Plane

My View: Plane (2023) R Brodie Torrance (Gerard Butler) is an airline pilot who always puts his passengers first. When his plane encounters horrible storms, Brodie is forced to land the plane in a foreign country controlled by a powerful warlord. Brodie’s only ally to save his passengers is a convicted murderer (Mike Colter). Okay, you know what you are getting when you see a Gerard Butler film with a one-word title. It’s going to be a little dumb and you might laugh at the silliness of it all sometimes, but you will have fun. Butler plays an earnest pilot who puts his passengers above all else. What I liked about Brodie is that he isn’t your ordinary hero from this type of film. He isn’t a former special forces guy, just a guy who wants to rescue his passengers. Luckily for those passengers and us, Brodie does have a guy like that next to him in the convicted murderer, played by Mike Colter (Luke Cage Tv series), who we find out is a former French Foreign League soldier. The action, including some very well-done flying sequences, is fun, and the bad guys are just evil enough for you to hate immediately. So make sure your tray table is up, your belongings are secured, and your seat belt is on because it’s going to be a bumpy ride on ‘Plane.’   My Rating: Bargain Matinee  Plane Website  Now playing in theatres nationwide.

My View: Dog Gone (2023)   A father (Rob Lowe) and son (Johnny Berchtold), whose relationship is in pieces, are forced to travel the Appalachian Trail to search for their beloved lost dog. Finding the dog is not the only problem, as the dog will die in less than two weeks if he doesn’t get his medication. It’s a story that captured the world’s heart. The film is based on a true story, and I will admit (as a dog lover) that I did tear up a few times, as it’s a remarkable story of a dog that winds up incredibly far from where he was lost. The film is more about the reconnection between a father and son than a lost dog story. If fact, other than a few scenes of Gonker (yeah, that’s the dog’s name) lying down in the woods for the night, we only follow the father and son traveling around handing out flyers while the mother (played by Kimberly Williams-Paisley) handles the phones and coordinates the search. The film feels like there is more to the story of what is causing the problems between the father and son, but things get fixed pretty quickly, a little too easily. Still, you will probably need a tissue or two. And the dog is pretty darn cute.   My Rating: Bargain Matinee  Dog Gone Website  Now playing on the Netflix platform.

My View: The Drop (2022)  Mani (Jermaine Fowler) and Lex (Anna Konkle), a couple, are on a trip to see friends get married on a tropical island when their relationship is tested when one of them drops a baby. This is a film about relationships and how we often think they are perfect, but we can’t see the problems that keep popping up as we pretend to be happy. Mani and Lex seem to be a perfect couple, in love and trying to get pregnant. However, when one of them drops a baby on her head (she is fine), things go downhill quickly. The film starts out a lot of fun, and there is a plane ride where we get to see the group together (most are former college pals who apparently have all slept together), which is hilarious. Unfortunately, the film goes a bit downhill at that point, turning into a bit of a black comedy that goes off into some rather icky subjects, and it is very apparent the cast is doing quite a bit of improvising (a couple of times that improvising just grounds the film to a halt). It’s kind of weird to say, but the film went off the rails when they dropped the baby.   My Rating: Cable  The Drop Website  Now playing on the Hulu platform.

Indiefest: Saint Omer (2022) PG-13   Rama (Kayije Kagame) is a novelist researching her next work at the trial of Laurence Coly (Guslagie Malanda), who is accused of drowning her child. Laurence claims she did it because of demons. This is a film you watch knowing that it will not give you all the answers you want, and you are ok with that. Set mainly in a courtroom, the film is a long look at two women bound by motherhood. The film asks you to let it slowly reveal the facts of the case in the trial, and then you have to decide if you feel the woman accused is guilty. Saint Omer is a gritty look at something shocking but asks you to look with compassion. What I loved about this film is that we get more information from the faces of the two actors than from what they say or do. It’s a blow to your gut, but this film is worth watching.   My Rating: Full Price   Saint Omer Website  Now playing in select theatres.

Indiefest: Broker (2022) R  In Broker, a young woman, So-young (Ji-eun Lee), leaves a baby at an adoption drop-off. Her baby is taken by a team of brokers (Song Kang-ho, Dong-won Gang) who steal infants left off for adoption and then sell the babies to parents wanting children, who the official process has denied. Little do the baby snatchers know that they are being watched by a couple of detectives trying to bring the snatchers to justice. This is a challenging film to describe as the cast of characters gets larger as the film goes along. Every character in this film has a flaw, and they are all on a collision course that will not end well. This is a film about finding family where you can find it and how hopelessness can propel you to do things you thought you never would do. Broker is a beautifully acted film with some outstanding performances, including Song Kang-ho, playing a man who desperately needs money but has a heart that makes him make choices that we know he will end up paying for. Song Kang-ho plays off the rest of the cast with ease, and it’s his charm that overwhelms you on the screen. Broker is a film you know will probably end in heartbreak, but you are willing to go along for the ride just to find out if it does happen.   My Rating: I Would Pay to See it Again   Broker Website  Now playing in select theatres. 

Indiefest: Women Talking (2022) PG-13 Women Talking takes place in 2010, where the women of an isolated religious community must decide on one of three things: do nothing, stay and fight, or leave. A group of women are meeting to decide what to do after discovering that the religious sect's men have done something horrible. At first, we think the women are from the 19th century, but we soon find that the women in this sect are entirely isolated from the rest of the world, with no knowledge of what it’s like in the modern world, not able to read, write or even read a map. Filmmaker Sarah Polley brings us a talkfest of a tale about women trying to figure out an almost impossible situation. The cast, including Jessie Buckley, Rooney Mara, Judith Ivey, Claire Foy, and Frances McDormand, are given amazing speeches that seemed to flow out of the women. Unfortunately, while the performances are brilliant, I found the film a bit too much like a stage play, with almost the whole movie taking place inside a barn. Of the cast, Rooney Mara, who plays a pregnant woman constantly putting down the rest of the women, and Jessie Buckley, who is in an abusive relationship, stand out. I wish this outstanding cast had been given more to do than give speeches to each other. Still, the slowness of the plot doesn't overshadow the incredible performances that make Women Talking worth watching.   My Rating: Full Price   Women Talking Website  Now playing in select theatres. 

Forgotten Film: When Eight Bells Toll (1971) GP  When ships carrying gold bullion go missing off the coast of Scotland, the Treasury department sends in their best man, Philip Calvert (Anthony Hopkins), to investigate. Calvert hides on the next ship carrying the gold and finds himself knee-deep in bad guys. Based on an Alistair MacLean book (he also wrote the screenplay), the movie attempted to start up a new James Bond-like character in Philip Calvert, hoping for a series of films. The film didn’t catch on, and we never got to see Anthony Hopkins kick butt like this again. It’s a fun film, reminiscent of the other Alistair MacLean-based movies like Ice Station Zebra and The Guns of Navarone, and Hopkins is rather dashing as the secret agent.    My Rating: Full Price  When Eight Bells Toll Info

Weird Credits: From the credits of Plane: Scenics

Coming Soon to a Screen Near You: Bosch & Rockit (aka: Ocean Boy) (2022) It's summer on the Australian coast and Bosch (Luke Hemsworth) goes on the run, wanted for dealing drugs with his surf gang. In tow is his son, Rockit (Rasmus King), who has no idea what his father has done and thinks he is on a magical vacation with his dad. I want to see this film just for the location shots alone.    Bosch & Rockit Info  In theatres in early February.

Until Next Time!

Whitney Houston: I Wanna Dance With Somebody

My View: Whitney Houston: I Wanna Dance With Somebody (2022) PG-13  The story of the life and music of Whitney Houston (Naomi Ackie), who rose from singing backup for her famous mom to becoming one of the greatest female R&B pop vocalists of all time. You will have to be a huge fan of Whitney to enjoy this overlong soap opera of a film. I liked Naomi Ackie as Whitney, but she is lip-syncing to Whitney’s real singing for all the songs, but a couple of times Ackie sings at home to her daughter or to herself. The songs take up about 40 minutes of this two-hour and twenty-six-minute film, making it one of the longest lip-syncing shows of all time. I love Houston’s songs as much as anybody but do we need every hit she ever had sung for almost the whole song? The biggest problem with the film is the plot spends a lot of time bringing up all of the issues in her life without any resolution (other than escaping into drugs), as conflicts in the film are often just dropped and never dealt with. We never really understand Whitney's attraction for Bobby Brown (played cartoonishly by Ashton Sanders) other than she likes ‘bad boys.' I Wanna Dance with Somebody is a bio-pic that feels like watching a greatest hits program without the actual performer.  My Rating: Cable  I Wanna Dance with Somebody Website  Now playing in theatres nationwide.

My View: Babylon (2022) R  The rise and fall of the people that make the movies in the silent days of Hollywood, including a legendary matinee idol (Brad Pitt), an up-and-coming firebrand of an actress (Margot Robbie), and a man who dreams of making films (Diego Calva). I am a huge fan of silent films, so I was looking forward to this film from Damien Chazelle, the Oscar-winning filmmaker for films such as La La Land (20160 and Whiplash (2014). I wasn’t prepared for the wild ride this film takes you on. The first thirty minutes of this film are some of the most outrageous and outlandish filmed scenes I’ve ever seen. A warning, if you get easily grossed out, you might want to skip this film. Several of the characters are loosely (sometimes very loosely) based on real silent film actors. Brad Pitt’s character, matinee idol Jack Conrad is inspired by John Gilbert, one of the most famous actors in the Hollywood silent period. Margot Robbie’s character Nellie LaRoy is based on the life of Clara Bow, the original ‘It Girl.’ The film takes place when Hollywood was transitioning from the freewheeling days of silent films to the more established studio system that brought in the talking pictures era. This is an overlong and sometimes confusing look at three lives and how they deal with fame, fortune, and power. They also have to deal with how quickly that fame and fortune can slip through your fingers. The film seems to keep adding more and more plot lines just to show us that Chazelle cannot only shock you as he does in the first thirty minutes but also dazzle you with big spectacle filmmaking. The problem is the message is lost in all the spectacle, which is too bad, as there are performances that make the film watchable, including Pitt and Robbie. There’s a lot I would have cut out of this 3 hour-plus movie, including a bizarre sequence with a mob boss played by Tobey Maguire that adds nothing to the plot other than making you feel weird. Instead, you will leave feeling you have seen a dozen films in one night, none of them great.  My Rating: Bargain Matinee   Babylon Website   Now playing in theatres nationwide.

Familyfaire: Puss in Boots: The Last Wish (2022) PG  The years of adventure and being a hero has taken their toll: Puss in Boots (voiced by Antonio Banderas) learns that he has burned eight of his nine lives. Now Puss in Boots finds the evil Lobo (Wagner Moura) hunting him down and enlists his friends Perro (Harvey Guillen) and Kitty Softpaws (Salma Hayek) to help him find a mythical Last Wish to restore his nine lives. Looking back at my 2011 review, I hated the first Puss in Boots film, but boy, oh boy, I loved this one. The film is packed with humor, I loved the new character in Perro, and the animation of the action sequences are kind of mix of Spider-Verse and Japanese anime. It is very apparent that Bandaras and Hayek loved making this film together, and Bandaras gives a brilliant performance as the ego-centric hero who has become scared of dying. Florence Pugh is a lot of fun as a tough, grownup Goldilocks, leading the Three Bears on crime sprees. The film has a great villain in Lobo, the wolf that is Death incarnate, but it’s the performance of Harvey Guillen as the kind, overly friendly Perro that steals the show. You and your family will fall in love with Puss in Boots, Kitty Softpaws, and especially Perro.  My Rating: Full Price  Puss in Boots: The Last Wish Website  Now playing in theatres nationwide.

Indiefest: Corsage (2022)  The account of one year in the life of legendary beauty Empress Elisabeth of Austria (Vicky Krieps), who has just turned forty and wants to maintain her status as a groundbreaking royal. This is a film about a woman who wanted to be her own person and not the person her husband, other royalty, and the public wanted her to be. Vicky Krieps gives a beautiful, moving, and dazzling performance of Elisabeth, a woman who was truly before her time and one whose life, while surrounded by servants, was never happy. This is a gorgeous film to watch, and Krieps gives life to a woman who decided to forge her own path, even if it hurt the people she loved. We watch as Elisabeth’s path blazes along, and Krieps, in any unbelievably moving performance, lets us see Elisabeth is all her unhappiness.  My Rating: Full Price  Corsage Website  Now playing in select theaters.

Indiefest: Wildcat (2022) R Documentary about a young British soldier, Harry, back from Afghanistan who is struggling with depression and PTSD. He finds a second chance in the Amazon rainforest when he meets an American scientist, Samantha, and an orphaned baby ocelot. First, let me tell you that this is not a movie for kids. I know it features an adorable baby ocelot, but the film deals with major adult issues, and there are some rather shocking and brutal scenes to watch. This is a movie about how nature and kindness can help heal people dealing with trauma. Harry is a very troubled young man who escapes to the jungle to disappear but finds a purpose to help raise a tiny baby ocelot and train it to return to the jungle as an adult. Some scenes are raw as Harry deals with a past that haunts him. Sam and the baby ocelot can only do so much to heal Harry, and it’s a difficult journey that he travels, sometimes alone. Wildcat is often a very dark and painful film to watch, but in the end, healing and hard work can succeed, even when letting a wild animal go out into the world on its own.  My Rating: Full Price   Now playing in select theaters.  Wildcat Website Now playing in select theatres and on Amazon Prime on Dec. 30th.

Indiefest: Joyride (2022) A headstrong woman named Joy (Olivia Colman) plan to offload her newborn baby on her sister is derailed when a young teenager, Mully (Charlie Reid), steals the taxi she is asleep in. They are about to go on a journey across Ireland that will change both their lives. I wanted to love this film but only like it, and that’s only because of the chemistry between Colman and Reid. The movie is full of plot holes and relies too much on us instantly liking Colman’s character (which we don’t), but Colman can make any part watchable, and Charlie Reid, in his first film role as the young teen Mully is a lot of fun. The film takes a few strange twists, and Colman’s character thinks she can talk her way out of any situation (which she can’t), which takes away from the performances in the end. Still, I enjoyed watching the two characters interact and grow fond of each other; I just wished the plot was better.   My Rating: Bargain Matinee  Joyride Info  Now playing is select theatres.

My View: Glass Onion: A Knives Out Mystery (2022) PG-13  Famed Southern detective Benoit Blanc (Daniel Craig) is back and has a new mystery to solve. He has been invited to an exclusive private island to play a murder mystery game hosted by a wealthy tycoon (Edward Norton). Things are going great until a real murder happens. Rian Johnson is back with his Knives Out format, bringing back our favorite pompous detective, Benoit Blanc, this time to solve a murder or two with a cast of strange and wonderful characters. This is such a fun movie to watch, and I had a blast with it. The cast is terrific, with actors such as Kathryn Hahn, Dave Bautista, and Kate Hudson filling out the strange and wonderful group of people that Miles Bron, played Edward Norton, playing a sort of Elon Musk character, has invited to his island. Out of this cast, Janelle Monae stands out, playing a mysterious woman with a grudge, who the rest of the group is surprised has shown up for the festivities. Monae is brilliant in the role, and I think she could get an Academy Award nomination for the performance. The film is funny, filled with incredible sight gags, and has a mystery that isn’t easy to solve. I can’t wait to see the next movie that Johnson and Craig bring us because the world needs more of Benoit Blanc solving mysteries.  My Rating: I Would Pay to See it Again.  Glass Onion Website    Now Playing on the Netflix platform. 

Familyfaire: Roald Dahl’s Matilda the Musical (2022) PG   Matilda (Alisha Weir) is attending a new school and dares to take on the dastardly evil Miss Trunchbull (Emma Thompson). Between parents (Stephen Graham, Andrea Riseborough) that don’t care about her and a school where Miss Trunchbull rules with an iron fist, what’s a girl to do? How about fighting back with her mind? Now, if you don’t know the story, the school can be a little scary for young kids, but they will love the music and the antics that Matilda and the rest of her cast-mates get into. Emma Thompson gives a villain for the ages, one who calls her students maggots and delights in punishing them. Thompson is almost unrecognizable as the ugly and mean-spirited Miss Trunchbill and belts out a song with the best of them. I loved Lashana Lynch as the sweet and kind Miss Honey, the teacher who tries her best to protect her students from Miss Trunchbull. Alisha Weir is a tiny firebrand of a singer/performer who carries the film, appearing in almost every scene and singing most of the songs, which she does with grace and humor. Weir is a delight on screen, making this enjoyable film even more fun. The songs are fun, though I am not sure there are many you will ever hum to. Still, there are some great, rousing songs, including a couple of fantastic big showy numbers, especially the final number following the big battle with Miss Trunchbull. So gather around and go on an adventure with Matilda and her extraordinary mind.   My Rating: Full Price  Matilda the Musical Website  The film is now available on the Netflix platform.

Forgotten Film: The Holiday (2006) PG-13  Two women (Cameron Diaz, Kate Winslet) who are both having troubles with their lives decide to swap homes in each other’s countries for the holidays to escape. Both meet a local guy (Jude Law, Jack Black) and fall in love. This is another romance film from Nancy Myers (Baby Boom, Father of the Bride, The Parent Trap) that is just fun to watch, and both Diaz and Winslet don’t disappoint. I love the relationship that develops between Winslet’s character and Eli Wallach, who plays an old writer who wrote some of the Hollywood classics. And by the way, Jack Black is toned down and charming in this film (surprise!).  My Rating: Full Price   The Holiday Info

Weird Credits: From the credits of Whitney Houston: I Wanna Dance With Somebody: Head of Paint

Coming Soon to a Screen Near You: Saint Omer (2022)  Rama (Kayije Kagame) is a novelist who is researching her next work at the trial of Laurence Coly (Guslagie Malanda), who is accused of drowning her child. Laurence claims she did it because of demons. The film has made the Academy Award International Films shortlist and is getting rave reviews from critics.  Saint Omer Info In select theatres Mid-January.

Until Next Time!