Mission Impossible: The Final Reckoning

My View:  Mission Impossible: The Final Reckoning  (2025)  PG-13  In Mission Impossible: The Final Reckoning, Ethan Hunt (Tom Cruise), an IMF agent and leader of a team of operatives, is on the hunt for Gabriel (Esai Morales), a rogue operative who’s after control of a powerful AI entity that can destabilize the globe. Ethan’s strength has always been his loyalty to his team. This time, it may be his downfall. I am a fan of the Mission Impossible franchise (with the exception of the first film, which I have problems with), and it’s always fun to see what incredible and dangerous stunts Tom has decided he can survive. This may be the final installment of Ethan Hunt’s missions (though, like soap operas, no one is ever truly dead or retires in the MI world), and that’s a blessing and a curse. The film is too long (pack a lunch because the running time is 2 hours and forty-nine minutes), has way too much exposition for its own good, and has a diving sequence that seems to take 30 minutes. Plus, the film’s bad guy is probably the weakest of the film’s series. The film has plenty of callbacks from previous films, especially the last film, Mission Impossible: Dead Reckoning Part One since it’s only been a couple of months in the timeline since the end of Part One. Having said all that, I had fun with this film with all the stunts and the fact that, once again, the film’s core is that it's not Ethan’s mission but his team’s mission. Watching Simon Pegg portray the stressed Benji is always enjoyable, and the chemistry between Hayley Atwell and Cruise is fantastic. In fact, if they want to keep doing MI's and Mr. Cruise decides to hang it up, I wouldn’t mind going on a mission for two with Grace’s Hayley Atwell. The last twenty minutes of this film are worth the price of admission alone as Cruise does his best to die climbing on and over not one but two bi-planes (Howard Hughes would be so proud). It’s a feat of thrilling stunt work that has you on the edge of your seat. You can’t deny that Tom Cruise is one of the best action heroes we have ever had (possibly the best), and this film is an excellent testament to that fact. So grab a big tub of popcorn, go light with the drinks, and watch a man do everything he can to entertain you.  My Rating: Full Price  Mission Impossible: The Final Reckoning Website  Now playing in theaters nationwide. 

Familyfaire: Lilo & Stitch  (2025) PG   Lilo & Stitch is about Lilo (Mala Kealoha), a rebellious six-year-old orphan who has recently lost her parents and is being raised by her older sister, Nani (Sydney Elizabeth Augdong). Lilo finds and befriends a strange-looking ‘dog,’ who she names Stitch. What Lilo doesn’t know is that ‘Stitch’ is a genetically engineered extraterrestrial creature designed to cause chaos and destruction and is being hunted by the alien United Galactic Federation. Disney hasn’t had the greatest success with live-action remakes of their animated films. Remember Aladdin with Will Smith (shudder) or the Tom Hanks’ dreadful Pinocchio? I am happy to say that the newest adaptation, while not quite up to the standards of the original animated film, is still a good film that, while there are a few changes made to the plot, captures the spirit and the fun times of the original. A lot of the credit goes to the two leads in Maia Kealoha as the spirited and independent little girl Lilo and Sydney Elizebeth Agudong as the sister Nani, who is in way over her head trying to raise Lilo and keep social services from taking Lilo away. In crashes Stitch (voiced again by Chris Sanders), who we all love as the rascally alien who loves to create mayhem and mischief. What I like about this film is while the beginning is all CGI aliens, once we get to Hawaii, other than Stitch, everything else is pretty much live-action, including the two aliens assigned to bring Stitch back, Jumba, the mad scientist (Zach Galifianakis) and Pleakley, the ‘Earth expert” (Billy Magnussen, for the most part are in human form, which helps with keep the film based in the human world. The film works because of Maia Kealoha, who is such a force of good-hearted nature on screen that she makes us believe Stitch is real and right there by her side. Kealoha is a joy to watch on screen, making you root for this weird little family that battles the odds to try to stay together. The film does a fantastic job of keeping the message of the animated film alive. I loved how much the Hawaiian traditions are incorporated into the film, and how the themes of love and belonging form the basis of the film's message. Lilo & Stitch is a heartwarming and touching film with some great laughs and performances by the two leads that make this film work as well as it does. So put on a grass skirt and get ready to do a hula or two. Just duck when Stitch gets that soda gun.      My Rating: Full Price Lilo & Stitch Website  Now playing in theaters nationwide.

My View: Fear Street: Prom Queen  (2025)  R   Set in 1988, Fear Street: Prom Queen takes place as students at Shadyside prepare for the prom, and the ‘it’ girls are fighting to get support to be voted Prom Queen. An unusual candidate, Lori Granger (India Fowler), joins the race. Suddenly, some candidates go missing one by one, and Lori could be next. I enjoyed the Fear Street trilogy that came out back in 2021, including the excellent Fear Street Part One: 1994, which did a great job of making us care about the characters and had plenty of twists and turns to make the horror film fun. I'm disappointed that I can't say the same about this Fear Street movie, which starts out as interesting but then turns into an unimaginative and tedious killing spree. Lori is an outsider whose mother murdered her father when they were both in high school. Lori's best friend is Megan (Suzanna Son), who is a fan of horror films and gives off the vibe that she might be in love with Lori. The killings are run-of-the-mill slasher-style film killings, full of blood and minimal scares. The film gives us some significant clues that make it very easy to figure out who the killer is, and the ending is one big mess with the reason why the killings are going on, which is incredibly stupid and poorly done. Skip this mess of a film and go back to 1994 for a better time.   My Rating: Cable  Fear Street: Prom Queen Website  Now playing on the Netflix platform. 

Indiefest:  Jane Austen Wrecked My Life  (2024)  R   In Jane Austen Wrecked My Life, Agathe (Camille Rutherford) is a Jane Austen fanatic who works at the world-famous Paris bookstore Shakespeare & Co. Agathe is lonely and unlucky in love, always complaining about her lack of love life. When Agathe suddenly receives a Jane Austen writing residency, she meets the son of the husband and wife who run the residency (Charlie Anson) and now must choose between a writing career or her love life. I am a big fan of the Jane Austen film adaptations (I just saw the 20th anniversary showing in theaters of the 2005 Pride & Prejudice), so I was looking forward to this film and was not disappointed. Agathe is a woman with a troubled past and hopes to be a writer like Jane Austen, but she lacks the self-assurance to act on it. Her best friend, Felix (Pablo Pauly), sends a chapter that she has written, and Agathe gets an invitation to a writing residency to work on her book. However, it's not just any residency; it's named after her favorite writer, Jane Austen. Agathe feels she is living in the wrong time period, feeling she would have everything she desired in the world that Jane Austen profiled in her books. Taking a big leap, she goes to the residency, and there she meets a distant nephew of Jane Austen, Oliver (Charlie Anson). Oliver doesn’t make a great first or even second impression, as he seems rather snobbish, standoffish and thinks Austen is overrated. Anson has that English wit and style where he can be charming and a jerk at the same time. As with Jane’s work, we know Oliver is the man that Agathe will fall in love with, and of course, like in an Austen novel, there will be obstacles to overcome, tears will be shed, and our heroine will have doubts about her work and her love life. Camille Rutherford is perfect as a headstrong but constantly messing up Agathe. Rutherford is adept at both the romantic side of Agathe but also shows a flair for comedy, as Agathe seems to always making a fool of herself just as Oliver shows up. It’s a role that Rutherford excels in, making us like Agathe and root for her even when Agathe doubts herself and her writing, we feel she can overcome anything to succeed. And on the way, much like Jane Austin's stories, maybe Agathe can find love in an unexpected place with a man who resembles a bit of Mr. Darcy.   My Rating: Full Price  Jane Austen Wrecked My Life Website   Now playing in selected theaters. 

Indiefest: Sister Midnight  (2024)   Sister Midnight tells the story of Uma (Radhika Apte), who is a newlywed in an arranged marriage to Gopal (Ashok Pathak), a husband who ignores her, even in bed. Uma, frustrated at being a housewife and disillusioned with her life, begins exploring the world at night, which will land her in unlikely situations. Uma is not the typical Indian bride that we are used to seeing in Bollywood musicals. She is foul-mouthed, doesn’t have a clue how to cook (even rice), and is not happy with either her husband (who mostly ignores her) or where she is living (trash is everywhere in this Mumbai slum). She is miserable, and to show her independence, she gets a cleaning job at night. Uma explores the nighttime and soon discovers that she might differ from most housewives. She might be a vampire. Sister Midnight is a film that, almost from the beginning, takes tons of hilarious twists that you're not expecting. It’s not a film where you are always going to know what is going on, but you will have fun watching where it goes and how Uma, played by the magical Radhika Apte, adapts to her new way of life. It was a delight to watch, never knowing what was going to happen next but always knowing that Uma was going to react with a cuss word or two and keep going as her world gets weirder and weirder, and we are right there along with her, waiting to see what the heck is going to happen next.  My Rating: Full Price  Sister Midnight Website  Now playing in select theaters. 

My View:  Fountain of Youth  (2025) PG-13  A treasure-hunting mastermind, Luke (John Krasinski), who has stolen art and other artifacts for a living, is about to go on a quest to find what could be the secret to immortality. He will need all his skills and wits to accomplish his goal, but he also needs the help of someone even smarter than him: his estranged sister, Charlotte (Natalie Portman). When you think of fun, adventure films chasing lost artifacts, you think of the Indiana Jones series, the Brendan Fraser film The Mummy, the 50s classic King Solomon’s Mines, the goofiness of National Treasure, and the rom-com adventure Romancing the Stone. Fountain of Youth will never make that list. A wasted cast that includes Krasinski, Portman, Domhnall Gleeson, Eiza González, and even a bit part for Stanley Tucci (surely shot either during his Italian travel series or The Conclave) and a plot that becomes so incredibly complicated as it goes along, and a hero in Luke who thinks he can get away with anything by being smug and saying very unfunny quips and you get a mess of a film. Other than a fun open with Luke on a motorbike being chased across busy city streets, the film is a lot of people pondering clues while looking at artifacts and paintings. Portman seems uncomfortable in the role of the sister who disapproves of her brothers stealing art but secretly wants to join in. We are constantly reminded that Luke and Charlotte’s father was a respected archeologist, primarily because of the constant dreams that Luke has dealing with his father finding a lost golden plate. The only cast member who looks like they are having fun in this film is Eliza Gonzalez, who is chasing Luke across the globe, having to beat up a ton of people, including Luke (even though he is always eluding her by trickery, right after hitting on her). Fountain of Youth’s end concludes too easily and with little fanfare, other than a very elaborate set that would make a Lego master drool and a firefight that apparently has no consequences in one of the wonders of the world. That Apple decided that this Guy Ritchie directed film would stay on the streaming platform and not play in theaters tells you just about everything, including that you can watch it while folding clothes or surfing the internet on your phone. Or better yet, watch one of the films I mentioned earlier. Any of those will keep you from constantly checking your email. My Rating: Cable   Fountain of Youth Info  Now playing on the Apple TV+ platform. 

Forgotten Film:  The Quick and the Dead  (1995) R  A female gunslinger called The Lady (Sharon Stone) rides into town with revenge on her mind. Her arrival in town coincides with the start of a dueling competition for gunslingers hosted by John Herod (Gene Hackman), the richest man in the town and who wields power with an iron fist. It’s interesting to see director Sam Raimi’s ode to the Spaghetti Westerns of the 60s and 70s. This was Russel Crowe's first major Hollywood role, playing a former gunslinger who quit to become a preacher. Sharon Stone hand-picked Raimi to direct from a script that was won by TriStar in a bidding war when Westerns had a small revival in Hollywood. Leo DiCaprio looks like he is ten in the role as The Kid, the son of Herod. Leo’s The Kid is a brash young man who thinks he is the fastest gun in the West and enters the competition to get the respect from his father that he has never gotten. Hackman is the man in this film, playing a bad guy who wants everyone to join in his pain. I love the ending of this film with a gunfight, including explosions that are right out of the Sergio Leone playbook (A Fistful of Dollars, The Good, the Bad, and the Ugly). Stone riding off into the sunset, or is it sunrise, after causing as much mayhem as she could, is an ode to all the great westerns of the past when the hero left after completing their mission.  My Rating: Full Price  The Quick and the Dead Info  The film is available to rent/buy on Amazon. 

Weird Credits:  From the credits of Lilo & Stitch:  Stitch Visualization 

Coming Soon to a Screen Near You:  F1  (2025) PG-13  Sonny Hayes (Brad Pitt) is a retired driver who thought he had burned too many bridges to ever return to F1 racing. An owner (Javier Bardem) wants to make a splash in the racing world and brings in Sonny to team with a new hot shot driver, Joshua Pearce (Damson Idris). Joseph Kosinski, known for ‘Top Gun: Maverick"‘ directs the film. The movie is backed by the F1 association, and portions were shot around some of the F1 races, and many of the current drivers of F1 are in the film.  F1 Website  The film will be in theaters nationwide on Friday, June 27, 2025. 

Until Next Time!

Ghostbusters: Frozen Empire

My View: Ghostbuster: Frozen Empire (2024) PG-13 The Spengler family returns to the iconic New York City firehouse, where it all began to team up with some of the original Ghostbusters. Their mission is to stop an evil force unleashed by an ancient artifact that threatens to turn the world into a second Ice Age. I am a big fan of the original 1984 Ghostbusters film directed by Ivan Reitman. Made at the height of Bill Murray’s appeal as a comedic leading man, and with a fun and original storyline, the film took the world by storm. In my review I let you know that wasn’t a big fan of the Ghostbusters: Afterlife film that came out in 2021, feeling that it was stealing a lot from the original movie, and Paul Rudd isn’t even close to filling Bill Murray’s shoes. I had some hope for this film since they were returning to NYC, where it all began, and some of the original cast would be in it. I liked this film more than the 2021 one, but not by a lot. I am not a huge fan of Dan Aykroyd, and he has a lot of screen time in this film. Aykroyd always delivers lines like he is also passing a kidney stone at the same time. The film tries to capture some of the old magic by bringing back a bunch of the characters from the original, including a few favorite ghosts (I do love the antics of the little stay puff guys), but it seems like they are trying too hard. I was glad they made the setting NYC, where the series belongs, making the city part of the cast. I remember being wowed by the 1984 special effects, but this time, it seemed the effects were on the cheap, as I was never scared by the big evil guy, probably the worst villain ever in the Ghostbuster series. And yes, Bill Murray shows up, but they don’t give him much to do. Way to waste a talent there. There is a funny scene after the first bit of end credits that is worth staying for.   My Rating: Bargain Matinee  Ghostbusters: Frozen Empire Website Now playing in theaters.

My View: Immaculate (2024) R  Cecilia (Sydney Sweeney) is a woman who believes God has a plan for her. She is warmly welcomed to her new convent with open arms. But it becomes clear to Cecilia that the convent is not what it appears to be, harboring dark and horrifying secrets. Sydney Sweeney loved the story idea so much that she found a screenwriter, produced the film, and found a studio to buy it. I am a fan of Sweeney, but maybe she should find someone else to find her material. The film is full of empty jump scares, a plot that holds no mystery, and not a lot of horror. It’s a storyline that is easy to figure out with the church leaders doing something terrible, and our girl Cecilia is a little slow in picking up the signs that something is wrong. The film is incredibly slow, with a lot of Cecilia going around the convent at night with just a candle. I did enjoy the inventive ending, but it takes a long time to get there. My Rating: Bargain Matinee   Immaculate Website It is now playing in theaters.

My View: Roadhouse (2024) R  A down on his luck, former UFC fighter Elwood Dalton (Jake Gyllenhaal) ends up working at a ‘Road House,’ a rowdy bar in the Florida Keys. Hired to clean up the troublemakers in the bar, it turns out the job is a lot more complicated than that. One key thing, don’t piss Dalton off. So the original 1989 movie became a hit, not because of a big box office (it did ok) but because it played on cable stations almost non-stop and had a winning cast in Patrick Swayze, Sam Elliot, and Kelly Lynch as the love interest. There are some considerable differences between this film and that beloved original. The first is that while Gyllenhaal is a better actor than Swayze, Patrick had a likability as an on-screen presence that made you want to root for his character. Gyllenhaal tries to be the kooky, nice guy, but it doesn’t quite work. Second, there isn’t a Sam Elliot character in the film, so there is no one to play off Gyllenhaal or give us the reason Dalton goes rogue at the end of the film. The fight sequences are shot incredibly awkwardly, with some point-of-view shots of a beat-up Gyllenhaal that I didn’t need. And finally, the bad guy doesn’t have the menace that Ben Garza had in the original. In this movie, Ben Magnussen plays the son of a crime boss who is out of his league and can’t help but mess up. The ending of this film doesn’t come even close to the satisfying ending of the original. Now I will say, just like the original, there are a few laughs, especially brought to the screen by UFC bad boy Connor McGregor, who plays his part of the ultra-tough guy brought in to kill Dalton. McGregor chews up scenery and swaggers about as if he is getting paid by how many times he shows his butt. Still, I feel Amazon made a mistake and didn’t release this in theatres, where crowds could cheer as the beer bottles crash against the band’s cage and Dalton gives it to a few drunk bad guys. Stay through the first part of the credits for a bonus scene that may set up a sequel.    My Rating: Bargain Matinee   Road House Website  Now playing on Amazon Prime.

Indiefest: They Shot the Piano Player (2023) PG-13 This animated docudrama is about Jess (voiced by Jeff Goldblum), a music journalist, who travels to Brazil to uncover the truth about a young samba-jazz pianist, Tenório Júnior, who disappeared without a trace in 1976 after a promising start of his music career. The film uses beautiful animation with a fantastic jazz soundtrack that captures the spirit of the samba-jazz craze of the 60s. They Shot the Piano Player is a perfect introduction to a jazz form that few know about. The film does an amazing job of letting the people who knew Tenorio and what an amazing pianist he was, while letting us know about how quickly people disappeared in South America countries during this time, sometimes for very little reason. It’s a perfect way to capture a place in time when samba ruled the airwaves and the bars of not just Brazil but the world.   My Rating: Full Price  They Shot the Piano Player Website Now playing in theaters. 

My View: Shirley (2024) PG-13  Shirley tells the story of Shirley Chisholm (Regina King), who made history as the first Black woman elected to Congress and to run for President in the 1972 election. So you know when you see that Regina King is playing the lead character, you will get a performance worthy of watching. I wish the film was on the same level as her performance. Shirley feels like someone gave John Ridley a bullet-point presentation of Shirley Jacksons’ run for the Democratic nomination for President in 1972, and he followed it to the letter. Other than getting to see Shirley on her first few days as a congresswoman and verbally tearing down a fellow freshman congressman in the halls, we don’t get a lot of background on her. We are almost instantly thrown into the race without a lot of information on why she thought this would work. We get to see how Shirley played the game of politics, but we didn’t get to know why. I wanted more from this film, and frankly, I got more out of the closing credits when we learn what happened to a lot of the principal players in her run than I did in the film itself. Still, watching Regina King work her magic on the screen is always fun.   My Rating: Bargain Matinee  Shirley Website Now playing on Netflix.

Indiefest: Riddle of Fire (2023) PG-13 Riddle of Fire starts when their mother asks three children to run an errand to the grocery store. Their journey will be filled with kidnappings, battles with a witch and fairies, and a showdown with a huntsman. This is a fun film about the adventures of three friends who go on a quest to get some eggs to make a pie so that their mother will let them play video games. The opening sequence, where the three successfully carry out a raid on a warehouse to steal a new gaming console, is so much fun. The film relies on you believing that the kids think the world is filled with witches and fairies, and that another adventure is just around the corner. It’s about how you could spend a whole day with your friends fighting off the bad guys to save the day. The film slows down a bit in the second half, and some of the performances are lacking, even so, the three kids have a lot of charm besides, did it all really happen? To the three heroes of the story, it did, and that’s all that matters.  My Rating; Bargain Matinee  Riddle of Fire Website Now playing in theaters

My View: Late Night with the Devil (2023) R  A live television broadcast in 1977 goes horribly wrong, unleashing an unspeakable evil into the nation’s living rooms. The movie is centered around footage from a late-night talk show, with some behind-the-scenes footage thrown in. It’s an exciting film that plays with many stereotypical late-night talk show tropes. Halloween night is when the show is broadcast live. The guests are a man who can talk to the dead, a former magician who now spends his time debunking people who say they can talk to the dead or the devil, and a woman who claims one of her patients can take the form of the devil. Into the mix is the talk show host, played by David Dastamlchian, named Jack Delroy, who, after he lost his wife to cancer, is trying to revive his talk show by doing stunt shows like this one. Nevertheless, things start to deteriorate, like the man who converses with the dead experiencing a seizure on live television. As it becomes clear that something is not right in the studio, things only get worse. This is a fun and occasionally terrifying adaptation of the horror film genre, with a touch of nostalgia for the old late-night talk show format. I loved David Dastamichian, who plays the host and is willing to go the extra mile to save his show until he realizes it’s gone too far. He is perfect in portraying the man who believes he is the smartest and most talented person in the room, but is really not. The film perfectly captures the talk show look and feel of the late 70s, which makes it a blast to watch. I’m not totally happy with the ending, but up to that point, it’s a fun ride back to a time when everyone watched late-night talk shows and talked about it around the water cooler the next day. I wonder what they said after they saw this broadcast? My Rating: Full Price   Late Night with the Devil Website  Now playing in theaters.  

Forgotten Film: The Last Samurai (2003) R Nathan Algren (Tom Cruise), a Civil War vet, is hired by the Japanese emperor to train the emperor’s army in the ways of modern warfare and defeat an army of traditional samurai warriors led by Katsumoto (Ken Watanabe). Algren’s army is badly routed, and he is wounded, but Katsumoto spares his life. Algren soon learns the ancient ways of warfare are honorable and he decides to help Katsumoto’s quest. Because of the success of the FX/Hulu TV series Shogun, I thought I would revisit this film, which doesn’t always come up when discussing Tom Cruise’s career. The Last Samurai is a film that is not your ordinary white savior type of film. The film is more about two warriors finding common ground and respect, with Algren learning that there is more to life than just killing by the easiest way possible. Cruise plays off of Watanabe well, and there are some incredible battle sequences that make this film work so well.   My Rating: Full Price  The Last Samurai Info The film is available to rent/buy on Amazon.

Weird Credits: From the credits of Ghostbusters: Frozen Empire: Hair Punching

Coming Soon to a Screen Near You: Monkey Man (2024) R Monkey Man is about a man (Dev Patel) who wears a gorilla mask when he enters the ring as he fights for money. This man has a plan, and it involves violence and getting revenge for the murder of his father by corrupt leaders. The film won the Audience Award at the 2024 SXSW Film Festival.  Monkey Man Website  The film will be in theatres on Friday, April 5th.

Until Next Time!

Misson Impossible: Dead Reckoning Part One

My View: Mission Impossible: Dead Reckoning Part One (2023) PG-13 Ethan Hunt (Tom Cruise) and his IMF team must track down a dangerous weapon before it ends in the wrong hands. Just how far will Ethan have to go to save the world again? I was not a fan of the first Mission Impossible film, primarily due to the idea that Jim Phelps (played by Jon Voight) would never be a traitor and that the film was all about Ethan saving the day without his team. I enjoyed the rest of the series because Ethan became a leader of a team that would do everything it could to save the world. And because Tom Cruise is nuts and does some unbelievable stunts. I am happy to say that I enjoyed this latest installment, in which he brings back his team, including a few people from the past, to save the world once again. Added to the team is Hayley Atwell, who plays a thief named Grace who specializes in sleight hand pick-pocketing. There are some cool bad guys, including Pom Klementieff, as someone you wouldn’t want to meet in a dark alley or even a well-lighted one. The stunts are spectacular, and Tom once again puts his life on the line in real life to give us some thrills that no one else can deliver. I think this is one of the weaker MI films, mainly because it is a part one, so I came away feeling that there was a bit of filler, with too many times characters explaining stuff to us when all we want is action. And, without giving anything away, I did not enjoy the main bad guy, which I won’t go into until Part Two comes out. Still, go see this in as big a screen theatre as you can find and watch Tom ride a motorcycle off a cliff, and then…you have to see the rest.   My Rating: Full Price  Mission Impossible Website  Now playing in theatres nationwide.

Indiefest: The Miracle Club (2023) PG-13 The Miracle Club takes place in 1967, and Chrissie (Laura Linney) has returned to Ireland from America after being banished by her family. She has returned after the death of her mother. Chrissie decides (uninvited) to go with her grandmother, Lily (Maggie Smith), who is going on a pilgrimage to the sacred French town of Lourdes with two of her friends (Agnes O’Casey, Kathy Bates). The women hope they will find the miracles they need, but they might find something more. The Miracle Club is a pleasant film to watch, primarily because of the outstanding cast, but untimely fails due to a script that goes too easily for the joke and never delivers the tough or touching moments that the film needs to succeed. I loved the showing of the 1967 neighborhood, but the film spends a lot of time setting up confrontations that are too easily resolved. I wanted more from The Miracle Club but instead we got a movie with its heart in the right place that didn’t deliver the goods.   My Rating: Bargain Matinee  The Miracle Club Website   Now playing in select theatres.

Indiefest: The League (2023) PG The League is a documentary about a league that changed baseball forever, the Negro Baseball League. I thought I knew about the legendary Negro Baseball League, but I was wrong. This is a brilliant and insightful look at a history that many of us know little about. I found the interviews with the players fascinating, some of whom I had never seen footage of or heard their experiences of playing when the "major leagues" were off-limits. I learned so much from this documentary, especially that it wasn’t just one league but several separate leagues that got together to play a ‘World Series’ of their own. The League is a film not just for baseball fans or history buffs. It’s a documentary for anyone wanting to learn an essential part of American history that has long been ignored. My Rating: I Would Pay to See it Again  The League Website  Now available on most digital formats.

Indiefest: Amanda (2022)  Amanda (Benedetta Porcaroli) is a 24-year-old born to an upper-class family who hasn’t had someone she could call a friend since she was a child. Now she is being forced to join the real world and must find someone, anyone she could call a friend. Into Amanda’s life comes Viola (Giovanna Mezzogiorno), who was Amanda’s friend when they were small; if Amanda can convince Viola, who doesn’t want to leave her room, that they are friends, everything will be great in Amanda’s life. Or so she thinks. This is one of those films where the main character is incredibly flawed, sometimes annoying and bratty, yet we love her. Benedetta Porcaroli gives a magical performance as a young woman who desperately wants to be in a relationship but has no idea how to go about it. Pushed by her mother, she sets her sights on a childhood friend, Rebecca, who is as quirky and strange as she is (played by marvelously deadpanned Galatéa Bellugi). The two are quite a pair who enjoy spending all their time in Rebecca’s room discussing their lives and ideas about how the world works. I loved this film, which is as strange and unique as its main character. And wait until you meet Amanda’s young niece, who is obsessed with Jesus. How can you not like a character who is told you can’t take that plate of rice and eat it while walking the streets of your town and then does so anyway? Maybe we can be that elusive friend that Amanda is desperate to find.   My Rating: Full Price Amanda Website   Now playing in select theatres.

Indiefest: Lakota Nation vs. United States (2022) PG-13 Lakota Nation vs. United States is a documentary exploring Indigenous peoples’ fight to get back the Black Hills from the U. S. government. The Black Hills, a sacred ground for the Lakota Nation, was originally to be a part of their reservation until gold was discovered, and the government took it. One of the best documentaries of the year, this is a course on how and why the Black Hills of South Dakota should be given back to the Lakota Nation. This is a film that uses both words and visuals to make its points with stunning results. The film flows out of the people that tell its story, and it’s one of wonder, tears, and heartache. The documentary is a testament to the resiliency of the Lakota people and how they have survived every attempt to destroy their way of life. From the 400 treaties that have all been broken, to the sending of their children to boarding schools to be shamed into leaving their beliefs and way of life behind. Lakota Nation vs. United States is a history lesson that we all need to learn and understand so that wrongs are righted and that we don’t forget the past.  My Rating: I Would Pay to See it Again    Lakota Nation vs. United States Website Now playing in select theatres. 

Indiefest: Final Cut   (2022) A small film crew is shooting a low-budget zombie film and trying to do it in one take. There is one problem that could ruin the shoot; they are attacked by real zombies. I will warn you the first third of this film is a bit hard to watch as it is a movie that looks as if it was shot in one take and is full of overacting and lots of horrible dialogue. Stay with this film because what follows is a fun ride into the world of low-budget filmmaking with a cast that commits to their parts with gusto. The film is from Michel Hazanavicius, whose 2011 film The Artist won an Oscar for Best Achievement in Directing. I loved how no matter what the father/director (Romain Duris) does, he can’t win in the eyes of his daughter (Simone Hazanavicius), a budding filmmaker herself. The film is buoyed by Bérénice Bejo (who was also in The Artist), who plays the director’s wife, a former actress, with a secret that slowly comes out during the film. I will say this, if you enjoyed this film, check out the 2017 film One Cut of the Dead, which this film is a remake of. And check out the short final scene at the end of the full credits.  My Rating: Bargain Matinee  Final Cut Website    Now playing in select theaters. 

Forgotten Film: A Guide to Recognizing Your Saints (2006) R  Dito (Robert Downey Jr.) gets a phone call from his mother (Dianne Wiest) to come home after 15 years to see his dying father (Chazz Palminteri). In a series of flashbacks, we see Dito (Shia LaBeouf) in his early years as he tries to survive with the help of his friends. This is an interesting film with a great cast that is based on the filmmaker’s (Dito Montiel) own life and was shot on location where the director grew up. I think Downey goes a bit overboard, but the rest of the cast, including a very young Channing Tatum, is so good in this film that it’s worth a watch. It’s about realizing that you might not have survived without your friends. Sometimes, you recognize that you have had saints watching over you during times of trouble.   My Rating: Full Price  A Guide to Recognizing Your Saints Info   The film is available for rent/buy on Amazon and Apple TV. 

Weird Credits: From the credits of Mission Impossible: Dead Reckoning Part One: Speed Flying Instructors

Coming Soon to a Theatre Near You: Haunted Mansion (2023) PG-13 A single mom, Gabbie (Rosario Dawson), has just bought a mansion, and it’s haunted. What’s mom to do but hire a tour guide, a psychic, a priest, and a historian to help exorcise the ghosts? This film has been in the planning stages for a while, with Guillermo del Toro and Ryan Gosling attached to it. Disney is very high on this film, and it’s said that the plot differs vastly from the 2003 film that starred Eddie Murphy. The cast includes Winona Ryder, Jamie Lee Curtis, Jared Leto, Owen Wilson, Danny DeVito, LaKeith Stanfield, and Tiffany Haddish.  Haunted Mansion Website In theaters nationwide on July 28th.

Until Next Time!

Spider-Man: Across the Spider-Verse

My View: Spider-Man: Across the Spider-Verse (2023)  PG  Our favorite Brooklyn-based friendly neighborhood Spider-Man Miles Morales (Shameik Moore), is about to travel across the Multiverse with his pal Gwen Stacy (Hailee Steinfeld) to join up with a whole new batch of Spider-People to face off with a villain more powerful than anything they have ever challenged. I loved the first film, Spider-Man: Into the Spider-Verse, which was released back in 2018. I am happy to say it was worth the wait! In fact, I think this sequel is better than the original. The film is full of that eye-catching animation style we fell in love with in the first film. The humor is still there, but this film deals with much more than being a superhero. It’s about first love and how it can almost consume you. How important family is while trying to become your own person. And it is a film about fate and if you can change the future. The humor is still there, and the animation is just jaw-dropping. The amount of Easter-eggs in this film must be in the hundreds, and it will take a while to even log them all. Plus, figuring out who is doing some of the voice work will be fun because it’s a large cast. Now the length is long at two hours and twenty minutes, but that shouldn’t surprise you as the first one was in at two hours. Shameik Moore and Hailee Steinfeld are brilliant as our star-crossed lovers, and the new addition, Oscar Isaac, doesn’t disappoint as a new addition to the Spider-Man multiverse. Spider-Man: Across the Spider-Verse is a film that will thrill you, delight you, and, yes, bring a tear or two, and I can’t wait until the next one! Unlike many superhero films, there isn’t a need to stay through all the credits.   My Rating: I Would Pay to See it Again  Spider-Man: Across the Spider-Verse Website  Now playing in theatres nationwide.

My View: The Boogeyman (2023)  PG-13  High-school student Sadie (Sophie Thatcher) and her younger sister, Sawyer (Vivien Lyra Blair), are still reeling from their mother’s death. Their father, Will (Chris Messina), isn’t doing much better, as he would rather bury himself in work than deal with his two grieving daughters. Sadie and Sawyer’s life will change when a desperate patient shows up at their home, letting in an entity that preys on grief-stricken families, feeding off of their sufferings. Based on a Stephen King short story and like most King adaptations, this one falls slightly short of its source material. The film has some nice scares and doesn’t rely too much on the jump-out-of-the-dark moments, but the film doesn’t keep the suspense going throughout. I felt the film spent too much time on the troubled teen and not enough on the younger sister. The film ends with a scene that is just too easy. I think Stephen could have done better.  My Rating: Bargain Matinee  The Boogeyman Website  Now playing in theatres nationwide.

My View: Shooting Stars (2023)  PG-13  The story of a high school basketball player who becomes so well known that he is already a junior, a sure pick as the number one draft choice of the NBA. That player, LeBron James. This isn’t a bad sport-themed movie; it is ordinary, unlike its subject. Since LeBron produces the film, you are going to get a feel-good movie that where the main characters don’t get into a lot of trouble, though LeBron and his basketball friends (called the ‘fab four’) do get obnoxious and, at times, pretty full of themselves. It does an excellent job of showing how LeBron’s fame in high school (he was on the cover of Sports Illustrated while a junior in high school) became a problem for LeBron and his fab four gang. If you love basketball, this is your movie, as there is a lot of it. But if you expect any more than a pleasant tale about the start of a great basketball career, then you will be disappointed.   My Rating: Bargain Matinee   Shooting Stars Website  Now playing on the Peacock platform.

Indiefest: Esme, My Love (2022)   Hannah (Stacey Weckstein) notices the symptoms of a terminal illness in her daughter Esme (Audrey Grace Marshall) and has taken Esme on a camping trip, with their ultimate destination Hannah’s parent’s old home. However, the longer they are in the woods, Esme becomes convinced that something is wrong with her mother. Will the two ever arrive at their intended destination? This film has two strong leads, excellent cinematography, and a brilliant score but is let down by a script that tries too hard to be mysterious and becomes incredibly complex and murky by its ending. Stacey Weckstein is fantastic as the mother who slowly lets her madness control her. Audrey Grace Marshall holds her own as the daughter who loves her mother. As the trip into the woods gets longer and longer, Esme starts to understand that something is really wrong with her mother. When I saw the trailer, I thought this would be a cool horror film or an interesting look at madness, but it never got to that point. Esme, My Love is a film that starts out strong and builds tension and dread but becomes a frustrating watch that ends with a whimper.   My Rating: Bargain Matinee  Esme, My Love Website  Now playing in select theatres. 

Forgotten Film: King of the Hill (1993) PG-13  Not to be confused with the animated TV show, the film is directed by Steven Soderbergh (Sex, Lies, and Videotape, Erin Brockovich, Traffic) but it’s a very different film from the rest of Soderbergh’s movies. This is the story of a 12-year-old boy, Aaron (Jesse Bradford), who lives in a rundown hotel in 1930s St. Louis during the Great Depression. Aaron’s sickly mother (Lisa Eichhorn) has been sent to a hospital for treatment for TB. His brother is sent away to relatives, and Aaron’s father (Jeroen Krabbe) leaves Aaron alone at the hotel to find a better job in another city, leaving Aaron to keep their room and the family car in his care. Thanks to help from some of the neighbors (Spalding Gray, Elizabeth McGovern) and a bit of luck, Aaron can survive and thrive. He talks his way into a private school and even gets a rich girlfriend, outsmarting anybody in his way. King of the Hill is a beautiful tale, full of heart, and an outstanding performance by Jesse Bradford. King of the Hill is a movie about learning how to survive on your own and learning from both good and bad experiences.  My Rating: Full Price  King of the Hill Info

Weird Credits: From the credits of The Boogeyman: Senior Character Animator

Coming Soon to a Screen Near You: Mission Impossible: Dead Reckoning Part One (2023) Ethan Hunt (Tom Cruise) and his IMF team must track down a dangerous weapon before it ends in the wrong hands. Just how far will Ethan have to go to save the world again? Two things to know about this series: Unlike other trailers, you know that with Mission Impossible films; you are only seeing a part of the stunts that will make up the film. And Tom Cruise is nuts for all the stunts that he does himself.    Mission Impossible Website  The film releases on July 12th.

Until Next Time!

Top Gun: Maverick

My View: Top Gun: Maverick (2022) PG-13   Pete ‘Maverick’ Mitchell (Tom Cruise) has for 30 years served his country but has done it his way, as one of the Navy’s top aviators, pushing the envelope as a test pilot. Maverick has been able to dodge the advancement in rank that would ground him until now. Maverick is back where he started, and he is still flying by the air tower, rank be damned. First, see this film on as big a movie screen as you can find (I saw it in IMAX and am so glad I did) because, incredibly, most of the stunts in this film were done in real planes making the flying sequences an absolute blast to watch. I was physically tired after seeing this film because I felt I was in those fighter jets along with the characters in the movie. Secondly, this is one of the best sequels ever made, and yes, I know it’s 36 years after the Top Gun. The first Top Gun was a fun, enjoyable movie that capitalized on the then-growing movie theme of mixing current top 40 hits with a film to create music videos within a movie. The plot was stitched together (some of it after principal shooting had been done) and leaned heavily on Tom Cruise’s charisma and lots of good-looking young men (sometimes with their shirts off). Not only that, but we kicked the Russian’s butts in a dogfight (something huge in the 80s), and you also had a great cast of primarily up-and-coming stars, including an adorable Meg Ryan. So come this movie, and it blows that Top Gun out of the park. First and foremost, Tom Cruise is brilliant as the man who has lived his life like his nickname, Maverick. After doing what Maverick does, breaking the rules to prove a point, he is forced to return to the school which made him a true fighter pilot, ‘Top Gun.’ He will lead a mission with the best pilots in the Navy that is dangerous and may be impossible, but of course, that is what Maverick does, the impossible. Add to this is a cast that rivals the original. First, we have Jennifer Connelly, playing a former flame of Maverick, who now runs the famous bar that everyone hangs out in, and Maverick has a history of trying to pick up women in. Connely is perfect as the one that got away, someone who can stand up to Maverick’s antics and give him a run for his money. And she is someone who has lived a life both before and after Maverick. Next, we have perfect casting in Miles Teller, who plays a certain someone’s son and is now a pilot who has a big chip on his shoulder because of it. When Miles walks into the bar, our first scene to see him, it is a fantastic moment, which at first, I thought was a flashback. Finally, we have a new ace named Hangman, played with gusto and bravado by Glen Powell, a cock sure pilot who outdoes Mavericks’ old rival, Iceman. Speaking of Iceman, Val Kilmer makes a vital appearance in the film, and they explain his inability to talk normally (in real life, Kilmer had throat cancer, see his documentary Val for more). The plot is fast-paced, hitting all the right notes and emotions, the romance between Cruise and Connely feels real and genuine, the action sequences are truly superb, and there isn’t a bad performance in the bunch. All in all, Top Gun: Maverick is sure to be in my top ten films of the year and is not to be missed. And once again, see it in a big-screen theatre! You won’t be disappointed.   My Rating: I Would Pay to See it Again   Top Gun: Maverick Website  Now playing in theatres nationwide.

My View: The Bob’s Burgers Movie (2022) PG-13  As The Bob’s Burgers Movie opens, a bank payment is due, and if things can’t get worse, a giant sinkhole opens up right in front of the restaurant. Now it’s up to the kids to try to solve a mystery that could possibly save their parent's place. Truth be told, I’m not a big Bob’s Burger fan (I’ve seen quite a few episodes). That being said, I thoroughly enjoyed this film. The songs are a lot of fun, the storyline is imaginative and funny, and the voice cast brings an energy to the screen that makes it an amusing ride. Fans of the show will love this film, bringing some of the best aspects of the series, mainly the songs and the quick, often hilarious, asides that the characters make, combined with a mystery that is entertaining to solve, make this a fun and light film to watch. If you haven’t seen the series, you will quickly be able to follow and fall in love with this strange and hilarious family that, at its core, is all about love and believing in yourself and your family. With a bit of help from your friends and siblings, you can do anything, including solving a crime or two.   My Rating: Full Price   The Bob's Burgers Movie Website  Now playing in theatres nationwide.

Indiefest: Montana Story (2021) R  Two long-estranged siblings (Haley Lu Richardson, Owen Teague) come back home to their father’s ranch as he is on his deathbed. While there, they will be forced to confront their shared painful past, facing a deep and bitter family legacy. One of the things I enjoy about going to film festivals is discovering a film that I didn’t know anything about and falling in love with it. I did this at the 2022 Atlanta Film Festival with this film. This is a quiet, potent story powered by a moving performance by its two lead actors. Owen Teague plays Cal, the son who stayed behind when his sister suddenly left the family and disappeared. Teague brings a quiet presence to the part, a young man trying to do the best he can in a difficult situation and is troubled by a shared past with his long-lost sister. Haley Lu Richardson plays the somber and sometimes fiery Erin, a young woman who wants to do nothing with her father and doesn’t really know why she has come back to a place that has caused her so much pain. Adding to the performances is the cinematography, perfectly capturing the magnificent Montana vistas, where the sky does seem to go on forever, and the mountains seem both welcoming and menacing at the same time. Montana Story is a drama about secrets that a family keeps and how they can tear apart a family, only to be repaired with time, understanding, and deeply filled regret. In addition to the main actor performances, I loved the supporting cast in this film, with some beautiful and meaningful performances brought to the screen by Kimberly Guerrero, the long-time housekeeper and family friend Valentina, and the father’s nurse, played by Gilbert Owuor, a thoughtful and insightful Kenyan Immigrant, there to make the father’s last days as peaceful as possible for both the parent and the kids. Adding to the mix is an entertaining and fantastic storyline of Erin’s attempt to save a horse on the family farm that means the world to her. Montana Story is a family drama that takes its time to reveal the scars and chasms that have long been buried and must be confronted before the two siblings can move on.   My Rating: I Would Pay to See it Again    Montanta Story Website  Now playing in select theatres.

Indiefest: 18 1/2 (2021) PG-13  At the height of the 1974 Watergate scandal, it was discovered that there were 18 1/2 minutes of recordings that had been erased. A White House transcriber (Willa Fitzgerald) is thrust into the scandal when she discovers she is in possession of the only copy of the infamous 18 1/2 minute gap in the Nixon tapes. This an interesting little film that is part black comedy, part thriller with a few nice twists and turns. It is important to know that one of the things which brought down the Nixon presidency was it was found out that Nixon had recorded every meeting that took place in the White House Oval Office. Adding to that outlandish fact, it was discovered that in one session, there was 18 1/2 minutes of conversation that the White House clumsily claimed was mistakenly erased by Nixon’s secretary. In this film, a transcriber has discovered a separate tape (recorded without their knowledge) of Nixon and his staff listening to the tape and deciding to destroy it. She decides to go to a reporter, someone she respects and trusts, to let the story out. The film balances comedy with a bit of drama and suspense as the two try to find a way to listen to the tape together before the transcriber has to get the tape back to the archives. They go to a remote off-season resort, and a comedy of errors happens, from a nosy resort manager (played by the always funny Richard Kind) to a group of hippies trying to recruit the two into their party, to a strange older couple who are celebrating their wedding anniversary. I enjoyed Willa Fitzgerald's performance of the woman who wants to do the right thing but doesn't want to get caught up in the hysteria of Watergate. The film does a fun job at capturing the look and feel of a time transitioning from the peace and love movement of the 60s to the more almost paranoid feel of how the government was lying to us about nearly everything and everyone. 18 1/2 flounders a bit in the last act but is still an enjoyable ride that lets the tension build as everything seems against the two from actually listening to the tape.   My Rating: Bargain Matinee  18 1/2 Website   Now playing in select theatres.

Indiefest: A Chiara (2021) R   An 15-year-old girl named Chiara (Swamy Rotolo) is a member of a close-knit family, and she deeply loves her father. Chiara’s world starts to fall apart when her father disappears in the middle of the night, and, consequently, she is determined to find out what happened to him and why. Part mystery, part coming of age film, A Chiara is a story about a young woman who has to grow up too quickly after she decides to go against the wishes of her older sister and mother and delve deep into her father’s past and current life. Swamy Rotolo gives us a teen who is fiercely determined to find out the truth, no matter the cost or how it turns out. Rotolo is a young actress who is able to give us a sweet girl who is concerned about Instagram and her carefree life of the privileged where her family is tight and loving. From the start of the film, it is apparent that Chiara is her father's favorite, and she feels that he can do no wrong. But then, in the middle of the night, she witnesses her father running away into the dead of night, and right after he has fled, his car is blown up. From there, she decides that while no one in her family will tell her the truth, she will discover it on her own. A Chiara is a film that starts as a look at the life of a teen who is surrounded by family and friends, and by the end of the film, it's her against the world as she digs further and further to find out the truth, a truth that could change her life forever.   My Rating: Full Price   A Chiara Website   Now playing in select theatres.

My View: Zero Contact (2022) R  Five people from around the globe are connected only by their devotion to tech titan Finley Hart (Anthony Hopkins). The five discover that Finley has developed a new, secret invention that could end life on earth as we know it, and accordingly, they must band together to stop him. An interesting film that was shot in 17 different countries during the height of the pandemic, where all the actors were on their own, shooting their parts remotely. Part of the plot of the movie is that Finley Hart is responsible for creating a software that allows companies to spy on their clients, and so we are witness to their spying when the principal in the story uses their smartphones, their security systems, and their computers to show us what is happening to each character. The five main characters each have a past with Finley; some knew him, some only worked remotely with him, and one, Sam (Chris Brochu), is the long-separated son of Finley. The five are put together after Finley’s death and must decide to either shut down or fire up a computer system using technology so powerful that it could destroy the earth’s ecosystem in one fatal power up. The film wants to be a thriller with a bit of horror thrown in, but the plot is so twisted and full of holes, where we are to believe that teleportation is not only possible but used without a lot of explanation, that I got lost on what was the plan or what were the stakes if the plan worked or didn’t. Anthony Hopkins is wasted as the mad inventor (or is he) who has created this elaborate plan to activate his last and possibly fatal gift to humanity, though it is fun to see him play the piano and chew a few scenes while speaking on the ills of humanity. Zero Contact is part one of a trilogy, and though the film shows us footage of how they put this film together during the credits, I have no interest in finding out what happens next.   My Rating: Bargain Matinee  Zero Contact Website   Now playing in select theatres and On Demand.

Forgotten Film: The Lacemaker (1977)  R  Pomme (Isabelle Huppert) is a shy, reserved young woman who lives with her loving mother and works at a Parisian beauty salon. Pomme decides to go on vacation with her out-going and fun-loving friend, Marylene (Florence Giorgetti), to the Normandy coast. Almost as soon as they arrive, she is abandoned by her friend, who has found a new man to fall in love with, and Pomme is left alone in a resort town. Pomme soon meets and quickly falls in love with a literature student Francois (Yves Beneyton), and they decide to move into together when they return to Paris. However, Pomme soon learns that falling in love with someone you don’t know well can be risky. Huppert is the reason to see this film as she is striking as the young, innocent woman who wears her heart on her sleeve. The Lacemaker is a tale of a romance where the two lovers are destined to fall apart. Is it that their love is not strong enough to survive, or are the two too young to learn that the road to love lasting is not easy.   My Rating: Full Price   The Lacemaker Info

Weird Credits: From the credits of Top Gun: Maverick: Cast Swim Coach

Coming Soon to a Screen Near You: Mrs. Harris Goes to Paris (2022) PG   A widowed cleaning lady (Lesley Manville) in 1950s London inherits a big of money, falls madly in love with the dresses of Dior, and decides to fly to Paris and buy one for herself. It’s a tale of adventure that will change her life and possibly the very future of the House of Dior itself. The trailer had me at the start with stars Lesley Manville and Isabelle Huppert.     Mrs. Harris Goes to Paris Website