The Social Reckoning

My View: The Social Reckoning  (2026) R  The Social Reckoning centers on Frances Haugen (Mikey Madison), a Facebook engineer who discovers that the company favored corporate profit over user safety and teen mental health. She teams up with reporter Jeff Horwitz (Jeremy Allen White) to expose what Facebook is doing, while Facebook founder Mark Zuckerberg (Jeremy Strong) tries to find the source of the leak and stop it from getting out. The Social Reckoning is a sequel, of sorts, to the 2010 multi-Oscar-nominated (3 wins) film The Social Network, for which Aaron Sorkin won a well-deserved Academy Award for his screenplay. I say “of sorts” because The Social Reckoning feels very disjointed from the earlier film. The Social Reckoning seems like a film that is too little, too late. Unlike in 2010, when David Fincher directed one of the year's best films, Sorkin both wrote and directed this one. And that, my friends, is the problem with this film. In 2010, we were still learning what a weird, egomaniac Zuckerberg was, and The Social Network showed us who he was and how Facebook began. Sorkin has created a film where he blames Zuckerberg for both the insurrection of 2021 and the death of journalism. Both ideas keep hitting us over the head with rapid-fire dialogue and flashbacks that show us the violence committed that day and its aftermath. If this film had been made in 2021 or even 2022, maybe it would have had more of an impact. But in 2026, with Trump re-elected, it feels hollow and loses any impact Sorkin wanted. I did enjoy the back-and-forth dialogue (in true Sorkin fashion) between the two heroes. Frances, played by Mikey Madison, who proves her Oscar win wasn’t a ‘one and done’, is a woman who slowly realizes she can’t give Jeremy Allen White’s reporter, Jeff Horwitz, a few clues about what is happening at Facebook but must help tell the story. Things move along as the two characters bicker with each other while both conclude the world needs to know what Facebook is doing to make money at the expense of its members' safety (and, for that matter, the nation's). I can see why Jesse Eisenberg turned down returning to a role that got him an Academy Award nomination. Jeremy Strong’s Zuckerberg is so lifeless that they could have used one of those old robots in Disney World’s Hall of Presidents to play the part. I won’t give away the end, but it is so heavy-handed and low-impact that the final shot with Mikey Madison’s character is laughable. This isn’t a bad film; it’s just bland. With this cast and Sorkin as a writer, The Social Reckoning should have been great, but it has no impact on today’s audiences. I’ll sum up The Social Reckoning with a saying my father used to say: “A day late and a dollar short.” Okay, more than a day late. My Rating: Bargain Matinee  The Social Reckoning Website  Now playing in theaters

My View:  Other Mommy  (2026) R  In Other Mommy, Bela (Arabella Olivia Clark) is living in a home where her parents (Jessica Chastain, Jay Duplass) are barely getting along. One day, a supernatural doppelgänger that looks just like Bella’s mother emerges, which Bela calls “Other Mommy”. This Other Mommy is about to threaten the safety of the family by manipulating Bela against her actual parents. It’s an awful film when the best jump scare you have is wasted in the trailer. This tedious, un-scary “horror” film is boring, stupid, and lacks any imagination. The only hope for this film was if they had camped it up, but it takes itself so seriously that when the family gets together to divide up the kitchen utensils to take on the baddy demon, I had to laugh out loud. “You take the meat cleaver, I’ll take this potato masher and honey, what do you want?” I guess that Jessica Chastain signed up for this drag of film, because she was a fan of the book, Josh Malerman’s 2024 bestselling novel “Incidents Around the House”,which I hear is “keep all the lights on in the house when you read it” scary. This film, sadly, is not scary, shape, or form (mother or demon-wise), even close to being more than an "oh, look, the kid is now on the ceiling" boring. Skip this snooze-fest and go read the book. My Rating: You Would Have to Pay Me to See it Again   Other Mommy Website  Now playing in theaters 

My View: Animals  (2026)  R    Animals follows a mayoral candidate (Ben Affleck) and his wife (Kerry Washington) as they desperately try to pay their kidnapped son’s ransom and resort to extreme measures to get the money they need, uncovering dark secrets they never intended to confront. With an all-star cast that includes Gillian Anderson and Steven Yeun, Ben Affleck stars and directs this thriller about a kidnapping that gets more complicated as the night goes on. Washington and Affleck are believable as a couple whose marriage isn’t as solid as it seems. I liked the scenes between them as the tension grows, and they’re forced to tell each other the truth about their marriage. Yeun is good as the campaign director focused on getting his candidate elected, and, as usual, Gillian Anderson is fun as a mysterious money person who can come up with the money and a plan to get the kid back. As a director, Affleck does an adequate job creating tension, and this is a darker film, without some of the lightness of his past thrillers; except for the always deadpan Anderson delivering some delicious lines, the film is nothing more than an I blame you, and you blame me story. There are some twists and turns, but unfortunately you can see some of them coming before they are played out. The ending feels too effortless to believe, and the film is an unsatisfying thriller that stays too grounded and can’t be saved by its two leads trying to carry the story.  My Rating: Cable  Animals Website  Now playing on the Netflix platform

Indiefest:  Who is Martin Mull?  (2026)  Who Is Martin Mull? is a documentary that follows his life from his early days in smoky comedy clubs and opening for rock acts to prime-time television like Roseanne and films like Mr. Mom, all while he pursued his true passion: painting. His paintings were hung in major institutions like the Whitney and the Museum of Modern Art. I have been a fan of Martin Mull since I saw his PBS special, 60 Minutes to Kill, in the early 80s, and it was a comedic gem. I love that this documentary gives us so much footage from his early years as a comic. I was going to say stand-up comic, but he spent most of his comedy tours in a worn-out armchair. He mixed incredibly funny songs with an almost asshole demeanor, with stories and jokes that always had a twist and, most of the time, tricked or even insulted the audience to their delight. What the film brings to light is that comedy wasn’t his first love. It was painting, and he used the money he made so that he could paint. His painting didn’t become popular or expensive until his 60s, but he was always painting. It’s funny, but a lot of comics have rough childhoods. Martin declines to talk about it, but his siblings tell us what a horrible dad he had, and it’s amazing how Martin became a nice, sweet man who cared about people, especially his second wife and his daughter. So pull up an easy chair, grab a drink, and sit down to enjoy a man whose comedic talent was vast, but whose passion for painting kept him going. Bob Saget directed most of this film before his untimely death, and Neil Berkeley completed it. Martin, who died in 2024, comments on how many of his friends are dying around him. It’s shocking that so many of the people interviewed in this film also died before this film was completed.  My Rating: Full Price    Who Is Martin Mull? Website     Now playing on the Netflix platform

My View: Matchbox: The Movie  (2026)  PG-13 In Matchbox: The Movie, Sean Walker (John Cena) returns home and reunites with his childhood friends. What his friends don’t know is that Sean works for the CIA and has been kidnapped by a group looking for a nuclear warhead. The CIA accuses his friends of stealing the warhead, and so the group decides to save Sean on their own and re-steal the warhead. I loved Matchbox cars as a kid. My favorite was a white Chaparral 2 car with a cool rear wing. So you would think there would be a whole lot of really cool cars in this film (maybe even one with a tall rear wing). Nope, there aren’t even that many car chases. Instead, we get a lot of Cena beating up bad guys, an incredibly stupid plot, and Jessica Biel being wasted in her first film role in almost 10 years. I have no idea who this film was aimed at; I guess Matchbox kids that have grown up. Too bad we get this unfunny, very generic action film without a lot of cool cars to play with. My Rating: Cable  Matchbox: The Movie Info  Now playing on Apple TV

Forgotten Film:  The Masque of the Red Death  (1964)  A European prince (Vincent Price), who worships the devil, terrorizes the local peasants during the fatal plague known as the “Red Death”, going as far as burning their villages and stealing women he covets. While the peasants are dying, the prince holds a lavish masquerade ball for the wealthy nobility. The prince soon meets a person in a red cloak and mask who will change his life. This is not the usual schlock film that had made Roger Corman the king of cheap horror films. Instead, the film is lush in its costumes, and the cinematography is incredibly striking (by a soon-to-be director named Nicolas Roeg). Most people today know Vincent Price only for his narration of Michael Jackson’s "Thriller," but Price is incredibly sinister in this film, making his character drip with evil oozing from every pore. This is a fun ride of a Poe short story and worth watching as a taste of the coming Halloween season. My Rating: Full Price  The Masque of Red Death Info Available on most streaming services

Weird Credits: From the credits of Animals: Color Scientist 

Coming Soon to a Screen Near You: You Can See Everything  (2026)  R  You Can See Everything is a documentary where a documentary crew is invited to follow Theranos founder Elizabeth Holmes every move, just thirty-four days before she is sent to prison. What starts as a portrait of an embattled executive becomes a three-year journey into manipulation, truth, and reality.  You Can See Everything Website  In theaters on Friday, October 16, 2026\

Until Next Time!

Digger

My View: Digger  (2026) R  Digger follows Digger Rockwell (Tom Cruise), an eccentric oil tycoon who accidentally triggers a catastrophic global ecological disaster. He then embarks on a mission to save the planet and become Earth’s hero. I’ll tell you right off the start that some people will not like this movie. In fact, some people won't even understand this movie. This is a film that, after an hour (we still had more than an hour to go), I would've left if I wasn't reviewing it. I guess it’s a satire, but I’m not even sure of that. I do know that it’s a mess, and except for a couple of quick scenes, it’s not funny or witty. Instead, it's a mess that tries to tell us the message that we are doomed. Thanks, but I already get that from the internet. Before the movie came out, there were thoughts that Tom Cruise might be nominated for an Oscar for this part. Not happening, Tom. In fact, I think it was really easy for Tom to do this part, as he overacts and rebels on and on. And a lot was made about the 6 hours it took to turn Tom into Digger, but he still looked like Tom Cruise, just with a pouch and some grey hair. The only bright spot in this film is John Goodman, who plays the President, a man willing to throw anybody and any country under the rug so that the blame doesn’t come back on him. There is a big twist in this movie, but it's so badly revealed that it took me about five minutes after it happened to figure out what the twist was. Sadly, the most interesting thing I found to watch in this movie was some extras acting during the credit scenes at the end of the film.  My Rating: You Would Have to Pay Me to See it Again  Digger Website  Now playing in theaters

My View:  Verity  (2026)  R   In Verity, Lowen (Dakota Johnson) is a writer desperate for work when she is contacted by bestselling author Verity Crawford’s husband (Josh Hartnett). After a mysterious accident leaves Verity (Anne Hathaway) incapacitated and comatose, Lowen is hired to ghostwrite the final books in Verity’s bestselling series. Lowen discovers a manuscript containing disturbing confessions, making her wonder who to believe and whether she is safe in the house. This is a stupid, fun movie with a few chills and lots of plot twists, but it's sunk by an ending that seems crafted by someone who hasn’t read the rest of the script. Hathaway looks to be having a blast as a writer who crafts books about people doing nasty, evil things and then turns out she does them in real life too. I have become a big fan of Dakota Johnson, but this is not her best work. Her mopey character has almost no charisma and makes it hard for us to root for her, which isn’t great when she is playing the other woman in this weird relationship. The ending is what makes this film fall apart; I wanted to yell at the screen, “But what about…”. Instead, we are asked just to accept it. I will say this: the movie is worth the price of admission to see the house they live in, but like the rest of the movie, it never explains how this strange house came about or why it has giant rocks in the hallways. Maybe the book the film is based on gives us more clues and a better ending.  My Rating: Bargain Matinee  Verity Website  Now playing in theaters

Indiefest: Your Mother Your Mother Your Mother   (2026)  R Your Mother Your Mother Your Mother follows Latif (Mahershala Ali), a devout Muslim hitman, as he deals with his wife’s unexpected death. He must juggle raising three children, including a newborn who needs breast milk, while he has just been given a contract to kill a local religious leader. Mahershala Ali is brilliant in this film, which is part family drama and part 70s gangster film. This is an action film where people are getting brutally killed or beaten up, all the while our hero cares deeply about his family, and for half the film, he has a baby that he is carrying around. Mahershala Ali trained for almost a year to star in a reboot of Blade, but it fell through, so he put those skills to good use in this film, including some swordplay. Ali goes from killing someone to, in the next scene, talking to his son about proper manners. This is a film where we root for someone who kills for a living but is not over the death of his wife and is struggling to find formula for his baby. Your Mother is a film where the main character has to keep making choices and deciding what is good for his family or for his livelihood. The one thing you don’t want to do with Latif is push him into a corner. The results can be deadly for the people he is dealing with, but they can also make for great action scenes for us.  My Rating: Full Price  Your Mother Your Mother Your Mother Info    Now playing in select theaters

My View: Unabomber  (2026)  R   Unabomber centers on Ted Kaczynski (Jacob Tremblay), who was once a promising student at Harvard University and became the terrorist known as the Unabomber, who terrorized the United States for almost 20 years. This is such a strange movie that doesn’t go anywhere. It jumps back and forth between Kaczynski’s time at Harvard when he was just 16 and the mid-90s, when the FBI was trying to find the Unabomber. The movie shows how isolated Ted was in college and how he was used as part of a psychological experiment (at the behest of the CIA). At Harvard, Ted thinks in the experiment, one of his professors (Russell Crowe) picks him because he is so good at debating. Instead, the experiment aims to break Ted’s will. In the 90s section, Shailene Woodley plays an FBI agent on the trail of the Unabomber who can’t convince anyone the FBI is looking in the wrong places. So she goes out on her own to follow leads. The film feels like it is just going down a list and checking off items it needs to cover. Ted’s smart. Check. Ted has social issues. Check. The professor is tricking him. Check. There isn’t much drama, even when Woodley’s character closes in. In the end, I never cared about Ted, and the movie seems to put the blame for all the people that he hurt and killed on the Harvard experiments. I have a feeling that this format would have worked better as a documentary. As a work of drama, the film takes us down a path that we never feel invested in.  My Rating: Cable  Unabomber Website    Now playing on Netflix

Indiefest: The Incomer  (2026)  R  The Incomer is set on a remote Scottish island, where adult siblings Isla (Gayle Rankin) and Sandy (Grant O’Rourke) have lived in total isolation for thirty years. The two believe themselves, having been left alone by their parents (who mysteriously disappeared), to be protectors of the island from dreaded “Incomers.” Daniel (Domhnall Gleeson) is one such “Incomer” who has been assigned to evacuate the two to the mainland, and it will not be an easy task, especially because visions of a Finman, a mythical creature, visit Isla. I loved this strange, adult fairy tale movie. The film has amazing back-and-forth dialogue, whether between the two siblings or between Isla and Daniel. This is about three oddball, lonely people finding each other and willing to risk their lives to keep what they love from being taken from them. Gayle Rankin gives a powerful, funny performance as a woman who has lived on an isolated island with her brother for 30 years, then meets Daniel, a man who's interested in her and enjoys her company, even when she goes a little overboard. Grant O’Rourke is perfect as the brother who slowly figures out he might like men and sees the world as one big surprise. Domhnall Gleeson gives us a man who wants to do the right thing but also understands that Isla and Sandy differ greatly from anyone he's ever met. The film is funny, warm, charming, and odd, with the right touch of darkness to make things uncomfortable at times. With outstanding performances and breathtaking Scottish landscapes, The Incomer is a joy to watch. After seeing this film, you just might want to copy Isla’s cry to the gulls. Just be sure to have some birdseed on hand if they get a little too close.  My Rating: Full Price  The Incomer Website  Now playing in select theaters 

Forgotten Film:  Sparrows  (1926)   Sparrows shows why Pickford was such a star. She is brilliant and funny as a young woman caring for many children while an evil man keeps them locked up on a small plot of land in the middle of a swamp. We see how evil the man is early in the film when he gets a letter from a mother hoping he is taking care of her child. He takes the doll she has sent her child, crushes its head, and then watches it as it is dropped into the muddy swamp and devoured by the mud. There is some comedy, with Pickford charming the audience as she tries to keep the kids and herself out of trouble, but it isn’t easy, as the evil man’s son is also cruel and makes it his pastime to harass both Pickford and the kids. The cinematography is striking, and the last third of the film is a brilliant piece of cinema, with Pickford’s character leading her kids to safety through a swamp full of rivers, mud, and alligators. And Jesus even shows up. This film still holds up, and I have to believe audiences went wild for it in 1926.  My Rating: Full Price  Sparrows Info   The film is available on most streaming services

Weird Credits: From the credits of Digger:  Special Effects Teeth

Coming Soon to a Screen Near You: Other Mommy  (2026) R   In Other Mommy, Bela (Arabella Olivia Clark) is living in a home where her parents (Jessica Chastain, Jay Duplass) are barely getting along. One day, a supernatural doppelgänger that looks just like Bella’s mother emerges, which Bela calls “Other Mommy”. This Other Mommy is about to threaten the safety of the family by manipulating Bela against her actual parents. The film is based on Josh Malerman’s 2024 bestselling novel "Incidents Around the House."  Other Mommy Website  In theaters nationwide on Friday, October 9, 2026.

Until Next Time!