Showing posts with label Ariana DeBose. Show all posts
Showing posts with label Ariana DeBose. Show all posts

Friday, January 19, 2024

Origin

My View: Origin (2023) PG-13  Isabel (Aunjanue Ellis-Taylor) is a Pulitzer Prize-winning author who is asked to write about the murder of Trayvon Martin. At first, she doesn’t want to write the piece; however, with the support of her husband Brett (Jon Bernthal), she decides to write not about the death but about what made it possible and why. Isabel is about to go on a journey that will be the most challenging year of her life but one of great discovery. The film is based on the nonfiction book Caste: The Origins of Our Discontents by Isabel Wilkerson and has been adapted to a fictional narrative by Ava DuVernay (Selma (2015), 13th (2017). It’s a thoughtful and imaginative film that doesn’t always work because it feels it has to hit so many complex topics. Still, the narrative is filled with the book's major ideas, and combined with a magical feel through its cinematography and the performance of Ellis-Taylor, the film is destined to make you think and feel that Isabel is onto something important, something to be discussed. Origin is a film that I came away feeling that while the film overall doesn’t quite flow and not all the parts make a good fit. However, those parts are full of moments worth experiencing and thinking about.   My Rating: Bargain Matinee   Origin Website   Now playing in theatres. 

Indiefest: The Zone of Interest (2023)  PG-13  Hedwig (Sandra Hüller) and her husband Rudolf (Christian Friedel) have built a beautiful home for their family with a lovely garden and an excellent servant staff. Rudolf is the commandant of Auschwitz, and their house is directly next to the camp. This is a disturbing film showing none of the horror and atrocities of Auschwitz. We hear the constant gunshots, and we see the plumes of smoke from the ovens, but it’s all taking place outside the walls of the house and the fields and rivers that the family interacts with. This is the story of a family living a good life while horrors are happening on the other side of that pretty garden wall. I am not as big a fan of this film as many of my fellow film critics. Primarily because we spend over two hours with this family and learn nothing about them we don’t know after ten minutes into the film. The Zone of Interest gives us very little to react to other than the callousness of the Nazis, but I think we already knew that. The film also does some bizarre things with the narrative, including showing us a daughter of a servant, who is leaving food for the workers in the concentration camp. The act is shown to us as if seen through a night vision lens, which just threw me out of the film altogether. The Zone of Interest take on viewing life next to a camp of horrors did not resonate with me and failed to convey anything other than that the Nazis were horrible people.   My Rating: Bargain Matinee  The Zone of Interest Website  Now playing in theaters.

Indiefest: Freud’s Last Session (2023) PG-13  World War II is about to start as the Germans have invaded Poland, and one of the world’s greatest psychologists, Sigmund Freud (Anthony Hopkins), is dying of cancer. He invites a young Oxford professor, C.S. Lewis (Matthew Goode), to debate the importance of religion in the age of war. Freud’s Last Session is a film where the acting far exceeds the material they are given. Based on a meeting that may or may not have happened, we have two men at odds over how we deal with God and Christianity. Two men are at odds in their belief in a higher power and spend the film discussing the topic. The film is based on a stage play and sometimes feels too much like that. The film finds interesting topics and then drops them to show something from each of the two men’s past in flashbacks that take away any momentum the film has. There is also a subplot of Freud’s daughter Anna, played by Live Lisa Fries, who tries to escape the gigantic shadow her father spreads over her. This also takes away from the conversations between the two men and seems as if it is added to give us another reason to question Freud’s ideas and values. I felt the film spent too much time on Freud’s couch, trying to explore their subconscious and not enough on each man’s own words.   My Rating: Bargain Matinee  Freud's Last Session Website Now playing in theatres. 

My View: I.S.S. (2023) R   I.S.S. takes place when a new group, comprised of both American astronauts and Russian cosmonauts, has just arrived at the International Space Station. Things are fantastic until they witness a war breaking out beneath them on Earth, and the astronauts are given orders from the ground: take control of the space station by any means necessary. I wanted this film to be a thriller with some smarts, but much like the astronauts that inhabit the space station, the script goes for the easy out and never creates enough tension or twists to make the film more than predictable. While watching this film about six people in a space station, what stuck with me is that other than the sleeping quarters (a closet with a vertical sleeping bag you strap into), the film never feels like a confined, closed place. At one point, two of the astronauts think they can hide in a section of the station, which just boggled my mind. For six highly trained people who are subjected to a ton of tests to get into their programs, they are some pretty stupid people. At one point, one astronaut tells our heroine, Dr. Foster (Ariana DeBose), not to let anybody else look out the space station's windows. Yeah, that will work.   My Rating: Cable  I.S.S. Website  Now playing in theatres.

Indiefest: The End We Start From (2023) R   After a massive environmental crisis submerges London and a great deal of England,  a mother (Jodie Comer) and her newborn son attempt to find their way home, battling the environment and the odds. The End We Start From is the story of a woman who is determined to not only survive but take her baby back to where he belongs, her home. This is a horror film, but only in the sense that the monsters are us and what we will do to survive. It’s also about love and friendship, finding both in unexpected places. The world can be a cruel place, but also can be filled with kindness. Jodie Comer is magnificent as the mother who takes her newborn on a journey with one thought, to get back home. The supporting cast makes this film work so well with Joel Fry as the husband, Benedict Cumberbatch as a fellow traveller also trying to get home, and Katherine Waterston as a fellow mother with a newborn who joins up on the journey. Far scarier than some of the horror films I’ve seen, The End We Start From is a sobering account of a world gone mad because of a natural catastrophe and the power of the pull of needing to be home.   My Take: Full Price  The End We Start From Info    Now playing in theatres. 

Indiefest: Driving Madeleine (2023)   Charles (Dany Boon) is a cab driver having a bad day/week/year when he picks up what he thinks will be an easy fare, an old woman named Madeleine (Line Renaud). However, Madeleine is about to move to a care home, and this could be her last cab ride in Paris. Madeleine will want to make a few stops along the way, and Charles is about to learn about the rich, adventurous, and sometimes sad life she has led. Driving Madeleine is a film that is a joy to watch because of the chemistry between Dany Boon, the rough and always angry taxi driver, and Line Renaud, the woman who takes her taxi driver on a trip through a Paris of memories. Line Renaud is brilliant as the woman who refuses to dwell on the bad things and celebrate the good times in her life. It’s a beautiful performance full of sweetness and subtlety. Dany Boon is perfect as a man who slowly lets his guard down and slowly becomes under the spell of a woman who has lived a full and interesting life. I could have used fewer flashbacks and more time in the cab, but that’s a minor problem because of the performances of the two principals. So sit back and enjoy a long cab ride full of stories and insights from a woman who has experienced life and is willing to share it.   My Rating: Full Price  Driving Madeleine Website

Forgotten Film: Lovely & Amazing (2001)  R  Jane Marks (Brenda Blethyn) is a mother of three daughters. Michelle (Catherine Keener), the oldest, is a former homecoming queen in an unhappy marriage. Elizabeth (Emily Mortimer) is an actress on the brink of stardom, but spends her time rescuing dogs, even when they don’t want to be rescued. The youngest sister is Annie (Raven Goodwin), an eight-year-old African-American Jane adopted. All the women of the Marks clan have serious issues, including body issues and insecurity. However, the Marks women have one thing in common: they love each other and seek redemption, each in their own way. What I love about this film is that the women in the movie are all dealing with problems, but none of them are superficial. They know they are flawed and are trying to deal with their problems, though sometimes not well. The film tackles a serious subject of how women are constantly bombarded with attaining the perfect body and how it’s a struggle to keep your sense of worth and, better yet, your sense of humor to deal with these issues.  My Rating: Full Price Lovely & Amazing Info The film is available on disc. 

Weird Credits: From the credits of Origin: Lunchbox Driver

Coming Soon to a Screen Near You: Sometimes I Think About Dying (2023) PG-13 Fran (Daisy Ridley) is good at her office job but is incredibly socially awkward. Fran spends most of her time alone, which gives her a way to daydream about how she could die. Fran’s world changes when Robert (Dave Merheje) starts working at her office, and he takes a liking to her. Now, the only thing standing in the way of her happiness is Fran herself. The film was a Grand Jury Prize nominee at the 2023 Sundance Film Festival.  Sometimes I Think About Dying Website  Releasing in theatres on Friday, Jan. 26, 2024.

Until Next Time!



Wednesday, November 22, 2023

Napoleon

My View: Napoleon (2023) R Napoleon tells the personal story of Napoleon Bonaparte (Joaquin Phoenix), his origins, and his swift and ruthless climb to emperor viewed through the relationship with his wife and one true love, Josephine (Vanessa Kirby). I will tell you right off the bat that this probably isn’t the film you think it is. You will be disappointed if you are expecting huge two-and-a-half hours of sweeping cinema. This is an up-close and personal film about a man who thought he was bigger than life but was also full of doubts, especially about his wife’s love for him. I am going to say something that might shock you. Napoleon is a comedy. Ok, it’s really a comedy/drama, but there is a lot of humor in the film, with director Ridley Scott making the ‘Little General’ the butt of many a joke. It’s a strange mixture of drama, comedy, and glorious battle sequences. It’s a film that doesn’t always work, but when it does, it packs a wallop. I have always enjoyed Joaquin Phoenix on the screen, and his Napoleon is an interesting take. A man who seems destined for greatness, or is he? Napoleon, at times, seems to let things happen to him instead of being the driving force you would expect. I loved Vanessa Kirby as the temptress Josephine, who knows from their first meeting (Napoleon can barely talk) that she has her hooks in him, and he is powerless to deny her anything. Napoleon is a film that seems to be all over the place, and sometimes it fails. Is it worth seeing? Yes, but don’t expect to be swept away by the spectacle. And by the way, spoiler alert, it doesn’t end well.  My Rating: Bargain Matinee  Napoleon Website  Now playing in theatres nationwide.

Familyfaire: Wish (2023) PG A young girl named Asha (voiced by Ariana DeBose) worries that an evil force will take over her kingdom. When she wishes upon a star, her plea is answered by a boundless ball of energy called Star (Alan Tudyk). Together with her talking goat, Valentino (voiced by Alan Tudyk), Asha and Star will work to save their world and defeat evil. This is a movie that only huge Disney fans will love. Wish contains more easter eggs for fans to look for that sometimes it throws them out to keep people from figuring out that the storyline is incredibly weak. I was disappointed by the animation, as the film feels from the start full of dull and faded animated scenes that never bring any wonder or amazement. There isn’t a song that stands out in the film, even with the talents of Ariana DeBose singing them. This is a film that feels like it needed a few more rewrites, maybe to find more of a heart to move the film along. I did like Ariana DeBose as the wide-eyed young girl who realizes that perhaps the magic she has been led to believe in her whole life isn’t so magical after all. And Chris Pine as the villain is fun and does an admirable job singing his songs. But the film lacks that big number that we all want, and though the Star is adorable, that only goes so far when that creature can’t talk. Overall, Wish was a disappointing movie that kids might enjoy, but I think parents will be bored, and I don’t see anyone going out to buy this soundtrack. Disney needs to quit returning to the past and give us something new. And hopefully, with better songs.   My Rating: Bargain Matinee  Wish Website   Now playing in theatres nationwide.

My View: Saltburn (2023) R Oliver (Barry Keoghan) has struggled to fit into Oxford University. Oliver is drawn into the world of charming and aristocratic fellow student Felix (Jacob Elordi). Felix invites Oliver to spend the summer on his eccentric family’s sprawling estate. It’s a summer that will change everything. Barry Keoghan is one of the great young actors working today, and Saltburn shows us he can carry the lead. This film is full of twists and turns, and I will warn you, there are some incredibly shocking scenes. So much so that I thought one audience member I saw the film with would throw up. It’s a very clever film about people who think they are far smarter than the rest of us and let us know it. I had a blast watching the cast, including the amazing Rosamund Pike as Felix’s loopy mother, who can easily be misled by killing her with kindness and compliments. Saltburn is a wild film that quickly turns from a fish-out-of-water movie to one of intrigue and one-up-man-ship. It’s a story about a young man who starts as someone who wants to belong. You will have to watch to see just how well he does at doing that. My Rating: Full Price  Saltburn Website  Now playing in theatres.

Familyfaire: Leo (2023) PG  Leo is an animated film about a lizard named Leo (voiced by Adam Sandler) and his best friend, Squirtle the Turtle (voiced by Bill Barr), who live in a terrarium in a Florida elementary school classroom. All Leo wants to do is escape and see the world. The school’s students have a different idea for Leo, for him to be their best friend. I am not a big fan of Adam Sandler because, too many times, he goes for the easy laugh or the feeble attempt at comedy. Unfortunately, that’s this film. It’s a movie with a beautiful message that will be lost because the film has too many nonsense songs that drag the film down. Must every character sing a song? Apparently, in this film, the answer is yes. The film, I think, is meant to be a film for kids to teach them about friendship and how to be nice to each other. However, the message gets lost in all the fart jokes and the extended attempts at humor at the expense of parents. The humor sometimes gets too gross or crude for me to think this is a kids’ movie, but then it turns and gets sweet with a great message. That message is hard to find between a million songs and jokes about a missing lizard tail.   My Rating: Cable  Leo Website  Now playing on the Netflix platform.

Indiefest: All Dirt Roads Taste of Salt (2023) PG  All Dirt Roads Taste of Salt is the decades-long exploration of a woman’s life in Mississippi as she experiences the world through generations of people, places, and the moments that shape us. This is a film to see in the theatre. If you try to see it at home on a computer or even on your TV, the film will be lost on you because it is a film you have to commit to wholly. Otherwise, you will get bored and move on to other things. All Dirt Roads Taste of Salt is a film that jumps back and forth in time as we follow Mack from childhood to motherhood and back again. The film’s characters are constantly immersing themselves (and us) in the world of nature. This is a film full of small gestures, like a touch on a back or hand reaching into a river, and then it lets the camera linger on that movement. Faces in the film are paramount, and we are constantly looking into the face of someone while they are experiencing life. The movie is full of love. Love of life, of family, and nature. It’s about learning about life and trying new things. The film explores how a simple touch can be simple, and it can be everything.   My Rating: Full Price  All Dirt Roads Taste of Salt Website  Now playing in theatres. 
Indiefest:  Dream Scenario (2023) R   Paul (Nicolas Cage) is a family man who teaches at a local college. Nothing is unusual until Paul appears in people's dreams, usually just in the background. He becomes an overnight celebrity and enjoys the attention until his appearance in the dreams becomes more pronounced, sometimes violent and disturbing. Paul's newfound fame has now become a burden. The question is, how to stop his appearances in everyone's dreams? Nicolas Cage is a blast to watch in this strange film that deals with celebrity in the age of the internet. The film deals with instant celebrities, ad agencies, cancel culture, and how quickly the public can build someone up and then tear them down. I enjoyed the first half of the film, with Cage playing a college professor who is a person who you would try to avoid at a party or not invite at all. Paul is the type of guy who thinks he knows everything and lets you know it, always spouting knowledge that people rarely care about. Then, he appears in everyone's dreams and becomes a celebrity. Then things go bad, and Paul's life literally becomes a nightmare. The film peters out in the end with a third act that needs a rewrite and doesn't match the inventiveness of the film's first half. However, Dream Scenario is worth watching because Nicolas Cage nails it as a sad sack of a guy who wants to be liked and publish his book. Even if he hasn't even started writing it yet. My Rating: Bargain Matinee  Dream Scenario Website  Now playing in theatres. 

Forgotten Film: The Hidden (1987) R There is a criminal who has committed a series of increasingly violent crimes. The criminal commits these crimes with almost no regard for his own safety. A cop, Tom (Michael Nouri), is assigned to help an FBI agent named Lloyd (Kyle MacLachlan) track this killer down. Tom soon realizes that there is something strange about Lloyd, and as they work together, things get very weird; the killer is taking the shapes and bodies of different people to commit further crimes. The Hidden is a thrilling crime drama with some sci-fi thrown in. MacLachlan is excellent as the strange FBI agent who is hiding something from the rest of the world. While not a great film, The Hidden a lot of fun to watch, and the storyline goes along at a fast pace.   My Rating: Bargain Matinee  Available to rent or buy online.

Weird Credits: From the credits of Wish: Chicken Ensemble 

Coming Soon to a Screen Near You: Ferrari (2023) R In 1957, Enzo Ferrari’s (Adam Driver) auto empire is in trouble, and all that he and his wife Laura (Penélope Cruz) built in the last ten years is about to crumble. Enzo decides to bet it all on winning one race, the 1,000-mile trek across Italy, the iconic Mille Miglia. Directed by Michael Mann (Manhunter, The Last of the Mohicans, Heat), who has been trying to make this film for over ten years (both Christian Bale and Hugh Jackman were attached to the movie at one time). Race cars, Italy, and Penélope Cruz! I’m in.  Ferrari Website  Will be released on Christmas Day.

Until Next Time!




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