Showing posts with label Anthony Hopkins. Show all posts
Showing posts with label Anthony Hopkins. Show all posts

Friday, March 15, 2024

Arthur the King

My View: Arthur the King (2024)  PG-13   Mikael Lindnord (Mark Wahlberg) is an adventure team racer who believes this is his last chance to win the 435-mile endurance race through the Dominican Republic. Mikael befriends a wounded stray dog named Arthur. Against the odds, Arthur joins the team in the race and becomes a valued team member. We all know what suckers we are for movies that center around dogs, especially if the dog is cute. I am glad to say that Ukai does a great job playing the remarkable Arthur. Unfortunately, Ukai can’t save a storyline that feels slapped together with some band-aids and twine. I think the problem is that the film does a lot with the set-up and doesn’t do enough with the race's hardships. Early in the race, there is a remarkable sequence where the team decides to zip-line across a deep gorge to cut some time and it becomes a spectacular rescue that has to be seen to be believed. However, once our favorite dog joins the gang on the trip, the film becomes about Mikael's journey to learn about himself and how to be a leader who listens. The last fifteen minutes feel a little too much in an attempt to finally pull on the heartstrings. Still, you may need a tissue or two for this final bit. I don’t recommend this for young kids, as some scenes involving Arthur are a little unsettling (hence the PG-13), but older kids will enjoy rooting for Arthur to complete the journey.   My Rating: Bargain Matinee  Arthur the King Website  Now playing theaters nationwide.

Indiefest: Problemista (2023) R  Alejandro (Julio Torres) is a young man from El Salvador who dreams of being a toy designer. His work visa is about to run out, and he makes a deal with the devil, an erratic, demanding art critic (Tilda Swinton) who is on a mission to retrieve her dead partner's art and mount a show. It’s a job that Alejandro may not survive. Julio Torres is a four-time Emmy-nominated writer (SNL) and won a Peabody Award for his TV show Los Espookys. He has now written and directed a funny and creative surreal comedy that borders on the absurd. This comedy deals with a real problem: the hoops people have to go through to get a work visa in this country. He is fired from his job, which seems to be sitting in a room with a frozen person and their artwork, but is saved when the artist’s wife takes a liking to him and offers him a way to get her to sponsor his work visa. Little does Alejandro know he has just made a deal with a crazy person who changes her mind every few moments and has no idea how to survive in the modern world; all the while, the clock is counting down on Alejandro’s ability to stay in America. The film uses Alejandro’s rich imagination to give us insight into how he is feeling and thinking like when he sees someone being told their application to stay has been rejected, they vanish into thin air, or when he is told what he needs to get his work visa, Alejandro imagines a series of maze-like rooms with hidden doors that never lead to the key he needs to unlock his future. As a director, Torres lets Tilda Swinton have a blast as the widow who is convinced the whole world is out to get her. Swinton gives us a character that is outlandish and sometimes cruel but, in the end, is still likable because she only cares about one thing: the legacy of her dead husband, whom she dearly loved. Problemista is about having the courage to try, the perseverance to keep moving, and the guts to finally speak your mind.   My Rating: Full Price  Problemista Website  Now playing in theaters. 

Indiefest: Love Lies Bleeding (2024) R  Lou (Kristen Stewart) is a gym manager in her small town where her father, Lou Sr. (Ed Harris), runs the area with an iron hand. Into Lou’s gym walks Jackie (Kate O’Brian), a bodybuilder who takes Lou’s breath away. It’s a meeting that will change their lives forever. In fact, someone may die. Part film noir, part 80s nostalgia, Love Lies Bleeding is a film where our hero, Lou, no matter what she does, gets pulled further and further into a mess that she probably will never get out of. Set in a time (the 80s) when female body-building was all the rage with women like Corey Everson and Rachel McLish, who were not only on the covers of muscle mags but appeared in mainstream movies and TV shows. Love Lies Bleeding is a love story that goes off the rails. The film is full of violence, sometimes done to shock and other times done to almost comedic tones. The film starts as a romance but quickly becomes bigger than life, like Ed Harris, who has the longest mullet ever seen on the big screen. Kristen Stewart shows us again that she is one of the best actors in the cinema today. Her reaction shots are amazing, as we see on her face how smitten she is from the first time Jackie comes into the gym. The film keeps you guessing what will happen next, though you can almost bet that someone else will die a gruesome death. And there is an ending that will have you talking to your friends as you head to the parking lot. Love Lies Bleeding isn’t a film for everyone, but for fans of Stewart and weird film noir, it’s a delight.  My Rating: Full Price  Love Lies Bleeding Website  Now playing in theaters. 

My View: The American Society of Magical Negroes (2024) PG-13   Aren (Justice Smith) is recruited to join a secret group, The American Society of Magical Negroes, made up of magical Black people who dedicate their lives to a cause of utmost importance: making white people feel better about themselves. I enjoyed the first half of this film when Arne is still learning the ropes and is shown how the Society keeps white people from causing harm. It’s a fun swipe at how Hollywood has made through the years where a Black supporting character will help in some way the main White hero find his way and save the day. The movie runs into problems in the 2nd half, when Aren starts falling for Lizzie (An-Li Bogan), who works at the same company that Aren’s subject he is supposed to help succeed, Jason (Drew Tarver). Things get complicated when Aren is instructed to help Jason date Lizzie, something that Aren, who by now has connected with Lizzie, wants to avoid. The film is aided by the great chemistry between Smith and Bogan, and their ‘meet-cute’ is fun and imaginative.  The American Society of Magical Negroes dies in the third act when it tries to tie everything up in a nice bow that the film doesn’t need or deserve. I wish the 2nd half of the film had been as imaginative.   My Rating: Cable  The American Society of Magical Negroes Website  Now playing in theaters.

My View: Irish Wish (2024)  Irish Wish takes place when the love of Maddie’s life, Paul (Alexander Vlahos), gets engaged to her best friend, Maddie (Lindsay Lohan), against her better judgment, goes to Ireland to be in the wedding. While in Ireland, Maddie makes a wish that she was the one marrying Paul and wakes up the following day discovering that she is now the bride-to-be. Be careful what you wish for; they might come true. I enjoyed Lindsay’s last rom-com she did for Netflix, Falling For Christmas, as I felt it utilized Lohan’s star power and ability to elevate anything with her charm and ability to play a bit with the humor of the film. In this film, Lindsay plays a woman, Maddie, who is secretly in love with an author she has worked closely with to make him a success. Sadly, she doesn’t let him know her feelings, and he falls for her best friend. So off we go to Ireland for the wedding. Maddie makes a wish, not knowing the Irish magic is in full force, and wakes up the next day as the bride-to-be, getting married to a man she thinks she is in love with. She soon learns the grass is not always greener, even when it's all the way in Ireland, and of course, she soon discovers that maybe the one Maddie thought she was destined for isn’t the one she should be involved with. Irish Wish is a fun film that sometimes tries a little too hard, but still, it’s filled with some beautiful shots of Ireland, a fun romance in the making for Maddie, and, of course, a happy ending. Go ahead, Netflix, keep making these Lindsay Lohan rom-coms, and I’ll keep watching them.   My Rating: Bargain Matinee  Irish Wish Website  Now playing on the Netflix platform.

My View: Remembering Gene Wilder (2023)   The documentary Remembering Gene Wilder is about the legendary actor Gene Wilder, who went from the Broadway stage to starring in classic films like Blazing Saddles (1974), Young Frankenstein (1974), and Silver Streak (1976). This documentary is an absolute delight to watch as Wilder (using audio from his autobiography, Kiss Me Like a Stranger) narrates his life to us as we watch his magical career develop because of both talent and luck. It’s a remarkable film that makes you miss Wilder even more as we see just how talented an actor he was, someone who could play the meek or underdog but also could erupt in the blink of an eye, making a scene go from funny to on the floor laughing till it hurt. The film gives us a man who never thought he would be a leading man, but that was part of the charm of Wilder; he was an everyman who could make you love him, even in the silliest film. The uses behind-the-scenes footage, along with interviews with Wilder that are combined with current interviews with his last wife, Karen Boyer, along with Alan Alda, Mel Brooks, Carol Kane, and Richard Pryor’s daughter, Rain. The film will bring you many laughs and a few tears as we go down memory lane with a great talent and wonderful person. You will want to see a film or two of his after this documentary. I will never forget seeing Silver Streak back in 1976 and thinking, hey, if that goofy guy has a chance with Jill Clayburgh, then maybe I do, too.   My Rating: Full Price  Remembering Gene Wilder website  Now playing in theaters. 

My View: One Life (2023) PG  This is the story of Sir Nicholas ‘Nicky’ Winton, a young London broker, who, in the months leading up to World War II, almost single-handedly rescued over six hundred children from Nazi-occupied Czechoslovakia. This is a gripping tale of a man who saw a disaster waiting to happen and felt that he had to try to rescue as many children as he could at significant risk to himself and his fellow volunteers. The film starts in the mid 80s when Nicky is feeling a bit melancholy, forced to organize and get rid of stuff he has collected through the years by his wife, to make room when his family, soon to be larger when a grandbaby arrives, comes to visit. Nicky revisits his time in Czechoslovakia and his attempts to get as many children out before the Nazis invaded. The film works because Hopkins gives us a man haunted by the past and all the children left behind. We see how remarkable it was to get as many children out as he did, navigating all the bureaucracy, money, and physical transport to find homes for these children, leaving their loved one’s behind. The last third of the film is a tear fest; first, as we learn, Nicky wasn’t always successful. However, the film ends on a good note, and if you don’t know the final part of the story, I won’t ruin it for you. One Life is worth seeing how it all turns out, along with another in a long line of memorable performances by Mr. Hopkins.  My Rating: Full Price  One Life Website  Now playing in theaters. 

Indiefest: Club Zero (2023)   Miss Novak (Mia Wasikowska) is a new teacher at an exclusive private school, where she is about to teach a course called conscious eating. Miss Novak forms a strong bond with five students, a relationship that eventually takes a very dangerous turn. Club Zero is a dark comedy with some horror aspects peeking through, about what happens when someone starts using their influence and made-up facts to brainwash young people looking for something to latch onto. I had some trouble getting fully absorbed by the film because most of the parents of the kids Miss Novak puts under her spell seemed to be one-sided, almost cartoonish characters. This is a film that pushes a few boundaries and does its best to make you feel uncomfortable but never shows you too much, something that maybe it should have. I felt unattached to the characters, never quite invested in their welfare or how they would turn out. By the end of the film, this made me feel empty, not caring too much about Miss Novak or her students. It felt a bit like a meal where you aren’t given enough to eat, and there aren’t any seconds in sight.   My Rating: Bargain Matinee  Club Zero Website

Indiefest: Uproar (2023) PG-13   Uproar is about Josh (Julian Dennison), a seventeen-year-old who is just trying to keep his head down and survive high school as an Aboriginal native surrounded by white kids in his New Zealand hometown. Talked into taking drama from one of his teachers (Rhys Darby), his life opens up, and he is suddenly aware that the world needs his views and presence. Julian Dennison was in one of my favorite surprise films of the past ten years, the Taika Waititi comedy adventure Hunt for the Wilderpeople (2016), where Dennison and Sam Neil play a son and foster father who get lost in the New Zealand wilderness. Dennison spreads his magic again, as Josh, a teen attending a rich, private school only because his brother and father were ruby stars at the school. Josh is constantly picked on and is most comfortable spending his time either in the library or on a paper route, where he gets help from his best friend, a teen girl named Grace (Jada Fa’atui). It’s the 80s and a time of unrest in New Zealand as the South African rugby team, a symbol of the ongoing apartheid in that country, comes to New Zealand, and protests erupt throughout the country. Josh, at first, tries to stay in the background, convinced that he will never do anything special, but he soon learns, through his friends, his brother, and a teacher, that he has talent and a skill that will bring people together. It’s Josh’s time to leave the background and make some noise. Uproar is a beautiful and funny film that is a joy to watch, and Dennison is an incredible talent who brings Josh to life.   My Rating: I Would Pay to See it Again  Uproar Website  Now playing in theaters.
Indiefest:
Frida (2024) R  The documentary Frida is about the life of dynamic and iconic artist Frida Kahlo, who led a raw and magical life, bringing joy to millions through her artwork. Using her illustrated diaries as a voice for Frida, the documentary tells the story of a woman whose paintings became more powerful and forceful after her death, giving her success that she never got during her lifetime. Frida spent much of her life in the shadows of men, and this film provides insight into why. Fernanda Echevarria del Rivero gives Frida her voice, and I loved how she was able to bring Frida and her personality to life, and we get to see her sense of humor. I was first enchanted by the animation of Frida’s paintings in the film, but I soon wanted those paintings to stand alone and not be so busy. To me, Frida’s paintings have always told her story, and I feel the animations did some disservice to her work. However, the film gives us an up close and personal feel to the life and loves of Frida. Using both home movies and newsreel footage, along with a treasure trove of photographs, we see Frida throughout her life, in good times and bad, from her childhood to her last days. The film Frida gives her a voice that she didn’t always get to express, and I am glad she is so loved now by the art world and the public. Like Frida herself, it’s an interesting and complex portrait.   My Rating: Full Price  Frida Website  The film is currently playing on the Amazon Prime platform. 

Forgotten Film: The Good Father (1985) R  Bill (Anthony Hopkins) is a man who is very bitter about his divorce and how he has limited access to his son. Bill finds out a friend of his is being sued for divorce, and the wife is leaving for Australia with her lesbian lover and wants to take their son with her. Bill decides to help the man sue for custody, using every trick in the book to win. I love how a film made almost 40 years ago remains relevant. Bill is a man who is angry at the world and feels that feminism has robbed him of the life he wanted to lead with his family. This is a man who you will not like for most of the film because he is so self-centered and plays the blame game. However, through the brilliant acting of Hopkins, the layers of Bill are slowly exposed and we see a man who has never learned how to love or be loved.   My Rating: Full Price  The Good Father Info   The film is available to buy on Amazon. 


Weird Credits: From the credits of Arthur the King: Dog Colorist


Coming Soon to a Screen Near You: Challengers (2024) R  Tashi (Zendaya) was a tennis prodigy about to set the tennis world on fire before she suffered a devastating injury she couldn’t recover from. Now, years later, she is a coach and married to a former champion who is on a losing streak, and the question is how far Tashi is willing to go to get him back on his winning streak. It will be interesting to see how well this film does at the box office. Can Zendaya’s star power lead a film?  Challengers Website  The film will be released in theaters on April 26th. 

Until Next Time!




Friday, January 19, 2024

Origin

My View: Origin (2023) PG-13  Isabel (Aunjanue Ellis-Taylor) is a Pulitzer Prize-winning author who is asked to write about the murder of Trayvon Martin. At first, she doesn’t want to write the piece; however, with the support of her husband Brett (Jon Bernthal), she decides to write not about the death but about what made it possible and why. Isabel is about to go on a journey that will be the most challenging year of her life but one of great discovery. The film is based on the nonfiction book Caste: The Origins of Our Discontents by Isabel Wilkerson and has been adapted to a fictional narrative by Ava DuVernay (Selma (2015), 13th (2017). It’s a thoughtful and imaginative film that doesn’t always work because it feels it has to hit so many complex topics. Still, the narrative is filled with the book's major ideas, and combined with a magical feel through its cinematography and the performance of Ellis-Taylor, the film is destined to make you think and feel that Isabel is onto something important, something to be discussed. Origin is a film that I came away feeling that while the film overall doesn’t quite flow and not all the parts make a good fit. However, those parts are full of moments worth experiencing and thinking about.   My Rating: Bargain Matinee   Origin Website   Now playing in theatres. 

Indiefest: The Zone of Interest (2023)  PG-13  Hedwig (Sandra Hüller) and her husband Rudolf (Christian Friedel) have built a beautiful home for their family with a lovely garden and an excellent servant staff. Rudolf is the commandant of Auschwitz, and their house is directly next to the camp. This is a disturbing film showing none of the horror and atrocities of Auschwitz. We hear the constant gunshots, and we see the plumes of smoke from the ovens, but it’s all taking place outside the walls of the house and the fields and rivers that the family interacts with. This is the story of a family living a good life while horrors are happening on the other side of that pretty garden wall. I am not as big a fan of this film as many of my fellow film critics. Primarily because we spend over two hours with this family and learn nothing about them we don’t know after ten minutes into the film. The Zone of Interest gives us very little to react to other than the callousness of the Nazis, but I think we already knew that. The film also does some bizarre things with the narrative, including showing us a daughter of a servant, who is leaving food for the workers in the concentration camp. The act is shown to us as if seen through a night vision lens, which just threw me out of the film altogether. The Zone of Interest take on viewing life next to a camp of horrors did not resonate with me and failed to convey anything other than that the Nazis were horrible people.   My Rating: Bargain Matinee  The Zone of Interest Website  Now playing in theaters.

Indiefest: Freud’s Last Session (2023) PG-13  World War II is about to start as the Germans have invaded Poland, and one of the world’s greatest psychologists, Sigmund Freud (Anthony Hopkins), is dying of cancer. He invites a young Oxford professor, C.S. Lewis (Matthew Goode), to debate the importance of religion in the age of war. Freud’s Last Session is a film where the acting far exceeds the material they are given. Based on a meeting that may or may not have happened, we have two men at odds over how we deal with God and Christianity. Two men are at odds in their belief in a higher power and spend the film discussing the topic. The film is based on a stage play and sometimes feels too much like that. The film finds interesting topics and then drops them to show something from each of the two men’s past in flashbacks that take away any momentum the film has. There is also a subplot of Freud’s daughter Anna, played by Live Lisa Fries, who tries to escape the gigantic shadow her father spreads over her. This also takes away from the conversations between the two men and seems as if it is added to give us another reason to question Freud’s ideas and values. I felt the film spent too much time on Freud’s couch, trying to explore their subconscious and not enough on each man’s own words.   My Rating: Bargain Matinee  Freud's Last Session Website Now playing in theatres. 

My View: I.S.S. (2023) R   I.S.S. takes place when a new group, comprised of both American astronauts and Russian cosmonauts, has just arrived at the International Space Station. Things are fantastic until they witness a war breaking out beneath them on Earth, and the astronauts are given orders from the ground: take control of the space station by any means necessary. I wanted this film to be a thriller with some smarts, but much like the astronauts that inhabit the space station, the script goes for the easy out and never creates enough tension or twists to make the film more than predictable. While watching this film about six people in a space station, what stuck with me is that other than the sleeping quarters (a closet with a vertical sleeping bag you strap into), the film never feels like a confined, closed place. At one point, two of the astronauts think they can hide in a section of the station, which just boggled my mind. For six highly trained people who are subjected to a ton of tests to get into their programs, they are some pretty stupid people. At one point, one astronaut tells our heroine, Dr. Foster (Ariana DeBose), not to let anybody else look out the space station's windows. Yeah, that will work.   My Rating: Cable  I.S.S. Website  Now playing in theatres.

Indiefest: The End We Start From (2023) R   After a massive environmental crisis submerges London and a great deal of England,  a mother (Jodie Comer) and her newborn son attempt to find their way home, battling the environment and the odds. The End We Start From is the story of a woman who is determined to not only survive but take her baby back to where he belongs, her home. This is a horror film, but only in the sense that the monsters are us and what we will do to survive. It’s also about love and friendship, finding both in unexpected places. The world can be a cruel place, but also can be filled with kindness. Jodie Comer is magnificent as the mother who takes her newborn on a journey with one thought, to get back home. The supporting cast makes this film work so well with Joel Fry as the husband, Benedict Cumberbatch as a fellow traveller also trying to get home, and Katherine Waterston as a fellow mother with a newborn who joins up on the journey. Far scarier than some of the horror films I’ve seen, The End We Start From is a sobering account of a world gone mad because of a natural catastrophe and the power of the pull of needing to be home.   My Take: Full Price  The End We Start From Info    Now playing in theatres. 

Indiefest: Driving Madeleine (2023)   Charles (Dany Boon) is a cab driver having a bad day/week/year when he picks up what he thinks will be an easy fare, an old woman named Madeleine (Line Renaud). However, Madeleine is about to move to a care home, and this could be her last cab ride in Paris. Madeleine will want to make a few stops along the way, and Charles is about to learn about the rich, adventurous, and sometimes sad life she has led. Driving Madeleine is a film that is a joy to watch because of the chemistry between Dany Boon, the rough and always angry taxi driver, and Line Renaud, the woman who takes her taxi driver on a trip through a Paris of memories. Line Renaud is brilliant as the woman who refuses to dwell on the bad things and celebrate the good times in her life. It’s a beautiful performance full of sweetness and subtlety. Dany Boon is perfect as a man who slowly lets his guard down and slowly becomes under the spell of a woman who has lived a full and interesting life. I could have used fewer flashbacks and more time in the cab, but that’s a minor problem because of the performances of the two principals. So sit back and enjoy a long cab ride full of stories and insights from a woman who has experienced life and is willing to share it.   My Rating: Full Price  Driving Madeleine Website

Forgotten Film: Lovely & Amazing (2001)  R  Jane Marks (Brenda Blethyn) is a mother of three daughters. Michelle (Catherine Keener), the oldest, is a former homecoming queen in an unhappy marriage. Elizabeth (Emily Mortimer) is an actress on the brink of stardom, but spends her time rescuing dogs, even when they don’t want to be rescued. The youngest sister is Annie (Raven Goodwin), an eight-year-old African-American Jane adopted. All the women of the Marks clan have serious issues, including body issues and insecurity. However, the Marks women have one thing in common: they love each other and seek redemption, each in their own way. What I love about this film is that the women in the movie are all dealing with problems, but none of them are superficial. They know they are flawed and are trying to deal with their problems, though sometimes not well. The film tackles a serious subject of how women are constantly bombarded with attaining the perfect body and how it’s a struggle to keep your sense of worth and, better yet, your sense of humor to deal with these issues.  My Rating: Full Price Lovely & Amazing Info The film is available on disc. 

Weird Credits: From the credits of Origin: Lunchbox Driver

Coming Soon to a Screen Near You: Sometimes I Think About Dying (2023) PG-13 Fran (Daisy Ridley) is good at her office job but is incredibly socially awkward. Fran spends most of her time alone, which gives her a way to daydream about how she could die. Fran’s world changes when Robert (Dave Merheje) starts working at her office, and he takes a liking to her. Now, the only thing standing in the way of her happiness is Fran herself. The film was a Grand Jury Prize nominee at the 2023 Sundance Film Festival.  Sometimes I Think About Dying Website  Releasing in theatres on Friday, Jan. 26, 2024.

Until Next Time!



Friday, January 13, 2023

Plane

My View: Plane (2023) R Brodie Torrance (Gerard Butler) is an airline pilot who always puts his passengers first. When his plane encounters horrible storms, Brodie is forced to land the plane in a foreign country controlled by a powerful warlord. Brodie’s only ally to save his passengers is a convicted murderer (Mike Colter). Okay, you know what you are getting when you see a Gerard Butler film with a one-word title. It’s going to be a little dumb and you might laugh at the silliness of it all sometimes, but you will have fun. Butler plays an earnest pilot who puts his passengers above all else. What I liked about Brodie is that he isn’t your ordinary hero from this type of film. He isn’t a former special forces guy, just a guy who wants to rescue his passengers. Luckily for those passengers and us, Brodie does have a guy like that next to him in the convicted murderer, played by Mike Colter (Luke Cage Tv series), who we find out is a former French Foreign League soldier. The action, including some very well-done flying sequences, is fun, and the bad guys are just evil enough for you to hate immediately. So make sure your tray table is up, your belongings are secured, and your seat belt is on because it’s going to be a bumpy ride on ‘Plane.’   My Rating: Bargain Matinee  Plane Website  Now playing in theatres nationwide.

My View: Dog Gone (2023)   A father (Rob Lowe) and son (Johnny Berchtold), whose relationship is in pieces, are forced to travel the Appalachian Trail to search for their beloved lost dog. Finding the dog is not the only problem, as the dog will die in less than two weeks if he doesn’t get his medication. It’s a story that captured the world’s heart. The film is based on a true story, and I will admit (as a dog lover) that I did tear up a few times, as it’s a remarkable story of a dog that winds up incredibly far from where he was lost. The film is more about the reconnection between a father and son than a lost dog story. If fact, other than a few scenes of Gonker (yeah, that’s the dog’s name) lying down in the woods for the night, we only follow the father and son traveling around handing out flyers while the mother (played by Kimberly Williams-Paisley) handles the phones and coordinates the search. The film feels like there is more to the story of what is causing the problems between the father and son, but things get fixed pretty quickly, a little too easily. Still, you will probably need a tissue or two. And the dog is pretty darn cute.   My Rating: Bargain Matinee  Dog Gone Website  Now playing on the Netflix platform.

My View: The Drop (2022)  Mani (Jermaine Fowler) and Lex (Anna Konkle), a couple, are on a trip to see friends get married on a tropical island when their relationship is tested when one of them drops a baby. This is a film about relationships and how we often think they are perfect, but we can’t see the problems that keep popping up as we pretend to be happy. Mani and Lex seem to be a perfect couple, in love and trying to get pregnant. However, when one of them drops a baby on her head (she is fine), things go downhill quickly. The film starts out a lot of fun, and there is a plane ride where we get to see the group together (most are former college pals who apparently have all slept together), which is hilarious. Unfortunately, the film goes a bit downhill at that point, turning into a bit of a black comedy that goes off into some rather icky subjects, and it is very apparent the cast is doing quite a bit of improvising (a couple of times that improvising just grounds the film to a halt). It’s kind of weird to say, but the film went off the rails when they dropped the baby.   My Rating: Cable  The Drop Website  Now playing on the Hulu platform.

Indiefest: Saint Omer (2022) PG-13   Rama (Kayije Kagame) is a novelist researching her next work at the trial of Laurence Coly (Guslagie Malanda), who is accused of drowning her child. Laurence claims she did it because of demons. This is a film you watch knowing that it will not give you all the answers you want, and you are ok with that. Set mainly in a courtroom, the film is a long look at two women bound by motherhood. The film asks you to let it slowly reveal the facts of the case in the trial, and then you have to decide if you feel the woman accused is guilty. Saint Omer is a gritty look at something shocking but asks you to look with compassion. What I loved about this film is that we get more information from the faces of the two actors than from what they say or do. It’s a blow to your gut, but this film is worth watching.   My Rating: Full Price   Saint Omer Website  Now playing in select theatres.

Indiefest: Broker (2022) In Broker, a young woman, So-young (Ji-eun Lee), leaves a baby at an adoption drop-off. Her baby is taken by a team of brokers (Song Kang-ho, Dong-won Gang) who steal infants left off for adoption and then sell the babies to parents wanting children, who the official process has denied. Little do the baby snatchers know that they are being watched by a couple of detectives trying to bring the snatchers to justice. This is a challenging film to describe as the cast of characters gets larger as the film goes along. Every character in this film has a flaw, and they are all on a collision course that will not end well. This is a film about finding family where you can find it and how hopelessness can propel you to do things you thought you never would do. Broker is a beautifully acted film with some outstanding performances, including Song Kang-ho, playing a man who desperately needs money but has a heart that makes him make choices that we know he will end up paying for. Song Kang-ho plays off the rest of the cast with ease, and it’s his charm that overwhelms you on the screen. Broker is a film you know will probably end in heartbreak, but you are willing to go along for the ride just to find out if it does happen.   My Rating: I Would Pay to See it Again   Broker Website  Now playing in select theatres. 
Indiefest:
Women Talking (2022) PG-13 Women Talking takes place in 2010, where the women of an isolated religious community must decide on one of three things: do nothing, stay and fight, or leave. A group of women are meeting to decide what to do after discovering that the religious sect's men have done something horrible. At first, we think the women are from the 19th century, but we soon find that the women in this sect are entirely isolated from the rest of the world, with no knowledge of what it’s like in the modern world, not able to read, write or even read a map. Filmmaker Sarah Polley brings us a talkfest of a tale about women trying to figure out an almost impossible situation. The cast, including Jessie Buckley, Rooney Mara, Judith Ivey, Claire Foy, and Frances McDormand, are given amazing speeches that seemed to flow out of the women. Unfortunately, while the performances are brilliant, I found the film a bit too much like a stage play, with almost the whole movie taking place inside a barn. Of the cast, Rooney Mara, who plays a pregnant woman constantly putting down the rest of the women, and Jessie Buckley, who is in an abusive relationship, stand out. I wish this outstanding cast had been given more to do than give speeches to each other. Still, the slowness of the plot doesn't overshadow the incredible performances that make Women Talking worth watching.   My Rating: Full Price   Women Talking Website  Now playing in select theatres. 

Forgotten Film: When Eight Bells Toll (1971) GP  When ships carrying gold bullion go missing off the coast of Scotland, the Treasury department sends in their best man, Philip Calvert (Anthony Hopkins), to investigate. Calvert hides on the next ship carrying the gold and finds himself knee-deep in bad guys. Based on an Alistair MacLean book (he also wrote the screenplay), the movie attempted to start up a new James Bond-like character in Philip Calvert, hoping for a series of films. The film didn’t catch on, and we never got to see Anthony Hopkins kick butt like this again. It’s a fun film, reminiscent of the other Alistair MacLean-based movies like Ice Station Zebra and The Guns of Navarone, and Hopkins is rather dashing as the secret agent.    My Rating: Full Price  When Eight Bells Toll Info

Weird Credits: From the credits of Plane: Scenics

Coming Soon to a Screen Near You: Bosch & Rockit (aka: Ocean Boy) (2022) It's summer on the Australian coast and Bosch (Luke Hemsworth) goes on the run, wanted for dealing drugs with his surf gang. In tow is his son, Rockit (Rasmus King), who has no idea what his father has done and thinks he is on a magical vacation with his dad. I want to see this film just for the location shots alone.    Bosch & Rockit Info  In theatres in early February.

Until Next Time!




Friday, March 12, 2021

Yes Day


Note to readers: I currently am not willing to risk my health (I’m 63 and an asthmatic) by visiting a theatre. All films that I have seen for review have been screened in my home. I am not going to tell you whether or not to attend a theatre. Just be aware of the risks, do your research, and follow the instructions to the letter.

My View:  Yes Day (2021) PG  Allison (Jennifer Garner) and Carlos ( Edgar Ramirez) are parents who decide to give their kids a ‘yes day’ where for 24 hours they have to say yes to everything their kids suggest they do. This is exactly what you think it is, an inoffensive, silly film that kids will love and parents will be bored by. The film starts out with some good ideas, but once the action starts, it just becomes bland. Garner and Ramirez make a good couple, and the kids are cute, but the storyline is dragged down by unexciting events, and the big, teachable, heart-tugging moment that the film needs at the end just kind of sits there. My guess is that the cast had more fun making the film than we have watching it. It would be easy to say Yes Day is a No, but instead, I’ll just say Blah.    My Rating: Cable    Yes Day Website    Now playing on the Netflix platform.

My View:  The Father (2020) PG-13  Anthony (Anthony Hopkins) is set in his ways and does not want help living in his home. His daughter (Olivia Colman) struggles to find someone who will get along with her father, who is starting to lose his grip on reality. I will let you know that this is a tough film to watch, especially if you have ever dealt with the process of parents who are slowly losing their abilities to take care of themselves. Here is the thing, it’s a gut-wrenching watch, but because of the brilliant and beyond moving performances of Hopkins and Coleman, it is worth it. Hopkins is perfect as a man who one moment is charming and lovely, and the next moment is unhappy and angry at the world. Coleman is right there with Hopkins, like a well-rehearsed dance partner who moves and bends with every action that Hopkins's character makes. It is an amazing and brilliant performance by both actors, and they are magical to watch. I don’t want to say too much about the plot in order for the film to play out correctly in front of you as you watch it. I have a feeling that when film historians pull out a performance to show just how great an actor Anthony Hopkins was, this will be the one they show. The Father is a master class in acting and one I won’t ever forget.   My Rating: I Would Pay to See it Again    The Father Website   The film is currently playing in select theatres.

Indiefest:  Kid 90 (2021)   Soleil Moon Frye, at age eight, became a big star on her hit TV show, Punky Brewster. Frye always had a video camera in her hand and shot hundreds of hours of footage of her youth. Now Soleil Moon Frye explores those years of being a kid in Hollywood and its effect on her and other child star lives. This is a film about Frye’s personal journey through her teenage years, growing up in front of us on TV and film, and how that affects a person so young. Using footage that she hasn’t seen in twenty years, Frye looks back at that time and wonders how she and others survived when so many of her friends didn’t, having lost their lives to drugs or suicide. She bravely shows us her life, both the glamorous or funny side, but also the wild side, where we watch as she and her friends drink and take drugs. There are a lot of real and tough moments in the film, but sometimes it feels a bit like a vanity project for Frye, as the spotlight is almost always on her, even when she interviews people like Mark-Paul Gosselaar or Brian Austin Green. Overall, fans of Frye will be happy to go down memory lane with her; others may be a little bored as the shaky home movies continue to roll by.    My Rating: Bargain Matinee    Kid 90 Website   Now playing on the Hulu platform.

Indiefest:  Come True (2020)   Sarah (Julia Sarah Stone) is struggling at school and cannot go home when she finds shelter at a university sleep study. Hoping to cure her nightmares, instead, Sarah unwittingly becomes the channel to a horrifying discovery. Would you want to see your nightmares replayed before your eyes? This horror/sci-fi film asks that question, and like Sarah in the film, you might not want to say yes. I wish I had watched the film in a theatre because the dream sequences need to be seen on the big screen to let the horror creep up on you. I loved Julia Sarah Stone in the role of a young woman who is having trouble at home and can’t find a place to sleep without her dreams/nightmares invading her life. There are plenty of twists and turns in the plot to keep you interested. The film slows a bit down near the end of the film, and there is a relationship turn that I didn’t like, but there is a lot more to this film than just a night or two of restless sleep to explore; there are nightmares that might come true.    My Rating: Bargain Matinee     Come True Website   The film is currently playing in select theatres and  is available to rent on participating on-demand services.

Forgotten Film: The Amateurs (2005) R  Andy (Jeff Bridges) is having a mid-life crisis and is tired of not having money, so he decides that he and his small town's pals should make a full-length porn movie. First off, the cast is amazing: Ted Danson, Joe Pantoliano, William Fichtner, Patrick Fugit, John Hawkes, Glenne Headly, Lauren Graham, and Jeanne Tripplehorn. I love that most of the characters are named after characters from the old Andy Griffith Show. Jeff Bridges is the star of the film, but Ted Danson is the standout of a gay guy named Moose that goes around the town and tries to convince the women of the town to be in the film. The Amateurs is just a fun film with a lot of heart and is filled with a lot of laughs.   My Rating: Full Price     The Amateurs Info    


Weird Credits: From the credits of Come True: Sleep-caps designed and created by


Coming Soon to a Screen Near You:  Happily  (2021) R   Tom (Joel McHale) and Janet (Kerry Bishe) are one of those couples that, after years of marriage, still enjoy each other’s company so much, they kind of make their friends jealous. Then one day, a mysterious man (Stephen Root) shows up at their door, offering the couple a way to make their relationship like everyone else’s; miserable. Just the cast alone makes me want to see this ‘dark romantic comedy’ which includes Natalie Morales, Charlyne Yi, Breckin Meyer, Brea Grant, Jon Daly, and Paul Scheer.     Happily Info

Until Next Time!


Friday, November 30, 2012

Hitchcock

My View: Hitchcock (2012) Alfred Hitchcock (Anthony Hopkins) feels that, at 60 years old, he is unappreciated and that others think of him as over-the-hill. So, Hitchcock decides to make a movie, at the reluctant urging of his wife, Alma (Helen Mirren), using his own money – a little film called, “Psycho.” While this film is about the making of Psycho, it’s really a love story between Alfred and Alma. Hopkins is perfect as Hitchcock and gets his voice and his mannerisms down to perfection, and Mirren is amazing in the role of the woman behind the man. Scarlett Johansson does a brilliant job of portraying one of the big stars of the time, Janet Leigh. You won’t learn much about filmmaking when you watch this film,  but you will learn a lot about the man named, Hitchcock.   My Rating: Full Price   Hitchcock Website
My View: The Collection (2012) Arkin (Josh Stewart) is the only person to escape from a serial killer named, “The Collector.” The Collector likes to entrap his victims and then take them to maze-like buildings full of deadly traps.  A young woman named, Elena (Emma Fitzpatrick), has been kidnapped, and it’s up to Arkin to rescue her. This is a bloody and violent film, to be sure, but its portrayal of the deaths are not drawn out (as they are in the Saw series) and some of them are rather creative. I feel that this film has a little more intelligence to it than the run-of-the-mill slasher film. The story moves very quickly, and I really enjoyed the ending, which is sure to set up the next film.   My Rating: Bargain Matinee   The Collection Website
The 50 (A Movie From My Best/Worst Films of All Time)
#12 Worst Film
Myra Breckinridge (1970) Meant to be controversial and sexy at the time, this film about a man who wants to have a sex change operation, is just silly and stupid. Rex Reed (a well-known film critic at the time) plays Myron, the man who wants to get the sex change. When he does, he is turned into Raquel Welch’s character, Myra Breckinridge. This film is boring and badly acted, with old time Hollywood stars like Mae West, Andy Devine, and John Huston overacting as if their life depended on it. The only fun thing about this film is the small parts that Farrah Fawcett and Tom Selleck have.    Myra Breckinridge Info
Forgotten Film: Cactus Flower (1969) Dr. Julian Winston (Walter Matthau) is a playboy who uses the made-up excuse that he is married to get out of commitments to other women. That is until he meets Toni (Goldie Hawn), who, despite his best intentions, he falls in love with.  After using the marriage ruse, though, he must convince his long time dental assistant, Stephanie (Ingrid Bergman) to pose as his wife who wants a divorce. Goldie Hawn won a Best Supporting Actress Oscar for her role in this film, but it’s Ingrid Bergman who makes this it so much fun to watch as she gives her roles depth and warmth, creating a character that you want to root for.   My Rating:  Full Price   Cactus Flower Info
In Case You Missed It (A Film Just Released on DVD):   Men in Black 3   I like but did not love this film, but I do think Josh Brolin’s portrayal of a younger Tommy Lee Jones was well done. It’s a fun ride and somewhat clever, but it’s just not up to the original.   My Rating: Full Price   Men in Black 3 Website
In Memory of Ed Wood (A Movie I’ve Only Seen in Trailers But Just Looks Like a Bad Idea): Parental Guidance (2012) Billy Crystal and Bette Midler agree to take care of their three grandkids when their parents need to be out of town for work. There isn’t one funny line in a rather lengthy trailer - just lots of Billy being hit in the crotch.    Parental Guidance Info

Weird Credits: From the credits of Hitchcock: Scarlett Johansson photo double

Coming Soon to a Theatre Near You: The Hobbit: An Unexpected Journey (2012) Peter Jackson is back at the director’s spot, making this prequel to the Lord of the Rings trilogy. Will this be more Oscar worthy stuff from him?    The Hobbit: An Unexpected Journey Website
Until Next Time!

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