Inside Out 2

My View:  Inside Out 2  (2024)  PG  Riley is now a full-time teen, and her mind is going through some changes. The gang of Emotions—Joy, Sadness, Anger, Fear, and Disgust, have been doing a great job, but they are about to meet a new addition to the group: Anxiety. And it looks like she isn’t alone. When we last left Riley (Inside Out (2015)), she was still a preteen trying to get over moving to a new city and dealing with a lot of new emotions. Just when Riley thinks she has things handled with some great friends and a budding ice career, she becomes a teenager. With that comes a whole bunch of new emotions show up: Embarrassment (Paul Walter Hause), Ennui (Adèle Exarchopoulos), Envy (Ayo Edebiri), and worst of all, the ever hyper Anxiety (Maya Hawke). Just as these new emotions move in, Riley is given the immense chance to impress her future high school coach as she has been specially invited to a summer hockey camp. In the past, Joy (voiced by Amy Poehler) has run the show, but now Anxiety has taken control, and things aren’t going well for Riley or her old emotions. Inside Out 2 is a wonderful addition to the Pixar lineup, and while not entirely on the level of the first film, it’s still a rousing, fun time, full of comedy and adventure. The new characters are hilarious, especially Ennui (think of her as a bored, too-cool French teen), with the standout being Maya Hawke as Anxiety. Hawke brings a fresh energy to the film, and her comedy timing is spot-on, making Anxiety antics over-the-top funny. Oh, and there are a couple of awesome new characters that I don’t want to spoil, but fans of old kids’ animation and old video games will be in heaven. Can Joy and the rest of the gang get control back from Anxiety? Well, you will have to see if Riley can conquer her emotions to survive hockey camp and the horrors of being a teenager. Make sure to stay through all the credits to see a bonus scene that perfectly caps off the film.  My Rating: Full Price  Inside Out 2 Website  Now playing in theaters nationwide.

Indiefest:  Tuesday  (2023)  R  Zora (Julia Louis-Dreyfus), a single mom, has devoted her life to her terminally ill daughter Tuesday (Lola Petticrew). One day, Death, in the form of a size-altering macaw, arrives at their home and tells the two to prepare for the end. Death’s arrival sends Zora and Tuesday on a journey that explores life, death, and love. I am not giving anything away (since it’s on the poster and in the trailer) that Death shows up in the form of a macaw parrot. When I saw the trailer for this film, I was expecting a film where Death and Zora talk about life and death, much like the professor and the genie in the Tilda Swinton drama Three Thousand Years of Longing  (2022). Instead, we get a wandering film that never can find its footing, as, at first, Tuesday befriends Death, convincing Death to let her live until her mother returns from an outing. Then it becomes Zora trying to defeat death in any way to keep her daughter alive. I never corrected to this film and never felt any of the emotions that the film wanted me to. I also felt that early on, the film was slow to get going because Death has a hard time speaking, and it takes a while for Death to make any sense at all. But mostly, Tuesday never fully gives us characters that we can understand and embrace, as its theme seems to be a one-note film.  My Rating: Bargain Matinee  Tuesday Website  Now playing in theaters. 

Indiefest:  Treasure  (2024)  R  In 1991, Ruth (Lena Dunham), a neurotic journalist from New York, takes after her father, Edek (Stephen Fry), back to Poland to visit his childhood home. However, Edek, a survivor of the Ghettos during the Holocaust, does not want to relive the trauma and does his best to sabotage the trip. Treasure works because of the performances of Dunham and Fry. Dunham plays Ruth as a sad sack person who desperately wants to connect with her father but doesn’t know how and is too stuck in her own misery to see how hard this trip is on Edek, making him relive a past he wants to forget. Edek is also at fault, and Fry plays him as a man who tries to make everything full of sunshine and laughs when he won’t open up to Ruth to tell her how he is feeling. Ruth feels she can make things right between her father and his past by confronting it. Edek would rather avoid the past and live in the present. Treasure is full of both funny and harsh moments as the two people try to connect, but don’t have the guts to truly make a connection. The film tackles the idea that it’s hard to tackle the horrors of the past when you can’t even confront the present. The film’s big moments are not only in the actual Auschwitz grounds but in those moments when the two are both trying to connect in hotels or cabs and can’t find the words to reach each other.   My Rating: Full Price  Treasure Website  Now playing in theaters. 

Indiefest:  20,000 Species of Bees (2023)   While on a family vacation in a village house linked to beekeeping, a mother, Ane (Patricia López Arnaiz), and her eight-year-old son, Altor (Sofía Otero), will learn about themselves and each other, changing their lives forever. This is a film about trying to find a place in the world where you are comfortable in your own skin. The film moves at a pace that allows us to get to know the characters and how they deal with life’s pressures. Right from the start, we know something is up, as Altor keeps telling her brother that his name is not Altor but Coco. We soon learn that Coco is a child who is used to staying behind with his mother, not taking part, even at a pool with other kids. As the film moves along, we see that Altor/Coco doesn’t feel right in his skin, that he knows things don’t seem right, and that maybe, just maybe, he should have been a she. I loved this film, as we slowly see a child discover that the world isn’t in black and white, but full of color and choices. Ane tries to understand her child but has problems of her own, with a marriage that is falling apart, a disapproving mother, and pressure to create a sculpture in time for a job interview that her family desperately needs. Altor/Coco finds a friend in her mother’s aunt, who takes the child under her wing and teaches Coco about life and how to deal with/care for bees. 20,000 Species of Bees is a beautiful film about life and young person trying to figure out a way to live a life they feel they must follow.   My Rating: Full Price  20,000 Species of Bees Website  Now playing in theaters.  

Familyfaire:  Ultraman: Rising  (2024)  PG  Ken Sato, a superstar baseball player, has returned to Japan to become the latest hero to carry the mantle of Ultraman. His dreams are shattered when he is given the task of raising a newborn kaiju monster. The newborn is the offspring of his greatest enemy and will be Ultraman’s greatest challenge. Ultraman: Rising is a collaboration between Tsuburaya Productions, the creators of the Ultraman franchise, and Netflix Animation. That makes this an excellent primer for kids to get into the world of the Kaiju monsters (think monsters from the Godzilla world) without getting scared. The core of this film is family and how sometimes we don’t realize the sacrifices that our parents make to ensure that we are safe and happy. Ken has returned to Japan to reluctantly take the mantle of being Ultraman from his father, who, because of all the battles he has been in, must retire. Their relationship is not great and is getting worse since Ken’s mother disappeared and is presumed dead. Ken is also coming back to Japan to prove that he is a winner in baseball, having never won a championship in the U.S., even with all his baseball heroics. What makes this film fun for kids is when the baby kaiju falls into Ken’s lap, and he becomes an instant father to a giant pink baby kaiju monster named Emmy, who has a tendency to get heartburn that projects fire and, of course, throws up green slime. The battle sequences are fun and have plenty of action, but I will warn you that the family I saw it with and I were not ready for the almost 2-hour run time. Also, like a lot of Japanese manga animation, there are a lot of discussions that go on, making those parts boring for kids (and sometimes adults too). The family storyline goes on a little too long, but as 5-year-old Miles said after the screening, ‘The best thing was Emmy and the fighting.’  My Rating: Bargain Matinee  Ultraman: Rising Website    Now playing on the Netflix platform. 

Indiefest:  Late Bloomers  (2023)  Louise (Karen Gillan) is a 28-year-old woman who is recently single again, in need of a job, and depressed. When she drunkenly falls while doing something stupid, Louise breaks her hip and finds herself in a physical therapy ward full of people twice her age. There, she meets Antonina (Małgorzata Zajączkowska), a cranky elderly Polish woman who doesn’t speak English. Somehow, Louise gets a job as a caretaker for Antonina, and it just might be time for her to grow up with Antonina’s help. Late Bloomers is a coming-of-age story that isn’t about a teen but a 28-year-old woman who acts as if she is still in high school. Louise is a person who is lost, selfish and isn’t willing to listen to anybody, including her friends. Along comes Antonina, a woman who speaks no English and seems to hate everyone and everything. The two start bonding, even without the ability to converse, with Louise feeling she has found someone she can finally relate to. This is a fun, sweet film that is helped by a captivating and sometimes brave performance by Karen Gillan. Gillan plays Louise as a person who we don’t like at first, but we soon learn that there are reasons Louise has never grown up. We soon root for this newfound relationship that is strange and mystifying but somehow works between Louise and Antonia. So grab a walker or a crutch and join Louise and Antonia on a journey where they learn about each other and themselves. My Rating: Bargain Matinee  Late Bloomers Website  Now playing in theaters and On Demand. 

Indiefest:  I Used to Be Funny (2023) I Used to Be Funny is about Sam (Rachel Sennott), an aspiring standup comedian and sometimes nanny who struggle with PTSD and depression. Sam sets out to find Brooke (Olga Petsa), a troubled teen she used to nanny who is missing, but only if Sam can get off her bed and out of the house. While the film wanders a bit with its structure of going back and forth from the past to the present, the film is a delight to watch because of the awe-inspiring performance by Rachel Sennott. Sennott plays Sam in the present as someone who has gone through a traumatic event that has changed her outlook on life and the world. This is a contrast to Sam we saw in the past, because she is confident, quick to make humorous comments, and adept at addressing a very moody preteen in Brooke. Sennott handles both with incredible grace, causing you to fall in love with Sam, even when she's challenging and unapproachable. Sennott flows through the past scenes with superb comic timing while she gives the present, Sam a multilayered personality, one who wants to hide but knows it is best if she keeps trying to live her life. I Used to Be Funny is a film about friendship, love, and, with the help of good friends, putting your life back together when it seems hopeless, which writer/director Ally Pankiw delivers with a sure hand and an ear for creating real and natural dialogue. Sennott anchors the film with a performance that actors with 20 more years of experience couldn’t deliver. I Used to be Funny that gives us both laughs and tears with a performance that you won’t soon forget. My Rating: Full Price  I Used to Be Funny Info  Now playing in theaters.

Forgotten Film:  O  (2001) R  Modern-day telling of Shakespeare’s Othello. Coach Duke Goulding (Martin Sheen) runs his high school basketball team with a firm hand, often taking it out on his own son, Hugo (Josh Hartnett). Josh feels he is the star of the team but is put out when his own father makes Odin (Mekhi Phifer) the award winner of ‘Best Player,’ who then shares the award with his best friend, Michael (Andrew Keegan). Hugo decides to take Odin down and using Odin’s own girlfriend Desi (Julia Stiles), to create a plot that will destroy both Odin and the high school basketball team. O was a film that very few people saw (the original studio delayed its release by two years because of the original release date being around the Columbine High School shootings). The young cast is outstanding, with Phifer and Stiles shining in their parts as teens on a collision course with tragedy. Fans of Shakespeare should check this film out.  My Rating: Full Price  O Info  The film is available on most streaming platforms. 

Weird Credits:  From the credits of Inside Out 2:  Character Groom Lead

Coming Soon to a Screen Near You:  Deadpool & Wolverine  (2024)  R  Wolverine (Hugh Jackman) is recovering from some serious injuries when he comes across someone he really doesn’t like, Deadpool (Ryan Reynolds). After trying to kill each other, the two frenemies team up to defeat a common enemy. I am a huge fan of the Deadpool series and can’t wait to see this film. I love how Reynolds kept after Jackman to put on the yellow uniform for one last time. And by the way, it’s rumored that a certain baldheaded man in a wheelchair may show up.  Deadpool & Wolverine Website  The film will be released in theaters on Friday, July 26, 2024. 

Until Next Time!

Coming 2 America

 Note to readers: I currently am not willing to risk my health (I’m 63 and an asthmatic) by visiting a theatre. All films that I have seen for review have been screened in my home. I am not going to tell you whether or not to attend a theatre. Just be aware of the risks, do your research, and follow the instructions to the letter.

My View: Coming 2 America (2021) PG-13   Prince Akeem (Eddie Murphy) is celebrating his 30th wedding anniversary, and he learns that he has a long-lost son (Jermaine Fowler) and has returned to the United States to meet him and possibly bring him back to Akeem’s homeland. What made the first film work so well was the ‘fish out of water' story of the sweet, innocent Akeem learning to live and love in America. This film tries to rekindle the magic, but it fizzles almost from the start. Murphy seems bored by the role and the plot, and the film tries to pull us back to the first film, overloading us with characters from the first film, including the whole gang from the barbershop. It’s kind of like seeing a reunion show on TV. It’s great to see the whole gang back together, but after a few minutes, you realize that it's hard to recapture that magic a second time. The film is also hurt by adding Tracy Jordan, Wesley Snipes, and Leslie Jones, all overplaying their roles, with Snipes chewing up so much scenery it becomes boring. The plot is flimsy, and Jermaine Fowler doesn’t have even close to Eddie Murphy's charisma from the first film. The first film was magic in a bottle that hit a sweet spot at the time and is one of those films where a sequel should have never even been attempted.    My Rating: Cable   Coming 2 America Website  Now playing on the Amazon Prime platform and in select theatres.

Family Faire: Raya and the Last Dragon (2021) PG  In a world inhabited by an ancient civilization, a warrior named Raya (Kelly Marie Tran) is determined to find the last dragon and rescue her father. I love Disney animation, and this film does not disappoint. Beautifully done that begs to be seen on the big screen, the film is full of wondrous world-building and characters with imaginative and robust storylines. Raya is a strong character with a great sense of pride in both her parents and her heritage. Raya encounters Sisu (voiced by Awkwafina), and they go on a journey to save the world. Awkwafina is brilliantly cast and is hilarious as the adventurous Dragon who sees the good in everyone. This is a film that is perfect for the time like now when we all need to come together, and both adults and kids will find a storyline full of joy and surprises.   My Rating: I Would Pay to See it Again    Raya and the Last Dragon Website   The film is currently playing in select theatres and is available on the Disney+ platform.

Indiefest: Boogie (2021) R  Alfred ‘Boogie’ Chin (Taylor Takahashi) is a basketball star in the making in Queens, New York, who dreams of playing in the NBA. Boogie has battle prejudices while navigating high school, on-court rivals, and his parent's expectations. Boogie is the type of movie I would expect to see at a small-town film festival, a movie with a lot of heart but tries too hard to cover too many bases, making the film feel a bit amateurish and weak. The film never quite can find its tone, and it doesn’t has the emotional punch that you want from the end of the film. It’s a story with its heart in the right place but never quite finds its footing to bring the storyline together. There is a quick ending that attempts to make all the pieces fit, but I was left wondering by the end exactly what happened and where the characters were going next. I liked Taylor Takahashi in the role, giving us a complex character that was being pulled by so many forces. The script never could quite figure out what type of film it wanted to be.   My Rating: Bargain Matinee    Boogie Website    The film is currently playing in select theatres.

Indiefest: My Salinger Year (2020) R   Joanna (Margaret Qualiey) is a young woman who plans to be a writer and moves to New York to follow that dream. She takes a clerical job working for the literary agent (Sigourney Weaver) of the renowned, reclusive writer of Catcher in the Rye, JD Salinger. This is a sweet, funny coming of age story that follows a character as she grows into a strong, independent woman, something that she may not have done if she hadn’t taken the chances that life put out there for her to take. Margaret Qualiey does a remarkable job as Joanna, giving us a character that is full of hope and promise and is so charming to watch in the role. As the set in her way’s boss, Weaver is wonderful in the role of a woman who soon becomes a guiding force for Joanna. The film slows down a bit when Joanna gets involved with a new boyfriend (Douglas Booth) that, from the start, we know is wrong for her. Luckily, most of the film takes place in the office, and that is where the film shines, as Joanna finds her path to become the person she was meant to be.   My Rating: Full Price    My Salinger Year Website    The film is currently playing in select theatres.

My View: Chaos Walking (2021) PG-13   In a world where a virus killed all the women, and living creatures have the ability to read each other’s minds; Todd (Tom Holland) encounters Viola (Daisy Ridley), a strange woman who others on the planet want to hunt her down. Todd vows to protect Viola and help her contact her people. I am guessing from the choppy, muddied plot that there were a lot of problems with the script. Knowing that the source material is three books makes me believe that originally, this film was to be much longer than its one hour and fifty minutes run time. There are some plot points that at the start seem very important and then are almost thrown away. The idea that all men's thoughts can be heard out loud by others becomes old very quickly, as we get tired of our hero Todd always thinking about how much he wants to kiss Viola and her hearing it. The film wastes a stellar cast of Mads Mikkelsen as the main bad guy, David Oyelowo as a religious fanatic, Nick Jonas as Mikkelsen’s stupid son, and Demian Bichir and Kurt Sutter as Todd’s family. We never really understand why Viola is so important for Mads Mikkelsen’s character to track down. The film is also hurt by the total lack of chemistry between Holland and Ridley. The chase sequences are clumsy and end almost as suddenly as they start, and the finale that seems sudden and predictable. I had some thoughts about this movie while watching it, and I am glad nobody could hear them.    My Rating: Cable Chaos Walking Website   The film is currently playing in select theatres.

My View: Moxie (2021) PG-13   Inspired by her mother’s (Amy Poehler) rebellious past and an outspoken friend (Alycia Pascual-Pena), Vivian (Hadley Robinson) decides to anonymously publish a zine name Moxie that takes on the sexist and toxic culture of her high-school, and it sparks a school-wide, ‘coming-of-rage’ revolution. This is an enjoyable film that has a lot of fun with high school angst and the awaking of young women and their power to contest how fellow students treat and see them. Hadley Robinson is perfect in the role of the mild, meek student who decides to use a zine as a protest tool and becomes empowered because of it. I liked this film until the end when the film took a bit of a turn that the film has a hard time dealing with. I did enjoy Nico Hiraga, as Vivian’s love interest and their chemistry from the start is fun and playful. However, despite a few missteps in the third act, the film is a delight to watch and probably inspire a few zines of its own.   My Rating: Bargain Matinee     Moxie Website   Now playing on the Netflix platform.

My View: Boss Level (2020)  Roy (Frank Grillo), a special forces veteran, is stuck in a time loop, destined to repeat the same day over and over again while being hunted by dozens of deadly assassins. Each time he is killed, he returns to relive the same day as he struggles to climb out of his predicament. I had a blast watching this film. Is it a great film? No, but it is a fun ride, and Frank Grillo does a masterful job of making us care about his character. How many times can we see a guy die? A lot, and most of it is done with a sense of humor, though that humor can be a little dark. The storyline is fun and sure, has a few holes in it, but it moves so fast, and the action is so incredibly fun that who cares, as long as we keep coming back for the ride. It has a few stars like Mel Gibson, Naomi Watts, and Ken Jeong to spice up the non-action scenes, and I loved the score of the film, including the use of the great Boston song ‘Long Time’ and some really hilarious characters that are out to kill Roy. Like Roy, just accept what is going to happen and try to stay alive long enough to see how it turns out in the end.   My Rating: Bargain Matinee   Boss Level Info    Now playing on the Hulu platform.

Indiefest: Stray (2020)   This documentary follows three dogs, Zeytin, Nazar, and Kartal, as they struggle for survival on the streets of Istanbul. I love dogs, and I was hesitant to see this film, worried that the dogs in the film would be living lives too tough to watch. Instead, we see just how resilient dogs are, how they find friendship and happiness in the streets as life goes on around them. Shot almost from the dog's point of view, we follow three dogs that are vastly different in their approaches to living on the streets. Zeytin is a strong, independent soul that loves to explore the city at night. Nazar is a friendly dog that finds friends (both dogs and humans) at almost every turn, and Kartal is a puppy who is looked after by security guards. All three dogs have incredible, expressive faces, and yes, you do get attached to each of them, but Istanbul is a different culture and seems to treat these street dogs as just part of living in the city. Watching this film, as we hear conversations the humans carry on around the dogs, you will come away feeling that the dogs live their lives the right way.   My Rating: Full Price    Stray Website    The film is currently playing in select theatres and  is available to rent on participating on-demand services.

Forgotten Film: Real Women Have Curves (2002) PG-13   In East L.A., Ana (America Ferrera) wants more for her life than just settling for what everyone else in her neighborhood has. Ana wants to go to college, but her mother (Lupe Ontiveros) insists that she work in the dress factory until she can find a man and get married. In her first role, America Ferrera is magical as the headstrong Ana who knows who she is and is going to break out of her neighborhood and her family's rule. I love this film, and it is full of real characters, with actual emotions and feelings. It is a film filled with love, laughs, and a young woman who knows what she wants and is sure she knows how to get it. Ana may be going on a different path, but she knows that her family will come around and support her in the end.    My Rating: Full Price    Real Women Have Curves Info

Weird Credits: From the credits of Coming 2 America: First Hands

Coming Soon to a Screen Near You: Last Call (2021) R    Mick (Jeremy Piven) comes back to his old Philly neighborhood and must decide to help raze the area for a new casino or kiss the big opportunity goodbye and resurrect his family’s bar. The cast includes Taryn Manning, Zach McGowan, Jamie Kennedy, and Bruce Dern. I am a big fan of Dern, so I’m in.    Last Call Website

Until Next Time!

Inside Out

Family Faire: Inside Out (2015)  PG   Riley (Kaitlyn Dias) is dealing with a lot in her young life; a move from the Midwest to San Francisco, a new school and having to make friends. Good thing she has emotions, Joy, Disgust, Sadness, Fear and Anger to help her cope. This film is destined to be a classic, in-line with other great Pixar films like Toy Story (1995), Finding Nemo (2003) and Up (2009). The film has a brilliantly written script and contains an inventive storyline. Amy Poehler is phenomenal as the character Joy, and Lewis Black is priceless as Anger. The film is funny, a joy to watch (no pun intended) and melts your heart. Though made in 3-D,  it’s not necessary to see the movie in 3-D as it didn't add anything to the experience. Don’t miss this film that the whole family will fall in love with and teaches us, it's OK to have feelings.    My Rating: I Would Pay to See It Again   Inside Out Website

Indiefest: Dope (2015)  R   Malcolm (Shameik Moore) is a geek just trying to survive in a tough neighborhood. His life changes when he is invited to an underground party, and he and his friends go on an adventure of a lifetime.  I enjoyed this film, especially the performance of Shameik Moore, who is a delight to watch on the screen as the geeky and shy Malcolm. The storyline is interesting, and I loved the ending of the film. I didn’t like that Malcolm and his two best friends get involved (not by choice) and are rewarded for distributing drugs. I also didn’t like that Molly’s drug use was seen as okay and a fun way to party. But those problems don’t overshadow that this is a unique film with a very unconventional hero at its core.    My Rating: Full Price   Dope Website

Indiefest:  The Connection (2014)  R  One man, Marseilles magistrate Pierre Michel (Jean Dujardin), makes it his life work to take down one of the most notorious drug smuggling operations in history: The French Connection. This is a well-done crime drama that focuses on the magistrate that tirelessly works to bring down a gang responsible for so many people’s deaths and destruction.  Dujardin and Gilles Lellouche, who plays the drug lord that the magistrate is trying to bring down, are both exceptional in their roles, and their scenes together are full of sparks and high drama. Lellouche does a remarkable job in making us care about a very despicable character. Unfortunately, The Connection is going to be compared to the 1971 film, The French Connection even though they are two very different films. The Connection is an excellent addition to the crime drama genre with two outstanding performances by Dujardin and Lellouche.    My Rating: Full Price   The Connection Info

Indiefest:  The Wolfpack (2015)  R   A documentary on six brothers and one sister who have lived their whole lives inside a New York City apartment. The children have been home-schooled and almost never leave the apartment due to a controlling father. To entertain themselves, the six brothers re-create their favorite films with homemade costumes and scripts.  I enjoyed the film, mostly because the boys are so outgoing, and their re-creations of films are fascinating. I wanted more on their background, and while we do see quite a few home movies, I never felt that I got to know anyone in-depth in the family. The movie also never fully explores the darker side of the father and his hold on his family. There are hints that he bullies the boys and that he might have hit his wife, but these are never fully explored. The Wolfpack is a film that never quite lives up to its potential, leaving me thinking that the boys were merely characters in their own film, instead of real kids trying to find their way in the big, wide world of New York City.    My Rating: Bargain Matinee    The Wolfpack Website 

Forgotten Film:  La Cage aux Folles (1979) R   This is a far better film than the American remake, The Birdcage (1996). The plot is roughly the same; a gay couple’s son is getting married into a conservative family, so the couple attempts (very badly) to act straight so that the wedding will go off. This French film is funny, warm and is a combo of a farce and a musical. The film brilliant plays out, becoming funnier as it goes along. The film is worthy of its three Oscar nominations and is a joy to watch.    My Rating: Full Price   La Cage Aux Folles Info

Weird Credits: From the credits of Inside Out: Character Modeling and Articulation Artist

Coming Soon to a Theatre Near You:  The Bronze (2015)     A foul-mouthed former gymnast (Melissa Rauch) has made a living on the fact that she won an Olympic bronze medal. Now she is asked to put her ego aside and help mentor a new up-and-coming star. I love Melissa Rauch and am looking forward to seeing what director Bryan Buckley can do with this material. Buckley has directed some of the best commercials of the past ten years.   The Bronze Info

Until Next Time!