Joker: Folie à Deux

My View:  Joker: Folie à Deux   (2024)  R  In Joker: Folie à Deux, Arthur Fleck (Joaquin Phoenix), the failed comedian, has caused a lot of trouble and has been put away in the Arkham State Hospital. There, he meets the love of his life, Harley Quinn (Lady Gaga), and they soon embark on a journey of mayhem and romance. Joker: Folie à Deux is a musical by a director, Todd Phillips, who doesn’t like musicals. I say this because all the musical numbers are shot so flatly and without flash that it feels as if there wasn’t a lot of thought put into them. Joaquin (who we know can sing from his Oscar-nominated performance as Johnny Cash in Walk the Line) sings like a man who, even in fantasy sequences, hasn’t found his voice yet. Even the fantastic Lady Gaga sings some of her songs like an amateur at a high school talent show. The tone of the film is set with an opening animation cartoon where The Joker is about to go on stage and is beaten up and thrown in a closet by his shadow, who then assaults a bunch of people and then goes away when Joker is arrested and beat up by police for the crime. Phillips has created a sequel that is almost a hate letter to the fans of his first Joker film, as for most of the film, the Joker part of Arthur is held in check, only coming a few times, mostly during the trial portion of the film. The first film centered around madness and its ability to take over a person and feed on the chaos they create. This film is about trying to control that madness while letting someone else take control. We first see this with how he is subversive with both the guards, especially the main one (played by Brendan Gleeson) and his lawyer (played by Catherine Keener). Then Arthur meets Harley, who wants to be the girlfriend of the Joker, and tries everything she can to bring him to the forefront. This is a frustrating film to watch because there is a good story in there somewhere; maybe if the musical numbers had been more over the top, more fantasy-looking and sounding than they were on screen. Joker: Folie à Deux is a film that feels like the filmmaker is thumbing his nose at all the fans of the first film. One of the hallmark scenes of the first Joker is the incredible shot of Joker dancing down the vast amount of stairs while a Gary Glitter song is blasting. Take a look at the movie poster for this film. It’s a scene on those same steps with Harley and Joker dancing together. That scene never makes it into the movie. See what I mean, thumbing his nose at us.  My Rating: Cable  Joker: Folie a Deux Website   Now playing in theaters, including IMAX.

My View:  Hold Your Breath  (2024)  R  Hold Your Breath takes place in 1930s Oklahoma amid the region’s horrific dust storms. An evil presence named The Grey Man is killing people, and one mother (Sarah Paulson) is determined to stop him from killing her two daughters. This is another of a long line of films recently that have wasted the talents of their leads, this time Sarah Paulson. The film fails to elicit the necessary chills, as it takes an incredibly long time to establish the final third of the movie when things finally come to a head. The film tells too many stories instead of focusing on the feeling of helplessness and fright that is a combination of isolation, loss of loved ones, and the constant threat of blinding dust storms. I think this film would have worked better if it had been a more conventional horror film, then a film where a troubled mother falls into a hole of madness that she has trouble climbing out of. The bogeyman that is promised is never delivered, and instead, we get a tale that provides few chills and even less suspense than it should have.  My Rating: Cable  Hold Your Breath Website  Now playing on the Hulu platform.

Indiefest:  The Outrun  (2024)  R  In The Outrun, Rona (Saoirse Ronan) is a troubled young woman whose life in London was filled with alcohol and mayhem. To get sober, she travels back home to Scotland’s Orkney Islands, hoping that she can find something to bring her peace in its wild beauty and isolation. Once again, Saoirse Ronan proves she is one of the finest young actors in film today. She puts the film on her back and leads us down a very bumpy road to sobriety and appreciation for finding joy in small things you can anchor to. The film gives us flashbacks to how, because of her drinking, she pushed away everyone who loved her and how Rona figures out that she needs isolation to come to terms with her addiction. The film brilliantly lets us see the island’s beauty; even when the weather is brutal, there is still something to admire and find joy in, like recording the howling wind on a bitterly cold night. Even in the flashbacks, we have hope for Rona, and Ronan lets us see glimpses of hope, something that she can build on when she is on the island. The Outrun is a powerful film about learning to love the small things in life and finding hope in the beauty of the world around us.   My Rating: Full Price  The Outrun Website  Now playing in theaters.

My View:  Monster Summer  (2024)  PG-13  Monster Summer is about Noah (Mason Thames) and his friends, who are ready for a big summer of fun on Martha’s Vineyard, but their plans are disrupted when some kids they know are suddenly turned into almost lifeless zombies. Noah seeks the assistance of a retired police detective (Mel Gibson) to embark on a harrowing journey to save their beloved vacation spot. Monster Summer is a fun adventure film for both kids and adults, with a nostalgic feel for the 70s and 80s films that featured ordinary kids taking on supernatural beings. Monster Summer might be the only recent movie with Mel Gibson that is a kid’s film, so at least we have that. The scares aren’t too bad (except near the end) for young kids and adults will enjoy a plot that moves along. It’s a pretty simple film that gives us a little mystery for Noah and his friends to solve, with help from a police detective with his own scary reputation.  My Rating: Bargain Matinee  Monster Summer Website  Now playing in theaters.

Indiefest:  ¡Casa Bonita Mi Amor!  (2024)  Casa Bonita is a Mexican restaurant in Denver that was started in the late 70s as a place where families could come for a meal and get lost in all that there was to do, including puppet shows, live performances, Mariachi bands, caves, and cliff divers. It was even featured in an episode of South Park. It turns out the co-creator of South Park, Trey Parker spent many a birthday inside this magical restaurant described as Colorado’s own little bit of Disneyland. Trey and his South Park partner, Matt Stone, discover that the restaurant has fallen on hard times and is being auctioned off. Stone and Parker successfully bid on getting the restaurant and that’s when the story becomes interesting because the two had no idea how much money and time they would have to put into this Denver cultural icon to bring it back to its glory days. I am reminded of a line from the 1986 film The Money Pit, where the Hanks character says: 'Here lies Walter Fielding. He bought a house, and it killed him.' Like that movie, the restaurant the two South Park guys want to save becomes a massive money pit, where every crook and corner of the massive place has hidden problems, like right out of a South Park episode, where things seem to blow up in their faces. I had a great time watching this film, as the two go from being heroes in Denver for saving the restaurant to thinking about giving up on the dream and letting the place die. As you would expect, there are plenty of laughs as the guys tend to deal with problems using their sense of humor when things look bleak. How could you not like a documentary that weaves in South Park flashbacks and scenes from the obscure Elvis Presley film Fun in Acapulco while Trey Parker goes on an extended riff on how the puppet show should be R-rated? Even if you aren’t a South Park fan, you will fall in love with this quirky Mexican restaurant and the people who love it.  My Rating: Full Price Casa Bonita Info   Now playing on the Paramount+ platform.

My View:  Apartment 7A  (2024) R  Terry (Julia Garner) is a young dancer living her dream of being in a musical on the stage when during a performance, she shatters her ankle and is now suffering in pain every time she tries to dance. Terry loses her apartment, is hooked on painkillers, and after a grueling audition that she once again fails, she passes outside an apartment complex. A middle-aged couple (Dianne Wiest and Kevin McNally) rescues her, who not only nurse her back to health but give her an apartment just down from theirs to live in while she tries to get back into the game. Soon, she discovers that this nice couple have connections that keep giving Terry hope until she discovers dark forces are making those good things happen for Terry. Apartment 7A is a prequel to the 1968 horror classic Rosemary’s Baby, giving us a look into what happened before Rosemary and Guy moved into this same apartment building. That film was shocking for its time with some terrifying scenes, written and directed by Roman Polanski, and was bolstered by outstanding performances by Mia Farrow and Ruth Gordon (who won an Oscar for the role of the next-door busybody neighbor Minnie). It’s a film that is still scaring people to this day. Unfortunately, this film doesn’t. Even with three-time Emmy-winning (Ozark) actress Julia Garner and Dianne Wiest in the Ruth Gorden part, the film fails to have any of the suspense and horror that the original film did so well. The pace of the film is incredibly slow, and unlike Mia Farrow’s character in the 68 film, Terry seems to accept just about everything that she is given, even when things seem way out of the ordinary. What little bits of horror that do show up are poorly done with little effect and create very little foreboding that should be ever present in this tale. The ending is predictable (how could it not be), making this film seem like a poor attempt to jump on the coattails of a classic, and like Terry’s accident in the first part of the film, it suffers from a lame (pun intended) plot. My Rating: Cable  Apartment 7A Info  Now playing on the Paramount+ platform.

My View:  White Bird  (2023)  PG-13  After being kicked out of one school for being a bully, Julian (Bryce Gheisar) is having trouble fitting in at his new school. His grandmother, Grand-mere Sara (Helen Mirren), tells Julian how she, a young Jewish girl, was hidden by a family in a French village during World War II. She tells Julian how a boy she made fun of and bullied became her savior and best friend. White Bird is a sequel to the 2017 film Wonder. We find out what happened to Julian, the bully of that story. It turns out that Julian didn’t learn much from his interactions with Auggie and his Grand-mere decides he is in need of a story. The story is a pretty conventional one, with the Nazis taking over the town and Sara (Ariella Glaser) is saved by the heroics of a young man named Julian (Orlando Schwerdt). Julian was always being picked on at school because of a severe limp caused by polio, and even Sara looked down on him. Through Julian, Sara learns about kindness and how to be more concerned about her fellow man. Glaser and Schwerdt work well together on screen, and they make the simple plot more impactful. The film is also helped by Helen Mirren’s narration and by a subdued Gillian Anderson playing Julian’s mother. The film doesn't go too much into the horrors of the Nazis or the Holocaust, making it suitable for young adults to watch. It's a tale that tries a little too hard to hit the heart strings, but is propelled along by strong performances by the two leads. If you haven't already figured it out, present-day Julian was named after Julian from WWII. My Rating: Bargain Matinee   White Bird Website   Now playing in theaters. 

Indiefest:  A Different Man  (2024)  R  In A Different Man, Edward (Sebastian Stan) is a man with neurofibromatosis, a condition that causes facial tumors that make his face almost unrecognizable. Edward is barely making a living as an actor in corporate videos and dreams of someday impressing his neighbor (Renate Reinsve). Edward’s life is about to change when he is given the opportunity to undergo facial reconstructive surgery that will transform his face. Be careful of what you dream of! This black comedy is about getting what you wished for and then realizing that maybe you were the problem and that nothing has really changed. Edward is a miserable man who hides from others on the subway and doesn't even complain about the leak coming from his ceiling that is growing day by day. Edward gets a miracle treatment and almost overnight, becomes a good-looking guy with a well paying job and even gets the girl of his dreams. That is until Oswald (Adam Pearson) shows up in Edward’s life, and though Oswald also has the neurofibromatosis condition, he is everything that Edward, even the new Edward, isn’t. Oswald is sophisticated in manner and dress, comfortable in any situation, the life of the party, and everyone loves him. Slowly, Edward sees the life he wanted, and it’s Oswald’s. Adam Pearson, an actor who has neurofibromatosis, is brilliant as the cock-sure Oswald, who takes over every room he is in and is the man that Edward always dreamed of being. Pearson is magical on screen who brings depth and meaning to the storyline, with a flair that makes you see why everyone in the movie thinks he is someone they want to be around. Things go from bad to worse for Edward, and we know it wasn’t a bad hand that life had dealt Edward; it’s just that he didn’t know what to do with the cards.  My Rating: Full Price  A Different Man Website  Now playing in theaters.

Forgotten Film:  Martha Marcy May Marlene  (2011)  R Elizabeth Olsen (yes, she is the sister of Mary-Kate and Ashley) stars in the title role, as a woman who suddenly shows up on her sister’s doorstep after she was missing for two years.  The reunion, though, is difficult and forced as Martha is hiding secrets, and her deception starts tearing apart the sisters. We discover, in flashbacks, that Martha lived in a cult led by a charismatic man (played by the very creepy John Hawkes). This is a dark film, and you won’t always be able to decipher reality and what is just happening in Martha’s mind. Olsen is amazing. Her appearance changes when she exhibits a remarkable range of emotions as the film progresses, and she gets pulled deeper and deeper into the cult. Hawkes is perfect as the cult leader who never uses physical violence to meld his members. His control is all accomplished with a calm, quiet demeanor that is far scarier. Olsen is almost certain to get an Oscar nomination in this interesting study of a cult mind. When I wrote this review in 2011, I predicted Olsen would get an Oscar nomination. Unfortunately, she didn’t get that nomination, but she received a bunch of critic awards. I am still astounded that she is the sister of Mary-Kate and Ashley.  My Rating:  I Would Pay to See it Again  Martha Marcy May Marlene Info  The film is available to rent/buy on Amazon. 

Weird Credits:  From the credits of Joker: Folie à Deux:  Vintage Camera Operators

Coming Soon to a Screen Near You: Red One  (2024)  PG-13 After Santa Claus (J. K. Simmons), aka Red One, is kidnapped, the North Pole’s Head of Security (Dwayne Johnson) teams up with the world’s greatest bounty hunter (Chris Evans) to find Saint Nick and save Christmas. This looks like a lot of fun with a very in-shape Santa, a talking polar bear, Bonnie Hunt as Mrs. Claus, Lucy Lui, giant warrior snowmen, and a Krampus who loves to fight. The film opens in theatres on November 15th.  Red One Website

 

                                                                        Until Next Time!

Encanto

Familyfaire:  Encanto  (2021)  PG  Mirabel (voiced by Stephanie Beatriz) is a young girl who has a problem. Mirabel lives in a town, called Encanto hidden in the mountains of Colombia. She belongs to a family named the Madrigals, where everyone has magical powers except her. Mirabel learns that the magic that surrounds Encanto is in danger, and it’s up to her, the only ordinary Madrigal, to save the town and its magic. Encanto is a charming and rousing musical with beautiful songs written by Lin-Manuel Miranda, and the animation is vibrant and captures the beauty of Colombia. This isn’t your typical Disney animated film because there isn’t a villain to root against. Instead, Mirabel is an outsider in her family, the only one who doesn’t have the ability to do magic, and that feeling of loneliness and not living up to your family’s standards is Mirabel’s own villain, the one that she has to overcome to save her family. Stephanie Beatriz gives a mesmerizing performance that provides us with the joy of being a part of a family she loves and is proud of, but at the same time, someone who longs to live up to her family's high expectations. Beatriz gives Mirabel a character that we can all relate to and root for. I applaud Disney for their continuing to expand the ‘princess’ line of characters, giving us a look and feel of a different country, with heroes from other cultures and other parts of the world. Encanto is a film that is truly magical.  My Rating: Full Price    Encanto Website  Now playing in theaters nationwide. 

My View:  House of Gucci (2021) R  Patrizia Reggiani (Lady Gaga) has fought her whole life to get ahead in life. As an outsider from humble beginnings, Patrizia marries into the Gucci family, and her drive and ambition begins to unravel their legacy and starts a downward spiral into betrayal, decadence, revenge, and finally…murder. This is a bizarre story that makes for a strange and almost campy movie. Lady Gaga is a force of nature on the screen, playing the brash, bold, and at times, fearless Patrizia, who finds by luck, her way into the life of the rich by latching on to one of the heirs of the Gucci kingdom, Maurizio (Adam Driver). Driver is brilliant as the man who at first didn’t want to be part of the glamorous life of being a Gucci but, through Patrizia’s drive and a taste of money and power, decides to go into the family business. I would be remiss if I didn’t mention the off-the-wall, bizarre performance of Jared Leto as the idiot Paolo Gucci, who bumbles his way through life, thinking he is destined for greatness but is met with defeat after defeat. Leto is almost unrecognizable as the balding, paunchy Paolo, who talks and acts as if everything is a big production. It’s a strange performance that is at times brilliant and other times annoying, as Leto goes way over the top with his portrayal. Overall, House of Gucci an interesting movie that doesn’t quite know if it’s a melodrama or a play on mafia films, but it’s worth checking out for the performances. You have to see Leto' Paolo. It’s worth the price of admission.   My Rating: Bargain Matinee    House of Gucci Website  Now playing in theaters nationwide. 

My View:  Bruised  (2020)  Jackie Justice (Halle Berry) used to be somebody, a mixed martial arts fighter who left the sport in disgrace. Now scrubbing toilets for a living, she has a son (Danny Boyd, Jr.), who she gave up as an infant, show up unexpectedly at her door. Jackie gets discovered by a fight league promoter (Shamier Anderson) after Jackie fights in a brutal, illegal underground fight and is given the chance to fight back in the octagon. This isn’t a second chance for Jackie; it’s her last chance. First, let me say that I admire Halle Berry for starring in and directing a film that had to be challenging both mentally and physically on her. I can’t imagine how hard it was to direct a movie that you are starring in and then have the role so physically demanding. That being said, the film is filled with too many cliches of sports films of the past. The washed-up fighter who gets a second chance. The woman who learns to stand up for herself in an abusive relationship. The mother who abandoned her child and then is forced to become the mother that child needs. And add to all that, finding love in an unexpected place. It just feels like the scriptwriter took everything in a bowl and mixed it up. Berry gives a powerful performance, as you feel the weight of her past bring her down time and time again, but Berry can’t overcome a script that is too predictable to make it tug on the heartstrings like we want it to.   My Rating: Bargain Matinee   Bruised Website  Now playing on the Netflix platform.

Indiefest:  Cusp  (2021)  Documentary about three teenage girls, Brittney, Aaloni, and Autumn, growing up in a Texas military town, dealing with the trials and tribulations of growing up under the constraints of being a teenager clashing with wanting to find out who they are. This is a gritty, painful, and sometimes sweet film about growing up as teenage women in a world that forces them to become adults far too soon. All three girls are 16, which in Texas is not the legal age of consent, but all three are sexually active and are dealing with boys as old as 21. The film deals with the harsh reality that these young women, who are all military brats, have had to do a lot of growing up quickly, and without much guidance from their parents, some are gone for vast parts of time serving our country. The subject matters that the girls discuss are graphic and sometimes shocking, including the discussion of how a friend of theirs was raped by her boyfriend. The women are incredibly open and frank on camera, getting into subjects that most of us would have difficulty even talking to a therapist about, including sexual assault. It's a depressing film about three young women who are seen not as people but as sexual conquests, and these young girls will be suffering from these experiences for a long time. After seeing this film, I felt like I spent time with these girls, but I never got to know them, as if they were performing for the cameras. It’s like the camera was another person that they had to put on a show for. I don’t know if that’s just the way they are, or it's the fault of the filmmakers, but it left me wanting more from these women who have dealt with so much in such a young life.    My Rating: Bargain Matinee    Cusp Website  Now available on the Showtime Network.

Indiefest:  The Beatles: Get Back Part I  (2021)  The Beatles were the world’s greatest rock band, but they hadn’t performed live in two years, and in January 1969, they faced a nearly impossible deadline and created two of their greatest albums (Abby Road, Let It Be) and did their last live performance on a rooftop on London’s Savile Row. This is a review of only part one of this three-part documentary series because I didn’t have enough time to view all three components (each piece is over two and half hours long). Being a huge Beatles fan, at first, I loved this film because we get to see the guys in an element we have never seen before, in a rehearsal studio. In fact, the first film takes place not in a studio but on a sound stage that could possibly be used to film their live concert performance (we know it isn’t because of the famous rooftop concert that this rehearsal spawns). It is thrilling to see this legendary group work on songs that we all know so well. We even get to see them writing songs, exploring how they should sound, and changing lyrics. But, and this is a big one, it is just too much. Too much footage. Too much content. Just too much. Like a history book that gives you too many facts, the film becomes a bit tedious at times, because it is too much detail, we see so many songs being tried out (a lot are songs that haven’t been heard before because they are from the early days of the Lennon/McCartney writing team. The film breaks down part one into each day, as a deadline for the concert is looming over the band. The film is fascinating, as we get to see one of the greatest bands of all time figure out and practice songs. And yes, there is a lot of tension in the room. The band sorely missed their manager, Brian Epstein, who has died a few years earlier, and we see how McCartney tries to take a leadership role in the band, that doesn’t always work. There is also the ever-presence of Yoko Ono, who is ever present by John Lennon’s side, though to be fair, George Harrison has a couple of Hare Krishna guys sitting over in the corner for a couple of days of the rehearsal. Overall, this first part is too long, giving us so much that I think only a diehard Beatle fan will enjoy it all the way through. I really want to see the outdoor concert (of which I have only seen a song or two from), but I don’t know if I want to watch five more hours of the band practicing to get there.  My Rating: Bargain Matinee   The Beatles: Get Back Website   All three parts are being released this holiday weekend starting Thanksgiving night on the Disney+ platform.

Forgotten Film: Heights (2005) R The story of five characters whose lives intersect on one day in NYC, all having to choose what kind of lives they will want to lead before the sun comes up on another day. The main story is the love affair that begins between Isabel (Elizabeth Banks), a woman who is engaged with another man, and Alec (Jesse Bradford) and an actor she meets by chance. The reason to see this film is another outstanding performance by Glen Close, who plays Isabel’s mother, Diana. Diana is an actress in rehearsals for Macbeth and finds out her husband is having another affair. Diana is afraid that Isabel is going to go down the same rocky road Diana traveled and wants Isabel to make the choices that are right for her. The film gets a little lost in all the characters but ties them together nicely in the end.   My Rating: Bargain Matinee   Heights Info   

Weird Credits: From the credits of Encanto: Animation Reference Dancers

Coming Soon to a Screen Near You: Cyrano (2021) PG-13   The telling of the classic tale of Cyrano de Bergerac (Peter Dinklage), who helps Christian (Kelvin Harrison, Jr.) woo Roxanne (Haley Bennett), even though Cyrano himself is in love with her. I can’t wait to see Peter Dinklage portray one of my favorite characters of all time, the brilliant swordsman and wordsmith Cyrano.     Cyrano Website

Until Next Time!

A Star is Born

My View:  A Star Is Born  (2018)  R  A legendary musician, Jackson Maine (Bradley Cooper) takes a young singer (Lady Gaga) under his wing and guides her to becoming a star, all the while his career beings to suffer due to his drinking. This is a fantastic movie with an excellent soundtrack (some of the songs were written by Cooper and of course, Lady Gaga). I highly recommend going out and buying the music to this film because there isn’t a bad song in the bunch. Bradley Cooper not only co-wrote the film and stars in it, he also directed the film and did an incredible job. I had doubts about Lady Gaga in the role, but she knocks it out of the park with a multi-level performance that will bring you to tears. Cooper is perfect as the weathered music star whose career has seen better times. I can’t recommend this film more. Go see this magical film but bring a tissue or two.    My Rating: I Would Pay to See it Again   A Star is Born Website

My View: The Sisters Brothers  (2018)  R  In 1850’s Oregon, two legendary gunmen (John C. Reilly, Joaquin Phoenix) the Sisters brothers, are chasing a gold prospector (Riz Ahmed with the help of a scout (Jake Gyllenhaal). I highly enjoyed this slightly unconventional western. Phoenix is excellent as the brash, drunken younger brother but it’s Reilly steals the movie as the older, more thoughtful brother who dreams of a girl back home. Reilly’s performance is moving and funny as his character struggles to deal with his troublesome brother who tends to get them into trouble. I liked the performances of the rest of the cast, including Jake Gyllenhaal as the thoughtful scout trying to track the prospector down and Riz Ahmed as the said prospector who is on the run because he possesses something take could make a lot of money. It's also fun to see Allison Tolman (season 1 of Fargo) as the hooker with the heart of gold.   My Rating: Full Price   The Sisters Brothers Website

My View:  Venom  (2018)  R  When Eddie (Tom Hardy) acquires the powers of a symbiote, he will have to release his alter-ego “Venom’ to save his life. I went into this film with minimum expectations, and all I knew about the Venom character was from the horrible Spiderman 3. That being said, I enjoyed this film. It was very different than what I was expecting. The Venom character is what you would call an ‘anti-hero.’ He really isn’t about the normal Marvel hero who is all about saving lives, he is all about what is best for him. Eddie is a self-called ‘loser’ who is his own worst enemy. His world changes when he gets infected by Venom, a creature from outer space. What was the most fun in this movie was the interaction between Venom and Eddie. Venom talks to Eddie in his mind and Eddie talks to Venom out loud, which made for some hilarious interactions. The action sequences are well done, and there is a thrilling chase sequence about halfway through the film. I didn’t like that fact that it took too long for Venom to show up (about 35 minutes into the movie) which made the film much longer than it needed to be. All in all its a fun ride, not a great film, but still fun to watch.    My Rating: Bargain Matinee   Venom Website

Indiefest:   Hal  (2018)  Documentary on the legendary director Hal Ashby, who directed cinema classics in the 1970s including Harold and Maude, Shampoo and Being There. Exceptional documentary about a talented man who consistently fought for his films. Ashby went on a run in the 70’s where he directed 7 films in 9 years, and Hal rightly concentrates on those years. Those seven films got twenty-four Oscar nominations and seven wins. Unfortunately, Ashby fought the studio system constantly, and his movies in the eighties suffered for it. This is an excellent introduction to a director that should be talked about in the same circles as Coppola, Scorsese, and Lucas.  My Rating: Full Price   Hal Website

Forgotten Film:  Shampoo  (1975)  Directed by Hal Ashby and written by Robert Towne and Warren Beatty, the film is about a Beverly Hills hairdresser named George (Beatty) who sleeps with just about every client. George is sleeping with Felicia (Lee Grant) a wealthy married woman who George hopes will give him money to start his own shop. George’s girlfriend is Jill (Goldie Hawn) whose best friend is Jackie, an old girlfriend of George. The performances are top notch, and Lee Grant won an Academy Award for her performance of Felicia, a woman who is a little too involved with the life and loves of George. This is a scintillating look a man who loves women too much and his indiscretions will soon catch up with him.   My Rating: I would Pay to See it Again   Shampoo Info

Weird Credits: From the credits of The Sisters Brothers: With the Participation of Rutger Hauer

Coming Soon to a Theatre Near You:  Vice  (2018)  The story of Dick Cheney (Christian Bale) and his turn as Vice President of the United States.  Christian Bale does another chameleon job as he looks so much like Cheney. All you need to know is that it is written and directed by Adam McKay who won an Academy Award for The Big Short (2015) and the cast includes Amy Adams, Steve Carell, and Sam Rockwell. In addition, the film is being released in late December, which means the studio thinks it could win some major awards.   Vice Info

Until Next Time!