Showing posts with label Dakota Johnson. Show all posts
Showing posts with label Dakota Johnson. Show all posts

Friday, September 5, 2025

The Conjuring: Last Rites

My View: The Conjuring: Last Rites  (2025) R  The Conjuring: Last Rites is about Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga), who, as renowned paranormal investigators, have taken on many a dangerous case. This time, they are confronting a demon they met before, and it may be the last case the Warrens ever take. I thought the first two films of the series were fun and scary rides, providing well-done horror that created a lot of tension throughout their stories. Unfortunately, I can’t say the same for this (hopefully) final installment in the Warrens’ story of battling paranormal beings. The film is incredibly long and has far too much exposition, which hinders the story’s momentum, causes it to drag at a snail’s pace. There are many hints to our favorite scary doll named Annabelle, but it’s main focus is on a demon inside a mirror that gets pissed at the Warrens and vows revenge. I’m not sure demons hold grudges or vow revenge. Still, this one seems to be focused on the Warrens, especially on their daughter, Judy (Mia Tomlinson). This connection becomes evident almost immediately, yet Ed and Lorraine appear oblivious to it throughout the film. It seems that too many demon fights have slowed down the Warrens, and besides, in this film, they have retired because Ed is going to have another heart attack any minute. The scares are few and far between, overshadowed by family drama involving both the Warrens and the enormous family where that the mirror has taken up residence in. I got so annoyed by this large family with the kids running around everywhere that I was hoping something, anything, would happen to make them move out (which didn’t happen). The Conjuring: Last Rites is a lame, slow end to a horror series that started so promising. Maybe now, in real life, that comedian has bought the Warren’s collection, including the Annabelle doll, the scares can begin for real, because they weren’t in this film.  My Rating: Cable  The Conjuring: Last Rites Website  Now playing in theaters nationwide.

Indiefest:  Splitsville  (2025)   R  In Splitsville, Carey (Kyle Marvin) and his wife, Ashley (Adria Arjona), are not doing well, and Ashley tells Carey that she has been sleeping around and wants a divorce. Carey freaks out and runs to the house of his friend Paul (Michael Angelo Covino) and his wife Julie (Dakota Johnson). He tells them the news and discovers that Paul and Julie have an open marriage. Things are about to get either very interesting or very disturbing. If you liked the 2019 film The Climb (from the same team of Marvin and Covino), you going to love this film. I am a big fan of The Climb, about two friends where one keeps sleeping with the other’s girlfriends with very funny results. Splitsville is a full-out farce about love, relationships between both lovers and friends. There are a couple of absolutely hilarious fights, one of which, much to our delight, restarts just when you think it's over. Marvin and Covino have incredible chemistry together, and their interplay is so much fun to watch, as they joust over who is sleeping with whom. Adria Arjona’s character is the catalyst of the film, but she gets lost a bit as the focus shifts to the two guys and Dakota Johnson’s character. The star of the film is Johnson, who perfectly plays the serene Julie, who does a magnificent job of playing the object of the guys’ desire but gives both of them a lot of side-eye to their shenanigans. It’s a performance that could have been overplayed easily, but Johnson shows perfect restraint. So, see Splitsville and see who gets to end up with whom and why. It may surprise you.  My Rating: I Would Pay to See it Again  Splitsville Website  Now playing in theaters.

Indiefest:  Twinless  (2025) R   Twinless is about two men, Roman (Dylan O’Brien) and Dennis (James Sweeney), who meet in a twin support group for siblings who’ve lost their twin. Together, they forge a unique friendship that fills a void in their lives, becoming inseparable in the process. However, everything begins to change when Roman meets Marcie (Aisling Franciosi), and the situation reveals itself to be more complicated than it initially appears. I enjoyed this film because it does an excellent job of combining topics of loss, grief, and guilt with lots of comedic and heartwarming moments. Twinless is a story of two lost souls that find friendship through loss, proving that opposites attract. What makes this film intriguing and dark is that it features a couple of twists that are both shocking and unexpected. James Sweeney as the shy Dennis and Dylan O’Brien as the hothead Roman make us believe that these two very different characters could become close as their friendship fills a void that both have. Aisling Franciosi is delightful as Marcie, who goes from being a work-friend of Dennis’s to a possible love interest of Roman, much to the dismay of Dennis. Twinless is a film that continually surprises you as you get immersed in their world as two individuals search for comfort and possibly more from each other.  My Rating: Full Price  Twinless Website   Now playing in theaters. 

Indiefest:  The Threesome  (2025)   R   The Threesome follows Connor (Jonah Hauer-King), who on one unbelievable night, ends up sleeping with not only the girl of his dreams, Olivia (Zoey Deutch), but also a new woman he just met, Jenny (Ruby Cruz). The only problem is that both women end up pregnant, and Connor doesn’t have a clue how to handle this situation. For those of you expecting a typical “follow the rules” rom-com, you will be surprised-- hopefully in a good way. I loved the dynamic between Connor and Olivia, which is fun, snappy, and touching. However, I will admit that Zoey Deutch does most of the heavy lifting in this film. Deutch perfectly embodies the fiery, quick-witted, and strong-willed character who doesn't always follow the rules or her heart. I thought Ruby Cruz, as the quieter yet also humerous Jenny, was fantastic in the role, able to play off of Deutch’s persona with ease. Jonah Hauer-King is a bit of a charmer, but there were times when I felt he was a bit of a weak link. The storyline is inventive and has some great twists and turns to keep you guessing about how everything and everyone is going to end up. Overall, The Threesome is a delightful take on the rom-com genre, making it an enjoyable watch.  My Rating: Bargain Matinee The Threesome Website  Now playing in theaters

Indiefest:  A Little Prayer  (2023)   R   A Little Prayer is about Bill (David Strathairn) and his wife Venida (Celia Weston), who live and work in Winston-Salem. His son David (Will Pullen) works at Bill’s business and lives out back with his wife Tammy (Jane Levy). Bill is concerned that his son is drinking too much, and then learns that David is having an affair with a co-worker. Can Bill help mend the troubled marriage between David and Tammy? A Little Prayer is anchored by the subtle and moving performances of David Strathairn and Jane Levy. Strathairn as the father who struggles to keep his family together, while Levy as the put-upon wife of David, who puts on a brave and positive face, but inside is being destroyed little by little. Strathaim plays Bill as a man who has made mistakes in the past and is trying his best to make amends by being the peacemaker in the family. Unfortunately, his family keeps falling apart, tearing itself from the inside, and there isn’t much that Bill can do. All Bill can do is what he thinks is best, even if it means that things might get even worse. Levy is moving as the woman who always puts on a show of being happy when we see her in moments alone, where the pain and hurt are evident on her face or in her actions, such as wandering off into the backyard alone or being awake in bed while her drunk husband sleeps it off next to her. A Little Prayer is a film about people who have scars that have never healed. These wounds won’t mend until drastic changes are made, and not everyone is capable of making those changes.  My Rating: Full Price  A Little Prayer Website  Now playing in theaters

Indiefest:  Lurker  (2025)  R   Lurker starts when, while working in a retail store, Mathew (Théodore Pellerin) meets Oliver (Archie Madekwe), an up-and-coming pop star. To Mathew’s surprise, he becomes part of Oliver’s inner circle. However, this newfound access may come at a significant price—one that could be a matter of life and death. I had trouble with this film from the start because I never found myself liking or rooting for Matthew. Furthermore, I felt Oliver was a pompous ass from the get-go, as well. The film doesn’t quite know what it wants to be: a moody drama, a tense melodrama, or a suspense film. There is, of course, the subplot that addresses fame and how yes-men and women surround someone in Oliver’s position, and how to fit in; Mathew has to become one of them. However, I had a hard time believing how easily an awkward kid like Mathew made it into the inner circle and became Oliver’s personal documentary filmmaker. I wasn’t engaged in the story, and how it ends seemed too easy to come up with to try to shock us. And by the way, Mathew’s camera work is horrible: I can’t imagine sitting through an entire documentary created by him. It would be nauseating, unlike this film, which was just dull and unbelievable.  My Rating: Cable  Lurker Website Now playing in theaters

Forgotten Film:  The Pumpkin Eater (1964) Jo (Ann Bancroft) is a mother of five who left her 2nd husband, Giles (Richard Johnson), to marry a dashing screenwriter, Jake (Peter Finch), bringing her five children with her. At first, their marriage seems wonderful, but soon Jo feels abandoned as she is left to do the housework and raise the children alone. Things fall apart when Jo finds out that Jake is having multiple affairs and their marriage begins to unravel before her eyes. The screenplay is by Nobel Prize winner Harold Pinter and directed by Jack Clayton, who was nominated for an Academy Award for the 1959 film Room at the Top. The Pumpkin Eater was made during a time when adult audiences were accustomed to stories featuring characters in their 30s and 40s, unlike today's emphasis on teens and young adults. Forget the horrible title of the film and some of the outdate 1960s settings, and marvel at how good an actress Ann Bancroft is. She won her second Academy Award for this role, delivering a moving and brilliant performance. There is a literal knock-down, drag-out fight between Bancroft and Finch that is hard to watch; it is so realistic. The Pumpkin Eater is a film about a woman who is struggling to find happiness, faced with the choice of settling for less or moving on once again.    My Rating: Full Price  The Pumpkin Eater Info  The film is available on Tubi and Amazon Prime

Weird Credits:  From the credits of The Conjuring: Last Rites:  Costume Cutter

Coming Soon to a Screen Near You:  Downton Abbey: The Grand Finale  (2025)  PG  In Downton Abbey: The Grand Finale, the household is on the brink of social disgrace with Mary (Michelle Dockery) in the middle of a very public divorce and the family facing financial ruin. The Crawleys will have to embrace change if Downton Abbey is to survive. This is the third and final film of the series. There will be a small tribute in the film to the late Maggie Smith.  Downton Abbey: The Grand Finale Website  In theaters on Friday, September 12, 2025.

Until Next Time!




Friday, June 7, 2024

The Watchers

My View: The Watchers  (2024)  PG-13  Mina’s (Dakota Fanning) car breaks down while she is traveling on a forest road in Ireland. Taking off on foot, she suddenly sees a woman yelling at her to run to a concrete bunker. Mina makes it before the bunker’s door closes, and she finds herself in another world where creatures observe their captive humans and terrible things happen when people don’t reach the bunker in time. The Watchers is Ishana Shyamalan’s directorial debut. The daughter of M. Night Shyamalan (The Sixth Sense, Signs) shows that she has an eye for creating some cool horror scenes, but like her father, her film falters as it writes itself into corners it can’t get out of. The movie starts out with great promise, with a lead character, Mina, who isn’t going to go down without a fight. The problem (among many with this film) is that it sets up a series of rules that the humans are not supposed to break and then go about breaking them at every turn. Not giving anything away, but I figured out just about everything that was supposed to be a mystery about ten minutes into the film, with the rest of the mysteries hitting me over the head as the story went along. The Watchers ends with a whimper and never answers a ton of questions that would typically come up. It looks like the daughter is following right in her father’s footsteps.    My Rating: Cable  The Watchers Website  Now playing in theaters.

My ViewBad Boys: Ride or Die  (2024)  R  In Bad Boys: Ride or Die, the bad boys (Will Smith and Martin Lawrence) are back and in trouble. The late Captain Conrad Howard is being accused of being on the take with the Romanian Mafia. The guys set out to exonerate the late captain but get set up themselves, and now, as fugitives, they will have to work outside the law to solve the case. I am not a huge fan of this series. I like the first film and somewhat enjoy the relationship between Mike and Marcus, with Marcus, played by Martin Lawrence, being the comic relief of the two. The two stars work well together on screen, and there are some funny moments (and one great one which I won’t give away), but I tired of Lawrence’s performance rather quickly, as Marcus has a near-death experience and feels that he can’t die, all the while pushing that fact to no end. The storyline is weak (no reason is given why the mean, big bad guy starts the whole mess into action), but the action sequences are imaginative, and there are some great set pieces that are both funny and thrilling. Directors Arbi and Fallah do some brilliant things with the camera during the shootouts that put you right into the action. Overall, I had more fun than I thought I would. I wish Lawrence would dial it down to about an 8 instead of a 15.  My Rating: Bargain Matinee  Bad Boys: Ride or Die Website  Now playing in theaters. 

My View Am I OK?  (2022)  R  Lucy (Dakota Johnson) and Jane (Sonoya Mizuno) are lifelong friends, even though Lucy is a mess. Jane is in a stable relationship with her boyfriend, and the dates with the guy Lucy is interested in always end with a hearty handshake. Things change when Jane announces she is moving to London, leading Lucy to reveal a secret about herself. Lucy just might be gay. I loved this film and Dakota Johnson’s performance. Am I OK? is a sweet, funny, and at times moving look at someone, realizing that they may haven’t been true to themselves. This is a film about friendship and how we need friends to help us find our path. The chemistry between Johnson and Mizuno is better than some of the recent rom-coms out there, making their friendship enjoyable to watch and all that more believable. Lucy is a person who needs someone to push her past her comfort zone, and Jane is that person who does it out of love. Am I OK? is a rom-com, not about two people falling in love but about two people whose friendship will get them through anything, even if it’s life-changing. My Rating: Full Price  Am I OK? Website   Now on the Max platform. 

My ViewHow to Rob a Bank  (2024)  In the documentary How to Rob a Bank, a bank robber, Scott Scurlock, nicknamed Hollywood, was the most prolific bank robber in the 1990s. His robberies were straight out of the movies, and he was taking a ton of money out of the banks with the FBI not having a clue who he was or how he was doing it. However, everything must end, and it all comes crashing down in one spectacular final heist. Ever wonder what makes a person become a bank robber? Right out of a Hollywood film (Scurlock was inspired by the 1991 film Point Break), this documentary has all the thrills of some of the best that movies have put out. With interviews with the people who helped Scott rob banks and the FBI agents who were trying (for years) to catch him, you get an inside look at how Scott was so successful in doing something that most people who attempt it fail. Scott was a person who was probably too smart for his own good, and combined that with someone who was an adrenaline junky; it made a perfect combination for a person who outsmarted the FBI and might have gotten away with it if he hadn’t tried for too big of a haul that caused his downfall. The documentary tells a story about a man who, if you saw it in a fictional film, you would think, this isn’t possible, but it was. How to Rob a Bank does a fantastic job of telling the story of a man who lived a life his way, for a while.  My Rating: Full Price  How to Rob a Bank Website  Now playing on the Netflix platform.

Forgotten FilmGirl 27  (2007)  Documentary about a chorus girl named Patricia Douglas, who in 1937 was raped at an MGM promotional event. The studio had tricked her and 100 other women (many underage) into attending a party on an isolated Hollywood studio ranch. Although the attack and trial received newspaper headlines in the day, the case was covered up by MGM, the police, and the LA D.A.. 70 years later, filmmaker David Stenn came across the story while researching a book on Jean Harlow. Girl 27 is a fascinating look at how much power the studios had in Hollywood and how they could make almost anything disappear, all to protect their product. The film uses interviews, archival footage (including footage of the man who attacked Patricia), and newspaper clippings to piece together what happened and why. Girl 27 is a ‘Me Too’ story before the movement started, but it shows that not a lot has changed in 70 years.   My Rating: Full Price  Girl 27 film website  Now available on YouTube. 

Weird Credits:  From the credits of Bad Boys: Ride or Die:  Helicopter Mockup Provided By

Coming Soon to a Screen Near You: MaXXXine  (2024)  R  In 1980s Hollywood, adult film star and aspiring actress Maxine Minx (Mia Goth) is about to get the big break she has been dreaming about. However, there is a mysterious killer stalking the streets of Tinseltown, and Maxine’s bloody past may be catching up to her. This is the third of filmmaker Ti West’s X trilogy, after X (2022) and Pearl (2023), all starring Mia Goth.  Maxxxine Website  The film will be released on Friday, July 5th.

Until Next Time!




Wednesday, February 14, 2024

Madame Web

My View: Madame Web (2024) PG-13  Cassandra Webb (Dakota Johnson) is a NYC paramedic who develops clairvoyant powers and repeatedly crosses paths with three young women (Sydney Sweeney, Isabela Merced, and Celeste O’Connor). Cassandra realizes these women must be protected at all costs because they are destined to become superheroes. I have become a fan of Dakota Johnson, who has overcome the albatross of those icky Fifty Shades films. Unfortunately, Dakota looks like she has no idea what this film is about, and I understand that because, after seeing it, I’m not sure either. Madame Web is one of the most poorly written films I have witnessed in my 13 years as a film critic. Add to that fact that the studio went the absolutely cheapest route on special effects and gives us a film about spidermen (and ultimately spider-women) without including the man himself. The dialogue is horrible, and the studio thinks Tahra Rahim, who plays the bad guy, can’t speak English. They have ADR’ed his lines so badly that I’ve seen better dubbing in those 1960s Hercules films made in Italy than this one. By the way, the bad guy has had a long time to come up with a plan to kill the three teen girls, but I guess he spent most of his time playing with his spider because it’s a pretty crappy plan. Add all this, and we have three teen characters that are so annoying that we almost want them to die. I didn’t recognize Sydney Sweeney for nearly half the film because she is wearing a wig that looks like it was borrowed from a community theatre that puts on a yearly Christmas play. The editing is incredibly jumpy, so much so that I would have to see the film three or four times before I could tell you what actually happens in the final action sequence. Those hoping, like I was, that we would see Dakota Johnson doing some superhero things will be disappointed, as she mostly does a lot of running, driving, and complaining about how the three girls aren’t taking things seriously. I hope Emma Roberts and Adam Scott enjoyed their two days on the set and got paid big bucks, but we barely see either of them do anything on the screen but be filler for the too-long run time. I don’t think we will see Madame Web and her Spider-girls anytime soon, and I don’t think the studio believes that either, since it’s one of the few Marvel films without a post-credit scene. My Rating: You Would Have to Pay Me to See it Again  Madame Web Website   Now playing in theatres nationwide.

My View: Bob Marley: One Love (2024) PG-13  The story of how reggae icon Bob Marley (Kingsley Ben-Adir) overcame adversity and an assassination attempt to become a beacon for peace in his country and the world. Kingsley Ben-Adir does a wonderful job portraying Bob Marley, perfectly capturing a man who was a force both on the music stage and in person. Disappointingly, Ben-Air is let down by a script that continually falls back on Marley’s music as a crutch when they get stuck with the storyline. When I saw the trailer, I thought the film was primarily about Marley’s return to Jamaica to bring peace and unity to a country that had known so much bloodshed. Unfortunately, the film isn’t really about that. It’s a meandering story about Marley leaving Jamaica for London to record a legendary album. The film should have been more about the relationship between Marley and his wife, Rita (played by the brilliant Lashana Lynch), who put up with Marley and his relationships with other women. We get to see a little of this, but Rita is more than just another bit player in the life of Marley. This isn’t surprising as the Marley family, mainly his son Ziggy, played a big part in producing the film. So, if you love his music, buy the soundtrack, but if you want to know about his life, watch the 2012 Kevin Macdonald documentary Marley, which will give you a better experience of seeing and enjoying the man, the myth, and the music legend Bob Marley.   My Rating: Bargain Matinee  Bob Marley: One Love Website  Now playing in theaters.

My View: Players (2024)  New York sportswriter Mack (Gina Rodriguez) has spent years developing special and successful hook-up ‘plays’ with her best friend Adam (Damon Wayans Jr.) and their crew. Mack sets her sights on the Big Apple’s most eligible bachelor, war correspondent Nick (Tom Ellis). Mack may have to rethink the ‘game’ entirely when she begins to fall for Nick. I enjoyed this rom-com because of Gina Rodriguez, who has a blast as Mack, a woman tired of playing the field and ready to find true love, not just someone to trick into having a one-night stand. Rodriguez is believable as a sportswriter, specializing in finding human interest stories in strange sports like boxing/chess matches (it is just like it sounds) and has fun with the role. The little gang she runs with is fun, and there is some good chemistry interplay with the group, who each use a play from their vast playbook to seduce both men and women. However, Mack is tired of the game and wants to find someone to share her life with. Mack thinks she has found her man in Nick, played nicely by Tom Ellis. I won’t tell you exactly what happens, but let’s say that, like many rom-coms, love is closer than Mack thinks. Players isn’t a great rom-com, but because of the charisma of Gina Rodriquez, it will satisfy your need for a bit of fun and romance with, spoiler alert, a happy ending.   My Rating: Bargain Matinee  Players Website  Now playing on the Netflix platform.

Indiefest: God & Country (2024) PG-13   Documentary that examines the history of Christian nationalism and its rise in the political landscape. God & Country is a film about how the separation of Church and State is getting less and less and how the rise of Christian nationalism has grown over the past 30 years. The insights that the film gives are based on a lot of the people who study religion, and the commentators not only give out information and historical facts but also give their own experiences with Christian churches and the rise of nationalism from the inside. This film is a terrifying depiction of how close we were to complete chaos on Jan. 6th and that if we're not careful, it could happen again and succeed. Using footage from Christian broadcasts, webcasts, and church sermons, we see how, through the years, nationalism has taken hold in so many churches and how it’s used for political power and fundraising. God & Country is a chilling examination of what our country might become, and it's as terrifying as any horror film that Hollywood has produced.  My Rating: Full Price  God & Country Website   Now playing in theaters.

Indiefest: The Space Race (2023)   Documentary on the experiences of the first Black astronauts, telling the story of breaking barriers and the burden they carried. As a kid who grew up in the 60s, I was a space nut. I watched every launch, and I can tell you where I was when significant events like the landing on the moon or the Challenger explosion happened. So, I know a lot about NASA and its astronauts. Or so I thought. I had no idea about Ed Dwight Jr., an astronaut candidate who was part of John F. Kennedy’s push in the space race and whose candidacy ended with Kennedy’s assassination. Or the story of Robert Lawrence Jr., an astronaut candidate who probably would have been another one who would have broken the barrier in the 60s but died in a test pilot crash. The film gives the men and women who blazed the trail the chance to share their stories in their own voices. It’s a fantastic story of overcoming obstacles that took too long to change. The Space Race allows us to learn about a group of men who were trailblazers and let their stories be told.   My Rating: Full Price  The Space Race Website   The review will be up on Friday, Feb. 16th.

Forgotten Film: Lourdes (2009)   Christine (Sylvie Testud) is a wheelchair-bound woman who has had a dream where she talks to the Virgin Mary and can walk. So she goes to Lourdes, the famous place where the water has performed miracles, hoping that something will happen. Sometimes, the journey is more important than the place you are going to. Lourdes is a film that doesn’t ask you to believe; in fact, many of the people you meet in the movie don’t believe at all. However, it’s also about those same people who are trying to live their lives the best they can. Sylvie Testud is marvelous in the role of Christine, a woman not necessarily looking for a miracle, but looking for love and kindness.   My Rating: Full Price  Lourdes Info The film is available on Disc from Amazon.

Weird Credits: From the credits of Bob Marley: One Love: Desk Operator

Coming Soon to a Screen Near You: Dune: Part Two (2024) PG-13 Paul Atreides (Timothée Chalamet) has found love in Chani (Zendaya) and has the Fremen on his side in getting revenge against the conspirators who murdered his family. Paul may have to choose between love and the universe’s fate as he endeavors to prevent a horrible future only he can foresee. The first film did an excellent job of setting up what will happen in the second film, and we all can’t wait to see it.  Dune: Part Two Website The film will be released on March 1, 2024.

Until Next Time!




Friday, January 12, 2024

Mean Girls

My View: Mean Girls (2024) PG-13   New student Cady (Angourie Rice) has it made! An elite group of popular girls called ‘The Plastics’ has welcomed her into the top of the social situation at her school. The Plastics are ruled by conniving queen bee Regina (Reneé Rapp), and she isn’t someone you want to cross. However, Cady makes a major mistake by falling for Regina’s ex-boyfriend Aaron (Christopher Briney), and now she finds herself in Regina’s crosshairs. Can Cady survive the wrath of The Plastics and High School? This film suffers from what I call ‘The Broadway Bloat,’ when a musical has too many songs, some of which do absolutely nothing to progress the plot or give character insight. A good example is ‘Sexy,’ which Avantika sings at a Halloween party. It’s just a waste of screen time. The film also does a horrible job of making Renee Rapp stand out. Rapp played Regina in the 2nd year of the Broadway run, and I can see how she would dominate the stage with her presence, but with her two best songs, Someone Gets Hurt and World Burn, Rapp is second to the attempt to make the film look like a TikTok video. Having recently watched the 2004 film, I was stuck on what Tina Fey cut out of the film, including some fun jokes and funny sequences from the original. A perfect example of how badly shot the film is when Cady’s two best friends are watching a horror movie (one of the Friday the 13th films) on Halloween, when Cady, dressed as a zombie bride, walks in on the two. In the original film, Cady’s sudden appearance in the doorway scares them, right out of a horror movie. It’s a funny moment. In this version, the shot is so poorly done that it seems the film, not Cady’s sudden appearance scares the two. I also didn’t like the change of songs that the Plastics sing at the Winter Talent show. I loved in the original film how Cady saves the day by singing Jingle Bell Rock when the music starts skipping because of Gretchen’s stumble, which makes Cady the center of the spotlight and the hero. The song is different in the musical and the impact of what happens misses the mark on elevating Cady in the eyes of the audience. I will say the casting of Jenna Fisher as Cady’s mother was a brilliant move, as Angourie Rice looks and acts so much like Fisher that it’s uncanny. Overall, I came away from the film wanting more. I wanted it to be funnier, the songs to stand out more, and I wanted to go away from the film humming a song or two.   My Rating: Bargain Matinee  Mean Girls Website Now playing in theatres nationwide.

My View: The BeeKeeper (2024) R   Clay’s (Jason Statham) world is rocked when his neighbor (Phylicia Rashad) is scammed by a phishing operation, which causes her financial ruin, and she takes her own life. Clay is about to get revenge for his neighbor because they don’t know who they messed with. Clay is a former operative of a powerful and clandestine organization known as ‘Beekeepers.’ I saw three action films this week, and this is the only one that I had fun watching. It’s got all you want from a Statham film. Jason beats up and kills a bunch of bad guys, sometimes in very imaginative ways. Check! Jason is on the side of right vs wrong and he doesn’t care who he is taking on to get retribution. Check! Jason says a few lines commenting on how the over-confident bad guy will die. Check! Things blow up bigger than they should, and maybe even if they shouldn’t. Check! The Beekeeper is what I call a ‘stupid fun’ movie. It knows what it is and has fun with it. Statham, who has made an excellent living doing this kind of part, does his Statham thing and is serious throughout, even in the touching moments (there is one early on to show he has a heart). For a few minutes, I didn’t recognize Josh Hutcherson, who plays the main bad guy as the troubled son of a wealthy person. He is ok in the role, but to make up for that, we have Jeremy Irons chewing up scenery only like Jeremy can, as the bad guy’s head of security slash trouble fixer. Spoiler alert: if this is the box office, I think it will do; I can see this being a Statham series where he rights further wrongs for the weak and defenseless. How about The Beekeeper II: The Sting is back!?   My Rating: Bargain Matinee  The Beekeeper Website  Now playing in theatres nationwide.

My View: The Book of Clarence (2023) PG-13  Clarence (LaKeith Stanfield) is a hustler whose days may be numbered because he owes money to a local mobster. A mobster who happens to have a sister that Clarence is in love with. Clarence notices his brother is doing well following a local Messiah named Jesus. Clarence claims he is also a Messiah, but soon discovers that life becomes very complicated when dealing with things like God. Like his western film, The Harder They Fall (2021), where he played off the Hollywood westerns of the 40s and 50s, filmmaker Jeymes Samuel takes on the classic Hollywood religious spectacles and gives it his unique spin. The result is a film that is engaging and sometimes hilarious but doesn’t always succeed in what Samuel is trying to do. LaKeith Stanfield is brilliant as Clarence, who is madly in love with local mobster Jedediah’s sister (played by Anna Diop). Clarence owes a lot of money to Jedediah (Eric Kofi-Abrefa) and spends most of his time early on in the film trying to find a way to raise the money while dodging Jedediah and his henchmen. There are some shout-outs to the classic religious films, including a rousing chariot race and a couple of scenes reminiscent of Jesus Christ Superstar. The film explores Christianity, the power of belief, and how we look for messiahs in times of strife. At its heart, the film is a journey of discovery and enlightenment. It just takes a long and winding road to find it.   My Rating: Bargain Matinee  The Book of Clarence Website  Now playing in theatres.

My View: Role Play (2023) R  Emma (Kaley Cuoco) is married to Dave (David Oyelowo), and they have a great life with two kids in the suburbs of New Jersey. Couples sometimes have a secret or two they keep from their loved ones. Emma’s secret is she is an assassin for hire and is wanted for murder…many murders. I am a fan of both Kaley Cuoco and David Oyelowo, so I was looking forward to this film, which looked like it would be a lot of fun—a sexy assassin living a double life as a housewife in the suburbs. The film starts with a nice encounter with a fellow killer, played by the always enjoyable and stylish Bill Nighy, who messes up Emma and Dave’s big night out on the town. Unfortunately, the film goes downhill from there. The film takes too long to reunite the couple once Emma’s cover has been blown and then there isn’t the fun or thrill that the encounter with Nighy’s character gave us. I wanted more of Oyelowo, as the mild-mannered husband, having to help Emma defeat the bad guys, but he mainly just reacts to his continual disbelief that his wife is a killer. Cuoco is fine as the assassin and does well in the action sequences, but the film doesn’t let her comedic talents come out at all. I think the film suffers from a villain, played by Connie Nelson, who doesn’t have the magnetic pull of Nighy’s bad guy from the early portion of the film.   My Rating: Cable  Role Play Website  Now playing on Amazon Prime.

My View: Lift (2024) PG-13   An Interpol agent named Abby (Gugu Mbatha-Raw) and her ex-boyfriend Cyrus (Kevin Hart), a renowned art thief, are teaming up to steal 500 million in gold bullion from an evil arms dealer (Jean Reno). The only problem is that they must steal it while transported on a 777-passenger flight. Lift is a film that aspires to be clever but keeps throwing tech stuff at you to show you how brilliant the film’s heroes are. I am not a fan of movies that keep something from you until the end, and this film does a poor job of just doing that. We know the good guys will win in the end, but the build-up takes too long to get there, and I was never clear on the heist’s details to begin with. Kevin Hart tries to play the suave thief who has one weakness: he is in love with the Interpol agent (Mbatha-Raw) who is trying to catch him. The plot is razor thin on how and why the gang has to help Interpol steal the gold and then even thinner when getting an internet billionaire to lend him his fancy jet to do the heist. I am guessing that it’s an inside joke that the ‘master of disguise’ character Denton, played by Vincent D’Onofrio (who seems like he has just woken up from a nap in every scene), has some of the worst disguises in the history of film. Lift is a film that wants to be clever and fun but instead feels as if the writer and director felt as if we keep throwing tech stuff at them, they won’t notice we don’t really have a plan.   My Rating: Cable  Lift Website  Now playing on Netflix.
My View:
Self Reliance (2023) R  Tommy (Jake Johnson) is a single guy who, right off the street, is given a chance to win a million dollars on a dark web internet program. He must stay alive for 30 days while a team of assassins try to kill him. His only way to stay alive is that they can only kill him when he is alone. Can he convince someone he just met, a woman named Maddy (Anna Kendrick), to stay with him 24 hours a day for a share of the prize? So if you were single and had a nowhere job, and Andy Samberg pulled up in a limo, invited you inside, and then said you could win a million dollars, would you? Even if it meant that you could die? And so starts Self Reliance, a film that Jake Johnson wrote, directed, and stars in. I wanted to like this movie, but it never pushes the boundaries of comedy or drama far enough into absurdity for it to be interesting for the entire hour and twenty-five minutes. There is a great bit early on when none of his family believes his story, and for most of the film, we go back and forth on whether we think this is real or some psychotic episode that Tommy is having. Adding Maddy into the game mix was a fine addition, but that storyline gets lost when Tommy pushes things too far. I would have loved Anna Kendrick to have gone on some of Tommy’s adventures with him. Kendrick plays off of Johnson well, and she could have helped take the film over the top. Self Reliance has some funny moments, but it could have been more, with an ending feels rushed and dwindles away. I wish the film had gone all out, either darker or more absurd. Overall, I look forward to seeing what Jake Johnson can develop next, just let it go further.   My Rating: Bargain Matinee  Self Reliance Website  Now playing on Hulu. 

Forgotten Film: It’s Kind of a Funny Story (2010) PG-13  Craig (Keir Gilchrist) is a high-school student who is infatuated with his best friend’s girl and can’t focus on his schoolwork. Depressed and suicidal, he checks himself into the psychiatric ward. The juvenile side is full, so he gets stuck in the adult ward, where he makes friends with Bobby (Zach Galifianakis), who takes Craig under his wing. Along the way, Craig meets Noel (Emma Roberts), who just might solve all of his problems, or at least that unrequited crush. The film has a wonderful cast that includes Zoë Kravitz, Jim Gaffigan, Lauren Graham, and Thomas Mann. Gilchrist is perfect in the role of the teen who is cracking under the pressure of high school and high expectations, and Galifianakis is fun as his guide to survive the psych ward. It’s Kind of a Funny Story is a warm-hearted film that didn’t deserve to get lost, and Emma Roberts shows why she was destined for stardom.   My Rating: Bargain Matinee  It's Kind of a Funny Story Info  Available to rent/buy on Amazon and Apple TV+.

Weird Credits: From the credits of Mean Girls: Math Consultant

Coming Soon to a Screen Near You: Madame Web (2024) Cassandra Webb (Dakota Johnson) is a NYC paramedic who develops clairvoyant powers and repeatedly crosses paths with three young women (Sydney Sweeney, Isabela Merced, and Celeste O’Connor). Cassandra realizes these women must be protected at all costs because they are destined to become super-heroes. The film is being promoted as a stand-alone film in the Marvel Universe. I have become a fan of Dakota Johnson after trying to forget those Fifty Shades films, so I look forward to this one.  Madame Web Website   The film will be released on February 14, 2024. 

Until Next Time!




Friday, July 15, 2022

Where the Crawdads Sing

My View: Where the Crawdads Sing  (2022) PG-13   Kya (Daisy Edgar-Jones) is an outsider in her community. Kya is called the ‘Marsh Girl’ by the locals since she was abandoned in the marshlands of North Carolina and raised herself to adulthood. Kya begins exploring outside her marsh's world when a young man she befriended is found dead and is immediately cast by the community as the main suspect. Kya’s life will be under the microscope, and many secrets of the marsh are about to be revealed. I have a feeling that this is one of those movies where the book is much better than the film. I liked this film, primarily due to the performance of Daisy Edgar-Jones, but the film feels very slow in its storytelling and the core of the story, one of mystery and romance, feels a little forced, with a love story that feels too much like a bad Young Adult novel. I had trouble liking either of the two men whom Kya becomes romantically involved with, and that’s a problem with a film that is part romance. The film also tries hard to bring in feelings from past movies such as Nell and To Kill a Mockingbird, especially with the nice Southern lawyer, played by David Strathairn. So much so that I kept waiting for Scout to show up in any scene Strathairn is in. Still, I enjoyed the film, I just wish there had been more to it than a lot of scenes where Kya looks longingly at the marsh, thinking thoughts about a past love.   My Rating: Bargain Matinee   Where the Crawdads Sing Website  Now playing in theatres nationwide.

Familyfaire: Paws of Fury: The Legend of Hank (2022) PG   Ever since Hank (voiced by Micael Cera), as a young pup, was saved from bullies by a mysterious samurai, he has wanted to become a samurai himself. Hank is hired to become the samurai of a small town being threatened by an evil overload. The only problem, Hank is a dog, and the townspeople are cats. You know this is a bad film when the audience I saw the movie with, filled with kids, only laughed when there was a farting scene. The film is a takeoff of samurai films and the Mel Brooks comedy Blazing Saddles (hence the fart scene). In fact, Mel Brooks (who wrote some of his own lines) voices one of the characters, The Shogun, reminiscent of his performance as Governor Lepetomane in Blazing Saddles (‘work, work, work’). The film is a bore (kids at my screening were more interested in the whoopee cushions that were handed out before the film), the animation is flat and lifeless, and the storyline quickly becomes old. I had high hopes when I found out that Samuel L. Jackson was doing a voice, but unfortunately, he isn’t given much to work with a character that gets drunk on catnip (once again, think Blazing Saddles). Skip this one and let the older kids watch Spaceballs instead.   My Rating: You Would Have to Pay Me to See it Again  Paws of Fury Website  Now playing in theatres nationwide.

My View: Mrs. Harris Goes to Paris (2022)  PG   A widowed cleaning lady (Lesley Manville) in 1950s London inherits a pile big of money, falls madly in love with the dresses of Dior, and decides to fly to Paris and buy one for herself. It’s a tale of adventure that will change her life and possibly the very future of the House of Dior itself. We all need a bit of Mrs. Harris in our life. Lesley Manville is a positive force for good in this film about a woman who follows her dream and won’t let anyone put her down on her way. You will fall in love with Mrs. Harris as she strives to put together the money to not only go to Paris but buy a Dior dress. This is a feel-good film that is funny, sweet, and has a bit of romance thrown in. The film gives us a behind-the-scenes look at one of the most fabulous couture houses in the world, seen through the eyes of someone who wouldn’t usually be welcomed to a place that relies on the rich and the privileged. It seems that everywhere Mrs. Harris goes, she spreads her love for life and adventure, even in a stuffy and class-oriented climate. I love that Mrs. Harris visits Paris during a strike where the garbage collectors are protesting low wages by not collecting the refuse of the city, making one of the most beautiful and iconic cities of the world a little dirty and smelly, one that only someone like Mrs. Harris could turn into a lesson of learning and acceptance. And by the way, even a guy like me knows that the classic Dior dresses look fantastic. So, pinch a few pennies and save up to take a journey to Paris with Mrs. Harris, and you are guaranteed a smashing good time.   My Rating: Full Price   Mrs. Harris Goes to Paris Website   Now playing in theatres nationwide.

Indiefest: Gone in the Night (2022) R  Kath (Winona Ryder) and her boyfriend Max (John Gallagher, Jr.) are going on a weekend trip to a remote cabin in the wilderness. However, when they arrive, they find that the cabin has been double-booked, and a young couple (Brianne Tju, Owen Teague) has already moved in. The two couples decide to share the cabin, and after a night of partying, Kath wakes up to discover that both her boyfriend and the other woman have disappeared. When Max doesn’t show up, Kath goes on the hunt to find him with the help of the owner of the cabin (Dermot Mulroney) and discovers that the truth is stranger than she could have ever imagined. I enjoyed the first part of this film, but by the 2nd half of the film, I got tired of how the plot was being revealed in a series of flashbacks that gave away too much information, and I figured out the mystery way too early in the film. I always enjoy Winona Ryder’s performances, but she isn’t asked to do much in this film other than being bewildered and scared. I wasn’t shocked at the ending (the film wants us to be), and I wish it had lived up to the promise that the first 20 minutes had, but it doesn’t.   My Rating: Bargain Matinee  Gone in the Night Website   Now playing in theatres nationwide. 

My View: Persuasion (2022) PG   Anne Elliot (Dakota Johnson) has never gotten over the man she was persuaded not to marry eight years ago due to his humble origins. Now that man, Captain Wentworth (Cosmo Jarvis), is back in her life. However, there is a new suitor for Anne’s heart, the dashing Mr. Elliot (Henry Golding), and Anne is torn between an old love who got away and a new one who promises to give her the world. I liked this film a lot, but I wonder if my judgment has become a bit murky because I have become such a fan of Dakota Johnson. She is delightful in this adaptation of a Jane Austin novel. Throughout the film, Anne narrates the film, giving us direct asides, like letting us see her reaction to something she told us would happen. This is a story of a love lost and the regrets of both parties. In typical Austin fashion, there is a lot of dancing around the two lovers' true feelings, miscommunications, and of course, another suitor who causes a bit of a problem or two. Does this have the biting wit of a film like Emma Thompson’s Sense and Sensibility? No, not even close but Johnson and Jarvis gives us a couple that we can root for and a heroine who has a wicked sense of humor.   My Rating: Bargain Matinee   Persuasion Website  Now playing on the Netflix platform.

My View: The Deer King (2021) R  Van is the last of a group of soldiers fighting for their lands against an evil empire. After becoming the lone survivor of a slave camp, Van meets a young girl, and they go on an adventure that may save the universe. This fantasy epic gets lost in its attempt to build a world that is too complex to be told in one film. This is not a film for young kids as there is quite a bit of violence and bloodshed, though anime and fantasy teens may enjoy the epic tale of revenge and finding a purpose. Besides a highly complex storyline (that gets confusing at times), the film has an animated look that is bland and doesn’t deliver the wonder and beauty it needs. There are sub-plots among other sub-plots, and I never quite got which side was the good guys and which were the bad ones. The ending feels weak and almost too quick, making it seem as though the story isn’t finished, and maybe it's not, but I don’t think I will care.   My Rating: Bargain Matinee   The Deer King Website  Now playing in theaters nationwide.

Indiefest: Gabby Giffords Won’t Back Down (2022) PG-13   Documentary about the former congresswoman Gabby Giffords and her battle to overcome the effects of an assassination attempt in 2011 that left her partially paralyzed and with a language impairment. This is a film where you are going to experience a range of emotions as you watch it. You will cry, get angry, but also laugh as you follow the life of Gabby Giffords, a woman whose spirit and love of life wasn't shut down by an assassin's bullet. The film gives us an intimate look at Giffords and her journey to get not only her ability to walk but also to talk. Due to her husband, Mark, we see the highs and many lows of her recovery, as Mark was determined to let his wife and us see just how far she had to come back from death’s door. It’s a fantastic film about a remarkable woman and the man who believed in her recovery. This is not a film about outlawing guns but does have a message of how we can make gun ownership safer and keep them out of the hands of criminals and the mentally ill. Gabby was and is a gun owner; there is even a scene of her recently firing a handgun at a gun range. My favorite scene of the film is during the closing credits as we follow Gabby as she peddles a recumbent bike around her neighborhood while joyfully singing a John Denver song. By the film's end, you won’t feel sorry for Gabby but will be happy that she is still around to make us smile.    My Rating: Full Price   Gabby Giffords Won't Back Down Website  Now playing in select theatres.

My View:
Don’t Make Me Go (2022) R  Max (John Cho) is a single father who discovers he has a fatal brain tumor. Straightaway, Max decides to take his daughter, Wally (Mia Isaac), on a road trip. This is Max’s last chance to try and teach his daughter everything she might need to live her life on her own. At the start of the film, Wally tells us, ‘You’re not gonna like how this story ends, but I think you are going to like this story.’ Well, Wally, you would be wrong. I liked this film for the first two-thirds of the movie, mainly because the relationship between Max and Wally feels natural, and the chemistry between the two actors is delightful. A few scenes seem a little forced, and it tries a bit too hard for us to love Wally from the start, but I can overlook this film’s early faults due to the winning relationship between the father and daughter. However, without giving away the ending, I hated the last 15 minutes of this film. I mean, I really hated it. It soured the whole movie for me, a real punch in the gut. Let me make it clear; I hated the ending.   My Rating: Cable   Don't Make Go Website  Now playing on the Amazon Prime platform. 

Forgotten FIlm: Shoot the Moon (1982) R   This is a film about a long-time marriage falling apart. George (Albert Finney) is unhappy and wants out of his marriage to live with his new love, Sandy (Karen Allen). Faith (Diane Keaton) feels abandoned by her husband, having left her and their four children for another woman. Faith finds a way to get back at George by having an affair with a young man (Peter Weller), and the fireworks begin. This movie is about unhappy people who don’t care who gets hurt, as long as their spouse gets hurt the most. Keaton and Finney play people you won’t like, and we never quite know why the marriage fell apart after so many years. Shoot the Moon isn’t about why they fell in or out of love; it’s about the pain and destruction a failed marriage can cause.   My Rating: Full Price   Shoot the Moon Info

Weird Credits: From the credits of Mrs. Harris Goes to Paris: Toad in the Hole Prepared By

Coming Soon to a Screen Near You: The Invitation (2022)   Evie (Nathalie Emmanuel) knows nothing about her family’s past, so she sends off her DNA to find out more. Through the test, she meets a cousin (Hugh Skinner) who invites her to a family wedding in England. Evie goes but soon learns that her newfound family has a secret, one that may cost Evie her life. The Invitation looks like it could be a fun watch.    The Invitation Info  The movies is scheduled to be released in late August, 2022.

Until Next Time!




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