, and a singer gets caught up in the gunfire and is blinded by the firefight. Zee feels guilty, and instead of killing the singer, the only person who can testify against Zee, she saves her instead. The Killer has plenty of gunplay, some fun chase sequences, and a couple of well-choreographed firefights. However, Nathalie Emmanuel doesn’t have the star power to pull off the most feared assassin in the business. I also did not like the chemistry between Emmanuel and Omar Sy, who plays the cop who can’t be bought and slowly becomes Zee’s ally in bringing down the bad guys. One of the great things about the original was the chemistry and friendship that developed between the assassin and the cop. There just isn’t much there for us to care about either character. Woo pulls a few changes to the script (which I won’t give away), but I am incredibly disappointed by the ending of this film. It’s hard to revisit your old haunts, especially when they are shown so brightly in the past. Sometimes, it is best to let things stay in the past.   My Rating: Cable  The Killer Website   Now playing on the Peacock platform.

Indiefest:  Red Rooms  (2023)  Kelly-Anne (Juliette Gariépy) is a model by day and an online poker player at night. Although she excels at both, she doesn't find much pleasure in either (although she enjoys watching men lose). She starts attending a high-profile trial of a serial killer, but not just any serial killer, but one where the man kidnapped young teen women, held them captive, and tortured them to death, all while videotaping them. Kelly-Anne's obsession with the trial is so great that she sleeps outside the courthouse to be first in line to get into the proceedings. Kelly-Anne has started on a path that will become such an obsession that she will risk her career to keep going. Not only that, she is willing to pay any amount to obtain the missing footage of one of the girls. Red Rooms is a dark and disturbing film that looks at how people get so involved with serial killers, making them almost part of a weird kind of religion where they worship at the feet of the killer. We don't exactly understand why Kelly-Anne does what she does, but we watch her become more and more obsessed with the murderer and what he did. Juliette Gariépy does a magnificent job of keeping Kelly-Anne at an arm’s length from us, the audience, and we never see her waver, even when things seem at their most desperate. I saw the film at the 2024 Atlanta Film Festival and could hear the audience occasionally gasp as we followed Kelly-Anne down the rabbit hole. Red Rooms is a horror film without the bloodshed (we never see the footage, only hear the screams), but it’s still scary as a young woman seems to lose her self-worth as she delves deeper and deeper into an abyss that she may never come out of.  My Rating: Full Price  Red Rooms Website   Now playing in theaters.

Forgotten Film:  Boomerang (1992)  R  Marcus (Eddie Murphy) is a successful cosmetic company executive who loves to date women like they are just another conquest, another notch on his bedroom headboard. He meets his match when Jacqueline (Robin Givens) becomes his boss and plays Marcus like all the women he used to date. She flirts with him, sleeps with him, then dumps him, and then does it again. Marcus soon realizes he is being played with like he used to play women. His eyes are opened when he realizes there has been a remarkable woman right there all along, Angela (Halle Berry). The cast shines in this film with Givens perfect as the man-eater who doesn’t care who she hurts, as long as she is in power, and Berry as the sweet and wonderful Angela, a woman who is perfect for Marcus, if he would only realize it. Boomerang is one of those movies that makes me mad at Murphy because he is brilliant in this film and plays Marcus perfectly, but too often in Murphy’s career, he took the easy money and made a bunch of crap films that were below his talent. So see this film, revel in Berry and Murphy’s chemistry, and have fun with Givens giving Marcus his just turn at being used. My Rating: Full Price  Boomerang Info  Available on Amazon and Apple TV to rent or buy.

Weird Credits:  From the credits of Beetlejuice Beetlejuice: Shrinker Performers 

Coming Soon to a Screen Near You:  Never Let Go  (2024)  R  A mother (Halle Berry) and her two sons (Anthony B. Jenkins, Percy Daggs IV) have been haunted by an evil spirit for years. They stay connected at all times, even tethering themselves with ropes when they travel outside so they are always connected back to their house. When one of the boys questions if the evil is real and the ties that bind them together are severed, their fight for survival becomes life and death. I’ll go see Halle Berry in anything where she has to kick some evil butt.  Never Let Go Website   The film is in theaters on Friday, September 20, 2024. 

Until Next Time!

Furiosa: A Mad Max Saga

My View: Furiosa: A Mad Max Saga (2024) R  As the world falls, a biker horde led by the warlord Dementus (Chris Hemsworth) takes a young Furiosa. Years later, Furiosa (Anya Taylor-Joy) tries to escape and find her way home as two tyrants wage a war. Having been a huge fan of the Mad Max franchise since I saw the original film at a midnight screening when in college, falling in love with the action and Mel Gibson (even with his voice dubbed because the studio thought American audiences wouldn’t be able to understand Gibson’s Australian dialect). I consider Mad Max 2 (The Road Warrior) (1981) one of the great action films of the 80s, and I picked Mad Max: Fury Road (2015) as one of the best films of that year. I am happy to say that while not as good as Fury Road, Furiosa is still an excellent action picture that gives us a ton of backstory on the origin of Furiosa, a character we all fell in love with in the 2015 film. A lot was made of the decision by filmmaker George Miller to not cast Charlize Theron again in the role, but Miller, after seeing how badly CGI did de-aging De Niro in The Irishman, Miller went with Anya Taylor-Joy for the role. It must be said that Taylor-Joy is only in the 2nd half of the film, as the early days of Furiosa use a much younger Alyla Browne in the role, as we learn she was kidnapped as a child by Dementus (Chris Hemsworth) and used as a kind of good luck charm as he terrorizes the world with his biker gang. The film is divided into segments, each telling an essential part of Furiosa’s life. When Anya takes over the role, she shows us she can kick butt with the best of them. I loved her in this role, and she showed she can handle the action sequences. There is an excellent sequence in the middle of the film as Furiosa has become the sidekick of the best rig driver, Praetorian Jack (played by a very charismatic Tom Burke), as he drives a massive war rig across the desert delivering precious gas while Furiosa and Jack fight off a seemingly endless group of attackers who are trying to highjack the rig. It’s a fantastic bit of stunt work that goes on for at least ten minutes of high-octane action. Chris Hemsworth dominates the screen every time he is on it, as the mad as a hatter warlord who loves to cause as much trouble as he can. Hemsworth chews scenery with the best of them, and it’s always fun to see just how nuts his character is in each chapter of the film. While not a great film like Fury Road, Furiosa is still a rousing action film filled with characters you will keep thinking about long after the last scene leaves the screen.   My Rating: Full Price  Furiosa: A Mad Max Saga Website  Now playing in theaters nationwide.

Familyfaire: The Garfield Movie (2024) PG  Jon (voiced by Nicholas Hoult) rescued Garfield (Chris Pratt) after finding the cat abandoned in a restaurant. Now grown, Garfield has a sudden reunion with his long-lost father, an alley cat named Vic (voiced by Samuel L. Jackson). Now Garfield and his dog pal Odie (voiced by Harvey Guillen) are forced from their perfectly pampered life into joining Vic in a high-stakes heist. The bar is pretty low for any Garfield movie. I mean, Bill Murray sleepwalked doing the voice of Garfield for two movies in the early 2000s. So, how does this film stack up? It’s ok, which in Garfield movie-land means it’s watchable. Kids are going to enjoy the film. There is plenty of action, Garfield gets into lots of trouble and still saves the day, and the cast of characters are at least interesting and colorful. I was bored by most of the film, even with many movie references, but the kids in the theatre with me seemed to enjoy the antics of the fat cat. Chris Pratt does a fine job as the voice of the cat with an attitude. Unlike Mr. Murray, he at least sounded like he was having fun. My Rating: Bargain Matinee  The Garfield Movie Website Now playing in theaters. 

My View: Atlas (2024) PG-13   Atlas Shepard (Jennifer Lopez) is a data analyst who deeply mistrusts AI technology, even though her mother is responsible for creating the technology that gave AI robots their power. Atlas decides to join an anti-terrorist mission to stop an AI from destroying Earth. After an attack, Atlas is marooned on a planet, and her only ally is an AI robot named Smith. Together, they will have to succeed, or the Earth is doomed. I’ve always felt that Jennifer Lopez could have been a bigger film star if she hadn’t gone off to become a pop star. She had a successful run in the late 90s with Selena, U-Turn, and an outstanding performance in Out of Sight. Even Anaconda is fun to watch, and The Cell is so weird that it is extremely watchable. Then she went with the rom-com route, and we got Gigli, among others. I had hope when she got great reviews with Hustlers (2019), but then she went back to the rom-com route again with stuff like Marry Me and Shotgun Wedding. So now we have Jennifer as a tough-as-nails woman who is determined to stop an AI named Harlan (played by Simu Liu) from destroying the world, an AI that her mother created and set loose on the world. Jennifer spends most of the film inside a giant robot-like war machine that, to work properly, must sync with Atlas so that they both share each other’s thoughts. I liked the action sequences, and the ultimate battle between Atlas and the AIs is fun to watch, but it takes a long time to get there, and that’s what slows this film down. We slowly get the real reasons Atlas is so determined to defeat Harlan (besides his desire to kill humans). This isn’t a bad film; in fact, I enjoyed it for what it is: a sci-fi action film with not enough action in it. I am hoping that Jennifer will find the right role again in the near future. Just stay away from the rom-coms for awhile.  My Rating: Bargain Matinee  Atlas Website  Now playing on Netflix. 

My View: The Blue Angels  (2024)  The documentary The Blue Angels delves into the selection and training of the Navy/Marine Corps Flight Demonstration Squadron, called The Blue Angels. I grew up in San Antonio, TX, which is a big Air Force and Army town. So, I didn’t know much about the Blue Angels, but this film has corrected that. This film will amaze you with how skillful these Navy and Marine pilots are. The aerial photography is mind-blowing, and you will be thrilled at the precision it takes to fly these planes like the Blue Angels do. We get to know the pilots and, to a lesser extent, their families as the camera spends a year following the pilots as they crisscross the country, bringing their air show to crowds that sometimes are larger than a Super Bowl. What I loved was the behind-the-scenes training that these pilots do, showing us all the classwork and study sessions that go on throughout the year to try and achieve perfection in their flying. Like their airshows, I have a feeling that this film will inspire a few kids to want to become pilots and someday fly with The Blue Angels.  My Rating: Full Price  The Blue Angels Website  Now playing on Amazon Prime. 

Indiefest:  Babes  (2024) R  In Babes, Eden (Ilan Glazer) and Dawn (Michelle Buteau) have been friends forever. They grew up in NYC and experienced everything together. Eden, carefree and single, has a one-night stand and becomes pregnant. She decides to have the baby and will need all the help that her best friend can supply. This film is a hilarious and touching depiction of friendship and family. It's also about the family you create through friendship, and sometimes that bond is stronger than your real family. When we meet Dawn and Eden, they are getting together for their annual watching of a movie in a theater on Thanksgiving, and they will not stop for anything, even if Dawn is having a baby. We instantly see the dynamic between the two as they decide to leave the movie and get something to eat before Dawn has to suffer for ’25 hours like last time. ’ They are best friends, and nothing can get in the way of that. Except for life, especially after a great one-night stand, Eden finds out she is preggers, and Dawn is having trouble managing a new baby, a job, and a toddler. Glazer and Buteau's comedic timing is incredible, as the chemistry between the two women is off the charts. Their banter is laugh-out-loud funny, and the situations they are in seem based on real-world experiences. The film is helped by a great supporting cast, including John Carroll Lynch, who plays both women’s baby doctor. Every time he is on camera, there is a running gag that just made me lose it. While men are going to have a great time, and by the way, Marty (Hasan Minhaj), Dawn’s husband, is a saint, women are going to fall in love with Babes, and its observations on motherhood, pregnancy, birth, and friendship. Go see this film. You will laugh (with a few tears in between) from beginning to end.  My Rating: I Would Pay to See it Again  Babes Website  Now playing in theaters. 

Forgotten Film: Clean and Sober (1988) R  Daryl (Michael Keaton) is a successful real-estate salesman who has seen better days. He is a drug addict and is in trouble with his job for taking some money and investing it (badly) in the stock market. Oh, and a woman he picks up at a bar dies from a heart attack due to all the drugs they did together. He decides to escape and enroll in an anonymous drug rehab program. His thinking is he can hang out until things cool down. Little does he know this program is run by a counselor who has seen guys like Daryl a hundred times before and will make Daryl work at his recovery. The movie is helped by a supporting cast that includes Morgan Freeman as the counselor, Kathy Baker as a fellow addict whose life is as big a mess as Daryl, and the great M. Emmet Walsh as Daryl’s AA sponsor. Keaton is perfect in the role of a guy who thinks he can either charm or BS anyone into believing anything. The film lets you know at the end that it will be a long and bumpy road for Daryl. We don’t know if he will succeed in staying sober, but at least he has a chance.   My Rating: Full Price  Clean and Sober Info The film is available on streaming services.

Weird Credits: From the credits of Furiosa: A Mad Max Saga: Earthworks Manager

Coming Soon to Screen Near You: Beetlejuice Beetlejuice (2024)   After an unexpected family tragedy, three generations of the Deetz family have come home to Winter River and the house we all know so well. Lydia (Winona Ryder) is still haunted by Beetlejuice, and to make things worse, her daughter, Astrid (Jenna Ortega), has discovered that mysterious model of the town. It’s only a matter of time before someone’s name will be uttered three times. Tim Burton and Michael Keaton have returned to bring us the magic back. As someone in a dirty, black-and-white suit says, “The Juice is loose!”  Beetlejuice Beetlejuice Website The film is slated for release in early September.

Until Next Time!