Book Club: The Next Chapter

My View: Book Club: The Next Chapter (2023) PG-13 The book club is back together, and Vivian (Jane Fonda) is about to get married. What better way to celebrate than to take a trip to Italy? What trouble can four women get into in Italy? Plenty. The first Book Club film was fun because of the four leading actresses, who looked like they were having fun with each other on the screen. The plot was weak, but the film still felt fun and light. I can’t say the same for the sequel. It’s a mess of a movie, with poorly done jokes, stringing plot lines together that feel disconnected from the start, and some painfully bad dialogue that never hits the mark. The four try gamely to keep the film going, but too often, the film hits a wall and then hits another one. I will say that the audience I saw it with laughed a lot more than I did, but that wouldn’t be hard since I don’t think I laughed once.   My Rating: Cable  Book Club: The Next Chapter Website  Now playing in theatres nationwide. 

My View: Fool’s Paradise (2023)  Fool’s Paradise is about a man (Charlie Day) who cannot speak. He’s released from a mental hospital and is picked up off the street because he looks exactly like a big Hollywood star who is on a bender and refuses to leave his trailer. The star’s publicist (Ken Jeong) and a powerful producer (Ray Liotta) help the man become even a bigger star, including marrying his beautiful leading lady (Kate Beckinsale). However, fame and fortune aren’t all they are cracked up to be, especially when you say nothing. I was hopeful when I saw the film’s plot and cast, including Jason Bateman, Jason Sudeikis, Jillian Bell, Adrien Brody, Edie Falco, and John Malkovich. Since I love silent films, I hoped that Day (who kills it every week in It’s Always Sunny in Philadelphia) would give us a performance like Buster Keaton or Harold Lloyd, but no, it’s a part that only allows Day to mug occasionally at the camera, giving us mostly a character that has only one expression. Fool’s Paradise starts with some fun, as Day’s character, who has been sent out into the world, goes with the flow of wherever he is. The film tries to show us Hollywood in all its ugly glory, but it fails time after time to be funny or satiric, giving us incredibly painful to watch scenes that go on way too long. The film culminates with a soliloquy by John Malkovich that is outright bizarre. Do yourself a favor and skip this film and watch Hal Ashby’s 1979 opus Being There to see how the idea of a simpleton can rise to fame and power is done.   My Rating: Cable  Fool's Paradise Website  Now playing in theatres nationwide. 

My View: BlackBerry (2023) R  The story of the innovative phone named Blackberry. The phone was built by a small company of innovators who challenged and toppled global giants before succumbing to the ruthlessly competitive world of Silicon Valley. It’s in the Valley where change becomes something that happens too quickly to react. This is one of those films that is constantly funny while also being heartbreaking. You know that the company and the men who started it are bound for failure in the end. BlackBerry is a tale of how greed and growing too fast can doom even the most innovative company. Two friends, Mike Lazaridis (Jay Baruchel) and Doug (Matt Johnson), have founded an electronics company on the brink of collapse. In walks Jim Balsillie (Glenn Howerton), an entrepreneur who promises to turn the company around if they meet his demands (which are half of the company). Through innovation, Jim’s ability to BS his way into any meeting, and a little luck, their idea of creating a phone that can also send emails and messages takes the world by storm. Glenn Howerton is amazing to watch as the ’Co-CEO’ of the company, playing Jim as if Alec Baldwin’s character from Glengarry Glenn Ross is turned up to 11 and is on speed. It’s a brilliant performance, making Jim a superb contrast to the intellectual/reserved Mike and the goofy, easy-going Doug, who lives for movie night at the company. BlackBerry is a fun ride that we know will ultimately end with a crash, but it’s a blast to be along on the journey to that gigantic wall that they can’t see coming.   My Rating: Full Price  BlackBerry Website  Now playing in select theatres. 

Indiefest: Carmen (2022) R  After being forced to flee her home in Mexico, Carmen (Melissa Barrera) survives a harrowing border crossing only to be confronted by a lawless volunteer border guard who murders two of Carmen’s fellow immigrants. Carmen meets an ex-Marine out on his first night with the volunteers, Aidan (Paul Mescal). Aidan helps Carmen escape and flee to L.A. Love can be found in unexpected places but fleeting in a world that is closing around you. Melissa Barrera, hot off her roles in the last two Scream films and In the Heights (2021), shows off her dancing skills in this modern look at the famous opera, Carmen. Barrera shines in the dancing numbers, showing off the skill and talent she displayed in In the Heights. The camera seems to focus consistently on her, which is good because Paul Mescal is the weak point in this film. He is not a dancer, and in the two numbers he is in (one is the film’s final dance), it is evident that he has never taken a dance lesson in his life. It’s painful the watch, and you are left to wonder what a real dancer would have done with the part. The last dance doesn’t have the impact it should have because of Mescal’s lack of mobility (he runs around in a big, wide circle) at one point. Carmen’s cinematography is breathtaking, with some gorgeous shots at night, highlighting the characters in wide shots as they seem to fold into the atmosphere. The film is full of original music and dance, with very little taken from the original opera. The dance sequences are beautiful to watch, with a thrilling scene done in a carnival. However, the film seems bloated by all the attempts at creating mysticism and foreboding, as Adian keeps seeing signs of doom along the way. Still, with a score written by Nicholas Britell, the opening scene with a fierce flamenco dance performed by Marina Tamayo and the dancing of Barrera, makes Carmen worth wading through some of the slower moments.   My Rating: Bargain Matinee  Carmen Website  Now playing in select theatres. 

Indiefest: Still: A Michael J. Fox Movie (2023) R Still is a documentary that follows the life of beloved actor and advocate Michael J. Fox, exploring his remarkable career through his personal and professional triumphs and travails. The film shows us what happens when an incurable optimist confronts an incurable disease that threatens not only his career but his life. One of the best documentaries for the past five years, this is a beautiful and moving look at the life of a gifted actor. Fox, who, after a rough start, became an enormous star, only to have his life turned upside down with the diagnosis of Parkinson’s. Fox narrates the film, but what is interesting is that we get to see Michael as he struggles with Parkinson’s while recording those voiceovers. Still takes footage from both his home movies, his films, and TV shows, and his sessions with both physical trainers and doctors. This gives us a film that provides us with a look at what it was like to be Michael in his glory days and his last few years struggling just to stay upright as he walks. Still is the story of a man who loves his wife and children, tried to hide his Parkinson’s from the world, and then brought it out into the open because, like his many screen roles, that’s what a hero does. If you didn’t like Michael J. Fox before (and what’s wrong with you?), you will after seeing this funny, moving, and hopeful movie about a talented actor who took on a deadly disease and did everything he could to keep going.   My Rating: I Would Pay to See it Again  Still Info  Now playing on the Apple TV+ platform.

My View: The Mother (2023) R  An assassin (Jennifer Lopez) goes into hiding to protect the daughter she left behind. Now, that daughter is being used to bring the assassin out of hiding. Never doubt a mother’s love for a child, especially when the mother is a professional killer. Jennifer Lopez is a killer (think a cross between Jason Bourne and James Bond with a little Clint Eastwood lone wolf thrown in). From the start, we know this woman is not to be messed with. We see her in action when her FBI safe house is attacked, and she almost single-handedly kills a group of hitmen. Lopez is believable as the assassin who has no trouble killing when her daughter is threatened. There are plenty of fun car chases and running through the streets/woods as Lopez uses her killing talents to take down what seems like an army of bad guys. The Mother is a film that lets the athletic Lopez run and fight with the best of them. I wish the plot was a little better, but J Lo gives us plenty of action sequences to make up for it.   My Rating: Bargain Matinee  The Mother Website  Now playing on the Netflix platform. 

Indiefest: (2022)   L’immensità   Set in 1970s Italy, is a story about a teenage girl, Adriana (Luana Giuliani), who has begun to identify as a boy, wanting to be known by the male name Andrea. As Andrea tries to discover who he is, he must deal with his Italian Catholic upbringing, a depressed mother, Clara (Penélope Cruz), and a constantly angry father (Vincenzo Amato). Andrea’s world looks more promising when he discovers a Romani encampment and a young girl named Sara (Penelope Nieto Conti). This is a film about being an outsider. An outsider in your own family, in your marriage, and in the rest of the world. The always dazzling Penélope Cruz plays Clara, a mother of three in a miserable marriage who knows and understands that her daughter feels like she/he doesn’t belong. Adriana, the daughter, thinks that her mother is the only person in the world who understands. She/he will protect her against anyone, including his father, who thinks Adriana is just playing as a boy. The film revolves around Adriana, and Luana Giuliani does an outstanding job holding her own with Cruz on the screen, an actor that tends to dominate the spotlight. The film is a coming-of-age film with a twist, a young woman who knows she is a boy, and it’s confirmed when Adriana meets Sara, a new girl in the neighborhood. Sara sees and accepts Adriana as Andrea, a boy and they start to explore their relationship before things get complicated. Cruz plays Clara, a free spirit who doesn’t fit the mold of the stay-at-home mom, something that her husband bristles at. Because he loves his mom, Andrea accepts his mom and her up-and-down moods, knowing she is unhappy and restless. L’immensità often goes into the mind of Andrea as he fantasizes about being in music videos. There Andrea can escape the world, with him as the lead singer and his mom is his principal backup dancer. I thoroughly enjoyed this film about finding your place in the world when you feel too different to fit in.   My Rating: Full Price   L’immensità website Now playing in select theatres.

My View: Hypnotic (2022) R  Daniel Rourke (Ben Affleck) is investigating a string of high-end heists while trying to find his daughter, who went missing several years ago and has never been found. Rourke discovers the thefts are being conducted by ‘Hypnotics.’ There are a group of psychics who have the ability to control other people’s minds. And they can get people to do things they usually wouldn’t do, including putting themselves in harm’s way. And if that made sense to you, then you are doing better than I did watching this mess of a movie. Affleck sleepwalks his way through this film as if he was hypnotized to take the part. The film tries to outfox you with starts and stops, which makes a screwed-up plot even messier. It would take a person far more intelligent than me, plus a very complex flow chart, to figure out what happened in this movie. The film is from filmmaker Robert Rodriguez, and I kept hoping that the gang from Spy Kids would show up so that at least we could have some fun with this movie. But all we got was Ben Affleck pointing either a gun or a Polaroid picture at people for an hour and a half. My Rating: Cable  Hypnotic Website   Now playing in theatres nationwide.

Forgotten Film: Don’t Say a Word (2001) R  The daughter of a psychiatrist (Michael Douglas) is kidnapped, and the adductors demand that he break through to a post-traumatic stress disorder young woman (Brittany Murphy) who knows a six-digit code the kidnappers need. Don’t Say a Word isn’t a great film, but it’s enjoyable, and Brittany Murphy, as the mental patient, gives a performance that points out again just how tragic that we lost Murphy so early in her life. The film takes some excellent twists and turns, and Sean Bean is a great villain. The ending seems a little rushed, but that’s ok, we get to watch Brittany Murphy work her magic.  My Rating: Bargain Matinee  Don't Say a Word Info The film is available for rent/buy on most platforms.

Weird Credits: From the credits of Book Club: The Next Chapter: Accordion teacher for Mary Steenburgen.

Coming Soon to a Screen Near You: Asteroid City (2023) PG-13  In 1955, students and parents from all over the country come to Asteroid City for a Junior Stargazer convention. Their lives will change drastically when something comes out of the sky to make an appearance. From filmmaker Wes Anderson (Rushmore (19998), The Royal Tenenbaums (2001), The French Dispatch (2021)) with a cast that includes Scarlett Johansson, Tom Hanks, Jason Schwartzman, Edward Norton, Tilda Swinton, Bryan Cranston, Margot Robbie and Matt Dillon, Asteroid City is one of the most talked about films of summer.  Asteroid City Website   The film will be in theatres in late June.   

Until Next Time!

Blonde

My View: Blonde (2022) NC-17   The story of Norma Jeane (Ana de Armas), who became the most famous movie star of the 50s and 60s, Marilyn Monroe. From her traumatic childhood through her rise to stardom, exploited by almost every man she knew, Norma Jeane tried to remain herself, which cost Norma Jeane her life. First, a warning. This is the first big Hollywood film to be released with a rating of NC-17 (meaning no one under 17 is admitted). It’s due to some alarming scenes, some involving sex, but mostly, I think, due to some very hard-to-watch scenes of abortions that Norma Jeane had during her career in Hollywood. Ana de Armas is almost a sure thing to get an Academy Award nomination for her performance as Norma Jeane/Marilyn. It’s a brilliant and moving performance by someone who went deep into the role. But the film is tough to watch, as we watch a woman get taken advantage of by everyone, from the ones she loved to the Hollywood/political system. As brilliant as Ana de Armas is, she can’t overcome a stylized filmmaker in Andrew Dominik, who keeps going back to scenes I begin to resent being put through repeatedly. Keep in mind that this is a film based on a work of fiction, a novel by Joyce Carol Oates and not everything that happens to Marilyn in the movie happened to her in real life. The film is overly long (over two and half hours), and you feel that you have been in a boxing match, being pummeled over and over how badly everyone in her life treated her. There is one and possibly only one scene that releases us from the overall film's despair. In a beautiful scene on the beach between Marylin and her new husband, Arthur Miller (Adrien Brody), you see how happy (for a brief time) they were together, away from the spotlight. It's a beautiful scene, and de Armas, wrapped in the famous black and white sweater, is magical. Unfortunately, that scene is fleeting, and very soon, we go back to tragedy. Blonde is a movie that I will never watch again, no matter how great de Armas is in the role.   My Rating: Bargain Matinee  Blonde Website  Now playing in theatres and on the Netflix platform on Sept. 28th.

My View: Don’t Worry Darling (2022) R  A young housewife, Alice (Florence Pugh), is living in a community with her husband, Jack (Harry Styles), that seems to be perfect. However, this community is hiding something, and the more Alice looks into it, the closer she comes to unveiling secrets that may cost her marriage and maybe, even her life. It will be interesting how this film will do at the box office after all the controversies/publicity it has gotten over the past month or so. Florence Pugh shows us again that she is someone who can carry a film but only so far, with such a weak script. The film starts strong with a look and feel of a movie from the 50s, with the men going off to work and the women staying behind to clean and shop. However, all is not well with this idealistic dream, and the cracks start showing up to Alice, slowly revealing to her that her world isn’t what it claims to be. The film begins to fall apart about midway through and by the end, with the last third that makes no sense and reveals very little. It’s one of those films that makes you work hard to figure stuff out and never gives you the answers you want. Olivia Wilde, whose first film, Booksmart, I liked a lot, is to blame as this film falls apart in front of our eyes. I keep thinking about a scene where Jack, played by an overmatched Harry Styles, has just been given a big promotion by the community leader, Frank, played by Chris Pine. Frank then asks Jack to do a dance, which Frank reluctantly starts to do. This dance goes on and on, so much so that I wanted to call out ‘cut.’ That sums up this film that looked so promising but ended up such a dud.   My Rating: Cable  Don't Worry Darling Website  Now playing in theatres nationwide.

My View: Catherine Called Birdy (2022) PG-13  Lady Catherine (Bella Ramsey) likes to be called Birdy, and the last thing Birdy wants is to be married off to someone she doesn’t love because her father, Sir Rollo (Andrew Scott), needs the money. Conversely, Birdy will lie, cheat, and do anything else she can think of to defeat her father’s wishes. I enjoyed this film while not always enjoying the main character. Birdy is a bit of a brat, constantly pushing boundaries, especially when dealing with her dad, Sir Rollo, who doesn’t take anything seriously until he is told he is about to lose everything because he has run out of money. Bella Ramsey is delightful as Birdy, as she plays the game of figuring out what will get rid of each suitor that comes calling for her hand in marriage. Written and directed by Lena Dunham, the film brings a modern twist to the medieval world, with pop songs filling the film's score and Birdy pushing women's rights to the forefront of a society that saw women as something that could be traded for like livestock. Ramsey gives out one-liners right and left and looks like she is just having more fun than anyone else on the screen. That kind of lightheartedness is what we need more in this world, with a film full of fun while also having a heart.   My Rating; Full Price   Catherine Called Birdy Website  Now playing in select theatres and on the Amazon Prime platform on Oct. 7th.

Indiefest: Carmen (2022) Carmen (Natascha McElhone) has spent almost her entire life looking after her brother, the local priest of a small Mediterranean village. When he dies, Carmen must find a new path to follow, one that just might surprise her village and Carmen herself. This is a sweet tale of a woman finding herself and putting herself first after years of serving her brother and the lord. The film slips a bit from time to time, but Natascha McElhone’s performance is so heartwarming and full of life that it makes up for the sometimes weak storyline. This is a movie about someone finding love and forgiveness and spreading that idea to everyone she comes in contact with. Carmen is one of those stories that you feel better having seen it.  My Rating: Bargain Matinee  Carmen Website  Now playing in select theatres and On Demand.

My View: Lou (2022) R  When her daughter is kidnapped in the middle of a storm, the mother (Jurnee Smollett) turns to the only person that she knows can find her, a mysterious woman who lives next door named Lou (Allison Janney). The two are about to go on a journey that will test their limits and expose shocking secrets from their pasts. What makes this film work is Allison Janney, who we first meet as she goes about her day, pissing people off right and left with an attitude that she doesn’t care what you think of her, just get out of her way. From the start, we get clues that Lou is more than just a pissed-off older woman; there is something about her that shouldn’t be messed with. The film is an action film with a plot that is pretty easy to figure out (you're given a lot of clues very early), but still, Janney makes this film work as well as it does, giving us a believable performance that probably ten or twenty years ago would have gone to a man like Eastwood. Lou is a fun ride for what it is, and Janney makes it one worth going on the adventure with.   My Rating: Bargain Matinee  Lou Website  Now playing on the Netflix platform.

My View: Sidney (2022)   The life story of Sidney Poitier, Oscar winner, activist, and one of the greatest actors of the 20th century. This is one of the best documentaries of the year. The film is told through Sidney Poitier, as he sits and talks to us about his life and career. Produced by Oprah Winfrey, the film is a perfect look at a man who not only is one of the greatest film actors of any generation but also one of the great men of his time. The documentary gives us insight into what made him, how a man became an actor because he saw an ad in a local Harlem newspaper. It’s a remarkable life that Poitier lived, and the film does a fantastic job of giving us scenes from his movies and the context of how and when those films were made. It’s a fantastic look at a remarkable career that I hope gives people, especially ones that don’t know his filmography, to go and watch some of his legendary performances. Sidney Poitier was a great actor, but an even better man, and this documentary lets us explore and praise the man.   My Rating: I Would Pay to See it Again   Sidney Info  Now playing on the Apple+ platform.

My View: Confess, Fletch (2022) R   Fletch (Jon Hamm) is in hot water as someone has committed multiple murders, and Fletch becomes the prime suspect. Consequently, Fletch must prove his innocence while simultaneously searching for his fiancé’s stolen art collection. When Chevy Chase was a big movie star, he made a film called Fletch (1985), which was a big hit and was quite funny, letting Chase do what he did best, charm while also making fun of people. I was such a fan of the film I read quite a few of the books by Gregory McDonald that the character came from. Now thirty-some years later, Jon Hamm revives the role of Fletch, the wise-cracking, now ex-newspaper reporter, who likes to charm while making fun of people, all while solving crimes. While I enjoyed the Chase film, having read many books, I think Hamm is more what McDonald had in mind. A guy, still good-looking but showing his age a bit and using his charm rather than disguises (like Chevy) did, to fool people into thinking he is something he isn’t. The film is a fun who done it, that has a few nice twists and turns to keep us interested. I wouldn’t mind a few more turns with Hamm playing Fletch, solving a crime or two down the road. My Rating: Bargain Matinee  Confess, Fletch Website  Now playing in theatres.

Forgotten Film: Paris Blues (1961)  Two American jazz musicians (Sidney Poitier, Paul Newman) are living in Paris when they meet and fall in love with two American tourists (Joanne Woodward, Diahann Carroll). The film has an incredible cast, with two leads that dominate the screen, but I recommend this film due to an amazing musical number with Louis Armstrong that has to be seen and heard. And the film was shot on location in Paris.   My Rating: Full Price  Pairs Blues Info

Weird Credits: From the credits of Blonde: Deliverables Producer

Coming Soon to a Screen Near You: Call Jane (2022) R A married woman, Joy (Elizabeth Banks), with an unwanted pregnancy, lives in a time in America when she can’t get a legal abortion. She turns to a group of suburban women who have started a grassroots organization to help women like Joy. Having recently seen the doc about this amazing organization, I can’t wait to see this film.   Call Jane Info  Playing in theatres in late Oct.

Until Next Time!