Showing posts with label Don't Worry Darling. Show all posts
Showing posts with label Don't Worry Darling. Show all posts

Friday, September 23, 2022

Blonde

My View: Blonde (2022) NC-17   The story of Norma Jeane (Ana de Armas), who became the most famous movie star of the 50s and 60s, Marilyn Monroe. From her traumatic childhood through her rise to stardom, exploited by almost every man she knew, Norma Jeane tried to remain herself, which cost Norma Jeane her life. First, a warning. This is the first big Hollywood film to be released with a rating of NC-17 (meaning no one under 17 is admitted). It’s due to some alarming scenes, some involving sex, but mostly, I think, due to some very hard-to-watch scenes of abortions that Norma Jeane had during her career in Hollywood. Ana de Armas is almost a sure thing to get an Academy Award nomination for her performance as Norma Jeane/Marilyn. It’s a brilliant and moving performance by someone who went deep into the role. But the film is tough to watch, as we watch a woman get taken advantage of by everyone, from the ones she loved to the Hollywood/political system. As brilliant as Ana de Armas is, she can’t overcome a stylized filmmaker in Andrew Dominik, who keeps going back to scenes I begin to resent being put through repeatedly. Keep in mind that this is a film based on a work of fiction, a novel by Joyce Carol Oates and not everything that happens to Marilyn in the movie happened to her in real life. The film is overly long (over two and half hours), and you feel that you have been in a boxing match, being pummeled over and over how badly everyone in her life treated her. There is one and possibly only one scene that releases us from the overall film's despair. In a beautiful scene on the beach between Marylin and her new husband, Arthur Miller (Adrien Brody), you see how happy (for a brief time) they were together, away from the spotlight. It's a beautiful scene, and de Armas, wrapped in the famous black and white sweater, is magical. Unfortunately, that scene is fleeting, and very soon, we go back to tragedy. Blonde is a movie that I will never watch again, no matter how great de Armas is in the role.   My Rating: Bargain Matinee  Blonde Website  Now playing in theatres and on the Netflix platform on Sept. 28th.

My View: Don’t Worry Darling (2022) R  A young housewife, Alice (Florence Pugh), is living in a community with her husband, Jack (Harry Styles), that seems to be perfect. However, this community is hiding something, and the more Alice looks into it, the closer she comes to unveiling secrets that may cost her marriage and maybe, even her life. It will be interesting how this film will do at the box office after all the controversies/publicity it has gotten over the past month or so. Florence Pugh shows us again that she is someone who can carry a film but only so far, with such a weak script. The film starts strong with a look and feel of a movie from the 50s, with the men going off to work and the women staying behind to clean and shop. However, all is not well with this idealistic dream, and the cracks start showing up to Alice, slowly revealing to her that her world isn’t what it claims to be. The film begins to fall apart about midway through and by the end, with the last third that makes no sense and reveals very little. It’s one of those films that makes you work hard to figure stuff out and never gives you the answers you want. Olivia Wilde, whose first film, Booksmart, I liked a lot, is to blame as this film falls apart in front of our eyes. I keep thinking about a scene where Jack, played by an overmatched Harry Styles, has just been given a big promotion by the community leader, Frank, played by Chris Pine. Frank then asks Jack to do a dance, which Frank reluctantly starts to do. This dance goes on and on, so much so that I wanted to call out ‘cut.’ That sums up this film that looked so promising but ended up such a dud.   My Rating: Cable  Don't Worry Darling Website  Now playing in theatres nationwide.

My View: Catherine Called Birdy (2022) PG-13  Lady Catherine (Bella Ramsey) likes to be called Birdy, and the last thing Birdy wants is to be married off to someone she doesn’t love because her father, Sir Rollo (Andrew Scott), needs the money. Conversely, Birdy will lie, cheat, and do anything else she can think of to defeat her father’s wishes. I enjoyed this film while not always enjoying the main character. Birdy is a bit of a brat, constantly pushing boundaries, especially when dealing with her dad, Sir Rollo, who doesn’t take anything seriously until he is told he is about to lose everything because he has run out of money. Bella Ramsey is delightful as Birdy, as she plays the game of figuring out what will get rid of each suitor that comes calling for her hand in marriage. Written and directed by Lena Dunham, the film brings a modern twist to the medieval world, with pop songs filling the film's score and Birdy pushing women's rights to the forefront of a society that saw women as something that could be traded for like livestock. Ramsey gives out one-liners right and left and looks like she is just having more fun than anyone else on the screen. That kind of lightheartedness is what we need more in this world, with a film full of fun while also having a heart.   My Rating; Full Price   Catherine Called Birdy Website  Now playing in select theatres and on the Amazon Prime platform on Oct. 7th.

Indiefest: Carmen (2022) Carmen (Natascha McElhone) has spent almost her entire life looking after her brother, the local priest of a small Mediterranean village. When he dies, Carmen must find a new path to follow, one that just might surprise her village and Carmen herself. This is a sweet tale of a woman finding herself and putting herself first after years of serving her brother and the lord. The film slips a bit from time to time, but Natascha McElhone’s performance is so heartwarming and full of life that it makes up for the sometimes weak storyline. This is a movie about someone finding love and forgiveness and spreading that idea to everyone she comes in contact with. Carmen is one of those stories that you feel better having seen it.  My Rating: Bargain Matinee  Carmen Website  Now playing in select theatres and On Demand.

My View: Lou (2022) R  When her daughter is kidnapped in the middle of a storm, the mother (Jurnee Smollett) turns to the only person that she knows can find her, a mysterious woman who lives next door named Lou (Allison Janney). The two are about to go on a journey that will test their limits and expose shocking secrets from their pasts. What makes this film work is Allison Janney, who we first meet as she goes about her day, pissing people off right and left with an attitude that she doesn’t care what you think of her, just get out of her way. From the start, we get clues that Lou is more than just a pissed-off older woman; there is something about her that shouldn’t be messed with. The film is an action film with a plot that is pretty easy to figure out (you're given a lot of clues very early), but still, Janney makes this film work as well as it does, giving us a believable performance that probably ten or twenty years ago would have gone to a man like Eastwood. Lou is a fun ride for what it is, and Janney makes it one worth going on the adventure with.   My Rating: Bargain Matinee  Lou Website  Now playing on the Netflix platform.

My View: Sidney (2022)   The life story of Sidney Poitier, Oscar winner, activist, and one of the greatest actors of the 20th century. This is one of the best documentaries of the year. The film is told through Sidney Poitier, as he sits and talks to us about his life and career. Produced by Oprah Winfrey, the film is a perfect look at a man who not only is one of the greatest film actors of any generation but also one of the great men of his time. The documentary gives us insight into what made him, how a man became an actor because he saw an ad in a local Harlem newspaper. It’s a remarkable life that Poitier lived, and the film does a fantastic job of giving us scenes from his movies and the context of how and when those films were made. It’s a fantastic look at a remarkable career that I hope gives people, especially ones that don’t know his filmography, to go and watch some of his legendary performances. Sidney Poitier was a great actor, but an even better man, and this documentary lets us explore and praise the man.   My Rating: I Would Pay to See it Again   Sidney Info  Now playing on the Apple+ platform.
My View:
Confess, Fletch (2022) R   Fletch (Jon Hamm) is in hot water as someone has committed multiple murders, and Fletch becomes the prime suspect. Consequently, Fletch must prove his innocence while simultaneously searching for his fiancé’s stolen art collection. When Chevy Chase was a big movie star, he made a film called Fletch (1985), which was a big hit and was quite funny, letting Chase do what he did best, charm while also making fun of people. I was such a fan of the film I read quite a few of the books by Gregory McDonald that the character came from. Now thirty-some years later, Jon Hamm revives the role of Fletch, the wise-cracking, now ex-newspaper reporter, who likes to charm while making fun of people, all while solving crimes. While I enjoyed the Chase film, having read many books, I think Hamm is more what McDonald had in mind. A guy, still good-looking but showing his age a bit and using his charm rather than disguises (like Chevy) did, to fool people into thinking he is something he isn’t. The film is a fun who done it, that has a few nice twists and turns to keep us interested. I wouldn’t mind a few more turns with Hamm playing Fletch, solving a crime or two down the road. My Rating: Bargain Matinee  Confess, Fletch Website  Now playing in theatres.

Forgotten Film: Paris Blues (1961)  Two American jazz musicians (Sidney Poitier, Paul Newman) are living in Paris when they meet and fall in love with two American tourists (Joanne Woodward, Diahann Carroll). The film has an incredible cast, with two leads that dominate the screen, but I recommend this film due to an amazing musical number with Louis Armstrong that has to be seen and heard. And the film was shot on location in Paris.   My Rating: Full Price  Pairs Blues Info


Weird Credits: From the credits of Blonde: Deliverables Producer


Coming Soon to a Screen Near You: Call Jane (2022) R A married woman, Joy (Elizabeth Banks), with an unwanted pregnancy, lives in a time in America when she can’t get a legal abortion. She turns to a group of suburban women who have started a grassroots organization to help women like Joy. Having recently seen the doc about this amazing organization, I can’t wait to see this film.   Call Jane Info  Playing in theatres in late Oct.

Until Next Time!








Friday, August 12, 2022

Bodies, Bodies, Bodies

My View: Bodies, Bodies, Bodies (2022) R  In Bodies, Bodies, Bodies Sophie (Amandla Stenberg) and her new girlfriend Bee (Maria Bakalova) have just arrived at a remote mansion to meet a bunch of Sophie’s friends for a hurricane party. While there, the group decides to play the game Bodies Bodies Bodies. Evidently, someone is taking the game too seriously because dead bodies soon start showing up. I may be getting much too old to enjoy films like this, but I think this movie wastes the talents of some up-and-coming actors in Rachel Sennott (Shiva Baby) and Maria Baklova (Oscar-nominated performance in Borat Subsequent Moviefilm) and instead gives us a slasher film that goes on excessively long and tries way ridiculously hard to be cutting edge. Maybe I didn’t like this film because the characters feel like they are right out of those old MTV Real World houses that used to annoy the crap out of me. Or maybe it’s how the pacing of this film just halts to a stop constantly, as we get one scene after another of someone crawling on the floor with their iPhone flashlights, waiting for the next body to show up. All I can say is that I was happy that a certain cast member was the first to go. Now if the rest of the characters had died that quickly maybe it would have gotten this film over with faster.   My Rating: Cable  Bodies, Bodies, Bodies Website  Now playing in theaters nationwide.

Indiefest: Summering (2022) PG-13   It’s the last days of summer, and four friends decide to spend the weekend doing as much as they can before school starts. Unquestionably, the four are about to go on an adventure that will change how they look at each other and their lives. I am a huge fan of filmmaker James Ponsoldt, with his 2013 film The Spectacular Now, one of my all-time favorites. While better than the 2013 Apple computer-inspired film The Circle, this film still didn’t hit the mark for me. The idea is fun, with four friends not wanting to waste their last days of summer when they discover a secret that changes their plans drastically. I think the filmmaker wrote himself into a corner that he couldn't quite get himself or his characters out of without a bit of a mess. As always, I did enjoy the performance of Lake Bell, who plays a cop who is a mother to one of the kids. Her kind of a bull in a china shop performance is fun to watch and helps move some slow sections along. Summering is a lovely, safe film about coming of age and friendship that doesn’t deliver the goods that we are used to from this filmmaker.   My Rating: Bargain Matinee  Summering Website  Now playing in select theatres.

Indiefest: Laal Singh Chaddha (2022) PG-13   Meet Laal Singh Chaddha (Aamir Khan), a simple man who will change the world through kindness. So this is a remake of Forrest Gump (done with Paramount’s stamp of approval) set in India in more modern times (not the 60s/70s that the original Forest was primarily set in). Does it follow the plot of the original? Sometimes shot for shot, but mostly it retells the story from an Indian point of view, using Indian history as the focal point. Yes, Laal meets a like-minded individual in the Army, but instead of shrimp, it’s underwear, and instead of an act of God, it’s a name change that saves the company. This is still a funny and sweet story of love, understanding, and redemption, but I didn’t connect with this film as I did with the original. I don’t know if it was the changes in the plot or possibly the music. The original used music exceptionally well. I point to the use of Freebird in the suicide scene, which fits the film's mood and helps set the setting. With this film, I never got caught up in the emotional pull of the film, even with all the (sorry, sort of spoiler alert) death scenes. However, it’s still a fun story; it just didn’t have the impact I wanted.   My Rating: Bargain Matinee  Laal Singh Chaddha Info  Now playing in select theatres.

Indiefest: A Love Song (2022) PG   At a little used campground in the West, Faye (Dale Dickey) waits for a high school flame from her past to show up. The question is will he show up? Dale Dickey is one of those actors who has been working steadily for years, showing up in TV and movies constantly in roles that are never the star, always the supporting role, usually as the hard-living older woman who causes trouble. So it’s fun to see Dickey in a lead role that lets us see a softer side, a woman who has lived a life but has some regrets, and one of those is never entirely falling through with someone she thought she could love. A Love Song is a slow-moving film, letting us live with Faye, getting to know her. I loved her laying in her trailer, waking up to a bird singing, and instantly knowing what kind of bird was serenading her. This is a beautiful performance by Dickey, a woman with hopes and dreams of love, willing to put herself out there to connect with someone. I loved Dickey's scenes with Wes Studi, in which more is said between them during the bits of silence than when they actually talk. A Love Song is one of those films that moves slowly, but that just makes the scenes when something happens much more impactful and meaningful. It’s a film full of moments to savor, just as Faye does as she sits on the picnic table eating her dinner as the sun goes down once again.   My Rating: I Would Pay to See it Again A Love Song Website Now playing in select theatres.

Indiefest: Emily the Criminal (2022) R  Emily (Aubrey Plaza) is drowning in debt and is barely making it working for a catering company. Consequently, through a friend, she becomes involved in a credit card scam and sees it as her ticket out. Instead, Emily may be in way over her head. Right off the bat, this film lets you know that this is Aubrey Plaza’s film, and she doesn’t let us down with a captivating and multi-layered performance, filled with angst and humor, sometimes at the same time. It’s a great role, and Plaza is perfect as the woman who seizes a chance to make some easy money and then gets addicted to the rush of the con and its danger. Emily the Criminal is a film that takes you on a ride with a character you want to root for but know that she is going down a path she may not return from. The film is full of great twists and turns, and it feels like you might need a shower after seeing it because it takes you into a world chock full of grit, grime, and unsavory characters. Luckily for us, Emily fits right in.   My Rating: Full Price  Emily the Criminal Website Now playing in select theatres. 

My View: Fall (2022) PG-13  Becky (Grace Caroline) and Hunter (Virginia Gardner) are all about conquering their fears and pushing their limits. Consequently, when they climb a 2,000-foot abandoned tower, they may have pushed the limits a bit too far. I, unfortunately…wait, on second thought…fortunately saw this film on my computer instead of in a theatre, because if I had, I don’t know if I could have stayed still, or maybe I would have had to watch the film through my hands in front of my face because even though I’m don’t have a big fear of heights, this film will give you one. The film is 90 percent on the tower, and most of it is harrowing and stomach-churning in its selection of shots which keep you saying, “Oh my! NO, NO, NO!’ It’s a film that keeps giving you impossible situations for our two climbers to escape, and once they do, they are still on that damn tower. There are a couple of plot items I could have used without, and the film goes on just a little too long, but it's a thrill ride from almost the first shot of the movie to the last, with a couple of twists that will shock you, that is if you can still see the screen from looking away so much.   My Rating: Bargain Matinee  Fall Website  Now playing in theatres nationwide.

My View: Day Shift (2022) R  Bud (Jamie Foxx) is a hard-working guy trying to make ends meet so his ex-wife and daughter won’t leave town. Bud has a secret; he works for an organization that hunts and kills vampires. As a fan of vampire books and films, I looked forward to this film, but I was a little letdown. There is a car chase that is supposed to be funny and fun because Bud’s daughter is in the front seat, playing a chase game on her iPad as her dad is driving 90 miles an hour on the streets of LA, trying to outrun some vampires in muscle cars and motorcycles. The fight sequences become too repetitive, and the rapport between Foxx and Dave Franco, who plays a mild-mannered desk jockey forced to go out into the field, is almost non-existent. Franco is meant to be the comic relief, but peeing his pants every time he gets scared gets old fast. I enjoyed Snoop Dogg as the respected veteran vampire killer with a powerful machine gun to blast his way through a group of fang bangers, but he’s not in the film enough to make it as much fun as it should be. I don’t know, maybe it was all the sunlight, but this film didn’t have much of a bite.   My Rating: Bargain Matinee  Day Shift Website  Now playing on the Netflix platform.

Familyfaire: Secret Headquarters (2022) PG   Charlie (Walker Scobell) thinks his dad (Owen Wilson) is an IT guy constantly called out of town on jobs. While hanging out after school, Charlie and his friends discover that Charlie’s dad has a secret headquarters and is a superhero. Shortly the headquarters is attacked, with Charlie and his gang having to defend his home and save his dad from evildoers. This is a fun family adventure film with cool gadgets, an Ironman-like superhero, and kids taking on and beating adults at their own game. The film is greatly helped by the performance of Walker Scobell, who is an actor to watch. As in The Adam Project with Ryan Reynolds, Scobell holds his own with the adults in the cast, including Michael Pena and Jesse Williams, the two bad guys who want to take down the hero, The Guard, whose headquarters Charlie has discovered. The kids get to play with all sorts of gadgets, and the action sequences are fun, where the kids use the technology to defeat a group of bad guys out to steal The Guard’s power source. So take the elevator, push the button and enjoy the fun in the Secret Headquarters.   My Rating: Bargain Matinee   Secret Headquarters Website  Now playing on the Paramount+ platform.

Forgotten Film: In the Company of Men (1997) R  Two businessmen, Chad (Aaron Eckhart) and Howard (Matt Malloy), are traveling together and will be spending six weeks working at their company's regional office. They decide they are tired of women who break their hearts and want revenge. The two decide to find a woman in this new city who doesn’t have much of a social life, and then both men will date her, then dump her. They find Christine (Stacy Edwards), who fits their profile and is deaf. They began to each date her showering her with attention and gifts. The question: is will they go through with their plan, or will Christine figure out something is wrong? I liked this film because all three performances are well done, and the film takes a few twists along the way, with the storyline going in a different and longer direction than you think it will take.   My Rating: Full Price  In the Company of Men Info


Weird Credits: From the credits of Bodies, Bodies, Bodies: Intimacy Coordinator


Coming Soon to a Screen Near You: Don’t Worry Darling (2022) R  A young housewife, Alice (Florence Pugh), is living in a community with her husband Jack (Harry Styles) in the 50s that seems to be perfect. But this community is hiding secrets, and the more Alice looks into it, the closer she comes to unveiling secrets that may cost her marriage and maybe, even her life. The film has been getting a lot of buzz and is directed by Olivia Wilde, who gave us the 2019 film Booksmart.    Don't Worry Darling Info

Until Next Time!




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