Showing posts with label Christopher Nolan. Show all posts
Showing posts with label Christopher Nolan. Show all posts

Friday, July 17, 2026

The Odyssey

My ViewThe Odyssey  (2026)  R  The Odyssey follows Odysseus (Matt Damon), the Greek king of Ithaca, who goes on a long and perilous journey home after the Trojan War and his encounters with mythical beings as he attempts to reunite with his wife, Penelope (Anne Hathaway), and his son, Telemachus (Tom Holland), before Penelope succumbs to a nefarious suitor, Antinous (Robert Pattinson). Christopher Nolan is one of our best and most prolific filmmakers today. I mean, who else could get people to buy IMAX tickets a year before the film is released, without seeing a trailer or even footage? First, go see this film in a theater; the bigger the better. You may not be one of the lucky ones who live near an IMAX that is showing the movie on IMAX film (there are only 24 IMAX theaters in the US that are), at least see it in a theater that is showing it with 70 mm digital, or if you are lucky, a theater showing it on 70mm film. Do not wait to see this film on a computer or home screen. You need to see this film in a theater where the screen and its cinematography can immerse you in a world that is part horror, part fantasy, and a fantastic, mind-blowing epic journey. While this isn’t a full-out horror film, it has a cyclops that tears off men’s heads, giant armored men that can throw a man off his feet, and a witch that tricks men into eating unspeakable things, dragon-like monsters, sirens that can drive a man mad with their songs, plus numerous bloody battles that are incredibly violent. However, this is the story of Odysseus, a man who so believes in himself and his abilities that he can defy the Gods and make his own way home without their help. Odysseus is a man driven to return home but burdened by his past and his doubts about his ability to get back. He is a man who thinks he can’t be defeated and believes he is almost God-like, but because of this, he is prone to making very human mistakes, some of which he seems never to learn from. Nolan does a masterful job of turning a complex, long tale into a story. I suspect some will be scared off by the three-hour runtime, but the film moves at a pace that keeps the adventures of Odysseus and his men moving from one roadblock to another. The highlight of the film is the Trojan Horse portion (which surprised me by not being at the beginning of the film but about a third of the way in), which Nolan shows us with incredible flair and tension-building. Nolan also gets the most out of his cast, with Matt Damon carrying most of the heavy load of the hero of the story with energy and bravado. Tom Holland does a brilliant job as Odysseus’s son Telemachus, who is left behind by Odysseus when he was a baby and keeps the faith that his father will return to his rightful place as king. Robert Pattinson is perfect as the weasel Antinous, a man who plans to wed Penelope and become king, as he plots to kill Telemachus along the way. Pattinson’s performance is so good that I expected the audience to boo him at times. While they don’t do that, they did laugh at his attempts to get others to do his dastardly bidding. It’s to Nolan’s credit that there isn’t a bad performance in the cast, and it’s going to be hard to pick out which actors should be nominated for Oscars. I predict that, like Nolan’s Oppenheimer, this film will garner a slew of award nominations and be the frontrunner for Best Picture. The Odyssey is a magical film that combines the wonder of the old Ray Harryhausen films with the drama of Homer, Virgil, and Euripides. So put on your helmet and armor and go on an epic journey where one man tried to defy the gods and get back home. The journey is long but worth every step.  My Rating: I Would Pay to See it Again  The Odyssey Website   Now playing in theaters, including IMAX
Indiefest:  Romeria  (2025)  Spanish director Carla Simon gives us a tale of hidden secrets and discovery in Romeria. When Marina (Llucia Garcia) applies for a college scholarship, she learns that her late father never claimed to have a child. The only way she can claim the scholarship is by getting her father’s parents to sign a notarized document stating that she is indeed their daughter. Marina then travels to a seaside town to visit a side of her family that she has never known, as both her parents died when she was a baby, and then she was adopted. Marina soon discovers that her parents' story is a closely guarded secret, and she slowly peels it back through dogged determination to find the truth. This is a film that slowly builds, letting us get to know Marina, and we are along with her on a journey in a new land, guided only by her mother’s diary and a few morsels of information that her relatives reluctantly give. Llucia Garcia gives us a multi-layered performance of a character who is independent, determined, and, while mostly staying in the background at family gatherings, isn’t shy about asking about her parents, especially when alone with a family member. She also isn’t above eavesdropping on conversations about her and her parents when the family members don’t know she is listening. This is a film about how generations deal with grief and shame, trying to keep their troubles hidden behind locked doors, never publicly exposing the truth, and also keeping out any feelings for the deceased. Romeria is a story full of surprises and compassion for lost souls who never found their way back into the light until Marina dug further into their lives.  My Rating: Full Price  Romeria Website  Now playing in select theaters

IndiefestThe Python Hunt  (2025)   Every year, the state of Florida invites the public to hunt pythons in the Everglades. For 10 nights, a group of hunters from across the states and the world travel across the Everglades in search of the gigantic snakes, risking everything from poisonous snakes to boredom to win a cash prize and say they are python hunters. This documentary concentrates on some unique and bizarre individuals from a man from San Francisco who every day shaves another part of his beard, to a hard drinking 82-year-old woman who just wants the thrill of putting a knife into a pythons brain to a former professional snake hunter who has been suspended from hunting and is now a Door Dash deliver who dreams of hunting the big snakes again with his teen daughter. As you would expect from a documentary set in the Everglades of Florida, the people in this film are rather strange and seem more about being in the hunt than actually getting results. As the hunt goes on, we see people losing interest in going out every night (when the pythons are most active) and driving up and down roads, looking with spotlights for snakes that are hard to find, especially when you stay in your truck. The film embraces how ridiculous this hunt is and how little it accomplishes, while allowing the state of Florida to bring in tourists under the excuse of helping local wildlife. I loved the shots of pythons being illuminated by the searchers’ spotlights, but no one sees them as they move along undisturbed. The film does a great job of showing just how hard it is to hunt these reptiles and how the contest (just over 200 pythons killed in the ten days) is a drop in the bucket compared to the scale of the problem the snakes might pose. Or, as the film points out, that man himself is the problem with the vanishing wildlife and not the snakes themselves. So, grab a spotlight, get into your truck, and go out into the night with a strange and funny group of hunters. You might learn a thing or two; just watch where you walk when you get out of your truck.  My Rating: Full Price   The Python Hunt Website  Now playing in select theaters and available to rent on Amazon Prime.

Forgotten Film:  The Golden Voyage of Sinbad  (1973)  G  Sinbad (John Philip Law) goes on a quest to find three golden tablets that will give him access to the ancient temple of the Oracle of All Knowledge. Sinbad picks up a slave girl, Margiana (Caroline Munro), and they race against the evil magician Koura (Tom Baker), who will do anything to get the tablets. The film showcases Ray Harryhausen’s incredible stop-motion animation, featuring amazing, fantastical creatures, including a six-armed Kali statue that comes to life and engages in a sword battle with Sinbad. The storyline is a little weak, and John Philip Law looks great but can’t act, but it’s got the Harryhausen magic and one of the most beautiful actresses in cinema at the time, Caroline Munro, who, when I saw it in 1973, I was in love with. I can even tell you which theater I saw this film in.  My Rating:  Full Price (hey, a Cyclops Centaur, a Griffin, and a six-armed swordsman are worth the rating, don’t you think).  The Golden Voyage of Sinbad Info  The film is available on most online platforms


Weird Credits:  From the credits of The Odyssey:  Bambooman


Coming Soon to a Screen Near YouThe Dink  (2026)  PG-13   The Dink follows a washed-up former tennis prodigy, Dusty (Jake Johnson), who, to survive, has been forced to teach tennis to children at his father’s (Ed Harris) failing country club. After Dusty is injured, his rehab assignment is pickleball, a sport that he thinks is stupid and beneath his talent. Little does he know, pickleball could save both the country club and his self-respect. The cast includes Mary Steenburgen, Ben Stiller, tennis great Andy Roddick, Patton Oswalt, Chloe Fineman, Aaron Chen, and Chris Parnell.   The Dink Info  Premiering on Apple TV+ on Friday, July 24, 2026

Until Next Time!




Friday, July 21, 2023

Barbie

My View: Barbie (2023) PG-13  Barbie is about living in Barbie Land, which is the perfect place for a perfect person in a perfect world. That is until you have a full-on existential crisis. Or you’re a Ken. I am a big fan of both Margot Robbie and filmmaker Greta Gerwig, so I was looking forward to this film. Plus, this has become one of the most hyped summer films and will be a big box-office draw. I liked the movie but didn’t love it, and I think some people will be disappointed by the fact that Barbie goes back and forth between Barbie Land and the ‘real world.’ It’s partly a musical, and the film has some brilliant numbers, including a wonderful number called ‘I’m Just Ken’ that Ryan Gosling does that just might bring the house down. I found the film funny but not hilarious, though there is one line the narrator (Helen Mirren) says that was on the floor funny. It’s a strange film where the narrator talks to us but also speaks to the characters. The set design of Barbie Land is brilliant, and the opening sequence of letting us see a day in the life of Barbie is one of the film’s highlights. Some of the ‘real world’ scenes disappointed me, and Will Ferrell is a dud as the Mattel CEO, never giving us the laughs we want from him. There are a couple of fun cameos in the film, and Simu-Liu as the rival Ken is a lot of fun. As the often-forgotten Allan (Skipper’s boyfriend), Michael Cera is hilarious as the character that everyone ignores. Margot Robbie has the tough part of playing the perfect Barbie, and she does a nice job, but it’s hard to play someone who has the time and doesn’t have emotions. I enjoyed some of the cast-off Barbie and Ken dolls (all based on real failed Mattel toys) and how they worked them into the film’s plot. Overall, Barbie is fun, and if you owned a Barbie or two (and Ken), you will have a good time seeing them come to life. I had a good time seeing Barbie, but I wanted more in Barbie Land and a lot less of the ‘real world.’ I guess I’ll always be a G.I.Joe (original size) guy.  My Rating; Full Price   Barbie Website  Now playing in theatres nationwide.

My View: Oppenheimer   (2023) R  The story of American scientist J. Robert Oppenheimer (Cillian Murphy), who, at the urging of a desperate U.S. government wanting to end WWII, developed the atomic bomb. You will want to find a theatre showing the film in 70 mm film or on IMAX (the film was shot entirely with IMAX cameras) because there are scenes that will only have their full impact on a big screen. Oppenheimer is, behind the Dark Night trilogy, the Christopher Nolan film that will speak to the most people, with still a few Nolan touches (including an interesting sex scene that happens in an unexpected place). Based on the best-selling Pulitzer Prize-winning book American Prometheus, this is the story of a man who was driven by solving a problem and couldn’t or wouldn’t see the ramifications of what he was about to unleash until it was too late. Cillian Murphy is brilliant as Oppenheimer, a man who hid behind a mask of almost cool indifference while battling demons inside himself and friends that turned foes. Robert Downey Jr. delivers an exceptional performance as Lewis Strauss, who used Oppenheimer's brilliance to achieve his own goals. I think the Downey Jr. is the front runner with this performance to win the Best Supporting Actor Academy Award. The cinematography is fantastic, with incredible shots that will dazzle and, sometimes, horrify you. The film uses black-and-white scenes to up the tension of scenes as we go back and forth in the life of Oppenheimer, a man who was convinced he knew more than anyone else, even if that confidence untimely cost him dearly. I loved Emily Blunt as Kitty, Oppenheimer’s long-suffering wife, and Florence Pugh as Jean Tatlock, the love of Oppenheimer’s life and a woman he could never totally turn his back on. Oppenheimer is a long film (just over 3 hours), but you get swept up in the story about a man who leads the race to create a bomb so destructive that it would stop a World War and create something even scarier than a mad dictator who wanted to take over the world. So find a theatre with the biggest screen in your area and immerse yourself in a story about a man who stopped a war and created a new demon to deal with. And just a warning, if you see it in 70 mm film or IMAX 70 mm film, know to be on time. There will be little to no trailers shown before the film starts.    My Rating: I Would Pay to See it Again  Oppenheimer Website Now playing in theatres nationwide, including IMAX and theatres equipped with 70 mm projectors. 
My View: The Deepest Breath (2023) PG   Documentary about the sport of free-diving, focusing on champion free-diver Alessia Zecchini and diving trainer/safety diver Stephen Keenan. The two are destined to be a couple, and the film focuses on their relationship and how such a dangerous sport affects their friends and family. This beautiful, moving film will have you on the edge of your seat for the underwater dives. The Deepest Breath is a story about two people who will meet and fall in love. Alessia is a young woman determined to break barriers and records, no matter the danger. And Stephen, who, at an early age, wanted to explore the world and then found his love for the ocean and diving. The film follows the two, using interviews with family and friends, along with home movies and footage of their diving events. The Deepest Breath shows us how they became who they were when they met, setting up how hard they fell for each other. There is underwater footage that is strikingly beautiful as the divers are seen not only competing but also enjoying the underwater world they seem to want to live in. I will warn you that this is a dangerous sport in which death is not uncommon, and you will need tissues. At its heart, it is a love story about following your dreams, no matter the obstacles life puts in your way. The story tells us you can succeed if you can find that one person to support you and help you learn.   My Rating; Full Price  The Deepest Breath Website  Now playing on the Netflix platform.

My View: They Cloned Tyrone (2023) R  A series of eerie events pushes an unlikely trio, a drug dealer, Fontaine (John Boyega), a prostitute, Yo-Yo (Teyonah Parris), and a pimp, Slick Charles (Jamie Foxx) onto the trail of a government conspiracy that involves illegal cloning. These are three heroes that aren’t cut from the superhero mold, and other than Yo-Yo, they don’t seem to have any idea on how to investigate anything other than go into unknown spaces with guns drawn and, occasionally, a song. The characters in this film would be at home in many Quentin Tarantino films with a splash of 70s Blaxploitation. The three principal actors are fun to watch as John Boyega is the reserved and quick to use his muscle to make his point. Foxx has a blast playing the pimp, who is too cool to do anything but talk a lot until he is pushed too far. And Teyonah Parris as the prostitute who plays the game with everyone she meets. However, we soon see that there is more to her than meets the eye, much like the film her character is in. The storyline is entertaining and progressively absurd, but it may not satisfy the cravings of certain Internet conspiracy theorists. Let’s just say that the three uncover something much bigger than they could ever conceive. And you may never look at grape drink and fried chicken the same way again. So get in the back seat and join this unique Scooby Doo gang and find out what is happening in their small corner of the world. It’s a lot bigger than you think.   My Rating: Full Price  They Cloned Tyrone Website  Now playing on the Netflix platform. 

My View: Cobweb (2023) R   Peter (Woody Norman) is an eight-year-old who starts hearing knocking noises coming from inside the walls of his home. His parents don’t believe him, blaming his imagination. Peter soon learns that his parents are hiding a dark secret; something is in the walls. Cobweb is your ordinary build-up with scary sounds, parents that might not be right, and a voice in the wall. Then it proceeds to do a few jump scares and has an ending that seems much too easy and very unsatisfying. It’s a lot of fuss without much to back it up. My Rating: Bargain Matinee    Cobweb Website Now playing in theatres.

Forgotten Film: War of the Buttons (1994) PG   Set in 1960s Ireland, the children of two neighboring towns engage in battles against each other to capture their opponents and cut off their buttons, shoelaces, and underwear, all in order to get the losers in trouble with their parents. This is a much nicer and funnier film but has roots in Lord of the Flies in that the battles symbolize the troubles going on with the adults in their towns. You will need to turn on the subtitles, as the Irish accents are rather thick and sometimes tricky to understand. Overall, a delightful film based on a classic French story (that has been done a few times in French cinema). My Rating: Full Price  War of the Button Info  The film is available to buy/rent on both Amazon and Apple TV.

Weird Credits: From the credits of Oppenheimer: Train Coordinator

Coming Soon to Screen Near You: Last Voyage of the Demeter (2023) R Based on a single chapter from Bram Stoker’s novel Dracula, this is the story of the Russian schooner Demeter, which is chartered to carry a private cargo from Carpathia to London. On board are twenty-four unmarked wooden crates. There is something or someone in one of those crates that means that no one will survive this voyage. The director, AndrĆ© Ƙvredal, who directed the fabulous Troll Hunter (2010), has described the film as ‘Alien on a ship.’  Last Voyage of the Demeter Website  The film will be in theatres on August 11th.

Until Next Time!



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