Coyote vs Acme

My View: Coyote vs. Acme  (2026)   PG  In Coyote vs. Acme, Coyote is tired of using Acme products that blow up in his face or hit him on the head when he is trying to catch the goofy Roadrunner. So he hires a lawyer and sues Acme for all the heartache they have caused over the years. He chooses Kevin Avery (Will Forte), who has never won more than 300 dollars from Acme, to take on Buddy Crane (John Cena), a big-shot lawyer who has never lost a case. When I was a kid, I loved cartoons. I lived for Saturday morning when all the new cartoons premiered, and I studied TV Guide as if I was going to have a big test on it. While I much preferred Bugs Bunny, I still enjoyed Road Runner and the Coyote. I loved the little poof that used to appear at the bottom of some failed attempt to catch the Road Runner, where the Coyote instead fell to the desert floor below the high cliffs he was always projecting himself off of. Well, I am happy to say that there are plenty of “poofs” in Coyote vs Acme, bringing back some fun times from my childhood. Will Forte does a magical job of making us care about a down-and-out lawyer whom The Coyote hires to take on the big-city lawyers representing Acme Manufacturing. It’s a funny idea, and I loved how, even when in the city and living in a hotel room, The Coyote is still putting together machines to hopefully capture the Road Runner or, at the very least, get himself out of bed. The film does a great job of paying homage to the cartoons of the past and brings back a few cartoon characters along the way. As a big fan of the legendary character voice man Mel Blanc, there were a couple of voices of characters that I didn’t think worked, but that’s a minor quibble for a film that was a heck of a lot of fun. Kids will have fun with the film and don’t worry about the PG rating, as I think it’s mostly because of the violence, something that all the Road Runner/Coyote cartoons had. After you see this film, you will have one question: Why, oh why, did Warner Brothers not want to release this film? I have no clue, but I am glad we got to see this film bring back wonderful memories of my childhood, sitting in front of the TV on a Saturday morning.  My Rating: Full Price  Coyote vs Acme Website  Now playing in theaters

My View: The Dog Stars  (2026)  R   The Dog Stars is set after a devastating pandemic that almost wiped out humanity. The film follows Hig (Jacob Elordi), a former pilot, and Bangley (Josh Brolin), a gun-toting former Marine, as they live on an abandoned air base, constantly on watch for roaming scavengers called Reapers. After hearing a mysterious radio voice, Hig flies his plane past the “safe zone” hoping to find a better life. I enjoyed this film, mostly because of the star power of the four leads in Jacob Elordi, Margaret Qualley, Josh Brolin, and Guy Pearce. And wait until you see the scene-stealing Allison Janney in just a bonkers role. Because the film is directed by four-time Oscar-nominated Ridley Scott (Thelma & Louise, Gladiator, Black Hawk Down, The Martian), I have a feeling many critics will not like this film as much as I did. The film has some problems, including a very weird section that feels out of place with the rest of the movie (hence the bonkers role that Janney plays). The film is about a man who is suffering from grief over the loss of his wife and his simple life. All that’s left is his faithful dog, who is his constant companion. Hig flies out every day to scout the surrounding area for danger, as survivors keep trying to raid the small airport that Hig and Bangley have made their home. But Hig really flies to find a place where things are more normal. Where people live without the constant threat of attack. Hig hears someone on his airplane radio trying to contact him, and he starts to believe there might be hope out there. The film has some firefights, but it is more about how people cope with isolation, grief, and loneliness through Hig's eyes. Josh Brolin steals every scene he is in, and I kept wondering if this part was too easy a role for him, because it certainly fit his personality. If you are looking for an action film, this might not fill your quota of action pieces, but for a film that lets its actors work together on screen to develop characters you care about, it fits the bill. The Dog Stars is no way a perfect film and won’t be nominated for many awards, but I enjoyed watching the cast's performances, especially Mr. Brolin. My Rating: Bargain Matinee  The Dog Stars Website   Now playing in theaters

Indiefest:  Idiots  (2026)  R  Idiots follows two down-on-their-luck men (Dave Franco and O’Shea Jackson Jr.) hired to transport a wealthy teenager (Mason Thames) to a rehab facility. What should have been a routine job goes wildly out of control as the road trip becomes a mixture of drugs, crime, and a series of detours that put the two men in touch with some people you don’t want to make mad. Idiots is a film you'll forget as soon as you leave the theater. And maybe that’s the way it should be about a film where everyone seems to get high. Idiots starts with a simple, promising premise but soon loses momentum it never recovers from. The script lets down a talented cast, including a very funny performance by Peter Dinklage as a menacing leader of a small-town gang. The film starts to fall apart in the second half, as things get a little too complicated for extended laughs. I also felt the film slowed down as soon as Kiernan Shipka, an exotic dancer who gets involved with the trio and brings some life to the 2nd act, left the guys before the last act evolved. I will say that the audience that I saw the film with at the 2026 Atlanta Film Festival throughly enjoyed the film but I don't know if they, like the guys in the film, imbided in anything before the screening.  Idiots isn’t a bad film; it just seems to have run out of ideas by the final third of the film. Kind of like Franco’s character, who keeps forgetting what he is doing. My Rating: Bargain Matinee  Idiots Website    Now playing in theaters

My View: Colony  (2026)  R   Colony is about a biotech conference in a Seoul high-rise, where a disgruntled former employee unleashes a fast-mutating, fungus-driven virus that creates zombies that are part of a hive that can adapt and communicate, allowing them to grow like an AI network. Inside the quarantined building, survivors become trapped in a high-stakes slaughterhouse. Filmmaker Yeon Sang-ho gave us one of the greatest zombie films ever to grace the silver screen with Train to Busan ten years ago (be sure to check out my review of that film here.) He decided to revisit the genre, but this time the stakes are higher: the zombies can learn and adapt, making them even better hunters and killers. Like Train to Busan, a group of people from different walks of life suddenly must band together to survive what seems like an impossible task: surviving a zombie attack in an enclosed 30-story building, with little hope of rescue. The difference between this film and Train is that this time we know and see who is solely responsible for the attack. Instead of a faceless corporation, this time it is a mad scientist who is pissed off at that faceless corporation and wants to show how smart and great he is. The zombie attacks are brilliantly done and scary as all get out, as they keep adapting to whatever tactics our survivors come up with. I loved all the different ways the zombies adapt and evolve, with coordinated attacks where all the actors playing the zombies had to mimic each other in a gruesome zombie dance. Sorry Michael Jackson, but you have been topped in the zombie move department. This is a fascinating film to watch, with a truly evil mad scientist and a motley group of heroes who are just trying to survive any way they can. While this film doesn't surpass Train to Busan, Colony is still a fun and incredibly scary rollercoaster ride that keeps you on the edge of your seat, wondering how our heroes will survive and who will be left in the end.  My Rating: Full Price  Colony Website   Now playing in theaters

Indiefest:  Buddy  (2026)  R  In Buddy, a group of children are trapped inside a 1990s-style children’s television show hosted by Buddy, a giant, bright-orange unicorn. Buddy doesn’t like it when they try to escape. Really doesn’t like it. Buddy is a very strange horror film that I wanted to like more, but it never delivers the scares and tries too hard to be gross. The look of the film at the start is spot on for that ‘Barney” knockoff look, with a mix of characters, from the giant stuffed animals like Buddy, to the talking household objects like a mailbox or a chair, to the human characters like a nurse or mailman. All are destined to die horrible deaths, but the film doesn’t make them scary or funny enough to make them stand out. Once the film leaves the kid-show setting, it loses whatever momentum it had. The novelty wears off about 30 minutes in, and it never strikes a chord between comedy and horror, making it a lesson not learned. As Buddy tells us, “It’s time for your hug”. No thanks, Buddy, I think I’ll pass. My Rating: Cable   Buddy Website  Now playing in theaters

Indiefest:  Finding Emily  (2026)  PG-13  Finding Emily follows 23-year-old Owen (Spike Fearn), a sound engineer at a student union who meets the girl of his dreams, Emily, and, before she disappears, gets her phone number. But the next morning, he discovers the number doesn’t work, and he sets out to find his Emily. Owen is about to go on a quest to find Emily, and with the help of another college student named Emily (Angourie Rice), he is about to become famous in his search for his Emily. What we know, and Owen doesn’t, is that the new Emily has an ulterior motive. To prove that love, as the movie quotes Freud, “is a state of temporary psychosis,” she is going to use Owen to prove her thesis. I am a sucker for rom-coms, and this hit the spot. Is it predictable? Sure. However, it does a nice job of making it a modern-day romance where all forms of our online culture both help and impede finding our true love, or at least our true infatuation. Spike Fearn and Angourie Rice are perfect together as the unlikely duo that teams up to find the forewarned Owen’s Emily. The two play off each other, which makes their attraction feel real and believable. The supporting cast, in true rom-com fashion, is a group of oddball characters, along with the hunky guy who our Emily is attracted to. We know how this is going to end, and it doesn’t disappoint, though I would have loved a bit more to the reveal that our Emily does (spoiler alert, though is it really?) to win Owen back. Be sure to stay through the credits for a song Owen sings that updates where all (and I mean all) the characters are now.  My Rating: Full Price  Finding Emily Website  Now playing in theaters

Indiefest:  Union County (2026)  Union County tells the story of Cody Parsons (Will Poulter), whom the county placed in a mandated drug court program during the opioid crisis in rural Ohio. The film follows Cody as he tries to put his life back together after years of being a drug addict. Cody’s foster brother, Jack (Noah Centineo), is also in the program, and the court hopes the two will support each other. Almost from the start, though, you can tell that Jack will be a bad influence, taking Cody to a party almost immediately after getting into the program. Jack drinks at the party, but Cody has a ray of hope when he meets Anna (Elise Kibler), a recovering addict, and they connect. This is a film where you cannot predict what will happen, except that the road to recovery is full of potholes. It’s how you deal with those potholes that can make the difference between failure and success. Will Poulter gives a multi-layered performance that touches your heart and soul, expressing almost every feeling through his expressions and body language. This is a film about how difficult it is to pull yourself up from the depths of drug addiction. Union County is both depressing and hopeful at the same time. Made even more real because New York-based filmmaker Adam Meeks, before he even knew he wanted to do this story, went to a meeting of an adult recovery program in Union County, Ohio. That meeting inspired the film, and over 40 of the cast are members or former members of the program, making this film even more heartfelt as we hear their stories. Union County uses real people and their views on life and addiction to help us understand their plight and how a program like this can make a difference. That use of lived experience, combined with Cody's fictional story, makes a lasting emotional impact.  My Rating: Full Price  Union County Website  Now playing in select theaters 

My View:  The Whisper Man  (2026)  R  The Whisper Man follows Tom (Adam Scott), a widowed crime writer, and his young son (Acston Luca Porto) as they move to a small, quiet town. After the boy is abducted, Tom turns to his estranged father, Pete (Robert De Niro), a retired police detective, for help. They soon discover a connection between the abduction and a decades-old case involving the serial killer known as The Whisper Man. This is another in a long line of films where the book the film is based on is probably much better than what we are watching. Even with a cast that includes Robert De Niro, Adam Scott, Michelle Monaghan, Hamish Linklater, and Michael Keaton, the film feels very one-dimensional and by the numbers. We have a widow and his kid moving to a new city where the late wife grew up, with the dad hoping that this will help the kid get over the loss of his mother, who died in front of his eyes. We have a retired cop who is tortured by a case where one kid taken by a serial killer was never found. And we have a detective who is on the case of a copycat killer mimicking the serial killer’s MO from years ago. It's a film that makes you think, “Hey, haven’t I seen this before?” De Niro is about the only thing that saves this film from being a total slog, as the father of the widower who hasn’t had contact with his son in years and now pulled back in to help with the case because of the copycat killer. It’s the type of film where actors are in parts that seem to involve little more than talking and looking over clues. The almost two-hour time length feels even longer because the film drags until the final third, when we discover who the new serial killer is (and it’s not a shock). Keaton is wasted as the original serial killer whom they keep meeting in prison, so that we see how creepy he is (not so much). The ending is unsatisfactory and predictable, much like the rest of the film.  My Rating: Cable  The Whisper Man Website  Now playing on the Netflix platform 

Forgotten Film: The Dead Girl  (2006) R  A woman (Toni Collette) finds a young woman dead in a field. The mystery of who killed the woman is told through five connected chapters, focusing on a different woman whose life changes after the body is found. The final chapter gives us the victim’s (Brittany Murphy) last day. The brilliant cast includes Rose Byrne, Marcia Gay Harden, Mary Beth Hurt, Kerry Washington, James Franco, Giovanni Ribisi, Josh Brolin, Mary Steenburgen, and Piper Laurie. It’s a fascinating way to look at a mystery, and as usual, Brittany Murphy’s performance will break your heart; it’s so good. Few people saw this film, but it was nominated for several Independent Spirit Awards. My Rating: Full Price The Dead Girl Website   Available on Amazon Prime and Tubi

Weird Credits:  From the credits of The Dog Stars:  Double Dog Handler

Coming Soon to a Screen Near You:   Onslaught  (2026)  R   Onslaught follows Celeste (Adria Arjona), an army veteran and single mother living in a trailer park. Celeste will have to use her sniper training when a rogue squad of genetically engineered soldiers escapes from a secret military facility and starts killing everyone in sight. Adria Arjona is best known for her roles in the 2015 season of True Detective, Hit Man (2023), and Andor.   Onslaught Website   In theaters nationwide on Friday, September 4, 2026

Until Next Time!

Wuthering Heights

My View: Wuthering Heights  (2026)  R Wuthering Heights is the legendary love story set against the backdrop of the Yorkshire moors that follows the intense, sometimes destructive relationship between Heathcliff (Jacob Elordi) and Catherine (Margot Robbie). Writer/director Emerald Fennell (Promising Young Woman) clarified that she was making a personal version of Wuthering Heights and not a direct adaptation of Emily Brontë’s much-loved novel. Your first clue is a soundtrack mostly composed of songs written and performed by Charli XCX, which gives the film a bit of a modern touch, though not as much as I anticipated. I have a feeling that fans of the book will be disappointed with this rather disjointed telling. The first half, which covers Catherine and Heathcliff’s childhood, is the most interesting part of the film. The dynamic between the two characters as children is interesting and at times riveting. I can’t say the same thing for when Heathcliff and Catherine are adults, especially when Heathcliff leaves for a spell because of Catherine getting married to rich suitor Edgar (Shazad Latif). I didn’t like the chemistry between Robbie and Elordi, as it never gave off the sparks that the film needed. Here’s a clue to this film: anytime it rains, you know Catherine and Heathcliff are going to have sex. And it rains a lot. I also had a hard time understanding Elordi’s dialogue, as he tended to swallow his words, trying to be the illiterate, brooding tough guy. I didn’t like any character in this film, including our two lovers, who seem like spoiled brats, selfish, and unable to keep their hands off each other (especially in the rain). I am surprised the film didn’t end with a rousing remake of “Blame it on the Rain”.   My Rating: Bargain Matinee  Wuthering Heights Website  Now playing in theaters

My View:  Crime 101  (2026)  R  Crime 101 follows a jewel thief named Mike Davis (Chris Hemsworth) whose heists along the 101 freeway have made him a legend and have left the police baffled. Mike has set his sights on the ultimate score and finds out that Sharon Colvin (Halle Berry), an insurance broker, wants in on the deal. Can Mike trust Sharon, or is she setting him up for a fall? I am a big fan of the Michael Connelly Harry Bosch book series, and one thing Connelly does is always talk about the traffic in L.A. Writer/director Bart Layton and Cinematographer Erik Wilson do a great job is capturing the look and feel of L.A. with its long line of cars on the freeway and the homes and hotels of the rich, along with the scenes of the homeless on the street, as our hero Mike figures out his next heist. I had fun with this film and its multiple storylines, which keep intersecting throughout. The film has some nice twists, and I had expected that there would be a romance between Hemsworth and Berry, but that’s not the case. Instead, both characters see each other as a tool to be used to get what they want. In fact, there is more attraction between Berry’s character, a woman who keeps bumping up against the glass ceiling and can’t break through, and Mark Ruffalo’s world-weary but by-the-rules cop, as they both are getting screwed by their bosses. Instead, there is a fun romance between Hemsworth’s character, who has a troubled past, and Monica Barbaro’s character, a woman he meets in a strange ‘meet-cute’ moment. I was amazed by how that relationship turned out. The big heist kept me guessing, and I thoroughly enjoyed Barry Keoghan’s motorcycle heist man, who is way in over his head on everything he does. It must be fun to be Keoghan these days, taking parts where he can go nuts. Crime 101 isn’t a brilliant film (comparing it to LA centric movies like Heat or Beverly Hills Cop), but it’s a fun time with a great cast and a city that is always interesting to be in.  My Rating: Full Price  Crime 101 website  Now playing in theaters 

Familyfaire:  GOAT  (2026)  PG  GOAT is about Will, a small goat with dreams of going pro and playing roar ball, the high-intensity, full-contact sport dominated by the fastest, fiercest animals in the world. Will is determined to prove he belongs and that “smalls can ball!” I don’t know, maybe kids who love basketball or goats will like this movie, but I was bored almost from the start. I didn’t like the animation style, which at times felt soft and at other times too harsh. The plot was too simple, the storyline wasn’t well thought out, and I didn’t care if the team of misfits ever won a game, much less make it to the championship. The film kept throwing ideas at us, as if it had decided to play dodgeball rather than basketball. Steph Curry, who produced the film and voices one of the characters, needs to stick to winning championships and stay out of the animation chair.  My Rating: Cable   GOAT Website Now playing in theaters

Indiefest:  Jimpa  (2025)  Jimpa is about Hannah (Olivia Colman), who, along with her nonbinary teenager, Frances (Aud Mason-Hyde), travels to Amsterdam to visit her gay father Jim (John Lithgow), who goes by the term Jimpa, instead of grandpa. When Frances expresses an interest in staying with her ‘Jimpa’, Hannah is forced to re-examine her parenting and her past. Jimpa is a film with its heart in the right place, but it doesn’t know how to convey that message without hitting us over the head. The film features impressive performances by John Lithgow and Olivia Colman, but it feels like it is filled with meaningless subplots, mostly involving Frances and their quest to find a place in the world. The film never hits the mark with its overabundance of sentimentality. It’s funny that Jimpa is about a filmmaker, Hannah, who is told that her next film project doesn’t have enough conflict to make a good drama. I can say the same thing for Jimpa.   My Rating: Bargain Matinee  Jimpa Website  Now playing in select theaters

Indiefest:  Good Luck, Have Fun, Don’t Die  (2025)   R   In Good Luck, Have Fun, Don’t Die, a “Man From the Future” (Sam Rockwell) shows up at a Los Angeles diner and takes the patrons hostage. He claims he is a time traveler and needs their help in stopping AI from eventually destroying humanity. Sam Rockwell has so much fun in this role as the madman who bullies people into joining him in what he knows is likely a suicide mission. Good Luck, Have Fun, Don’t Die is a wild ride with outstanding performances from Juno Temple as a mom grieving the son she thought she knew and Haley Lu Richardson as an angry, depressed young woman who seems set on joining the group because she wants to die. The film is incredibly wacky and doesn’t follow any rules, but its message is timely. How many times have you seen people walking into traffic or running into people because they can’t look up from their phones? That’s the core of this film, how the internet and our technology doesn’t care about us, it just wants our full-out attention. So put down your phone, get ready to see some really weird stuff, and join in on the revolution to stop AI from taking over the world and our lives. The “Man from the Future” will show you the way, though you might want not to go first.  My Rating: Full Price  Good Luck, Have Fun, Don't Die Website  Now playing in theaters

Indiefest:  Cold Storage  (2026)  R  Cold Storage is about two employees, Travis (Joe Keery) and Naomi (Georgina Campbell), who work at a self-storage facility built atop a former military base. Their night becomes a nightmare when a rapidly mutating, parasitic fungus escapes from the base. Their only hope is a grizzled bio-terror operative named Robert Quinn (Liam Neeson). Who would have thought that Academy Award-winning actress Vanessa Redgrave, Oscar-nominated actress Lesley Manville, and Liam Neeson would be in a zombie/fungus taking over the world movie and would have some sizable parts to boot. Keery and Campbell are fun as two security guards tasked with saving the world. The plot is pretty simple, and the zombies are really gross, with lots of splatter going on, including a zombie throwing up on a bunch of bikers to infect them. Neeson looks like he is having a blast in the part, along with a chain-smoking Manville. I assume Vanessa Redgrave is a friend of someone involved in the film, because she is there for comic relief and isn’t really important to the plot. This is one of those films that's perfect for a Saturday night, with lots of popcorn and a few drinks. Just don’t get anything green to drink. My Rating: Bargain Matinee   Cold Storage Website Now playing in theaters

Indiefest:  Nirvana the Band the Show the Movie  (2025) R  Nirvana the Band the Show the Movie takes place when Matt (Matt Johnson) and Jay (Jay McCarroll) try to book a show at the Rivoli, and it goes horribly wrong. So the guys try to create a time machine, like in Back to the Future, and guess what? It works! Only they are now in the year 2008 and can’t get back home. I didn’t know much about the guys or their show, but judging by the enthusiastic and boisterous audience, fans of their work are going to love this film. The duo takes a bit of getting used to, and their harebrained schemes are outlandish, but that’s the charm of these very Canadian guys, who say hello to almost everyone on the street and often ask where people are from, just to be nice. There is a running joke about copyrights that is hilarious, including stealing a whole lot from the earlier-mentioned Back to the Future films. And beware of anyone afraid of heights; a good deal of the plot revolves around the CN Tower, one of the world's tallest free-standing structures. You might need a parachute, or two.  My Rating: Full Price  Nirvana the Band the Show the Movie    Now playing in select theaters 

Forgotten Film: The Strawberry Statement  (1970) R A college student (Bruce Davison) joins a group of campus organizers, not because he is caught up in the politics of the day but because he hears it’s a great way to meet girls. And he does meet a girl (Kim Darby), but he also realizes the issues that they are protesting are meaningful and worthy. He soon learns that the protests can become scary and violent. This is a film that, while dated by being made during the Vietnam protests of the late 60s, still packs a punch and explores  ideals that are still relevant today. The film is enhanced by a great soundtrack featuring songs by Neil Young, John Lennon, and Crosby, Stills, and Nash. This is one of the late Bud Cort's first feature films.  My Rating: Bargain Matinee  The Strawberry Statement Info  The film is available to rent on Apple TV+

Weird Credits: From the credits of Wuthering Heights: Candle Wrangler

Coming Soon to a Screen Near You: Undertone  (2025)  R  A host of a popular paranormal podcast, Evy (Nina Kiri), is sent some mysterious and terrifying audio recordings that somehow become real in Evy’s world. Film critics who have seen the movie are giving it great reviews, and the trailer looks really scary. Plus its from the A24 studio, so you know its going to be a little bit weird.  Undertone Website  In theaters on Friday, March 13, 2026  

Until Next Time!

Mercy

My View: Mercy  (2026)  PG-13  Mercy takes place in the near future, where a system is implemented that, if you are arrested for a capital crime, you go before an A.I. Judge, and you have only 90 minutes to prove your innocence. Detective Raymond (Chris Pratt) wakes up and is accused of killing his wife. He now has 90 minutes to prove his innocence to the A.I. Judge (Rebecca Ferguson). January is usually a dumping ground for films that the studios don’t care about. So, this film, shot in 2024 and now being released, should tell you everything you need to know. Already a candidate for one of the worst films of 2026, Mercy is a dull film that hasn’t figured out AI or the fact that Chris Pratt is not a stage actor. For most of the film (except for doorbell and Alexa video scenes from the past), Pratt is handcuffed to a chair that, if his character doesn’t prove his innocence, will be his execution chair. The film wants to lecture us about a number of things wrong with the justice system, but it does it with an AI judge (played by Rebecca Ferguson) who, at times, gets upset if not called ‘your honor’ but can’t grasp common sense and practical deductions that are used to find clues in criminal investigations. The film wants to be a whodunit, but we already know from the get-go that Raymond is not guilty, and by thirty minutes in, I had figured out who the actual killer was. Too bad that by looking at the countdown clock that was always on screen, I knew we had another 60 minutes for the film to figure that out.  My Rating: You Would Have to Pay Me to See it Again  Mercy Website Now playing in theaters nationwide

My View: Return to Silent Hill  (2026) R  Return to Silent Hill follows James (Jeremy Irvine), who has lost contact with his girlfriend, Mary, until he receives a mysterious letter asking him to come to a town called Silent Hill. He hopes to be reunited, but he discovers a malevolent force has overtaken the town. James is determined to locate his lost love despite the presence of terrifying characters, both familiar and unfamiliar. The film is based on the much-loved video game, and that’s exactly what it feels like when watching it. Except you can push any buttons to move your character to a new scene or have the fun of killing a horrible creature or two. Instead, it feels as if we are being given a tour of the video game. We don’t like James almost from the start, including the ‘meet cute’ between him and Mary, which comes off as an incredibly bad plot point. About two-thirds through this hour-and-forty-five-minute slog of a film, I lost all interest in seeing how this story played out. Someone please put another game in the system; I’m done with this one.  My Rating: You Would Have to Pay Me to See it Again   Return to Silent Hill Website The review will be up on Friday night.

Indiefest: Magellan  (2025)  In Magellan, Ferdinand Magellan (Gael Garcia Bernal) sets out on a voyage with the hopes of conquest and riches. Instead, Magellan will find in the Philippines madness and heartbreak. I think Gael Garcia Bernal gives a good performance in this film, but I am not sure, as almost every shot is a static, distant shot. I don’t think there was a close-up of Magellan in the first twenty minutes. The film is all about showing us the consequences of actions without showing us what the actions were. I think some critics are going to love this film, but I found its two-hour and forty-minute runtime too long, with scenes that just lay there. This film reminded me of the saying “watching paint dry”, though I would say it was like watching the paint dry on a beautiful picture painted by a master.  My Rating: Bargain Matinee   Magellan Website  Now playing in select theaters.

Indiefest:  H is for Hawk  (2025)  PG-13  In H is for Hawk, Helen (Claire Foy) becomes lost in grief when her father suddenly dies. On a whim, Helen buys a hawk named Mabel. Through this unlikely friendship, Helen learns that life can begin again, even after a loss. Grief hits us in different ways, and with Helen, she basically cuts off almost everyone and everything in her life except for a hawk named Mabel. Most people would look for an animal that can give comfort and love in return, but Helen finds comfort in the bond she develops with Mabel, the hawk. Claire Foy gives a heartfelt, moving performance as a woman who is extremely close to her father, and the only solace she can find is in her connection with a bird that hunts. It doesn't hurt that the always brilliant Brendan Gleeson plays Hellen's father in the flashbacks. Comfort literature has become all the rage, and H is for Hawk is about as close as you will come to a ‘comfort’ film. It’s a film where not much happens, but we see how close Helen becomes to Mabel and how that bond helps her heal.   My Rating: Full Price  H is for Hawk Website   Now playing in select theaters

Forgotten Film: Touched by Love (1980) PG  Lena (Deborah Raffin), a college dropout searching for direction, becomes a nurse’s aide at a school for children with medical problems. Lena is instantly drawn to what the school says is their “problem child”, a young girl named Karen (Diane Lane), who has cerebral palsy. Karen has become unresponsive, staying silent and moody. Lena learns that Karen is an Elvis fan, and they connect. Lena encourages her to write a fan letter, and Elvis replies. Diane Lane shines as Karen, and the strong supporting cast, including Michael Learned, John Amos, and Mary Wickes, adds warmth to this touching movie. My Rating: Full Price  Touched by Love Info

Weird Credits:  From the credits of Mercy: Fixtures Foreperson

Coming Soon to a Screen Near You: Wuthering Heights  (2026) R  The legendary love story set against the backdrop of the Yorkshire moors. The intense and sometimes destructive relationship between Heathcliff and Catherine. Written and directed by Academy Award winner Emerald Fennell (Promising Young Woman) and starring three-time Oscar-nominated Margot Robbie as Catharine and newly Oscar-nominated Jacob Elordi (Frankenstein), this is surely going to be one of the must-see films of the year.  Wuthering Heights Website  The film is in theaters on Friday, February 13, 2026  

Until Next Time!

The Accountant 2

My View:  The Accountant 2  (2025)  R   Our favorite math wizard is back in The Accountant 2. Christian Wolff (Ben Affleck) is a math savant who gets along better with numbers than people. He works as a freelance accountant for some of the world’s most dangerous criminal organizations. This time, Christian is using his unique mind and a few illegal methods to find out who killed an old acquaintance. It’s going to get messy, so Christian has called in someone he hasn’t worked with in a long time, his brother Brax (Jon Bernthal). That’s if Brax takes his phone call. I enjoyed the first film, The Accountant (2016), in which I said, “I thought this film was highly entertaining with its unique and unlikely hero, an accountant who probably has Asperger’s Syndrome and is a highly trained killer.” I liked this film even more than the first one because of the comedic aspects of the pairing of the two brothers. The chemistry between Affleck and Bernthal is exceptional, and their timing is impeccable, highlighting their quirkiness, as both brothers are unique in how they perceive the world. The Accountant 2 is a perfect example of the buddy action film, where we have two actors who understand what their characters would do and react. A perfect example in the film is a bar scene where the two go out together to ‘get drunk’ and end up in a western bar with a live band and line dancing. It’s such a fun scene, made even better by seeing the reactions of Bernthal’s Brax as he watches his brother go dancing, impressing a girl, and pissing off a guy who thinks she’s his girl. It’s a great and hilarious scene that makes this film work so well. Also, giving the brothers more to play off of is the reappearance of Federal Agent Marybeth Medina (Cynthia Addai-Robinson), who enlists Christina to help her solve a killing and gets more than she bargains for having to work with the brothers, who tend to hit first and ask questions later (if that person is still alive). And for action fans, there is plenty of action packed scenes, with an incredible final battle scene to round out the film. It would help if you had seen the first film as we learned how Christian works and, better yet, how he sees the world. Still, you can have a great time watching this film if you haven’t seen the first one. You just won’t enjoy it as much as viewers who know the quirks of Christian. Just remember, don’t get him started explaining how to maximize your tax returns.  My Rating: Full Price  The Accountant 2 Website  Now playing in theaters. 

My View:  Until Dawn  (2025)   R    In Until Dawn, a group of friends visit an old visitor center, looking for clues as to why a relative vanished a year ago. Instead of discovering the mystery, they get trapped inside a time loop. They are chased and killed by mysterious foes, only to come back to life over and over. To escape their fates, the group must survive until dawn. Based on a popular video game, Until Dawn is all show and no story. Additionally, there are very few scares and I was bored halfway through. The characters are very two-dimensional, making them seem like they are part of the video game the film is based on, waiting for someone to move the joystick or push a jump button. We, the audience, figure out very early that these characters all have to survive in order for their deaths to stop. Unfortunately, they don’t figure this out until about halfway through all the dying. Other than a few jump-out-of-the-dark scares, this film isn’t scary at all, and I was disappointed that the film didn’t play with all the slasher killer icons that have shown up in this type of movie before. Instead, we get a few zombies, a clown killer, and other typical horror villains. Most deaths are not very original, and there is a repetitive style of death that I found more amusing than frightening. Apart from the lack of scares, my biggest problem was that I didn't care about any of the characters, who all seemed to only care about themselves. I pity the brave filmgoers who did the dusk-to-dawn marathon of Until Dawn. I can’t imagine seeing this film again, ever.   My Rating: Cable Until Dawn Website  Now playing in theaters. 

My View:  The Legend of Ochi  (2025)   PG   The Legend of Ochi takes place on the island of Carpathia, where children are taught to not go outside after dark because of the dangerous and reclusive creatures known as the Ochi. When a girl named Yuri (Helena Zengel) finds a lost and injured baby Ochi, she sets off on a journey to return the baby to its family. Let me say, right off the bat, that the visual look of this film is magical, and the puppetry is jaw-droppingly amazing. The film used a mix of puppetry, animatronics, computer animation, and matte painting to bring the Ochi to life, and the baby Ochi looks and acts incredibly real. The film is, at times, breathtaking, with wide shots of the magical island where the film takes place. Even the smallest things, like the caterpillars Yuri keeps in a terrarium, are full of color and life in almost every shot. The Legend of Ochi is a film that I think kids will enjoy much more than adults. While I loved the film's visuals, the plot is scattershot and requires us to fill in many blanks in the storyline. I also had a tough time understanding Helena Zengel’s dialogue, as she always seemed to talk in such low tones it was difficult to follow along. Still, her interaction with the baby Ochi is fun and heartwarming. The ending seems a little rushed, but I think kids will be enamored by the baby Ochi and the adventures Yuri and the baby go on. Plus, this could be a gateway film for children to those classics like The NeverEnding Story or The Dark Crystal. My Rating: Bargain Matinee  The Legend of Ochi Website Now playing in theaters. 

Indiefest:  On Swift Horses  (2024)   R   On Swift Horses begins when Muriel’s (Daisy Edgar-Jones) fiancé, Lee (Will Poulter) comes back from the Korean War, and are starting a new life in California. Their lives are uprooted when Lee’s brother, Julius (Jacob Elordi), shows up and starts causing problems. Julius is always in trouble, which causes Muriel and Lee to have more problems than they can handle. On Swift Horse is a film that looks beautiful but doesn’t pay enough attention to the storyline or its character to make this film’s plot match its cinematography. The film wastes a brilliant performance by Daisy Edgar-Jones, a woman who gets married but isn’t happy or fulfilled in the marriage. At first, horse race betting was her source of happiness, but then she met someone else and her world was transformed. On Swift Horses is the story of two people, Muriel, who got married but isn’t happy having the husband make the decisions and the money, and Julius, who is a gay man in the world of the 1950s where he has to hide who he is, while he lives for the big score from gambling that may never come. Watching the film, you never feel you know these characters and who they are. We only see them, especially in Muriel and Julius, in relationships that seem only about attraction and infatuation rather than genuine feelings that are never explored. This film is like the opening credits, where we see photographs showing us only the surface of what the camera captures, but we don’t know what went on before or after that picture is taken, so we only get what is on the surface, with no depth.   My Rating: Bargain Matinee  On Swift Horses Website   Now playing in theaters. 

My View:  Havoc  (2025)  TV-MA  Havoc is about Walker (Tom Hardy), a hard-nosed detective who investigates a drug deal that went bad. Walker must fight his way through the criminal underworld to rescue a politician’s estranged son. Walker may have to take on the entire city, as the busted drug deal is part of a dark web of conspiracy and corruption. Havoc has been on action film fans' radar for quite a while, as the director/writer of the film, Gareth Evans, was responsible for two of the most incredible action films of the past 15 years, The Raid: Redemption (2011) and The Raid 2 (2014). Those films were a precursor to the John Wick series, with almost non-stop action, including some amazing close combat fighting scenes and it's taken over 4 years to get this film on the screen. So, in walks Tom Hardy, an actor I greatly admire, who looks like he could take on a Chinese mob and some crooked cops all by himself. The film starts off with a bang, as cops are chasing an 18-wheeler. This isn’t an Eddie Murphy movie, and people are getting seriously hurt in this chase that I wish I had seen on the big screen. It’s a thrilling start and shows us how high the stakes are in this film. Unfortunately, the plot and the dialogue get in the way of some incredibly violent and brilliant action sequences. Jessie Mei Li is wasted as a beat cop who somehow gets partnered with homicide detective Walker. The plot is messy, and the ending comes off as one big battle royale, where everyone shows up for the big shootout. As an action hero, Hardy carries the film, and his fights, especially one scene in a club, are right up there with some of the action sequences in the Raid movies. However, the film has too many twists and turns, most of which you can see coming, and too many characters feel as if they have come right out of a bad comic from the 60s. Action fans will have fun with all the fights/shootouts, and it’s entertaining to watch Hardy beat the crap out of the bad guys. But Havoc sometimes feels like what one of the characters, Mia (played by a very convincing action star in Quelin Sepulveda), does when she shoots someone. She shoots twenty rounds almost point-blank into a bad guy when one or two rounds would have done the trick.    My Rating: Bargain Matinee  Havoc Website  Now playing on Netflix.

Sorry I Missed It (A film that I didn’t see in theatres but have seen recently):   Grand Theft Hamlet  (2024)  R   Grand Theft Hamlet is a documentary about two struggling actors, Sam and Mark, who, during the 2021 Covid lockdown, decided to try to put on Hamlet inside the Grand Theft Auto Online game. I enjoyed the first half of this film when the two actors explored the idea, scouted locations, and casually met people who might want to either watch the production or be in it. I started losing some interest in the film as we got closer to the actual performance, as it’s a lot of talking about trivial things while watching game characters move in that strange back-and-forth that they do while waiting for commands. You get to see what I would call a ‘highlight reel’ of performing the play, but by that time, the novelty had worn off, and I was ready for the curtain call. In this case, the curtain call was an after-party at one of the games clubs. The concept of Grand Theft Hamlet is amusing, but it could have been a better short movie.To paraphrase a line from the play: “Alas, poor Hamlet! I knew him well.”  My Rating: Bargain Matinee  Grand Theft Hamlet Website   Now available for rental on MUBI. 

Forgotten Film:  Basquiat  (1996)  R  The story of Jean Michel Basquiat (Jeffery Wright), an artist who went from going graffiti on the streets of New York City and living in a cardboard box to the toast of the NYC art world, where his work was sold for hundreds of thousands of dollars. Jeffery Wright is brilliant as an artist who saw the world differently and expressed it through his art. Sadly, Basquiat was a troubled and self-destructive soul who spent his years doing drugs, dying at age 28. The cast is outstanding, including an incredible performance by David Bowie as a friend of the famous artist Andy Warhol, who sees that Basquiat is a person who has immense talent but may burn out very quickly. Basquiat is a look at a troubled man whose talent was great, but what was greater was the trouble inside that man. My Rating: Full Price  Basquiat Info  The film is available to rent/buy on Amazon. It's just been announced that this film is going to be part of the Criterion Collection! Basquiat Criterion Info Here 

Weird Credits:  From the credits of The Legend of Ochi:  Primate Choreographer 

Coming Soon to a Screen Near You: The Life of Chuck  (2024)  R  I am going to quote IMDB, “A life-affirming, genre-bending story based on Stephen King’s novella about three chapters in the life of an ordinary man named Charles Krantz.” This is a film from the mind of Mike Flanagan (The Haunting of Hill House, Doctor Sleep) and is based on a Stephen King short story. The cast includes Tom Hiddleston, Mia Sara, Karen Gillan, Nick Offerman, Carla Gugino, Molly C. Quinn, Jacob Tremblay and Mark Hamill.  The Life of Chuck Website  The film opens in theaters on Friday, June 6, 2025.