Showing posts with label One Battle After Another. Show all posts
Showing posts with label One Battle After Another. Show all posts

Saturday, March 14, 2026

Mike's Fearless Oscar Picks

 


As always these are who I think are going to win on Sunday night, not who I think should win.  If I have a Spoiler listed, it's a someone/film that I think has a chance to win.

Winners in blue!  I got 21 out of 24.


Best Picture:  One Battle After Another               Spoiler: Sinners


Best Director:     Paul Thomas Anderson (One  Battle After Another)                             


Best Actress:   Jessie Buckley (Hamnet)


Best Actor:  Michael B. Jordan (Sinners                                      Spoiler:   Timothee Chalamet (Marty Supreme)


Best Supporting Actress:  Amy Madigan (Weapons)                 Spoiler:  Wunmi Mosaku (Sinners)


Best Supporting Actor:  Sean Penn (One Battle After Another)

                                                                                             Spoiler: Stellan Skarsgard (Sentimental Value)


Best Adapted Screenplay:  One Battle After Another


Best Original Screenplay:   Sinners   


Best Casting:  One Battle After Another                                    Spoiler:    Sinners                    


Best Cinematography:  One Battle After Another                Spoiler: Sinners


Best Costume Design:  Frankenstein


Best Film Editing:   One Battle After Another                                           Spoiler:  Sinners


Best Makeup and Hairstyling:   Frankenstein


Best Production Design:   Frankenstein                                     Spoiler:   Sinners


Best Score:  Sinners


Best Song:   Golden (KPop Demon Hunters)                                    


Best Sound:   F1                                            Spoiler: Sinners


Best Visual Effects:  Avatar: Fire and Ash                             Spoiler: F1


Best Animated Feature:   KPop Demon Hunters


Best Documentary Feature:  The Perfect Neighbor                Spoiler:  Mr. Nobody Against Putin


Best International Film:   Sentimental Value                      Spoiler:   The Secret Agent


Best Animated Short:    Butterfly                      Spoiler: The Girl Who Cried Pearls


Best Documentary Short:  All the Empty Rooms                Spoiler: Armed Only with a Camera


Best Live Action Short:  Two People Exchanging Saliva                  Spoiler:  A Friend of Dorothy 



Thursday, January 1, 2026

Top Fifteen Films of 2025

1).  One Battle After Another  (2025) R  In One Battle After Another, a notorious enemy named Steve Lockjaw (Sean Penn) has resurfaced after 16 years, broken into Bob’s (Leonardo DiCaprio) home, and kidnapped his daughter, Willa (Chase Infiniti). Bob, a civil rights activist, must team up with an anti-government group to locate and rescue his daughter from an alt-right white supremacist group. It's not often that a September movie rises to the top of the Oscar ranks, but Paul Thomas Anderson's One Battle After Another manages to do just that. This film combines the laid-back hippiness vibe of The Big Lebowski with the political satire of Dr. Strangelove, while featuring a villain reminiscent of those in '80s and '90s action films—although this character might be the funniest bad guy ever portrayed on screen. One Battle After Another is (I hesitate to tell you this because some of you may want to stay away) the fastest two-hour and forty-minute film you will ever see. The film is a joy to watch and keeps surprising you with both bouts of violence and humor that keep you off-kilter (in a good way), which keeps coming. This is a fast-moving and witty look at America and its political system, but it’s done in such a way that it’s brilliantly executed, and I suspect many won’t realize what hit them until the end. It is going to be fascinating to see if Leo gets an Oscar nod, because it’s such a brilliantly understated performance, one that few actors could do. This is one of those performances that is so expertly crafted that you almost underestimate how good Leo is in the role. Sean Penn is hilarious as the ultra-rigid Colonel, who has a huge flaw (which I won’t reveal) and feels that his place in the history of the world is set in stone. Teyana Taylor as Perfidia is a force of nature as Bob’s partner and the leader of the revolutionary group. Her performance and the essence of her character are brilliantly captured in a scene where she fiercely fires an AK-47 while heavily pregnant. Perfidia is all about the cause, and it consumes her entirely. While she loves Bob, her passion for the revolution takes precedence over everything else. I could go on and on about every performance in this film, but I would be remiss without mentioning how much fun it is to watch Benicio Del Toro as a partner in crime whose character is every bit as cool and laid-back as Leo’s Bob is a bag of nerves. The hero of the story isn’t Bob but his daughter Willa, played with poise and style by Chase Infiniti. Infiniti portrays Willa as a young woman who has had to live with the legacy of a mother who was a radical and a father who has spent most of her years as a paranoid pothead, but has instilled in her a willingness to survive and the guts not to back down. One Battle After Another is a film that puts its foot on the gas from almost the first frame and doesn’t let off until its hilarious and satisfying end. I had a blast watching this film, and it’s not very often that the hype matches the worthiness of a movie. Please see this in a theater with an audience on the largest screen you can find; it will be worth the price of admission. Any film that pays homage to one of my favorite films, Bullitt, is a film that I want to see again as soon as possible. And you will too. My Rating: I Would Pay to See it Again  One Battle After Another Website   The film is still in some theaters and is available to stream on HBOMAX and for rent on most streaming platforms

2).   Marty Supreme   (2025)  R   Marty Supreme is about Marty Mauser (Timothée Chalamet), a man in 1950s New York City who believes he is the world’s best ping-pong player. Marty is out to prove it and is willing to take on anybody to show he is the best. Timothée Chalamet gives a mesmerizing performance as a man who is convinced that table tennis is the next big sport to take the world by storm, and that he is the man to bring the sport the glory and attention it deserves. Because Marty believes he deserves it too. Marty is a character that you love to hate, but in the end, you also want him to succeed, in spite of himself. To say Marty is full of himself would be putting it mildly, as he is convinced he is not only great but that he deserves a lot more admiration and attention than he is getting. Chalamet gives us a man who has no humanity but is still, at his heart, has a humanity about him, that is there, you just have to dig a bit to find it, and Chalamet and filmmaker Josh Safdie allow us to see it, even if it is just a glance or two. This is a film that asks you to hold on to the coattails of Marty and hold on tight, because he is going to give you a ride that doesn’t seem to slow down or stop for anyone or anything. It’s a thrilling performance in a movie that makes you want to go to the theater. Marty Supreme is a ride that you won’t forget; you may need some oxygen by the end, and you will think back in wonder at what Mr. Chalamet and Mr. Safdie have created. My Rating: I Would Pay to See it Again  Marty Supreme Website  The film is currently in theaters

3).   Sinners  (2025)  R  In Sinners, twin brothers Smoke and Stack (Michael B. Jordan) are trying to leave their troubled past behind and return to their hometown to open a dance hall. They soon discover that their hometown has changed, and a great evil is waiting to welcome them back. Back in 2013, filmmaker Ryan Coogler hit us right between the eyes with the outstanding Fruitvale Station, starring an up-and-coming young actor named Michael B. Jordan. Since then, Coogler has given us Creed and the two Black Panther films. In what is his most original and best film to date, we now get a vampire thriller that has roots in everything from legendary blues singers, prohibition, and Jim Crow to even Irish folk music. With a huge nod to Robert Rodriquez and Quentin Tarantino’s 1996 film From Dusk Till Dawn, the film follows twins Smoke and Stack, played by the brilliant Michael B. Jordan, as they come back from spending time in Chicago, where they may have stolen a whole lot of money and booze from the mob.They are back to open a blues joint with some locals’ help. Along the way, they gather a cast of characters to make their endeavor a success, including a local blue legend in Delta Slim (Delroy Lindo), their cousin, Sammie (Miles Caton in his feature film debut), a budding blues singer/guitarist, and a couple of former flames of the twins in Mary (Hailee Steinfeld), a love of Stacks that ended badly, and Annie (Wunmi Mosaku), Smoke’s one true love. Both relationships with the twins have history and baggage that hangs over the two couples like a huge dark cloud. Coogler spends the first hour giving us a clear understanding of the history that follows each of the characters, giving us insight into how they function in this world of gambling, song, stolen whiskey, and even religion. The film’s second half is the opening of the juke joint, which is a rousing success, until a trio of white musicians want to join the party, and the twins tell them to find somewhere else to party. However, we already know that these musicians aren’t there to make music but are to turn everyone they can into vampires, and it’s up to the twins and a few of their friends to stop them. Coogler uses this backdrop to tackle everything from lost love to race in America while making an entertaining and bloody horror film where the odds of the twins and their friends surviving the night look pretty grim. Sinners is a film that explores the strength of family, religion, and music and how the monsters that show up in the middle of the night might be worse than you ever thought. The action sequences are fast, bloody, and sometimes humorous, as the body count keeps rising.  Something has to be said about the performance of Miles Caton as Sammie. His singing and blues guitar playing is joyful, brilliant and moving. When he plays and sings, he commands the screen and you can't take your eyes off of him. Don’t be afraid of the two-hour and seventeen-minute run length, as the film moves at such a fast pace and instantly puts you in the middle of the Twins world that you will be sorry that the film has ended as soon as it does. So grab a beer, sit down to listen to some great blues music, and maybe get up to dance a bit. But here’s a bit of advice: if anyone asks if they can come in to join you, maybe see if they like garlic or have trouble with holy water. Just a suggestion that might come in handy. Catch it on the biggest screen you can, and stay through all the credits, as there are a couple of bonus scenes worth staying for, including a tremendous cameo. My Rating: I Would Pay to See it Again  Sinners Website    The film is available to stream on Prime Video and HBOMAX  and is available to rent on most streaming platforms  

4).  Sentimental Value  (2025) R  In Sentimental Value, after the death of their mother Sissel, estranged sisters Nora (Renate Reinsve), an actress, and Agnes Borg (Inga Ibsdotter Lilleaas), a housewife and mother, are compelled to confront their distant father Gustav (Stellan Skarsgård). Gustav, a once-famous but now almost forgotten film director who abandoned the family when the girls were still young, now wishes to produce a play based on his mother. He wants Nora to take on the lead role, something she vowed never to do. A lot of films that are made about actors, directors, and filmmakers feel just like that: actors portraying actors. I just reviewed a film that felt like that in Jay Kelly, where I knew it was George Clooney portraying a character. Then you get films like Sentimental Value, where the characters feel real, and while acting and filmmaking are part of the plot, they’re not what the film is about. Instead, Sentimental Value is about broken promises, childhood heartache, and making your profession more important than that of your family. Sentimental Value is about love, finding your passion, and how just because a house is called a home, it isn’t necessarily a home to everyone. This is a powerful film that follows four people on a journey to explore the past, how it affects them now, and if they can find and possibly handle the answers that they are searching for. Led by Renate Reinsve and Stellan Skarsgård, the cast is brilliant, offering performances that are incredibly rich in depth and impressively revealing the pain and grief the past has dealt them and how it has driven each person to a breaking point. Sentimental Value is one of the best films of the year, moving, painful, and at times inspiring. Exactly what kind of film both Gustav and Nora would be proud to make.  My Rating: I Would Pay to See it Again  Sentimental Value Website  The film is in select theaters

5).  It Was Just an Accident  (2025)  PG-13   It Was Just an Accident is about Eghbal (Ebrahim Azizi), who, after hitting a dog by accident with his car, encounters a man from his past, a past that quickly catches up with him. It Was Just an Accident is one of the best films of the year, and if politics doesn’t get in the way, it should be nominated for all the awards. The film is from Iranian filmmaker Jafar Panahi and deals with the aftermath of a group of friends who all met while being imprisoned by a brutal government. Panahi knows the subject matter well, having been thrown in jail charged with propaganda against the Iranian government. I won’t give away too much about this film, which is part thriller, part mystery, and has a bit of surprising comedy. It’s a film about justice, revenge, and how people’s lives are drastically changed by a system that continually puts its foot on the necks of those who even mildly resist. It Was Just an Accident is a film that will keep you on the edge of your seat from beginning to end and is one of those films you will continue to talk about for months. This is a movie from a filmmaker who is at the top of his game and knows how to push every button to create a film that will hit you to your core.  My Rating: I Would Pay to See it Again  It Was Just an Accident Website  The film is available to rent on AppleTV and Amazon Prime

6).  Train Dreams  (2025)  PG-13  Train Dreams follows Robert (Joel Edgerton), a man who drifts from job to job in the early 20th-century Pacific Northwest until he meets Gladys (Felicity Jones), whom he quickly loses his heart to and marries. Robert immerses himself in his work on the land and explores nature's wonders, all while navigating the challenges of love and loss. Train Dreams needs to be seen in theaters as the scenery is not only crucial to the story but is one of the main characters. Joel Edgerton does a masterful job playing a man who didn’t want much in life, other than to be out in the woods, until he met Gladys, and then all he wanted was to share his life and his woods with her. This is a film with intense highs and lows, some of which Robert never recovers from. He is a man who wonders if his work is worth being away from his family and if what he is doing is hurting the very fabric of the place he deeply loves. Train Dreams is a haunting film that gets under your skin, so much so that you think you can smell the trees and feel the sawdust alongside Robert as he works to fell tree after tree. The supporting cast is outstanding, with Felicity Jones playing Gladys, a woman who saw Robert and knew he was the one; Alfred Hsing as a man who works alongside Robert; and William H. Macy as a demolition man who tells nonstop stories and gives advice at a moment's notice. Train Dreams is a moving and incredibly beautiful film that, like Robert’s dreams, will stay with you for a long time. My Rating: Full Price  Train Dreams Website The film is in select theaters and is available to stream on Netflix

7).  Weapons  (2025) R  Weapons begins one morning, when at 2:17 am, every child except one from Mrs. Gandy’s class woke up and left their homes, never to be seen again. What happened to the seventeen children, and how can a community discover their fate? Weapons is a horror film that is equally disturbing and funny. I was expecting far more scares (and there are still plenty), but I wasn’t expecting the humor, which took me for a ride. I saw the film with a packed audience, and one moment they were laughing and in the next they were shrieking from fear. I can’t give away too much of the plot because the reveals are so well thought out and brilliant that I don’t want to spoil it for you. From the first moments when we see the kids in the dead of night leaving their homes and running with their arms out behind them while George Harrison’s song “Beware of Darkness’ is playing, to the hectic and shocking ending, this is a masterful tale of horror, suspense, intrigue about a group of people in a small town trying to make sense of a mystery they can’t cope with. The film features remarkable performances, particularly from Josh Brolin, who portrays a father grappling with the disappearance of his son, and Julia Garner, who plays the troubled teacher of the classroom attended by the 17 missing students. Weapons is an exhilarating ride that keeps you on the edge of your seat, eagerly anticipating each reveal and shocked by the unexpected twists. It is a strong contender for horror film of the year and is a movie that will spark discussions not just in the parking lot, but for years to come.  My Rating: I Would Pay to See it Again   Weapons Website  The film iss available to stream on HBOMax and rent on most streaming platforms

8).  Blue Moon  (2025)  R Blue Moon tells the story of songwriter Lorenz Hart (Ethan Hawke), who was at the top of the Broadway world alongside his writing partner, Richard Rodgers (Andrew Scott). However, Rogers has left Hart to work on his new hit musical, Oklahoma!. Heartbroken and longing for a woman he secretly loves, Elizabeth (Margaret Qualley), Hart decides to attend the afterparty for Oklahoma! in an attempt to drown his sorrows. It’s going to be a night that few will forget. Ethan Hawke gives the performance of a lifetime as Lorenz Hart, who is described at the beginning of the movie as “the saddest man I ever knew.” Hawke portrays one of our greatest lyricist of all time as a man who has no hope with two of the most important people in his life, his former song-writing partner, Richard Rogers (played by Andrew Scott) and a college student, Elizabeth (played by Margaret Qualley), who Lorenz is madly in love with, even though she is over 25 years his junior. Hawke, who is sporting a horrible comb-over (Hawke shaved the top of his head for the role), and through camera and movie magic, has shrunken his height from 5’10 to a little under 5 feet tall for Hart’s appearance. It is a remarkable and commanding performance of a man who has burned too many personal and creative bridges and continues to believe, against all hope, that he has a chance with Elizabeth. It’s a moving performance that makes us root for a man who won’t win any battles, except one of wits. Margaret Qualley is perfect as the beautiful and smart Elizabeth, who sees Hart only as a friend and a way to get into the Broadway world. I loved Bobby Cannavale as the bartender who sees Lorenz not only as a good customer but also as a friend. Who wants to stop Hart from drinking but knows he will always give in to a man he can’t resist. The film is an hour and forty minutes long, but it makes sure we wait, like Hart, for the moments between Elizabeth and Lorenz until the last third of the film. It’s like watching a man who we know is about to be killed by a firing squad, but he thinks he is about to be pardoned. Hawke is a wonder to watch as he is in every scene as Hart weaves his way through story after story, while also figuring out a way to get drinks he shouldn’t be getting. Blue Moon is a film that you are dazzled by a performance of an actor who is playing a man who makes words become songs we will never forget, just as we will never forget this performance that Ethan Hawke has given us. My Rating: I Would Pay to See it Again  Blue Moon Website   The film is in select theaters and is available to rent on most streaming platforms
9). 
 The Life of Chuck  (2024) R  The Life of Chuck explores the life and adventures of Charles Krantz, a man who is experiencing the end of his life while being celebrated by his friends and family. The Life of Chuck is one of those films that’s hard to review because its structure is complicated, and I don’t want to give away any of the surprises (and there are a few). One clue to this film is that it is based on a Stephen King novella, although more in the vein of The Shawshank Redemption or Stand by Me, rather than horror films like The Shining or It. The film is told in three parts and unfolds in reverse to tell us the story of Chuck. I will warn you that the first part is a little off-the-wall strange, and while Chuck makes an appearance, that part of the film is about two exes (Chiwetel Ejiofor and Karen Gillan) who are trying to cope with a world gone off the rails and find support in re-connecting. Part two is about Chuck as an adult (played by ever-charismatic Tom Hiddleston), and part three is about Chuck as a teen (played by Jacob Tremblay) and as a kid (played by the adorable Benjamin Pajak). Along the way, there are some fantastic performances by Carl Lumbly, Mia Sara, and Mark Hamill (which I think is so good it could get him an Oscar nod). While not a musical, the film features some incredible and exciting dance numbers, with Hiddleston performing a thrilling and moving dance alongside the delightful Annalise Basso. The Life of Chuck is a film that slowly reveals its secrets, and while it throws you into a world that doesn’t make much sense at first, it becomes a joyful and life-affirming film that makes you feel glad you experienced the life of a man named Chuck.   My Rating: I Would Pay to See It Again   The Life of Chuck Website The film is avaialbe to stream on Hulu and rent on most streaming platforms

10).  Black Bag  (2025) R  In Black Bag, Kathryn (Cate Blanchett) and her husband, George (Michael Fassbender), have a perfect marriage. Except for the fact that they are both intelligence agents that can’t talk about their jobs. When Kathryn is suspected of betraying her nation, George faces the ultimate test: loyalty to his loving wife or his country. Steven Soderbergh gives us a spy caper that lets two extraordinary actors perform at their finest. Black Bag is not your ordinary spy film, full of action sequences, but a film filled with smaller moments that are clever and exquisitely done, keeping you guessing on just who is guilty and who is innocent. It’s a game of cat and mouse, reminiscent of the great spy novels of Le Carre and Herron. Blanchett and Fassbender work together so well on screen that you believe that these two spies could save the world just by their charisma and wit. Black Bag is a polished, almost silky smooth spy caper where you don’t know who to trust or who to even suspect; you just know that George will figure it out. The only question is whether George’s love for his wife means that he will have to betray his country. The great thing about Black Bag is that you will find out in the end and thoroughly enjoy the mystery all along the way to that end. Black Bag is one of the best spy films of the past ten years, and anyone who loves watching a spy film that isn’t easy to figure out will love this film as much as I did.  My Rating: I Would Pay to See it Again   Black Bag Website  The film is available to stream on Prime Video and rent on most streaming platforms

11).  A Little Prayer  (2023)   R   A Little Prayer is about Bill (David Strathairn) and his wife Venida (Celia Weston), who live and work in Winston-Salem. His son David (Will Pullen) works at Bill’s business and lives out back with his wife Tammy (Jane Levy). Bill is concerned that his son is drinking too much, and then learns that David is having an affair with a co-worker. Can Bill help mend the troubled marriage between David and Tammy? A Little Prayer is anchored by the subtle and moving performances of David Strathairn and Jane Levy. Strathairn as the father who struggles to keep his family together, while Levy as the put-upon wife of David, who puts on a brave and positive face, but inside is being destroyed little by little. Strathaim plays Bill as a man who has made mistakes in the past and is trying his best to make amends by being the peacemaker in the family. Unfortunately, his family keeps falling apart, tearing itself from the inside, and there isn’t much that Bill can do. All Bill can do is what he thinks is best, even if it means that things might get even worse. Levy is moving as the woman who always puts on a show of being happy when we see her in moments alone, where the pain and hurt are evident on her face or in her actions, such as wandering off into the backyard alone or being awake in bed while her drunk husband sleeps it off next to her. A Little Prayer is a film about people who have scars that have never healed. These wounds won’t mend until drastic changes are made, and not everyone is capable of making those changes.  My Rating: Full Price  A Little Prayer Website  The film is available to rent on Apple TV and Amazon Prime

12).  Come See Me in the Good Light  (2025)  TV-MA   Come See Me in the Good Light is a documentary that spends a year following Colorado’s Poet Laureate, Andrea Gibson, and their partner, Megan Falley, during Gibson’s fight against cancer. It’s hard to say that a documentary about someone fighting terminal cancer is uplifting, but this remarkable film is. At the heart of the film is a love story, not only between two people who seemed destined to find each other, but also about loving life. Andrea Gibson is a magical person you just want to be around. That magic is evident when she is on stage performing her poems or when she is alone with Megan, just talking about everything from cancer results to laughing about silly phone messages. Gibson has learned to live every day as if it’s her last, and her life story is one of ups/downs and self-doubt about who Andrea was and her place in the world. Come See Me in the Good Light is a documentary full of passion, love, and tears. Mostly though, it is about how to live a life full of love.  My Rating: I Would Pay to See it Again   Come See Me in the Good Light Website  The film is available in select theaters and to stream on AppleTV

13).  No Other Choice  (2025)  R  In No Other Choice, Man-su (Lee Brung-hun) is doing well as a long-time employee of a paper company, living with his wife and child in a beautiful home. When his company is bought by a competitor, Man-us loses his job and is about to lose his house when he comes up for another job. His only problem is that there are some men who are more qualified than he is for the job. His solution: eliminate them. This is a very dark comedy where every scene is carefully crafted to have an impact, whether immediately or later on in the film. One moment you are laughing about a man who is trying to decide what flower pot to throw down on a person to kill them, and then another moment when you realize that this person is intent on actually killing someone. Lee Brung-hun is masterful at showing such a wide range of emotions, giving us a hero we have to quickly decide whether to root for or want to see fail. Director Park Chan-wook gives a film that shows the desperation of the times, how reason and humanity can go by the wayside just to keep up with what the next household has. The question at the end of the film is, Are you happy with the outcome? It’s a question that Park Chan-wook would love to hear your answer to. My Rating:  I Would Pay to See it Again  No Other Choice Website  The film is playing in select theaters

14).  If I Had Legs I'd Kick You  (2025)  R   If I Had Legs I Kick Youfocuses on Linda (Rose Byrne), who is increasingly troubled by the burden of all that life has dumped on her. Between her sick daughter, a house that is falling apart, a husband who is always away, and a very hostile relationship with her therapist, Linda is barely holding on. At the center of the film is a gutsy and magical performance by Rose Byrne, about a character that you want to root for but can’t always because she keeps pushing the boundaries of common sense, while we wait for her world to finally crash down around her. This isn’t a film for everyone, as Linda keeps putting herself in situations that you think are not only bad ideas but could get her in major trouble. Linda is a woman on the verge of a nervous breakdown with a husband who manages her life from a phone, a daughter who she has to monitor 24 hours a day because of an illness and a therapist who treats her like she isn’t worth his time (kudos to Conan O’Brien for a taking a role that not only isn’t funny but is our right hate-able). Byrne skillfully portrays Linda, a character who, in the hands of less talented actors, could easily become unlikable or a caricature. Instead, she makes Linda someone we want to root for and care about, hoping she receives the help—both physical and emotional—she needs before she collapses under the weight of responsibility, guilt, and motherhood. If I Had Legs I'd Kick You is a fantastic film that combines suspense, black comedy, and heart to tell a story about a woman who is trying to jump through all the hoops and keep in the air all the balls that life has given her but it’s just too much effort to do both simultaneously and Linda in her heart knows it. My Rating: I Would Pay to See it Again  If I Had Legs I'd Kick You Website    The film is available to rent on most streaming platforms
15).   
The Perfect Neighbor  (2025) R  The Perfect Neighbor is a documentary that tells the story of a minor disagreement between neighbors in Florida that escalated to repeated calls to the police and a horrifying, fatal turn that shocked a neighborhood and a nation. This is a film where you are a fly on the wall as this story unfolds because all the footage is from the perspective of the police body cams as they answer calls to the neighborhood. We see the constant buildup to the incident as the sheriff’s department interviews an older woman who is the source of the calls, complaining about the neighborhood kids going onto her property and harassing her. However, this isn’t your normal Fox Cops show; this is a horror film that we see unfold to us over months that lead up to the killing of a mother who was trying to confront a woman who had constantly called the police on both the adults and the children in the neighborhood. What makes this documentary different is that there isn’t a voice-over, only a day and time stamp. We see this sad story play out, knowing that something bad is going to happen, and there isn’t anything that can be done to stop it. It’s a harrowing watch that builds the tension as tempers rise on each call. Unlike the Cop episodes that we all watched on Saturday night, which tended to make instant heroes out of every cop they profiled, in this documentary, the police aren’t vindicated, nor are they at fault. It’s up to you, the viewer, to decide if the incident that happened was justified, brought on by a law, or if it was a criminal act. This is a film that will stick with you for a long time, and some images will haunt me. The Perfect Neighbor is a brilliant piece of filmmaking that is terrifying, moving, and brings about feelings of both anger and frustration. It is a powerful film that will inspire and infuriate.  My Rating: Full Price    The Perfect Neighbor Website  The film is available on the Netflix platform


Honorable Mention:  Hamnet, Predators, 28 Years Later The Long Walk, Sorry, Baby, Put Your Soul in Your Hand and Walk, Deaf President Now!, Warfare, Left-Handed Girl, The Voice of Hind Rajab, Splitsville, 2000 Meters to Andriivka, Twinless,  Cover-Up, The Baltimorons,  Natchez, Secret Mall Apartment

Friday, September 26, 2025

One Battle After Another

My View:  One Battle After Another  (2025) R  In One Battle After Another, a notorious enemy named Steve Lockjaw (Sean Penn) has resurfaced after 16 years, broken into Bob’s (Leonardo DiCaprio) home, and kidnapped his daughter, Willa (Chase Infiniti). Bob, a civil rights activist, must team up with an anti-government group to locate and rescue his daughter from an alt-right white supremacist group. It's not often that a September movie rises to the top of the Oscar ranks, but Paul Thomas Anderson's One Battle After Another manages to do just that. This film combines the laid-back hippiness vibe of The Big Lebowski with the political satire of Dr. Strangelove, while featuring a villain reminiscent of those in '80s and '90s action films—although this character might be the funniest bad guy ever portrayed on screen. One Battle After Another is (I hesitate to tell you this because some of you may want to stay away) the fastest two-hour and forty-minute film you will ever see. The film is a joy to watch and keeps surprising you with both bouts of violence and humor that keep you off-kilter (in a good way), which keeps coming. This is a fast-moving and witty look at America and its political system, but it’s done in such a way that it’s brilliantly executed, and I suspect many won’t realize what hit them until the end. It is going to be fascinating to see if Leo gets an Oscar nod, because it’s such a brilliantly understated performance, one that few actors could do. This is one of those performances that is so expertly crafted that you almost underestimate how good Leo is in the role. Sean Penn is hilarious as the ultra-rigid Colonel, who has a huge flaw (which I won’t reveal) and feels that his place in the history of the world is set in stone. Teyana Taylor as Perfidia is a force of nature as Bob’s partner and the leader of the revolutionary group. Her performance and the essence of her character are brilliantly captured in a scene where she fiercely fires an AK-47 while heavily pregnant. Perfidia is all about the cause, and it consumes her entirely. While she loves Bob, her passion for the revolution takes precedence over everything else. I could go on and on about every performance in this film, but I would be remiss without mentioning how much fun it is to watch Benicio Del Toro as a partner in crime whose character is every bit as cool and laid-back as Leo’s Bob is a bag of nerves. The hero of the story isn’t Bob but his daughter Willa, played with poise and style by Chase Infiniti. Infiniti portrays Willa as a young woman who has had to live with the legacy of a mother who was a radical and a father who has spent most of her years as a paranoid pothead, but has instilled in her a willingness to survive and the guts not to back down. One Battle After Another is a film that puts its foot on the gas from almost the first frame and doesn’t let off until its hilarious and satisfying end. I had a blast watching this film, and it’s not very often that the hype matches the worthiness of a movie. Please see this in a theater with an audience on the largest screen you can find; it will be worth the price of admission. Any film that pays homage to one of my favorite films, Bullitt, is a film that I want to see again as soon as possible. And you will too. My Rating: I Would Pay to See it Again One Battle After Another Website  Now playing in theaters, including IMAX

My View:  Eleanor the Great  (2025)  PG-13   In Eleanor the Great, Eleanor (June Squibb), after a devastating loss of her best friend Bessie, decides to move from Florida to New York City to live with her daughter and grandson. Feeling more alone than she imagined, Eleanor unexpectedly forms a friendship with a 19-year-old journalism student, Nina (Erin Kellyman). Unfortunately, through a misunderstanding, Nina believes Eleanor is a Holocaust survivor, but it’s Bessie’s story, not Eleanor’s. A lot of attention has been given to the fact that this is Scarlett Johansson’s directorial debut, and her direction is the weak link in this film, as it’s very bland and unimpressive. Johansson isn’t helped by a script that creates a character who seems to have no sense of shame or conflict. Luckily, Johansson is saved by an outstanding cast that can do the heavy lifting, making the film, despite its flaws, still enjoyable to watch. June Squibb, a long-time character actor with over 100 IMDB listings, has recently emerged as a leading actress, following her Oscar-nominated role as the feisty, swearing wife of Bruce Dern’s character in Nebraska. Squibb easily commands the screen with a laid-back grandmother approach that isn’t afraid to use her charm to get what she wants. Squibb is helped by an outstanding performance by Erin Kellyman, a student who befriends Eleanor to get her to tell her Holocaust story, and in return gets help from Eleanor dealing with the recent loss of her mother and a father (Chiwetel Ejiofor) who has checked out of parenting. Kellyman gives us just the right person for Eleanor to impart wisdom and support to. Some of the heavy emotional parts of the film are handled by Rita Zohar, who is the real heroine of the film that tells her story of the Holocaust. There are some powerful scenes between Squibb and Zohar that provide the background for why Eleanor wants to tell Bessie’s story. Unfortunately, those scenes are undercut by a script that gives Eleanor no moral compass or foresight, leaving her unaware that what she is doing is wrong. So watch Eleanor the Great for the performances, which more than outshine the plot and its direction.  My Rating: Bargain Matinee Eleanor the Great Website  Now playing in theaters nationwide. 

Indiefest:  The Summer Book  (2024)   The Summer Book tells the story of nine-year-old Sophia (Emily Matthews), who is spending the summer at her family’s seasonal home on a remote island in the Gulf of Finland. It’s the first summer without Sophia’s mother, and it will take the beauty of this special place and the nurturing support of Sophia’s grandmother (Glenn Close) to mend the grief that Sophia and her father (Anders Danielsen Lie) are experiencing. The Summer Book is a film that may be too slow and character-driven for some moviegoers to enjoy. However, if you love beautiful cinematography and leads that know how to fill a space without saying a word, then this film is for you. Glenn Close delivers another masterful performance as the grandmother who helps a lost child find her way back. The Summer Book a film about dealing with grief, finding a way to cope, and navigating the complexities of growing up and growing old. The Summer Book is about a time in a life that will be remembered not for what happened but for how much changed within. My Rating: Full Price  The Summer Book Website Now playing in select theaters. 

Indiefest: All of You  (2024) R  All of You is about Simon (Brett Goldstein) and Laura (Imogen Poots), who are best friends and have always joked about dating each other, but have never pursued a romantic relationship. Simon secretly believes that Laura is his one true love, but things change when Laura takes a test that identifies another man as “her one true love.” Will the two ever end up together after all the years of friendship? There is tremendous chemistry between Goldstein and Poots, and we feel the connection, love, and heat between the two characters every time they are on the screen. The repartee between the two makes the film enjoyable to watch, particularly in the first 30 minutes. However, no matter how much chemistry two stars give to each other, they can’t overcome a script that takes too long for there to be conflict, and then the consequences and the problems they cause seem too easily swept away. It’s a frustrating film that aspires to be a romance, but without ever getting to know the two people, other than the fact that they love each other’s company too much. Despite the strong start to the film, I became frustrated and sometimes bored by a script that prefers to give us slices of life instead of the whole pie.  My Rating: Bargain Matinee All of You Info  In select theaters and on Apple TV+.   

Indiefest:  Adulthood  (2025) R  Adulthood is about adult siblings Megan (Kaya Scodelario) and Noah (Josh Gad) who, when their mother is sick in the hospital, discover a dead body in the basement of their family home. That discovery will send the two down a rabbit hole of crime and murder that they may never recover from. Not harsh enough to be a black comedy and not funny enough to be a farce, Adulthood doesn’t know what it is, and that is the problem. The idea is that when the two siblings try to cover up that their mother may have killed a neighbor, that cover-up gets out of control, and bodies start piling up. However, the film never finds its footing, and what could have been funny is never delivered. Instead, we get two actors who have no chemistry together, and the story starts to bog down almost from the start. Scenes that are meant to shock us aren’t staged very well and lack the punch they need to hit the mark. The film has a lot of wasted space that slows down the story. I kept saying as it was playing, ‘Pick up the pace.’ Sadly, it never did.  My Rating: Cable Adulthood Website  Now playing in select theaters and available on Digital. 
Indiefest:  
Dead of Winter  (2025)  R  Dead of Winter is set in northern Minnesota, where Barb (Emma Thompson) is fulfilling a last wish of spreading the ashes of her late husband on an isolated lake in the middle of nowhere. While there, she witnesses the kidnapping of a teenage girl (Laurel Marsden) and realizes, with no phone service and too far to get help, she is the girl’s only hope. I have always loved Emma Thompson, and once again, she delivers a remarkable performance as a character that is right out of a particular Coen Brothers movie, also set in Minnesota. Channeling a bit of Bruce Willis or Liam Neeson, Thompson portrays a grieving widow who has to outsmart and outfight a husband-and-wife team (Marc Menchaca and Judy Greer) who, for some nefarious reason, have kidnapped a young woman. I had a great time watching Thompson clop around in the snow in oversized winter overalls, muttering things like ‘oomph’ and ‘geez’ while doing some clever tricks that would make MacGyver proud. Although the film is set in northern Minnesota, it but actually filmed in Finland. Take a sweater to the theater, because I was cold just watching the characters as they dealt with the ice and snow. Dead of Winter is an entertaining thriller with an unconventional hero that you can root for from the start, and hate the bad guys as soon as they appear on the screen. Afterall, who doesn’t want to see Judy Greer and Emma Thompson fight in the snow, wrestling over a rifle? Just don’t mess with Barb, don’t cha know.  My Rating: Full Price  Dead of Winter Website  Now playing in theaters 

Forgotten Film:   The Hot Rock (1972) PG Robert Redford plays Dortmunder, a convicted thief who, upon his release from prison, is convinced by his brother-in-law (George Segal) to go on one last big score and steal a precious diamond from a museum. They hire a crew to do the job and plan an elaborate scheme to make the diamond heist. However, things don’t go as planned and become very complicated very quickly. The Hot Rock is a hilarious film with lots of twists and turns that have hilarious results, and Redford is perfect as the thief who, as things get more complicated, masterminds a break into not one, but two prisons.  My Rating: Full Price (Reprinted from March 2012 to honor the late Robert Redford). The Hot Rock Info Available to rent/buy on Amazon.

Weird Credits:  From the credits of One Battle After Another:  Dishwasher

Coming Soon to a Screen Near You:  Anemone  (2025) R   Anemone centers on a man (Sean Bean) who ventures into the isolated woodlands of Northern England to find his estranged brother (Daniel Day-Lewis). They haven’t seen each other in 20 years, and the brother has been living alone in the forest. As they reconnect, they will confront the personal and political traumas that have long been buried between them. This is Daniel Day-Lewis’s return to acting after announcing his retirement in 2017. Anemone Website  In limited release on Friday, October 3, 2025, and wide release on Friday, October 10, 2025.

Until Next Time!




Friday, September 19, 2025

A Big Bold Beautiful Journey


My View:  A Big Bold Beautiful Journey  (2025)  R    In A Big Bold Beautiful Journey, David (Colin Farrell) is on a road trip to a wedding when he meets Sarah (Margot Robbie). He convinces her to go on an adventure guided by his GPS. Along the way, the two will discover a magical doorway that allows them revisit the past and explore places and times they thought they knew. I was disappointed in this film, especially after having high hopes for it based on the trailer and the strong cast. While I appreciated watching Farrell and Robbie as they revisited significant points in their lives—both are very attractive and talented actors—I found the overall experience lacking. As a romantic film, A Big Bold Beautiful Journey failed to evoke the warmth and enjoyment that one expects from a story that is supposed to be about finding that one person who you can be comfortable with, willing to spend your life with them. The film loses its way early on and never recovers, with banter between the two characters feeling almost painful to watch. I quickly became bored with their journey, as they repeatedly insisted that they weren’t meant to be together, even though it was clear to me that they would end up as a couple Their big realization moments didn’t hit the mark, and the twists and turns that happened felt unreal and lacked the big emotional moments that we needed to believe that the two were meant for each other. It’s too bad because somewhere in the bones of the script, there is a film that would have worked. Unfortunately, this one just didn’t.  My Rating: Cable  A Big Bold Beautiful Journey Website    Now playing in theaters. 
My View:  Him  (2025)  R  Him is about a young up-and-coming football star, Cameron (Tyriqu Withers), who has been invited by his idol, legendary quarterback Isaiah White (Marlon Wayans), to train at Isaiah’s isolated compound. It’s a blood-chilling journey that will push Cameron to his limits and beyond to pursue excellence at any cost. IMDB classifies Him as a horror film, and if that is the case, then this movie is, using some football terms, a fumble, an incomplete pass and way offsides. Heck, it might even deserve holding and a personal foul. I was bored by the 20-minute mark and kept looking at my watch to see when this film would end. There are no genuine scares to be found, and Cameron is an idiot. He’s trying to become a number one draft pick, yet allows some shady trainer that he doesn’t know to keep injecting him with god knows what. It never occurs to Cameron that those injections could not only jeopardize his draft status, but he might be kicked out of the league. I kept thinking as I watched Him, that the writers didn’t know much about football and even less about horror films. I felt Marlon Wayans went way over the top with Isaiah’s antics (and there are a lot), and the violence was often done to try to shock us, with little effect. The ending, which took too long to develop, was idiotic and unsatisfying. So, I’m throwing a flag on the play and calling an audible for you to see anything else. My Rating: You Would Have to Pay Me to See it Again Him Website  Now playing in theaters. 

Indiefest:  Happyend  (2024)    Happyend takes place in Tokyo in the near future, where the threat of a catastrophic quake hangs over the heads of its residents. High school students Yuta (Hayato Kurihara) and Kou (Yukito Hidaka) pull a prank on their principal. The prank leads to far-reaching consequences, and the two best friends react to these outcomes in vastly different ways. Happyend is a story of friendship set in a world where things could go wrong very quickly and often do. The two friends’ world becomes increasingly under the control of the school and the government, and we see how they react to the rules and the constant surveillance of their lives. The tension between the two friends grows larger as they attempt to deal with the situation. One takes things seriously, and the other deals with the surveillance and lack of freedom with humor. Despite addressing serious subjects, Happyend incorporates plenty of humor, and it’s fun to follow the two guys as they try to handle what the world is throwing at them.  My Rating: Full Price  Happyend Website  Now playing in select theaters. 

Indiefest:  The History of Sound  (2025)  R   The History of Sound is about two young men, Lionel (Paul Mescal) and David (Josh O’Connor), who bond over the love of music right before WWI. They will meet again and explore their love of music and each other before going back out into the world. I enjoyed the first third of this film, as we get to know the two men who fall in love and are then separated by the war. Lionel goes back to the family farm, and David has been drafted. When David returns from the war, they meet up again and have a wonderful time going around the countryside recording folk music. When their time recording is over, the two men go their separate ways, something that Lionel will always regret. I struggled with the latter part of the film, primarily due to Lionel’s treatment of his later romantic partners. He tends to abandon them, much like he did with his own family. For instance, he leaves his mother to pursue his musical journey with David after his father’s death, which I found difficult to accept. The story also suffers as we watch Lionel go from job to job, as well as from lover to lover, without caring about who he hurts. I would have loved the film to be tighter in the second half; even cutting the last five minutes of the film would have made the ending much more touching and compelling. Mescal and O’Connor both do an outstanding job of making us believe and care about their relationship. Adding to the enjoyment of the film is the wonderful folk music that keeps filling the soundtrack and lets us understand why those songs were created and sung. Overall, I felt that this film would have worked better if the script had just stuck with the men during their college and music-finding years, letting the film and the experience end as the two say goodbye. My Rating: Bargain Matinee  The History of Sound Website    Now playing in theaters. 

Forgotten Film:  Ondine  (2009) PG-13  Syracuse (Colin Farrell) is an Irish fisherman who quit drinking for the sake of his sick daughter. Meanwhile, his ex-wife is still drinking. Day after day, he comes back from fishing with empty nets. Then one day, his net is full, but it’s filled with a beautiful woman, Ondine (Alicja Bachleda). Syracuse’s daughter, Annie (Alison Bary), is convinced that Ondine is a selkie, a magical creature that can shapeshift between seal and human. Even Syracuse begins to realize that maybe his daughter is right and finds that he is falling for Ondine. While not a traditional fairy tale, this is an enchanting movie that keeps you guessing and wondering if there will be a happy ending. Colin Farrell delivers a brilliant performance, and the chemistry between Farrell and Alicja Bachleda creates sparks on the screen.   My Rating: Full Price  Ondine Info  Available to rent/buy on Amazon and some streaming services. 

Weird Credits:  From the credits of A Big Bold Beautiful Journey:  Spray Tan Artist

Coming Soon to a Screen Near You: One Battle After Another  (2025) R  In One Battle After Another, a notorious enemy named Steve Lockjaw (Sean Penn) has resurfaced after 16 years, broken into Bob’s (Leonardo DiCaprio) home, and kidnapped his daughter (Chase Infiniti). Bob, a civil rights activist, must team up with an anti-government group to locate and rescue his daughter from an alt-right white supremacist group. The film is by Paul Thomas Anderson (Phantom Thread, Licorice Pizza) and is creating a lot of Oscar buzz.  One Battle After Another Website  The film opens in theaters on Friday, September 26, 2025. 


Until Next Time!






Clicky