Zack Snyder's Justice League

Note to readers: I currently am not willing to risk my health (I’m 63 and an asthmatic) by visiting a theatre. All films that I have seen for review have been screened in my home. I am not going to tell you whether or not to attend a theatre. Just be aware of the risks, do your research, and follow the instructions to the letter.

My View: Zack Snyder’s Justice League (2017) PG-13   Batman (Ben Affleck) is inspired by Superman’s (Henry Cavill) selfless act in Batman vs. Superman and decides to enlist Wonder Woman (Gal Gadot) to form a team of superheroes to face an enemy that threatens humanity. Having once, when in film school, thought about making a career as an editor, I have always held the editor’s job in the filmmaking process a key role. I have usually do not like ‘Director’s Cuts’ of films because usually the film gets added footage that can make the film feel bloated or drag the film down. Well, not this time. Zack Snyder’s cut of Justice League is a far better film than the one that Josh Wheadon took over control of five years ago. Yes, the film is a little over four hours old, but it doesn’t feel like it (and by the way, it is made up of sections, so you can pause it if you like to take a break or two). Now in no way, shape or form is it a great film but is it an improvement? Yes, yes, it is. I think the difference is the time we get with each superhero, getting to understand why they do what they do and also, more importantly, why they are willing to become a team when each hero is used to being their own one-man or woman army. I’m still not convinced that Snyder fully understands the Superman character and what he stands for, but I came away enjoying this film, and it’s been enough time since the first version came out that the film felt almost new to me.   My Rating: Full Price (up from the Bargain Matinee that I gave the first version on Nov. 17th, 2017).   Zack Snyder's Justice League Website    Now playing on the HBO Max platform.

Indiefest: Last Call (2021) R    Mick (Jeremy Piven) comes back to his old Philly neighborhood and must decide to help raze the area for a new casino or kiss the big opportunity good-bye and resurrect his family’s bar. This is obviously a passion project for director/co-writer Paolo Pilladi. You can see that he cares about this neighborhood and the characters that inhabit it. Unfortunately, there isn’t much of a story in the plot. The film follows Mick as he goes from one drinking session to another with a bunch of pals from his neighborhood that he left behind to make it good. Mick works for a real estate boss who wants Mick’s help in bringing a casino to the neighborhood. Mick has come back to bury his mother and possibly put his father (Jack McGee) in a home. While back in the neighborhood, Mick rekindles an old romance with the girl next door, Ali (Taryn Manning). There is absolutely no chemistry between Piven and Manning, with their scenes feeling like the two actors who didn’t really want to be in the same scene with each other. The plot is razor-thin, and the ending is so quick and sloppy that you almost get whiplash from it. If you want to watch a film about a bunch of guys ripping on each other and drinking a lot, this is your film; otherwise, you will have a better time going down to the corner bar yourself and having a drink or two.     My Rating: Cable     Last Call Website     The film is currently playing in select theatres and is available to rent on participating on-demand services

Indiefest: Quo Vadis, Adia? (2020)   Aida (Jasna Djuricic) is a translator for the UN in a small town in Bosnia. When the Serbian army takes over the town, Aida and her two sons take shelter in a UN refugee camp. Soon Aida must decide to use her inside information to stay or try an escape with her two sons before it is too late. It is just a heartbreaking story about the love of a mother and wife who tries as hard as she can to save her family against the odds and the bureaucracy of war. Jasna Djuricic is a force on the screen, and her performance is why this film has an Academy Award nomination. The film is filled with sadness and a feeling of lost hope, but Aida never gives up, never stops pleading for the lives of her loved ones to be saved as the clock ticks down to a precious few. Quo Vadis, Adia? is one of the best films of the year and deserves to be seen by everyone.   My Rating: I Would Pay to See it Again  The film is available to rent on participating on-demand services.

My View: Operation Varsity Blues: The College Admissions Scandal (2021) R   This is a documentary that uses reenactments to investigate the mastermind behind the scam to sneak kids of the rich and famous into top U.S. universities. Interesting concept on how to do a documentary, with Mathew Modine playing Rick Singer, the man who set up the scam, using the actual wiretaps to provide Rick’s dialogue. I enjoyed this documentary because it shows how Singer started up this idea to beat the system and just how far the privileged were willing to go, to make sure that their kids could get into the most prestigious schools. This is a strange but fascinating film, giving us a look at an almost fatally flawed system. What is sad is like their parents at a fancy restaurant, the kids in this film could have sat at a table and been just fine; they had to sit at the best table money could buy.   My Rating: Full Price   Now playing on the Netflix platform.

In Memory of Ed Wood (A Movie I’ve Only Seen in Trailers But Just Looks Like a Bad Idea): Hot Water (2021)   A young kid thinks he has what it takes to compete on the pro jet ski tour. With a cast straight out of Baywatch comes a movie with a horrible tag line: ‘The Funniest Ride of the Summer.’ I’ve watched the trailer, and the only thing funny about this film is that it got made.    Hot Water Website

Forgotten Film: Love Jones (1997) R Darius (Larenz Tate) is a young poet in Chicago that meets the love of his life, Nina (Nia Long), a talented photographer, and they have to figure out if their relationships is real and just how deep. What I love about this film is that the couple have real conversations about what they want in life and in other people. They have ups and downs, but you have to trust that someday, someway, they will end up together. Anchored by a great cast, a very cool city, and incredible chemistry between the two leads, and you have one of the better romantic films of the 90s.   My Rating: Full Price    Love Jones Info

Weird Credits: From the credits of Zack Snyder’s Justice League: Drapes Master

Coming Soon to a Screen Near You: Shoplifters of the World (2021)   In the summer of 1987, four friends get together to party and mourn the break-up of the iconic British band The Smiths. Simultaneously, a Smiths fan takes a radio DJ hostage and makes him play nothing but Smiths songs all night. Hey, The Smiths were a great band, and the casting of Joe Manganiello, Nick Krause, Elena Kampouris, James Bloor, and Helena Howard is pretty cool, so I have hope for this one.     Shoplifters of the World Website

Until Next Time!

The Croods: A New Age

Note to readers: I currently am not willing to risk my health (I’m 62 and an asthmatic) by visiting a theatre. All films that I have seen for review have been screened in my home. I am not going to tell you whether or not to attend a theatre. Just be aware of the risks, do your research, and follow the instructions to the letter.

Familyfaire: The Croods: A New Age (2020) PG   Your favorite prehistoric family, the Croods, are back! There is a new family in the neighborhood, the Bettermans, led by Hope (Leslie Mann) and Phil (Peter Dinklage), who claim to be better and more evolved. Can Grug (Nicolas Cage) and Ugga (Catherine Keener) keep their family on the right track, or will their kids lose their way when shown how the Bettermans live? I liked the first The Croods film, immensely enjoying the antics of Grug, voiced by Nicolas Cage, who as the dim but caring caveman made the film seem fun and enjoyable. This time around, there isn’t much to add to the story other than the Bettermans, a modern-like family that makes the Croods seem like, well, cavemen. The Croods: A New Age isn’t a bad film, it just doesn’t bring much more to the storyline. Kids will enjoy the movie, and there are plenty of colorful, wild animals to keep the smaller kids involved.    My Rating: Bargain Matinee     The Croods: A New Age Website    The film is currently playing in select theatres.

My View: Ma Rainey’s Black Bottom (2020) R   In 1927 Chicago, tensions rise between Ma Rainey (Viola Davis), her ambitious horn player, Levee (Chadwick Boseman), and the management determined to control the headstrong Ma Rainey, the ‘Mother of the Blues.’ It’s hard to take a stage play and make it work on the screen, but boy, this film makes it work. Boy, does it! The late Chadwick Boseman gives us one last performance, and it is one for the ages. Using all his energy and charisma, Boseman provides us with a man who has talent and lets everyone know it, but there is something wrong with Levee, a man who is haunted by his past. Not to be outdone, Viola Davis, almost unrecognizable behind all the makeup and costume padding, is powerful and commanding as the demanding Ma Rainey, a woman who knows she has a gift and is willing only to share that gift when her demands are met. This is a film that will move you and, at times, will shock you. It is a fitting tribute to a man who we will all miss, and once the movie ends, is filled with the sadness of knowing that a great career was cut way too short.    My Rating: I Would Pay to See it Again   Ma Rainey's Black Bottom Website   The film is playing exclusively in the Atlanta area at Landmark Midtown Art.

Indiefest: Stardust (2020)   A young David Bowie (Johnny Flynn) comes to America for the first time in 1971 on a trip that inspires the invention of Bowie’s iconic alter ego Ziggy Stardust. It’s hard to make a film about a legendary musician like Bowie without playing his songs, but that’s what we get with Stardust. Johnny Flynn does a fine job playing Bowie, and his singing voice is a nice copy, but the problem is that we never get the feeling from the film why Bowie was such a magnetic force on stage. The movie just slowly moves along, as we get depressed as much as Bowie does when he realizes that his dreams of becoming a big star are crumbling away. The film never finds its footing, and while we get a short vision of Bowie’s creation of an alien rock star named Ziggy at the end of the film, it has nothing of the impact that it should have. David and Ziggy deserve more than what this film gives them.    My Rating: Cable     Stardust Website     The film is currently playing in select theatres.

Indiefest: Last Call (2020)   Before there were rock stars, there was writer Dylan Thomas (Rhys Ifans). In 1953, Dylan Thomas is on his final tour, where he was captivating audiences with his poetry and stories. In New York City, Thomas walked into a Tavern and pondered his life as he downed eighteen doubles scotches. This is not an easy film to watch as a man slowly before our eyes drinks himself to death. I’m not a big fan of Thomas’s work and therefore didn’t enjoy the constant reciting of his work as we flashback to his performances before an audience on his tour. The film feels somewhat like a stage play, as most of the action takes place in the bar as Thomas downs each shot, giving the bartender and the other fellows at the bar his thoughts of love, life, and death. It’s a mesmerizing performance by Rhys Ifans, but it's not enough to keep the film moving at even a slow pace. The film becomes almost repetitive as we watch Dylan keep downing his drinks. The film moves from the bar to flashback to happier or sad times in his past, along with imagined appearances by his wife, Caitlin (Romola Garai). The film slowly moves along, and like Dylan Thomas, it very quickly wears out its welcome.    My Rating: Bargain Matinee    Last Call Info      The film is currently playing in select theatres.

My View: Uncle Frank (2020) R   In 1973, college professor Frank Bledsoe (Paul Bettany) and his Eighteen-year-old niece, Beth (Sophia Lillis), journey back to South Carolina to attend Frank’s father’s funeral. Frank has many secrets that he wishes would remain hidden, but this trip home will be painful, and those secrets will spill out. Uncle Frank is an interesting film because even though Beth is the narrator of the film and the first third of the film is from her viewpoint, the main story and character is her Uncle Frank. Frank has a secret, one he has kept hidden and is ashamed of. It’s a shame because I really enjoyed Beth and her view of the world. The switch to focus on Frank is a bit sudden, and we never quite get the focus back on Beth. Instead, it’s Frank's story for the rest of the film. Bettany shines as the likable but troubled Frank, and his journey back home brings back memories that he would like to forget. It’s a complex performance that is full of passion and pain. Because of the performances in the film, it’s worth taking a road trip with Beth and Uncle Frank.   My Rating: Full Price    Uncle Frank Website     Available on the Amazon Prime platform.

My View: Happiest Season (2020) PG-13   Harper (Mackenzie Davis) and Abby (Kristen Stewart) are in love, so much so that Abby is going to propose to Harper when they go to Harper’s childhood home for Christmas. The problem is that Harper’s family doesn’t know Harper is a lesbian, and now Abby will have to pretend that she and Harper are just roommates. What could go wrong? This is a nice addition to the ‘home for the holidays’ genre with a wonderful twist on the romantic comedy to spice it up. Davis and Stewart have brilliant chemistry on screen together, and while a few of the comedy pieces are a bit too broad, the film is still fun, sweet, and a blast to watch. Mary Steenburgen is funny as the high-strung mom trying to coordinate not only a Christmas holiday but also her husband's (Victor Garber) bid to become mayor. The cast that stand out are Dan Levy as the gay best friend of Abby, who is more interested in his problems until he realizes Abby’s world is crashing down and Mary Holland as the odd, overeager younger sister Mary. Both bring an energy to the storyline and are a delight to watch. So grab some cocoa, put up the stockings, and watch Abby and Harper try to survive the holidays.   My Rating: Full Price     Happiest Season Info    Available on the Hulu platform.

My View: Hillbilly Elegy (2020) R    The story of J.D. Vance (Gabriel Basso), who goes back to his Appalachian home to revisit his childhood and the two women, his strong-willed grandmother (Glen Close) and his troubled mother (Amy Adams). What a colossal waste of talent. The film moves back and forth from when J.D. is a kid and in the present where J.D. is in law school. The biggest problem is while the younger J.D. is somewhat enjoyable as a kid who needs guidance and love, the adult J.D. is a stupid jerk who is mad at the world and doesn’t deserve his loyal and loving girlfriend. The film feels like one of those movies that can’t live up to the book's complexity. The storyline seems skimpy as we never get enough depth to understand why the characters are the way they are. Sure, there are some flashbacks, but the film seems like just trying to throw as much stuff on the screen as it can without a lot of substance. I was bored by this film, didn’t care about its characters, and wanted it to end as soon as possible.   My Rating: Cable     Hillbilly Elegy Website   Available on the Netflix platform.

Indiefest:  Zappa (2020)   Documentary that looks at the life and work of legendary rock musician and composer Frank Zappa. Zappa was a very complex man who put out an incredible amount of music in his lifetime, which makes tell his story so hard to do. Filmmaker Alex Winter, who has already had a good year with his documentary Showbiz Kids and starring as Bill in Bill & Ted Face the Music, tries to give us the life story of a man who was a rock legend but considered himself a composer. Using vast amounts of previously unseen home movies, concert footage, and behind-the-scenes rehearsal footage, the film is a treasure trove of sights and sounds for any Frank Zappa fan. The film using past interview recordings, let’s Frank tell his own story because if there was one thing that Frank liked to talk about, it was himself. The documentary interviews  band members, fellow musicians, and Gail, Frank's long time wife. The film doesn’t pull punches as we find out that Frank considered only his immediate family as his close friends, and that he wasn’t shy about sleeping with other women while on the road. I learned a lot about Frank from this film; his strange childhood (he liked to make bombs), that he never studied music but was self-taught (impressive for a man who composed for orchestras), and while Frank loved his family, he wasn’t close to them. In fact, his daughter Moon Unit made Zappa’s only hit Valley Girl with him just to get him to pay attention to her. The film is packed in its little over two hours run time with information, but it doesn’t seem like enough time as his early career is given the bulk of the film, and what some consider his best work in the late 70s into the 80s is barely talked about. Frank Zappa wasn’t for everybody; in fact, often, he pissed off audiences at his concerts as he played what he wanted to, not what they wanted him to. This film also isn’t for everyone, but if you are a fan or want to know more about a fascinating musician whose work is vast and impressive, this is a movie for you.    My Rating: Full Price    Zappa Website     The film is currently playing in select theatres.

Forgotten Film: Columbus (2017)   Jin (John Cho) is a Korean-born man who finds himself stuck in Columbus, Indiana, because his father is in a coma. He meets Casey (Haley Lu Richardson), a young woman who is staying in Columbus because she has to support her mother, who is a recovering addict. Writer/director Kogonada brings us a magical film about family, relationships, and dreaming of things that you think can't come true. The film takes place in Columbus, Indiana, the “Midwest Mecca of Architecture,” and it's magnificent buildings are the backdrop for this film. Every shot utilizes these brilliant buildings, making you feel a part of the landscape. What I love about this film is that the two characters slowly peel back the layers of Jin and Casey as their conversations continue. The characters become part of the architecture, interacting with it and exploring it. Casey has even-numbered her favorite buildings like a film lover would rate movies. Columbus is a movie that will hold you spellbound as it explores the importance of relationships, the ones we honor, and the ones we have to leave to better ourselves.   My Rating: I Would Pay to See it Again     Columbus Info  

Weird Credits: From the credits of Stardust: Intimacy Coordinators

Coming Soon to a Screen Near You: Let Them All Talk (2020) R   A famous author (Meryl Streep) is having trouble writing her latest book. She decides to go on a cruise trip with her two best friends (Dianne Wiest, Candice Bergen) and her nephew (Lucas Hedges). On it, she hopes she finds inspiration, reconnects with her friends, and maybe even come to terms with her troubled past. The film is directed by Steven Soderbergh (Traffic, Erin Brockovich) and stars Meryl Streep. I think that is all I need in a movie.       Let Them All Talk Info

Until Next Time!

Antebellum

Note to readers: I currently am not willing to risk my health (I’m 62 and an asthmatic) by visiting a theatre. All films that I have seen for review have been screened in my home. I am not going to tell you whether or not to attend a theatre. Just be aware of the risks, do your research, and please, if you do, follow all the safety procedures to the letter. 

My View: Antebellum (2020) R   Bestselling author Veronica Henley (Janelle Monáe) has everything going for; a successful career and a loving family. Veronica finds herself trapped in a horrifying reality from the past and must uncover the mind-bending mystery before it’s too late. This film wants to be in the tradition of Jordan Peele’s horror films, with a lot to say about race in America today while pushing the boundaries of horror. Unfortunately, it fails badly in both cases, especially in the horror side. The first third of the film takes place on a plantation during the civil war, where the white Southern soldiers gravely mistreat slaves. We then jump to modern times where a famous author, played by Janelle Monáe, is the toast of the media world, selling books on the empowerment of women of color. There is a twist in this film that is so dissatisfying that I can’t explain how frustrated I felt at the end of the movie. The film never develops into any style of horror film and almost seems to be a throwback to the exploration films of the 70s, with villains so severely drawn that the movie practically becomes a comedy. Antebellum tries to make a statement about race but is so horribly executed that it becomes an absolute failure. Skip this film and go back and watch Get Out or Us instead.   My Rating: Cable    Antebellum Website      The film is currently in select theatres.

Indiefest: The Way I See It (2020) PG-13   This documentary looks at the eight-year Obama presidency through the eyes of former Chief Official White House Photographer Pete Souza. Souza worked in the White House once before during the Regan years as a photographer and was given the job to be the official photographer for the Obama administration, giving him access to every meeting, event, and speech that involved the President. The job gave Souza a unique look at the workings of both the presidency and the man and his family. When Souza left the job at the end of the Obama term, he because an outspoken critic of President Trump, using his pictures of the Obama presidency to comment on what he says were the failings of the Trump presidency. The film does an outstanding job of letting Souza narrate his dealings with Obama during the presidency while also showing Souza on a book tour, giving talks to both the public and the media. Trump supporters are not going to be happy with this film but history buffs are going to have a blast seeing a glimpse into the world of the White House.    My Rating; Full Price     The Way I See It Website     The film is currently in select theatres.

Indiefest: H is for Happiness (2019)   Candice (Daisy Axon) is a bit of a loner in her school, as she asks too many questions, but this doesn’t keep Candice from a boundless optimism that gives her a unique view of the world. With the help of her newfound friend, Douglas Benson from Another Dimension (Wesley Patten), Candice is determined to mend her parent's relationship after they are still giving at the loss of Candice’s baby sister. I never quite got into this film, and it’s not because it doesn’t try to charm or that it’s bad; it just never quite finds its footing, never finding its voice. The film tries very hard to make Candice a likable character, and her relationship with Douglas is adorable, but the film tries too hard to make the movie a little too cute in its handling of the storyline. There just isn’t a lot of substance to the story and the film tries too hard to tie everything up in a neat, tight bow at the end of the film. I think kids, especially young girls, will enjoy Candice and Douglas' adventures, but adults will be very bored with the long and pointless plot.    My Rating: Bargain Matinee     H is for Happiness Website     Available for rent on participating on-demand services,

Indiefest: Last Call (2019)   Scott (Daved Wilkins) is a bitter and lonely man who calls the Suicide Prevention Hotline but accidentally calls Beth (Sarah Booth), a janitor. It’s a phone call that both won’t ever forget. The film is shot in one long take using two cameras, one centered on each character, using a split-screen to show what each character is doing. The film is a serious and heartfelt look at one person in pain and another person, a total stranger, who tries to help with compassion and caring. What I loved about this film is that frequently the camera doesn’t give us all the information, as often a character will wander off the screen and we, along with the person on the other line, don’t know what is happening. Last Call is a film that, at first, you will be more into how the two storylines connect, but by the end of the movie, you will be enthralled by the action on the screen and not how we see it. This is a well done, beautifully acted film that builds the tension slowly, to where you become immersed in the two people and their conversation. Director/co-writer Gavin Michael Booth gives us a powerful film perfect for September, Suicide Prevention Month.    My Rating: Full Price     Last Call Website     Available for rent on participating on-demand services.

My View: The Nest (2020) R   Rory (Jude Law), an ambitious entrepreneur, decides to move his family from suburban America to his native England so that he can rejoin his former firm. They lease a centuries-old country manor, and everything seems to be working out until Rory and his wife (Carrie Coon) soon have to face the unwelcome truths lying beneath the surface of their marriage. This film works as well as it does because of the lead performances of Jude Law and Carrie Coon, playing a couple that on the surface have everything and below that surface, have almost nothing. The film is a psychological drama about a marriage falling apart as a husband blindly keeps trying to capture the magic of the past. At the same time, the wife is no longer willing to go along for the rollercoaster ride that has become their lives. Coon and Law have a brilliant chemistry up on the screen, as their scenes turn from loving to contempt in almost a moment's notice. The characters are complex, and the film uses this to its advantage, making us slowly put the pieces together, clawing away at the truth, a truth that, at times, neither character wants to acknowledge. The Nest is a film about unhappy people and the lies they tell themselves to keep that sadness buried, even at the expense of their family's welfare.    My Rating: Full Price      The Nest Website     The film is currently in select theatres.

My View: The Secrets We Keep (2020) R   Maja (Noomi Rapace), after suffering horribly in Europe during World War II, has relocated to America and is living happily in the suburbs with her husband (Chris Messina). One afternoon Maja encounters a man she believes attacked her and her family during the war. On impulse, Maja kidnaps the man and seeks vengeance for the heinous war crimes she thinks he committed. I have been a big fan of Noomi Rapace since her groundbreaking role as Lisbeth Salander in The Girl with the Dragon Tattoo Swedish film series, so I was excited to see this film. Rapace doesn’t disappoint in an intense and complex role of a woman who is a prisoner of her memories. She gives us a gritty and thought-provoking role in which we are asked are what she does justified or not. From the moment that Maja hears a man's whistle from her tortured past, we are captivated by what Maja will do and how far will she and her husband go. The Secrets We Keep gives an electrifying thriller that keeps us guessing if the man Maja has kidnapped is her man from her past, and if she finds out he is who she thinks he is, what will she do to him.   My Rating: Full Price      The Secrets We Keep Website    The film is currently in select theatres.     

My View: The Devil All the Time (2020) R   Taking place between World War II and the Vietnam War, Arvin (Tom Holland) fights evil forces that threaten him and his family. This is a hard film to describe because there are a lot of moving and connected parts. The film revolves around Arvin and his family, as we see how his parents met, along with other characters in the movie, that will keep popping up throughout the years. The film is a profoundly disturbing look at how much religion hung over rural America in the ’50s and 60s and how evil seems to be always just around the corner. I liked some of the film's performances, including Bill Skarsgard, who plays Arvin’s father, a man who has come back from World War II deeply scared but finds hope in a young woman (Haley Bennett) he meets and marries. Alvin has a stepsister, Lenora (Eliza Scanlen), who has a scary connection with a local couple (Jason Clarke, Riley Keough) who love to pick up hitchhikers. Lenora gets involved with a preacher, played by Robert Pattinson, who takes advantage of his power and post. I don’t want to get too involved with telling the story because I did enjoy how all the parts come together by the end of the film. It’s a complicated tale, bloody and, at times, gruesome, but besides the film feeling a bit long, I enjoyed the outcome and was glad that I spent time watching Alvin grow up in such a weird and troubled world. My Rating: Full Price       The Devil All the Time Website     The film is available on the Netflix platform.

Forgotten Film:  The Devil’s Backbone (2001) R   Carlos (Fernando Tielve) is a 12-year-old boy whose father has died in the Spanish Civil War. Carlos arrives at a boys’ orphanage run by opponents of Franco’s fascists. The boy soon discovers that the bed he has been assigned to belonged to Santi, a boy who died and is said to haunt the grounds. This horror film is from two-time Oscar winner Guillermo del Toro and is well worth the watch. The movie is full of creepy images and, at times, is truly scary. I will warn you that if you don’t know the history of the Spanish Civil War, which took place right before WWII, there are a few things that will go over your head. But del Toro is a master of creating suspense, and this film might be his best in the horror category. Hey, any movie with a giant unexploded bomb hanging out in the middle of the courtyard ticking away is a film filled with tension.   My Rating: Full Price     The Devil's Backbone Info

Weird Credits: From the credits of Antebellum: Police Advisor

Coming Soon to a Screen Near You: Friendsgiving (2020) R Molly (Malin Akerman) and Abbey (Kat Dennings) host Thanksgiving that is meant to be a small affair and turns into a whole slew of close friends and acquaintances making a dinner that becomes more and more bizarre, dysfunctional and comical as the day goes on. Besides Akerman and Dennings, the cast includes Aisha Tyler, Jane Seymour, Chelsea Peretti, Wanda Sykes, Margaret Cho, and Ryan Hansen. Hey, I need a little comedy in my life about now.     Friendsgiving Info

Until Next Time!