Ghostbusters: Frozen Empire

My View: Ghostbuster: Frozen Empire (2024) PG-13 The Spengler family returns to the iconic New York City firehouse, where it all began to team up with some of the original Ghostbusters. Their mission is to stop an evil force unleashed by an ancient artifact that threatens to turn the world into a second Ice Age. I am a big fan of the original 1984 Ghostbusters film directed by Ivan Reitman. Made at the height of Bill Murray’s appeal as a comedic leading man, and with a fun and original storyline, the film took the world by storm. In my review I let you know that wasn’t a big fan of the Ghostbusters: Afterlife film that came out in 2021, feeling that it was stealing a lot from the original movie, and Paul Rudd isn’t even close to filling Bill Murray’s shoes. I had some hope for this film since they were returning to NYC, where it all began, and some of the original cast would be in it. I liked this film more than the 2021 one, but not by a lot. I am not a huge fan of Dan Aykroyd, and he has a lot of screen time in this film. Aykroyd always delivers lines like he is also passing a kidney stone at the same time. The film tries to capture some of the old magic by bringing back a bunch of the characters from the original, including a few favorite ghosts (I do love the antics of the little stay puff guys), but it seems like they are trying too hard. I was glad they made the setting NYC, where the series belongs, making the city part of the cast. I remember being wowed by the 1984 special effects, but this time, it seemed the effects were on the cheap, as I was never scared by the big evil guy, probably the worst villain ever in the Ghostbuster series. And yes, Bill Murray shows up, but they don’t give him much to do. Way to waste a talent there. There is a funny scene after the first bit of end credits that is worth staying for.   My Rating: Bargain Matinee  Ghostbusters: Frozen Empire Website Now playing in theaters.

My View: Immaculate (2024) R  Cecilia (Sydney Sweeney) is a woman who believes God has a plan for her. She is warmly welcomed to her new convent with open arms. But it becomes clear to Cecilia that the convent is not what it appears to be, harboring dark and horrifying secrets. Sydney Sweeney loved the story idea so much that she found a screenwriter, produced the film, and found a studio to buy it. I am a fan of Sweeney, but maybe she should find someone else to find her material. The film is full of empty jump scares, a plot that holds no mystery, and not a lot of horror. It’s a storyline that is easy to figure out with the church leaders doing something terrible, and our girl Cecilia is a little slow in picking up the signs that something is wrong. The film is incredibly slow, with a lot of Cecilia going around the convent at night with just a candle. I did enjoy the inventive ending, but it takes a long time to get there. My Rating: Bargain Matinee   Immaculate Website It is now playing in theaters.

My View: Roadhouse (2024) R  A down on his luck, former UFC fighter Elwood Dalton (Jake Gyllenhaal) ends up working at a ‘Road House,’ a rowdy bar in the Florida Keys. Hired to clean up the troublemakers in the bar, it turns out the job is a lot more complicated than that. One key thing, don’t piss Dalton off. So the original 1989 movie became a hit, not because of a big box office (it did ok) but because it played on cable stations almost non-stop and had a winning cast in Patrick Swayze, Sam Elliot, and Kelly Lynch as the love interest. There are some considerable differences between this film and that beloved original. The first is that while Gyllenhaal is a better actor than Swayze, Patrick had a likability as an on-screen presence that made you want to root for his character. Gyllenhaal tries to be the kooky, nice guy, but it doesn’t quite work. Second, there isn’t a Sam Elliot character in the film, so there is no one to play off Gyllenhaal or give us the reason Dalton goes rogue at the end of the film. The fight sequences are shot incredibly awkwardly, with some point-of-view shots of a beat-up Gyllenhaal that I didn’t need. And finally, the bad guy doesn’t have the menace that Ben Garza had in the original. In this movie, Ben Magnussen plays the son of a crime boss who is out of his league and can’t help but mess up. The ending of this film doesn’t come even close to the satisfying ending of the original. Now I will say, just like the original, there are a few laughs, especially brought to the screen by UFC bad boy Connor McGregor, who plays his part of the ultra-tough guy brought in to kill Dalton. McGregor chews up scenery and swaggers about as if he is getting paid by how many times he shows his butt. Still, I feel Amazon made a mistake and didn’t release this in theatres, where crowds could cheer as the beer bottles crash against the band’s cage and Dalton gives it to a few drunk bad guys. Stay through the first part of the credits for a bonus scene that may set up a sequel.    My Rating: Bargain Matinee   Road House Website  Now playing on Amazon Prime.

Indiefest: They Shot the Piano Player (2023) PG-13 This animated docudrama is about Jess (voiced by Jeff Goldblum), a music journalist, who travels to Brazil to uncover the truth about a young samba-jazz pianist, Tenório Júnior, who disappeared without a trace in 1976 after a promising start of his music career. The film uses beautiful animation with a fantastic jazz soundtrack that captures the spirit of the samba-jazz craze of the 60s. They Shot the Piano Player is a perfect introduction to a jazz form that few know about. The film does an amazing job of letting the people who knew Tenorio and what an amazing pianist he was, while letting us know about how quickly people disappeared in South America countries during this time, sometimes for very little reason. It’s a perfect way to capture a place in time when samba ruled the airwaves and the bars of not just Brazil but the world.   My Rating: Full Price  They Shot the Piano Player Website Now playing in theaters. 

My View: Shirley (2024) PG-13  Shirley tells the story of Shirley Chisholm (Regina King), who made history as the first Black woman elected to Congress and to run for President in the 1972 election. So you know when you see that Regina King is playing the lead character, you will get a performance worthy of watching. I wish the film was on the same level as her performance. Shirley feels like someone gave John Ridley a bullet-point presentation of Shirley Jacksons’ run for the Democratic nomination for President in 1972, and he followed it to the letter. Other than getting to see Shirley on her first few days as a congresswoman and verbally tearing down a fellow freshman congressman in the halls, we don’t get a lot of background on her. We are almost instantly thrown into the race without a lot of information on why she thought this would work. We get to see how Shirley played the game of politics, but we didn’t get to know why. I wanted more from this film, and frankly, I got more out of the closing credits when we learn what happened to a lot of the principal players in her run than I did in the film itself. Still, watching Regina King work her magic on the screen is always fun.   My Rating: Bargain Matinee  Shirley Website Now playing on Netflix.

Indiefest: Riddle of Fire (2023) PG-13 Riddle of Fire starts when their mother asks three children to run an errand to the grocery store. Their journey will be filled with kidnappings, battles with a witch and fairies, and a showdown with a huntsman. This is a fun film about the adventures of three friends who go on a quest to get some eggs to make a pie so that their mother will let them play video games. The opening sequence, where the three successfully carry out a raid on a warehouse to steal a new gaming console, is so much fun. The film relies on you believing that the kids think the world is filled with witches and fairies, and that another adventure is just around the corner. It’s about how you could spend a whole day with your friends fighting off the bad guys to save the day. The film slows down a bit in the second half, and some of the performances are lacking, even so, the three kids have a lot of charm besides, did it all really happen? To the three heroes of the story, it did, and that’s all that matters.  My Rating; Bargain Matinee  Riddle of Fire Website Now playing in theaters

My View: Late Night with the Devil (2023) R  A live television broadcast in 1977 goes horribly wrong, unleashing an unspeakable evil into the nation’s living rooms. The movie is centered around footage from a late-night talk show, with some behind-the-scenes footage thrown in. It’s an exciting film that plays with many stereotypical late-night talk show tropes. Halloween night is when the show is broadcast live. The guests are a man who can talk to the dead, a former magician who now spends his time debunking people who say they can talk to the dead or the devil, and a woman who claims one of her patients can take the form of the devil. Into the mix is the talk show host, played by David Dastamlchian, named Jack Delroy, who, after he lost his wife to cancer, is trying to revive his talk show by doing stunt shows like this one. Nevertheless, things start to deteriorate, like the man who converses with the dead experiencing a seizure on live television. As it becomes clear that something is not right in the studio, things only get worse. This is a fun and occasionally terrifying adaptation of the horror film genre, with a touch of nostalgia for the old late-night talk show format. I loved David Dastamichian, who plays the host and is willing to go the extra mile to save his show until he realizes it’s gone too far. He is perfect in portraying the man who believes he is the smartest and most talented person in the room, but is really not. The film perfectly captures the talk show look and feel of the late 70s, which makes it a blast to watch. I’m not totally happy with the ending, but up to that point, it’s a fun ride back to a time when everyone watched late-night talk shows and talked about it around the water cooler the next day. I wonder what they said after they saw this broadcast? My Rating: Full Price   Late Night with the Devil Website  Now playing in theaters.  

Forgotten Film: The Last Samurai (2003) R Nathan Algren (Tom Cruise), a Civil War vet, is hired by the Japanese emperor to train the emperor’s army in the ways of modern warfare and defeat an army of traditional samurai warriors led by Katsumoto (Ken Watanabe). Algren’s army is badly routed, and he is wounded, but Katsumoto spares his life. Algren soon learns the ancient ways of warfare are honorable and he decides to help Katsumoto’s quest. Because of the success of the FX/Hulu TV series Shogun, I thought I would revisit this film, which doesn’t always come up when discussing Tom Cruise’s career. The Last Samurai is a film that is not your ordinary white savior type of film. The film is more about two warriors finding common ground and respect, with Algren learning that there is more to life than just killing by the easiest way possible. Cruise plays off of Watanabe well, and there are some incredible battle sequences that make this film work so well.   My Rating: Full Price  The Last Samurai Info The film is available to rent/buy on Amazon.

Weird Credits: From the credits of Ghostbusters: Frozen Empire: Hair Punching

Coming Soon to a Screen Near You: Monkey Man (2024) R Monkey Man is about a man (Dev Patel) who wears a gorilla mask when he enters the ring as he fights for money. This man has a plan, and it involves violence and getting revenge for the murder of his father by corrupt leaders. The film won the Audience Award at the 2024 SXSW Film Festival.  Monkey Man Website  The film will be in theatres on Friday, April 5th.

Until Next Time!

Miller's Girl

My View: Miller’s Girl (2024) R  Cairo (Jenna Ortega) is a high school student who excels at everything she sets her mind to. Her English teacher, Jonathan (Martin Freeman), sees talent in Cairo and gives her extra attention. When he realizes things may have gone too far, he rejects her, and now Cairo is out for revenge. I am a fan of both Freeman (Sherlock and Fargo TV series, The World’s End (2013)) and Ortega (Scream (2022), X (2022), Wednesday TV series), so I hoped that this wouldn’t be the mess that the trailer made it look like it could be. Sadly, it is a big mess. The film tries too hard to be cutting-edge and controversial, but the writing makes it seem like a bad attempt at a modern Tennessee Williams adaptation. I mean, you have a popular, charismatic high school teacher who can actually talk to his students, married to an alcoholic wife who spends too much of her time on her work, and a brilliant young student who is bored and wants out of the small-town life. So, she sets her sights on her English teacher, and he falls for it. Because of her over-imagination and a script that waxes poetics at the drop of a hat, we never really know if they ever did anything. Did they even kiss? We will never know. The title comes from the assignment that Jonathan gives Cairo to write something in the style of her favorite writer. So she picks Henry Miller, an author known for his pushing the window of eroticism in his writing. And Jonathan says, sure, why not? What could go wrong? The rest of the film, that’s what.   My Rating: Cable  Miller's Girl Website  Now playing in theaters

Indiefest: Sometimes I Think About Dying (2023) PG-13  Fran (Daisy Ridley) is good at her office job but is incredibly socially awkward. Fran spends most of her time alone, which gives her a way to daydream about how she could die. Fran’s world changes when Robert (Dave Merheje) starts working at her office, and he takes a liking to her. Now, the only thing standing in the way of her happiness is Fran herself. I went in thinking that this film was going to be quirky, funny, and fun. While incredibly odd, it’s not a funny film but more of a serious movie about a woman who doesn’t fit in, loves doing her job, and tries to avoid interaction as much as possible. All that changes when she finds herself attracted to her new office mate, Robert. He gives mixed signals to Fran, and she tries as hard as possible to let him know she is interested. The problem is that Fran doesn’t have a clue about how to interact with people. Instead, to escape her office mates chatting on about nonsense, she has daydreams about what it would look like if she died in the forest or on a beach. As much as she wants a relationship with Robert, he isn’t the perfect match, falling asleep on a date or not picking up the signs that she wants more than to be kissed once. Still, it’s an interesting ride that Daisy Ridley takes us on, far from her role as action adventurer roles in the Star Wars films. Fran is a role that Ridley seems to relish in, one that is profoundly understated, even so, she creates a character that we root for. We want Fran to find love or at least acceptance, but we may never know if she will ever see the happiness she finds in daydreaming about her dying.   My Rating: Full Price  Sometimes I Think of Dying Website  Now playing in theaters. 

My View: Badland Hunters (2024)  Badland Hunters takes place after a massive earthquake has transformed Seoul into an apocalyptic wasteland, where civilization has collapsed, and it’s everyone for themselves. Nam-san (Don Lee) protects a group of people living in a wasteland. When he finds out that a friend could be in trouble, he leads a couple of friends on a quest to rescue the friend, who is needed for an evil experiment by a mad doctor. Badland Hunters is a silly, fun romp with lots of grisly fights with lots of kung fu theatrics. It’s a film that includes zombies, a mad scientist, a formula to give everlasting life, and lizard men. What’s not to love when the hero’s primary weapon is a giant machete? What’s better to chop off quasi-zombie soldiers' heads with?   My Rating: Bargain Matinee  Badland Hunters Website  Now playing on Netflix.

Indiefest: American Star (2024) R Wilson (Ian McShane) is an assassin who takes a job where he is commissioned to kill a man on a tropical island. The target is delayed, and instead of going home, Wilson decides to stay on the island and becomes involved with the people there. Now, the target has arrived, and Wilson is forced to choose between his job and his newfound friendships. This film is about a man who isn’t used to connecting with people while on the job. He is a man who prides himself on getting in and out of a job before the dust has settled or the blood spatters have dried. Wilson, for reasons we will never know, decides to spend some time on the island and slowly gets to know the people, townspeople, and tourists alike. The film is a slow burn and works only because of the star power and charisma of McShane. It’s a subtle bit of acting by McShane. Unfortunately, the film doesn’t entirely give us anything other than the few interactions that Wilson allows himself with: a pretty bartender who may be involved with the man he is there to kill and a young, lonely kid who spends a lot of his time locked out of his room by his continually drunk parents. I loved the film's cinematography, and there are some beautiful shots of Wilson in his black suit exploring the island. The film ends with a bit of a whimper, which is not what the film needed to give us. What we get has been like Wilson’s constant cigarettes, a long, slow burn.   My Rating: Bargain Matinee  American Star Website  Now playing in theaters.

Indiefest: Pictures of Ghosts (2023)   Filmmaker Kleber Mendonça Filho revisits the downtown of the Brazilian city of Recife, where he explores the now vacant movie palaces that made such an essential part of Brazilian life. This is a deeply personal film about life in the town where the filmmaker grew up and lives. The first third of the film is about Filho’s life in the apartment that he not only grew up in but in the same place where he lives now. His apartment is a place that not only did he live in but also one that has starred in both his childhood films that he made with video cameras and his current professional life as a narrative filmmaker. The 2nd third of the film is about the movie theatres downtown, most of which are long gone. They are the places that Filho and the rest of the community went to from the 30s on to see the world’s best films come to their downtown theatres. He gives us the history of these theatres and shows us what they once were in their glory days and what they have become. It’s a painful journey, one of looking back at the joy that these movie palaces gave to millions and millions of people. The last third is a look at what could be one last theatre trying to survive by becoming a revival house. While sad, the film is also a celebration of movies and the theatres that show them. Pictures of Ghosts show us what those theatres of yesteryear brought to a community, they were part of its lifeblood.   My Rating: Full Price  Pictures of Ghosts Website  Now playing is select theaters.

Forgotten Film: Rembrandt’s J’Accuse…! (2008)  Documentary from filmmaker Peter Greenaway that investigates the mystery of one of the most famous paintings in the world, Rembrandt’s The Nightwatch. Using actors Martin Freeman, Eva Birthistle, Toby Jones, and others, Greenaway takes a forensic look at the painting and the implications that a murder has occurred in it. The film looks at all thirty-four painted characters and points a finger at who could be the shooter. It’s a fun film with plenty of laughs while exploring the world of one of the world’s most famous painters and a painting that has been a mystery for hundreds of years.  My Rating: Full Price  Rembrandt's J'Accuse Info The film is available for rent/buy on Amazon.

Weird Credits: From the credits of Miller’s Girl: Vault

Coming Soon to a Screen Near You: Road House (2024) R  A down on his luck, former UFC fighter Elwood Dalton (Jake Gyllenhaal) ends up working at a ‘Road House,’ a rowdy bar in the Florida Keys. Hired to clean up the troublemakers in the bar, it turns out the job is a lot more complicated than that. One key thing, don’t piss Elwood off. Road House is a remake of the 1989 film of the same name that starred Patrick Swayze and became a cult classic. Let's see what Mr. Gyllenhaal can do with the role. It should be a lot of fun.  Road House Info  Premiering on Prime Video on March 21st. 

Until Next Time!

Sonic the Hedgehog 2

Familyfaire: Sonic the Hedgehog 2 (2022) PG  Sonic (voiced by Ben Schwartz) is living the life with Tom (James Marsden) and Maddie (Tika Sumpter). Things are great until Dr. Robotnik (Jim Carrey) finds his way back to Earth with a new ally, the mean and strong Knuckles (Idris Elba). However, Sonic has allies of his own, including a new friend named Tails (Collen O’Shanussy), and they are ready to take on Robotnik and save the Earth from his madness. I will start off this review with a bold statement: No film whose primary audience will be children should be over 90 minutes. Sonic 2 breaks this rule with a running time of 2 hours and 2 minutes. Think about that before spending good money taking your six-year-old to see this film. Then add in the fact this film has a sub-plot which takes so long to connect to the main plot that you will wonder why it’s there, and even after the connection, you will still wonder why? Most of the fun of the first film was Jim Carey going nuts with the ab-libs. The filmmakers seemed to forget that when making this unfunny, slow, tiresome film. Carey is wasted as he is sometimes forced to play 2nd banana to another animated character, Knuckles, voiced by Idris Elba. To show how low this film stoops to make a joke, the first sequence in the movie is filled with fart jokes, which I know, will make the kids chuckle but may make their parents regret paying for a ticket to sit in a theatre for 2 hours. By the way, there is a mid-credits sequence that sets up the next film. Yea!….no one in the theater said.   My Rating: You Would Have to Pay Me to See it Again    Sonic the Hedgehog 2 Website  Now playing in theatres nationwide.

My View: Ambulance (2022) R   Will (Yahya Abdul-Mateen II) is desperate for money to cover his wife’s mounting medical bills. Will goes to a man who he knows he shouldn’t trust, his adoptive brother Danny (Jake Gyllenhaal), a man with a criminal past. Danny talks Will into helping him rob a bank, but things go wrong, and they are now running from the police in an ambulance with a wounded cop clinging to life and an EMT (Elza Gonzalez) on board. In the 90s, filmmaker Michael Bay ruled with hits such as Bad Boys, The Rock, and Armageddon. Then he went down the rabbit hole of the Transformers movies (five in all) and got lost in the giant machines from outer space and childhood. Now he returns with an action film taking place in the streets of LA, with a bank heist that goes wrong. Half (seems like more) of the film is a chase sequence between the police and an ambulance in the streets of LA. To say that this film is over the top would be an understatement. Using way too many drone shots, we go a fast race through the streets of LA, a town that Michael Bay loves (the opening scene tells us that when the name Los Angeles then shrinks down to just LA on the screen). I felt sorry for the other two main actors, Eiza Gonzalez and Yahya Abdul-Mateen II, who had to put up with Jake Gyllenhaal going nuts on the screen for the entire movie. The action sequences are sometimes thrilling, but how many times can you see a cop car crash? I will say this; this film has some of the shortest credits I’ve seen in a long time, I think, because most of the action was done with real cars and not done with special effects. If you love car crashes, you will get your fill in this film. The plot is way beyond the point of ridiculous (I can’t tell you how many times I shook my head in wonderment), the acting is horrible, and the ending is so unbelievable that it seems to be taking place in an alternate universe. Let's just put this out there; can you really carry 16 million dollars in cash in two backpacks? Well, in Michael Bay’s LA, you can.   My Rating: Cable   Ambulance Website  Now playing in theatres nationwide.

Indiefest: Everything Everywhere All at Once (2022) R  Evelyn (Michelle Yeoh) is an unhappy laundry-mat owner, married to Waymond (Ke Huy Quan), and has an adult daughter, Joy (Stephanie Hsu), of who she disapproves of. While at an IRS audit, Evelyn is suddenly thrust into an adventure where she alone can save the world by exploring other universes connecting with the lives she could have led. I will start this review by telling you, run, don’t walk to your theatre and see this film! I can’t tell you the last time I had so much fun watching a movie and how much it kept surprising me with every scene. Everything Everywhere All at Once is a joy to watch, a film that is hard to describe but is a fast-moving adventure that explores what it means to love, to believe in not only yourself but your loved ones, and how one person, no matter how unimportant they feel, can make a difference in the world. I have been a big fan of Michelle Yeoh, in such action films as Supercop and The Stunt Woman, before she hit the big time in America with Crouching Tiger, Hidden Dragon. Yeoh gives us a multi-faceted performance as a woman who is so unhappy in her life that she takes it out on the people that she loves. An ordinary shop owner is asked to save the world from destruction, and Yeoh’s character goes on a journey that takes her to many alternate lives and worlds, where Evelyn discovers that she does have it in her to battle for the safety of the world and the people who she loves. This is one of those magical films that, five minutes in, you won’t want it to end. So sit down in a theatre seat and go on an adventure that you soon won’t forget with Evelyn as she battles to save our reality.   My Rating: I Would Pay to See it Again    Everything Everywhere All at Once Website  Now playing in theatres nationwide.

Indiefest: Mothering Sunday   (2021) R  Jane (Odessa Young) is a maid working for a wealthy family in post-World War I England and has many secrets. She has ambitions to be a writer and is having a long-term affair with an up-and-coming lawyer (Josh O’Connor) who is about to marry another woman. Mothering Sunday is a film about love lost and how being left behind can be the hardest blow. Odessa Young gives a subtle but powerful performance about a young woman who dreams of something more than being a maid. She has the drive and the talent to be a writer, but she must believe in herself, and it’s a love lost that finally gives her that push. This is a film about how grief can destroy us, overpower us, or it can be what propels us to move on, honoring those lost with our acts and deeds. Mothering Sunday is a film that is a slow burn, revealing its tale like the lazy Sunday morning that it takes place in.   My Rating: Full Price  Mothering Sunday Website  Now playing in select theaters.

Indiefest: The Rose Maker (2020)   Eve (Catherine Frot) is a rose grower that inherited her farm from her famous father. The farm is now on the verge of bankruptcy, and Eve is trying to hold off being bought out by a powerful competitor. Nevertheless, Eve is determined to turn her fortunes around and just might have found the help she needs in the form of three men who come to the farm on a work-release program. The Rose Maker is a charming tale about perseverance, learning new things, and being willing to take a chance on people you might typically not want to be around. Catherine Frot gives us a woman in Eve who is headstrong and set in her ways but knows deep down that to survive, she must adapt. She takes on a group of people who society has beaten down and gives them a purpose and challenge that makes not only them but Eve herself a better person. The film is a little formulative, and its’ plot is predictable, but that’s fine because the performances overshadow the film’s flaws and make it a worthy journey to find the perfect rose, even if it appears in the most unexpected places.   My Rating: Full Price   The Rose Maker Website   Now playing in select theatres.

My View: Metal Lords (2022)   Two friends, Hunter (Adrian Greensmith) and Kevin (Jaeden Martell), decide to form a heavy-metal band in order to enter a Battle of the Bands contest. Consequently, they need a bass player, and their only hope is a cellist with a bad attitude named Emily (Isis Hainsworth). This is a fun little film about three misfits that find each other and, against the odds, work to make music together, although that music is heavy-metal. I loved these characters, reminding me of some of the people I knew in high school when music was one of the most important aspects of our lives and defined who we were. Hunter is a one-track kid who believes that he is destined to become a ‘Metal God .’Keven, a mild-mannered kid, who joined the band to get out of P.E., is just happy that he has a friend and is willing to go along with Hunter’s dream just so he can support his friend. Along comes Emily, a young girl who is also an outcast, primarily due to her outbursts of anger and profanity. Kevin sees that there is more to Emily than anger and tries to convince Hunter that she would be perfect for their band. Metal Lords is a film about finding your place in the world and trying to be the best you can, even if the world thinks you are nuts. So join the band and shake your head violently because we can all use a little metal in our lives.   My Rating: Bargain Matinee   Metal Lords Website  Now playing on the Netflix platform.

Indiefest: Aline (2020) PG-13 Aline is about a young woman (Valérie Lemercier) who dreams of becoming a singer. With the support of her large family and the man she loves, Aline will become one of the most famous singers in the world. So the best way to describe this film is that it is a fan film of Celine Dion. The singer isn’t Celine Dion, but in almost every way, from being discovered as a child singer to a marriage to a man way older than her to her singing My Heart Will Go On at the Academy Awards, it is Celine’s career. The film does a strange tiptoe following the life of Dion without saying it’s her. A lot will be written about the bizarre start to this film, including a just a jaw-dropping scene where a four-year-old Aline appears with Lemercier’s face on it (it happens a few times more until Aline gets into her 20s). The film jams a bunch of Dion’s career into it, most of which we know. It’s a strange film about a person who is real, but the film wants us to believe it is fiction. The biggest problem isn’t the blurring of fact, and fiction is that Valerie Lemercier doesn’t have the star power or singing talent to pull off what made Celine Dion a star.   My Rating: Cable   Aline Website  Now playing in select theatres.

Forgotten Film: Pop Aye (2017)   Thana (Thaneth Warakulnukroh) is an unhappy man in a job that he doesn’t like. Thana has a chance encounter with an elephant. As strange as that sounds, Thana knows this elephant as they grew up together on a farm. Thana decides to leave his life behind and take the elephant named Popeye on a journey across Thailand to the home that they both love. Pop Aye is a warm and moving film where the best actor in the movie is the elephant, which isn’t to say that the actor playing Thana is bad. It’s just that the elephant is the best thing about this film, making this film work, as the two have a connection on screen that makes this walkabout go a long way.   My Rating: Full Price    Pop Aye Info

Weird Credits: From the credits of Everything Everywhere All at Once: Raccoon Fabricator

Coming Soon to a Theatre Near You: The Duke (2020) R  A priceless painting has been stolen from the National Gallery, Goya’s portrait of the Duke of Wellington. Was it a master thief? A gang of thieves working for an underground collector? No, it was Kempton Bunton (Jim Broadbent), a 60-year-old taxi driver who has hidden the painting in his wife’s closet. The film is based on a true story and stars Broadbent and Helen Mirren. I think that’s all you need to know to see this film.    The Duke Website

Dear Evan Hansen

Note to readers: I have started going to movies in the theaters, having received my two shots and passed the two-week standby period, wearing a mask at all times and following social distancing. Most of the films I am reviewing are still movies that I watched at home, but I will note in the review if I saw them in a theatre. I am not going to tell you whether or not to attend a theatre. Just be aware of the risks, do your research, and follow the instructions to the letter.

My View:   Dear Evan Hansen (2021)  PG-13   Following the suicide of a fellow classmate, Conor, Evan Hansen (Ben Platt), a high-school-senior with Social Anxiety disorder, goes on a journey to find acceptance and self-discovery. A letter Evan has written will change not only his life but will touch so many more. It’s always hard to translate the power of a Broadway theatre experience to the screen. Dear Evan Hansen’s production on the stage was a Tony-winning phenomenon, but  that feeling and power of a live performance doesn’t translate to the screen in this adaptation. The songs are still there, and that is what saves this film, as the songs, including a few new ones, make this film watchable. Unfortunately, the film's storyline is a bit of a mess, and its message, so meaningful on the stage, seems lost in an attempt to add a bit of flash to the production, trying but not succeed in making this film not feel predictable. I enjoyed Ben Platt’s voice, but his performance on the screen feels a bit too stagy. A lot has been made on social media about Platt’s appearance (he is playing a high-school student while he is 28), but it never bothered me. Amy Adam's part is small, and her lovely singing voice is rarely used. I did enjoy the performance of Kaitlyn Dever, who plays Conor’s long set upon sister, who Evan secretly loves from afar. A couple of the musical numbers, where the cast has also to dance, are a bit painful to watch, so maybe just buy the soundtrack or see the musical the next time your local theatre group puts it on.    My Rating: Bargain Matinee   Dear Evan Hansen Website  Now playing in theatres nationwide.

My View: The Guilty   (2021)  R   It’s an ordinary day for 911 operator Joe Bayler (Jake Gyllenhaal), as he gets his standard calls of people asking for help, but this morning will be different. As a wildfire threatens the city and grounds air support, Joe receives a call from a woman in a car and is being held against her will. Now it's a race against time as Joe tries to trace down the woman whose last words on the call are ‘I’m going to die.’ This is a remake of a Dutch film of the same name that I really liked a couple of years ago. Unlike a lot of remakes that Hollywood does of foreign films, this one works with Jake Gyllenhaal giving an outstanding performance as the troubled cop with anger issues that is trying to find a woman who has been abducted. Gyllenhaal gives us a complex hero that you are probably not going to like very much. Gyllenhaal gives Joe an intensity that is constantly blowing over. Joe can’t seem to control his anger and outrage as his character becomes increasingly frustrated that he can’t just get out on the street and find this woman himself. The Guilty is an intense character study of a man whose world is crashing down around him as he tries to make a difference one more time and save a life.   My Rating: Full Price    The Guilty Website  Now playing in select theatres and available on the Netflix platform on Oct. 1st.

Indiefest:  Man in the Field: The Life and Art of Jim Denevan  (2020)    Documentary on pioneering artist Jim Denevan, who started out creating giant works of art on beaches and then started combining his art with a radical alternative to conventional dining. This is one of those documentaries where you would probably not want to be Jim’s friend or even co-worker, but boy, oh boy, will you ever want to be part of his dining productions. The film does an unbelievable job of giving you an insight into a highly complex man who creates artwork on beaches and other areas that will only be visible for a short time and have to been seen from the air (or at least a hilltop) to fully appreciate the art in all its glory. Fortunately for us, Jim also is a chef (his journey to become one is equally impressive), and he creates these one-of-a-kind dining events that combine his love of nature, art, and cooking to new heights. You will be astounded by his artwork and jealous of the people that have sat at his long, long dining table. His dining events are a tough ticket to get, so watching this film is probably about as close as most of us will get, but at least we have this film to watch a fantastic artist work his magic.    My Rating: Full Price    Man in the Field Website   Now playing in select theatres and On Demand including the Apple TV+ platform.

My View:  This is the Year  (2021)   Pining away for a girl, Zoey(Alyssa Jirrels) he believes is way out of his league, Josh (Lorenzo James Henrie), a high-school senior, decides to enlist his friends to go on a road trip, promising Zoey he can get her into the biggest concert of the year. It seems this is the year for revisiting the old 80s teen films, but this movie has a bit of a change of pace; Josh wants his life to be like his favorite 80s teen movie, a movie he has watched over and over since he was a kid, right down to the girl choosing him over the hunk that she is with. Add to the fact that his best friend, Molly (played by the always impressive and energetic Vanessa Marano), is his ‘wing-woman’ who has her own 80s movie fantasy of having her first kiss be full of magic and fireworks. This is the Year is the classic teen road trip with a crazy group of kids that trouble seems to find them just as they think they have hit the promised land of music and good times. The film even throws in the funny high school teacher (played by Jeff Garlin), who is cool, witty, and has a final paper that Josh must write in order to graduate. This allows our lead character (like in The Breakfast Club and a few other classic 80s teen films) to sum up his experiences at the end of the film. This is the Year is a fun, feel-good film that plays on those 80s teen films and gives them a push into the 21st century with a cast that makes you want them to succeed. Somehow you know that they will always prevail, and everyone we want to end up together will. I mean, isn’t that how all those 80s films ended? Of course, with the exception to the rule, Pretty in Pink…Duckie rules! Am I right?!  My Rating: Bargain Matinee    This is the Year Website  Now playing in select theatres.

My View: Hudson (2019) R After his mother’s death, Hudson (David Neal Levin) enlists his distant cousin, Ryan (Gregory Lay), on a road trip to scatter her ashes in a family favorite gathering place. Along the way, they meet an unusual hitchhiker named Sunshine (Mary Catherine Greenawalt), and the three go on a journey that will involve a broken-down Volvo, haiku's, mini-golf, and self-discovery. This is one of those films you discover at a film festival and fall in love with. It’s predictable, and not a lot happens on this small road trip, but the characters are so adorable that you won’t mind that the journey isn’t for long. Hudson, the character played by David Neal Levin, is a droll, dry little man who has a one-track mind, a man who lives for retelling stories from the past about himself and his cousin Ryan. Sunshine, who they pick up at a gas station after she fixes their car, becomes their travel guide and a welcome buffer between the troubled Ryan, who is going through some sort of meltdown, and the grieving Hudson, who steadfastly must scatter his mother's ashes at a place that the family used to picnic at. So spend an afternoon on the road with this strange trio as they have a few laughs, get lost in a corn maze, and eat pretend ice cream at 7 in the morning. You will be glad you were along for the ride.  My Rating: Bargain Matinee    Hudson Info  Now playing in select theatres.

Indiefest:  Lady of the Manor (2021)   Hannah (Melanie Lynskey) is a hot mess who would rather smoke pot than get a regular job. When forced to work, Hannah gets a job as a tour guide, portraying Lady Wadsworth at the historical home, Wadsworth Manor. Work isn’t going great when she meets the ghost of Lady Wadsworth (Judy Greer), who tells her if Hannah doesn’t change her wild ways, she will haunt her until she does. I am a massive fan of both Judy Greer and Melanie Lynskey, and I am a regular listener to Justin Long’s podcast, but this film that Long wrote and directed with his brother Christian is just painful to watch. The jokes fall flat, Greer is given nothing to work within her character of stuffy Lady Wadsworth, and Lynskey’s comedic talents are wasted in a role that is so beneath her acting level. The film also wants you to believe that Justin Long’s character, a history professor, would be interested in Lynskey’s character, who, frankly, is an idiot who has trouble finding her way in a building that is clearly marked and keeps assuming that the professor is having affairs with his students. I had high hopes for Lady of the Manor due to its cast, but I’ve seen better student productions at local film festivals than this film.    My Rating: You Would Have to Pay Me to See it Again    Lady of the Manor Website  The film is playing in select theatres and  is available On Demand. 

Forgotten Film: Period of Adjustment (1962)   It was 1962, and Hollywood had no idea what to do with Henry Fonda’s daughter Jane. So they gave her a ridiculous hairdo, a bad southern accent, and outfits to make her look like Marilyn Monroe, and you have Fond’s performance in this comedy. Add to the fact that it is based on a Tennessee Williams play and directed by George Roy Hill (Oscar winner for The Sting and nominated for Butch Cassidy and the Sundance Kid), and you get a strange comedy that is fun to watch. A newlywed couple (Fonda, Jim Hutton) has their honeymoon interrupted by the troubles of a married couple (Anthony Franciosa, Lois Nettleton). The film has an outstanding supporting cast, including veteran character actor John McGiver, and a young-looking Jack Albertson. Look quick, and you will see a wet behind the ears John Astin. The film doesn’t always work, but it’s fun to watch Jane Fonda in a role that she would soon leave behind for much better fare.    My Rating: Bargain Matinee     Period of Adjustment Info

Weird Credits: From the credits of Dear Evan Hansen: COVID-19 Secretary

Coming Soon to Screen Near You: Finch  (2021)  PG-13  In a devastated world full of sandstorms, incredible heat, and no water, Finch (Tom Hanks) decides he has to move on because of a coming storm. Finch will now take his new family, a dog and a talking robot, on an adventure in a dangerous and ravaged world. Tom Hanks and a talking robot is enough but add in a dog as your companion, and you’ve got me.    Finch Website

Until Next Time!

Spider-Man: Far From Home

My View:  Spider-Man: Far From Home  (2019) PG-13  Peter (Tom Holand) just wants to enjoy his school trip to Europe but Nick Fury (Samuel L. Jackson) has other plans for Spider-Man. I loved this movie, especially the comedic tones that this film uses to bring across Peter’s reaction to things. I enjoyed the action sequences and felt that they were fun to watch. What this makes this film is Jake Gyllenhaal as Mysterio, who gives a commanding performance. Be sure to stay through all the credits due to two bonus scenes that set up the next film in the series.   My Rating: Full Price   Spider-Man: Far From Home Website 

In Case You Missed It (A Film Just Released on DVD / Blu-ray):  Pet Sematary  (2019)  R  A family relocates from Boston to rural Maine. They soon discover that their house is located near a pet cemetery that has a mysterious past. This was a highly disappointing film. Almost all the scary stuff is the jump out of the dark category. It is a very violent movie and there are a couple of gruesome scenes. This film fails as a horror film, in fact, several times, the audience laughed at scenes that were not meant to be funny. It’s sad when the best performance in the film is by the cat, though I will say that I also liked Jete Laurence, who plays the daughter. This is one of those films that after you see it, you wonder why they even bothered to make the movie because it feels like they were just going through the motions.   My Rating: Cable   Pet Semetery Website

In Memory of Ed Wood (A Movie I've only seen in Trailers but just looks like a bad idea):  Trespassers  (2018)  Two couples are at a rental property when a woman shows up saying she has car trouble, then violence starts. The trailer doesn’t look like something you would want to watch, much less experience.    Tres[assers Website

Forgotten Film:  The Wanderers  (1979) R  A gang led by Richie (Ken Wahl) tries to survive in 1963 New York gangland subculture. The reason to see this film is the performance of Ken Whal, who is amazing in the role of the gang leader who wants to lead his gang to prominence.  My Rating: Full Price   The Wanderers Info

Weird Credits:  From the credits of Spider-Man: Far From Home: Personal Hair Stylist for  Tom Holland

Coming  Soon to a Theatre Near You:  Bethany Hamilton: Unstoppable  (2018)  Documentary on Hamilton who lost an arm to a tiger shark and went on to become a world class surfer.    Bethany Hamilton: Unstopable Website

Until Next Time!