My View: One Battle After Another (2025) R In One Battle After Another, a notorious enemy named Steve Lockjaw (Sean Penn) has resurfaced after 16 years, broken into Bob’s (Leonardo DiCaprio) home, and kidnapped his daughter, Willa (Chase Infiniti). Bob, a civil rights activist, must team up with an anti-government group to locate and rescue his daughter from an alt-right white supremacist group. It's not often that a September movie rises to the top of the Oscar ranks, but Paul Thomas Anderson's One Battle After Another manages to do just that. This film combines the laid-back hippiness vibe of The Big Lebowski with the political satire of Dr. Strangelove, while featuring a villain reminiscent of those in '80s and '90s action films—although this character might be the funniest bad guy ever portrayed on screen. One Battle After Another is (I hesitate to tell you this because some of you may want to stay away) the fastest two-hour and forty-minute film you will ever see. The film is a joy to watch and keeps surprising you with both bouts of violence and humor that keep you off-kilter (in a good way), which keeps coming. This is a fast-moving and witty look at America and its political system, but it’s done in such a way that it’s brilliantly executed, and I suspect many won’t realize what hit them until the end. It is going to be fascinating to see if Leo gets an Oscar nod, because it’s such a brilliantly understated performance, one that few actors could do. This is one of those performances that is so expertly crafted that you almost underestimate how good Leo is in the role. Sean Penn is hilarious as the ultra-rigid Colonel, who has a huge flaw (which I won’t reveal) and feels that his place in the history of the world is set in stone. Teyana Taylor as Perfidia is a force of nature as Bob’s partner and the leader of the revolutionary group. Her performance and the essence of her character are brilliantly captured in a scene where she fiercely fires an AK-47 while heavily pregnant. Perfidia is all about the cause, and it consumes her entirely. While she loves Bob, her passion for the revolution takes precedence over everything else. I could go on and on about every performance in this film, but I would be remiss without mentioning how much fun it is to watch Benicio Del Toro as a partner in crime whose character is every bit as cool and laid-back as Leo’s Bob is a bag of nerves. The hero of the story isn’t Bob but his daughter Willa, played with poise and style by Chase Infiniti. Infiniti portrays Willa as a young woman who has had to live with the legacy of a mother who was a radical and a father who has spent most of her years as a paranoid pothead, but has instilled in her a willingness to survive and the guts not to back down. One Battle After Another is a film that puts its foot on the gas from almost the first frame and doesn’t let off until its hilarious and satisfying end. I had a blast watching this film, and it’s not very often that the hype matches the worthiness of a movie. Please see this in a theater with an audience on the largest screen you can find; it will be worth the price of admission. Any film that pays homage to one of my favorite films, Bullitt, is a film that I want to see again as soon as possible. And you will too. My Rating: I Would Pay to See it Again One Battle After Another Website Now playing in theaters, including IMAX
My View: Eleanor the Great (2025) PG-13 In Eleanor the Great, Eleanor (June Squibb), after a devastating loss of her best friend Bessie, decides to move from Florida to New York City to live with her daughter and grandson. Feeling more alone than she imagined, Eleanor unexpectedly forms a friendship with a 19-year-old journalism student, Nina (Erin Kellyman). Unfortunately, through a misunderstanding, Nina believes Eleanor is a Holocaust survivor, but it’s Bessie’s story, not Eleanor’s. A lot of attention has been given to the fact that this is Scarlett Johansson’s directorial debut, and her direction is the weak link in this film, as it’s very bland and unimpressive. Johansson isn’t helped by a script that creates a character who seems to have no sense of shame or conflict. Luckily, Johansson is saved by an outstanding cast that can do the heavy lifting, making the film, despite its flaws, still enjoyable to watch. June Squibb, a long-time character actor with over 100 IMDB listings, has recently emerged as a leading actress, following her Oscar-nominated role as the feisty, swearing wife of Bruce Dern’s character in Nebraska. Squibb easily commands the screen with a laid-back grandmother approach that isn’t afraid to use her charm to get what she wants. Squibb is helped by an outstanding performance by Erin Kellyman, a student who befriends Eleanor to get her to tell her Holocaust story, and in return gets help from Eleanor dealing with the recent loss of her mother and a father (Chiwetel Ejiofor) who has checked out of parenting. Kellyman gives us just the right person for Eleanor to impart wisdom and support to. Some of the heavy emotional parts of the film are handled by Rita Zohar, who is the real heroine of the film that tells her story of the Holocaust. There are some powerful scenes between Squibb and Zohar that provide the background for why Eleanor wants to tell Bessie’s story. Unfortunately, those scenes are undercut by a script that gives Eleanor no moral compass or foresight, leaving her unaware that what she is doing is wrong. So watch Eleanor the Great for the performances, which more than outshine the plot and its direction. My Rating: Bargain Matinee Eleanor the Great Website Now playing in theaters nationwide.
Indiefest: The Summer Book (2024) The Summer Book tells the story of nine-year-old Sophia (Emily Matthews), who is spending the summer at her family’s seasonal home on a remote island in the Gulf of Finland. It’s the first summer without Sophia’s mother, and it will take the beauty of this special place and the nurturing support of Sophia’s grandmother (Glenn Close) to mend the grief that Sophia and her father (Anders Danielsen Lie) are experiencing. The Summer Book is a film that may be too slow and character-driven for some moviegoers to enjoy. However, if you love beautiful cinematography and leads that know how to fill a space without saying a word, then this film is for you. Glenn Close delivers another masterful performance as the grandmother who helps a lost child find her way back. The Summer Book a film about dealing with grief, finding a way to cope, and navigating the complexities of growing up and growing old. The Summer Book is about a time in a life that will be remembered not for what happened but for how much changed within. My Rating: Full Price The Summer Book Website Now playing in select theaters.
Indiefest: All of You (2024) R All of You is about Simon (Brett Goldstein) and Laura (Imogen Poots), who are best friends and have always joked about dating each other, but have never pursued a romantic relationship. Simon secretly believes that Laura is his one true love, but things change when Laura takes a test that identifies another man as “her one true love.” Will the two ever end up together after all the years of friendship? There is tremendous chemistry between Goldstein and Poots, and we feel the connection, love, and heat between the two characters every time they are on the screen. The repartee between the two makes the film enjoyable to watch, particularly in the first 30 minutes. However, no matter how much chemistry two stars give to each other, they can’t overcome a script that takes too long for there to be conflict, and then the consequences and the problems they cause seem too easily swept away. It’s a frustrating film that aspires to be a romance, but without ever getting to know the two people, other than the fact that they love each other’s company too much. Despite the strong start to the film, I became frustrated and sometimes bored by a script that prefers to give us slices of life instead of the whole pie. My Rating: Bargain Matinee All of You Info In select theaters and on Apple TV+.
Indiefest: Adulthood (2025) R Adulthood is about adult siblings Megan (Kaya Scodelario) and Noah (Josh Gad) who, when their mother is sick in the hospital, discover a dead body in the basement of their family home. That discovery will send the two down a rabbit hole of crime and murder that they may never recover from. Not harsh enough to be a black comedy and not funny enough to be a farce, Adulthood doesn’t know what it is, and that is the problem. The idea is that when the two siblings try to cover up that their mother may have killed a neighbor, that cover-up gets out of control, and bodies start piling up. However, the film never finds its footing, and what could have been funny is never delivered. Instead, we get two actors who have no chemistry together, and the story starts to bog down almost from the start. Scenes that are meant to shock us aren’t staged very well and lack the punch they need to hit the mark. The film has a lot of wasted space that slows down the story. I kept saying as it was playing, ‘Pick up the pace.’ Sadly, it never did. My Rating: Cable Adulthood Website Now playing in select theaters and available on Digital.
Forgotten Film: The Hot Rock (1972) PG Robert Redford plays Dortmunder, a convicted thief who, upon his release from prison, is convinced by his brother-in-law (George Segal) to go on one last big score and steal a precious diamond from a museum. They hire a crew to do the job and plan an elaborate scheme to make the diamond heist. However, things don’t go as planned and become very complicated very quickly. The Hot Rock is a hilarious film with lots of twists and turns that have hilarious results, and Redford is perfect as the thief who, as things get more complicated, masterminds a break into not one, but two prisons. My Rating: Full Price (Reprinted from March 2012 to honor the late Robert Redford). The Hot Rock Info Available to rent/buy on Amazon.
Weird Credits: From the credits of One Battle After Another: Dishwasher
Coming Soon to a Screen Near You: Anemone (2025) R Anemone centers on a man (Sean Bean) who ventures into the isolated woodlands of Northern England to find his estranged brother (Daniel Day-Lewis). They haven’t seen each other in 20 years, and the brother has been living alone in the forest. As they reconnect, they will confront the personal and political traumas that have long been buried between them. This is Daniel Day-Lewis’s return to acting after announcing his retirement in 2017. Anemone Website In limited release on Friday, October 3, 2025, and wide release on Friday, October 10, 2025.

























