Lee Cronin's The Mummy

My View: Lee Cronin’s The Mummy  (2026)  R   Lee Cronin’s The Mummy is about a young daughter (Natalie Grace) of a journalist who disappears without a trace in the desert. Eight years later, the daughter suddenly appears, but what should be a joyful reunion is quickly shattered by a nightmare that may never end. I liked Cronin’s Evil Dead Rises, calling it ‘one of the better horror / possession films of the past few years.” I can’t say the same thing for a film that I am calling “Evil Dead Rises for Mummies”. And because moms take center stage in this gore fest, you can say mommies, too. The first problem with this film is that it’s incredibly, butt-numbingly long at two hours and thirteen minutes. The second problem is that I didn’t like the parents, who are the most irresponsible pair I have ever seen in a film. They apparently don’t know that their kidnapped daughter, missing for eight years, was found inside a three-thousand-year-old sarcophagus wrapped in ancient wrappings. And while the mom (Lala Costa) is a nurse (I think), they aren’t set up for the 24-hour care that their catatonic, twitchy, old as heck looking daughter, who has a tendency to projectile vomit, spit, and crush hands. Your first clue to their incompetent parenting is dragging the child up what seems like 20 flights of stairs in a wheelchair (which I kept waiting for the child to fall out of). The father (Jack Reynor) was a rising news anchor before the kidnapping, but he misses all the clues that this film hits us over the head with, and takes almost two hours to figure out that something is wrong with his daughter. The film tries to outgross itself at every opportunity, including a toenail-clipping scene that drags on for what seems like ten minutes. I could go on about how stupid this family is, including a grandmother who keeps getting close to the girl, even though every time she does, it seems she gets the crap beaten out of her. Or the Mummy’s two siblings, both of whom, even though the girl is weird as crap, get fooled by the old “cute voice through the door” trick. The tagline for this movie is “Some Things Are Meant To Stay Buried.” I sure wish the script had been one of those things. Well, at least with the director/writer putting his name in the title, we know who to blame for this mess of a film.   My Rating: You Would Have to Pay Me to See it Again  Lee Cronin's The Mummy Website  Now playing in theaters

My View:  Normal  (2025)   R  In Normal, Ulysses (Bob Odenkirk) has come to the sleepy town of Normal, Minnesota, to become the temporary sheriff after the passing of the long-time sheriff in the town. Not only did the sheriff die under suspicious circumstances, but things get really weird after the local bank is robbed, and Ulysses suspects that the town might be hiding a huge secret. I find it very enjoyable that Bob Odenkirk has gotten into the action-hero game, and this film certainly delivers a lot of action. Odenkirk plays a flawed hero who is just passing through as a caretaker for a few weeks and then moving on to the next town. However, this town isn’t what it seems, and it has some very serious connections (which we see right from the start), and Ulysses is in for a mess of a fight. I had fun with this film for a while, but I had trouble keeping up with who had been killed (the kill rate in this film is incredibly high) and how. I did enjoy how Ulysses finds allies in very unexpected places while the whole town is out to kill him. Then the film kind of became more of the same, and I started wanting it to resolve itself (which it does, unconvincingly). I have a feeling critics will compare this film to Fargo (because of the small-town weirdness) and to John Wick (the nonstop violence), and I will admit that, about halfway through, I kept thinking I had seen this film before. Then I realized Odenkirk had just done the Nobody films. But hey, we have plenty of history with action heroes doing the same version of their films over and over, and we have continued to see them. So go ahead, Bob, and become the next Liam Neeson. I won’t mind. Just don’t become the next Steven Seagal. We don’t have the stomach to go through that again.  My Rating: Bargain Matinee  Normal Website  Now playing in theaters

My View:  Lorne  (2026)  R  Lorne is a documentary about Lorne Michaels, who created Saturday Night Live in 1975 and is still the driving force behind the legendary late-night comedy show. I have been a fan of SNL since it started. I still remember sitting with my dad watching the first episode back in 1975 (yes, I’m that old), when the first host was George Carlin (his first monologue bombed so bad he asked the audience if they had heard the jokes before). So I was excited to see a documentary about the man who created the show. This is a film that, while I really enjoyed at the time, the more I think about it, the less I like it. Award-winning director Morgan Neville, who brought us the Academy Award-winning documentary 20 Feet from Stardom and the delightful Won’t You Be My Neighbor?, tells us right from the start that this is about a man who not only doesn’t enjoy being interviewed, he also doesn’t like being filmed at all. And that’s the problem. It’s about a man whom even his close friends know little about. So we get a film more about how the show is put together, and we get a ton of highlights on how the show has impacted comedy and the nation with its continued look at what is happening in America at any given time. There are a ton of clips from old shows and even more interviews with cast members (most of the interviews seem to be from casts from the last ten years). Looking back at this documentary, my enjoyment came from watching the vast array of comedy gems the show has given us, along with interviews with (surprise) very funny people who know how to tell a story or deliver a quip. I came away with the idea that this man does have an eye for talent, knows what is funny and what works on TV, but I already knew that. The problem is that this is a film about one man, Loren Michaels, not his show or the sketches, and we learn almost nothing about him. Lorne is like going on a blind date and realizing at the end of the evening, while you had a great time, you did all the talking.   My Rating: Bargain Matinee  Lorne Website  Now playing in theaters

My View: #Skyking  (2026)   #Skyking is a documentary about Richard ‘Beebo’ Russell, a troubled 28-year-old ground service agent with no pilot experience, whose impulsive decision to hijack and pilot a commercial plane shocked a nation. I vaguely remember a pilot taking a plane out for what I thought was a joyride that went wrong. I don’t remember learning that it wasn’t a joyride but a suicide. Director Patricia E. Gillespie does a masterful job of giving us a look at Beebo and why he did what he did. It’s an amazing story that gives us insight into why someone without any piloting experience would do what he did. The film does a brilliant job of letting us get to know both Beebo and his family and friends, and how shocked they were when he did this. Suicide is always a tricky subject, mostly because a lot of times we don’t know why they felt their only choice was to take their own life. We listen to Beebo’s flight recordings as his friends and family also listen in, many for the first time. It’s a gut-wrenching watch to see how many people cared about him and didn’t know the extent of his hurt. #Skyking gives us the reasoning why Beebo felt that maybe his suicide would make an impact and wake up the company he worked for on how they treated their employees. The film is moving, mostly because Beebo seems like a guy you would want to know. It’s horrible that we will never get that chance.   My Rating: Full Price  #Skyking Info    Now playing on the Hulu platform

Indiefest: The Christophers  (2025) R  In The Christophers, the grown-up children of a once-famous artist, Julian (Ian McKellen), hire a forger, Lori (Michaela Coel), to complete some of his unfinished and long abandoned paintings so they will have an inheritance when he dies. This is one of those rare films where I was having such a good time that I looked at my watch and said, “Crap, only fifteen more minutes of this.” I want more, much more. Ian McKellen and Michaela Coel are an absolute delight to watch. McKellen, as you would expect, spouts lines so effortlessly that you wonder if he even breathes. Coel, on the other hand, is the perfect foil, allowing McKellen to spout those lines while keeping us wondering what her character is thinking and whether there will be any sort of reaction. The Christophers is a fascinating film about lost youth, lost faith in your talent, and how life can knock you down, and you just might never get back up. This is a funny, moving film with witty, meaningful dialogue and, surprisingly, warmth. This is a film that captures what it must be like to see McKellen on the stage, as he seemingly floats along, with witty lines coming fast and furious, as Julian has an opinion on everything and everyone. Go for the absolute blast of seeing McKellen duel with Coel, but stay for the wonderful feeling you get as you leave the theater. My Rating: I Would Pay to See it Again  The Christophers Website  Now playing in theaters 

Indiefest:  Bunnylovr  (2025)  Bunnylovr follows Rebecca (Katarina Zhu), a Chinese American webcam model, as she navigates a toxic client relationship while reconnecting with her dying, estranged father (Perry Yung). Rebecca is the type of person who is always late, shows up to meet friends, leaves ten minutes later with an excuse, and has an assistant job she is horrible at. She makes extra money by doing webcam chats. Nothing too dirty, but she wears skimpy clothes and will do some slightly risqué things to keep the chats going. She encounters a client who wants some private time but doesn’t want to be seen. Rebecca is also trying to reconnect with her father, with whom she hasn’t been in contact for a long time. As her father tries to keep up with her, she becomes more and more involved with the client, who gives her lots of money to be at his beck and call. Writer/director Katarina Zhu has a winning style on camera, and we like Rebecca at first. However, the film’s biggest problem is that it meanders, touching many storylines without giving us much depth. There are only a few times when you really connect with Rebeca, as she spends a lot of time on the screen walking from one acquaintance to another, never spending too much time with anyone, as she seems to commit only to a few moments. This gives the film a shallow feel, never letting us connect with Rebecca, not caring whether she succeeded or not. The film ends as it starts,, with Rebecca alone in bed listening to a self-help recording, making us feel that we never really knew her. My Rating: Bargain Matinee Bunnylovr Website Now playing in select theaters 

Forgotten Film: The Omen (1976) R  An American ambassador (Gregory Peck) to Britain and his wife (Lee Remick) deal with a series of increasingly deadly ‘accidents’ that always seem to happen around their son Damien (Harvey Spencer Stephens). This 70s film distinguished itself from most horror films of the 60s and 70s by the stylish work of its director, Richard Donner, and its cast, which included Academy Award winner Peck and Oscar-nominated Remick. The film has one of the creepiest performances by a child and some shocking deaths, some of which come out of the blue. Even the ending sets this film apart from the run-of-the-mill horror films that came before. By the way, the horror that Lee Remick shows when the car is attacked by baboons (has to be seen to be believed) was real because they had an actual baboon in the car with her.    My Rating: Full Price  The Omen Info  The film is available to rent on Apple TV+ and Fandango

Weird Credits: From the credits of Lee Cronin’s The Mummy: Hurdy Gurdy

Coming Soon to a Screen Near You: The Devil Wears Prada 2 (2026) PG-13  Miranda (Meryl Streep) is nearing retirement, and the sharks are circling around. In walks Andy (Anne Hathaway) to help Miranda, and is forced to take on her former assistant turned rival: Emily (Emily Blunt). If anyone can pull off a sequel, it’s Meryl.  The Devil Wears Prada 2 Website  Coming to theaters nationwide on Friday, May 1, 2026

Until Next Time!

Saturday Night

My View:  Saturday Night  (2024)  R  Saturday Night takes place on October 11th, 1975, when, at 11:30 pm, a group of young, wild performers and writers launched a new live TV show that changed the landscape forever. The film chronicles the events that took place in the 90 minutes prior to the first broadcast of Saturday Night Live. I am old enough to remember sitting in front of the TV with my dad to watch a new live show on a Saturday night at a really late time. My dad was a playwright and loved TV, especially comedies, so we were both blown away by what we saw that night. Not everything worked (George Carlin’s standup routine near the start of the show was a bomb), but most of the stuff they did was off the wall, inspirational comedy that thumbed its nose at almost everything from commercials to newscasts. Filmmaker Jason Reitman brings us the 90 minutes before that crazy broadcast happened. Saturday Night is a fun film that, like SNL, keeps throwing things at you, some of which work, some don’t. The film centers around Lorne Michaels (Gabriel LaBelle), who is trying to put together a show in 90 minutes that everyone is telling he can’t possibly get it together. Everything goes wrong, from John Belushi not signing his contract and going rogue to lights that fall from the ceiling to a lineup of sketches/stand-ups/musical guests that would fill a four-hour show. All the while, Lorne is being told by the head of the network (played by everybody’s favorite SOB Willem Dafoe) that he will go to a Johnny Carson rerun if he feels that the show isn’t ready. Some outstanding performances help the film with Matt Wood playing the bull in a china shop, John Belushi, Ella Hunt playing the adorable ray of sunshine Gilda Radner, and Nicholas Braun as both the strange Andy Kaufman and the gentle Jim Henson. The film spends too much time on the relationship between Lorne and his wife, Rosie Shuster, played by the always scene-stealing Rachel Sennott. The film plays up too much with their strange relationship, with her deciding who to go home with, Lorne or Dan Aykroyd (Dylan O’Brien). I had fun with the film, especially seeing legendary SNL writer Michael O’Donoghue (Tommy Dewey) wreak havoc as only one of the great comedic but caustic minds could do. It’s a mad whirlwind of a film that doesn’t stop moving until the final frame, just like SNL itself.  My Rating: Bargain Matinee  Saturday Night Website Now playing in theaters.

My View:  Piece by Piece  (2024)  PG  Piece by Piece follows the life and career of American musician Pharrell Williams through the lens of Lego animation. Unlike all the other Lego movies like The Lego Movie (2014), this is a documentary from Oscar-winning filmmaker Morgan Neville (20 Feet From Stardom (2013), Won’t You Be My Neighbor? (2018)). Neville, in Lego form, sits down to interview Pharrell about his life and his music. The difference from an ordinary documentary is that we see everything through Pharrell’s eyes told through the magic of Lego animation. Pharrell’s fans will love this film, as will anybody who has listened to hip-hop, rap, and pop in the last thirty years. The fun of the film is seeing who will show up next to be interviewed and what their Lego figure will look like. Everyone who interacted with Pharrell and his ability to create hits shows up, including Gwen Stefani, Timbaland, Snoop Dogg, Justin Timberlake, Kendrick Lamar, and more. The film works when it lets Pharrell tell his story with enthusiasm and creativity. It doesn’t work when it gets bogged down by giving us an almost blow-by-blow sampling of the hits he has had a hand in and all the fashion lines he developed. Like putting together a Lego creation, the film has a lot of parts, some of which don't always fit. However, overall, Piece by Piece is a fun look at the life of a highly creative person who sees the world a bit differently, much like Legos themselves. My Rating: Bargain Matinee  Piece by Piece Website Now playing in theaters.

Indiefest:  Terrifier 3  (2024)  R  In Terrifier 3, the residents of Miles County are sleeping peacefully on Christmas Eve. That slumber is about to be disturbed by a man who will unleash chaos, Art the Clown (David Howard Thornton). I did not like this film as much as I liked Terrifier 2, which I loved because of the use of mythology, creating a firm understanding of what was going to happen. Plus, we got Lauren LaVera as Sienna chopping up Art right and left in an archangel costume. LaVera brought the movie to life and gave us a hero to root for. This film takes place five years later, and our heroine, Sienna, hasn't been doing well. She spends most of her time in a psychiatric facility. She gets out to visit for the holidays what’s left of her family and her brother, who is now in college. As with the first two films, there are plenty of body parts flying all over and blood spilling everywhere as Art finds different ways to kill, this time in a Santa costume because it’s Christmas. The film feels like filmmaker Damien Leone got just a little too cute in trying to overwhelm us with all the Christmas carnage. The film also goes a little too far in trying to shock audiences in several scenes. There are still some enjoyable scenes where people, like in the second film, begin to mess with Art and have no idea who they are dealing with. I missed the old Sienna, who battled Art for the final third of the film in part 2. The final battle seemed rushed and felt too much like a setup for the 4th installment. Overall, Art the Clown fans will have fun watching him dismember people, but Sienna fans, like myself, want her back to her old self for part 4.  My Rating: Bargain Matinee  Terrifier 3 Website   Now playing in theaters.

My View:  The Apprentice  (2024) R  The Apprentice tells the story of how a young Donald Trump (Sebastian Stan) learned everything he needed to know about the world of real estate from the right hand of infamous lawyer Roy Cohn (Jeremy Strong). Much has been said about this film, and it’s understandable why Donald Trump would not want it to be released. The film is about Donald trying to find his way in the world, out from the shadow of his father and he finds a man that can lead him to the promised land, even if that road is going to be bumpy and full of legal problems. Roy Cohn, played by the consistently brilliant Mark Strong, was a man who used everything in his power to ensure his clients won, including bribery, blackmail, and throwing every legal maneuver he could until the opposition stood down or gave in. Cohn saw in Trump someone he could mold and advise, though I am sure he also thought that Trump could be just another pawn in Cohn’s back pocket. The film doesn’t always work, but it’s not because of the performances. Sebastian Stan gives us a Trump who, when first meeting Cohn, is unsure of himself or how to go about getting what he wants. But ultimately, Cohn taught Donald too well, and what Cohn was used to giving out, Trump ended up giving him the same treatment. Do you learn anything new about Trump? Not really.  It’s funny, I didn’t like either character but by the end of the film, at least I understood Cohn.  My Rating: Bargain Matinee  The Apprentice Website  Now playing in theaters.

My View:  The Last of the Sea Women  (2024)   The documentary The Last of the Sea Women takes place on the shores of Jeju Island, just below the southern tip of South Korea. A group of fierce elderly female divers fight to save their disappearing culture from the looming threats of pollution and global warming. You will fall in love with these feisty warriors, most of whom have been diving for 40 or 50 years. Once a thriving group of over 30,000, now their numbers are dwindling as the women continue to work in a sea that is slowly warming, causing them to dive deeper (without any breathing apparatus). The film follows the women as they continue to work, dealing with pollution and coral bleaching on a daily basis. Their lives are threatened when Japan, a not-too-distant neighbor, announces that it will release water from the Fukushima nuclear disaster site into the ocean. The film has some beautiful shots of women working under water that highlight why someone would keep working well into their 80s. It’s a magical world that they get to explore every day, but the film asks, for how much longer?  My Rating: Full Price  The Last of the Sea Women Info   Now playing on the Apple TV+ platform.

My View:  Lonely Planet  (2024)  R  In Lonely Planet, a writer, Katherine (Laura Dern), goes to a retreat in Morocco to be alone and finish her novel. There she meets Owen (Liam Hemsworth), a young man who feels abandoned by his girlfriend. The acquaintanceship develops into a life-altering love affair that neither was looking for. Romance and rom-com films often follow a pattern. If it’s a rom-com, the two eventual lovers dislike each other (or at least think they do) and seem wrong for each other. In romance films, usually, the two eventual lovers are in bad relationships (sometimes just the wrong person for them) or coming out of a breakup (or have given up on romance). In this film, Katherine is suffering from writer’s block, and it’s not being helped by the fact that her long-term relationship has ended. Owen the a guy who is with the woman who doesn’t appreciate him. So our couple meet by chance and start spending time with each other. Now, I am a fan of romance films, and I have always loved watching Laura Dern on the screen. Unfortunately, she is let down by the material, with the film playing the troupes I just described to the hilt. The big breakup (a usual thing in romance films) feels like a huge reach and brings the entire film crashing down. I did enjoy the ending, though it was once again right out of the romance playbook. Liam Hemsworth doesn’t have a lot to do; just be dreamy-looking and take his shirt off a lot. The two leads have some incredible chemistry that shows on the screen. The film centers around Laura Dern’s character and Dern makes this film watchable. It’s not a horrible romance film, just incredibly predictable, with a huge plot hole.  My Rating: Bargain Matinee Lonely Planet Info Now playing on the Netflix platform.

Sorry I Missed It (A film that I didn’t see when it was first released but have seen recently): Lee (2024) R   Lee is the story of Elizabeth ‘Lee’ Miller (Kate Winslet), a fashion model who became an acclaimed war correspondent for Vogue magazine during World War II. Lee was a complex woman who fought to be seen as an equal, a photographer who belonged in the same places as men. The fact that she accomplished it during a war is remarkable. Kate Winslet pours her heart and soul into the role of the fiery Lee, whose personality was not always easy to get along with. A woman who bragged about her sex life and her drinking, she meets her match in an English art dealer named Roland (Alexander Skarsgard), who lets her be herself without trying to control her. Once the war starts, Lee makes it her mission to be on the front lines where the action is, and she finds someone willing to help her succeed in Life photographer David Scherman (played by an almost unrecognizable Andy Samberg in an outstanding supporting role). Together, the two photograph some of the horrors of the war, including the first uses of napalm, the shaming of French women who slept with the Germans in order to survive, and the results of the Holocaust at the camps at Buchenwald and Dachau. The film also shows us how the famous picture of Lee was taken with her taking a bath in Hitler's own bathtub. The film lets Winslet show us Lee as a bold woman who had trouble with authority and was willing to fight her way into where she knew she belonged.  My Rating: Bargain Matinee  Lee Website    The film is still playing in theaters.

Forgotten Film:  Akira Kurosawa's Dreams  (1990)  PG  A collection of eight stories based on dreams that legendary filmmaker Akira Kurosawa (Rashomon (1950), Seven Samurai (1954), Ran (1985)) had and wanted to explore on film. Kurosawa couldn’t get the film made with Japanese backing, so Steven Spielberg and others in Hollywood got Warner Brothers to release the film. It’s a fantastic film that tackles grief, guilt, mental illness, death, and the destruction of the environment. Incredibly beautiful at times, and all the stories are moving and heartfelt. Where else can you see filmmaker Martin Scorsese play Vincent Van Gogh?  My Rating: I Would Pay to See it Again  Dreams Info The film is available for rent/buy on streaming services.

Weird Credits:  From the credits of Piece by Piece:  Animation Legal

Coming Soon to a Screen Near You:  Heretic  (2024) R  Two young Mormon women (Chloe East and Sophie Thatcher) have been spreading the word of God door to door without much success. They knock on Mr. Reed’s (Hugh Grant) door, and he welcomes them in, eager to hear what they have to say. The two girls soon learn that they are captive in the house and are to play a game of cat-and-mouse in the home of a madman. It’s going to be fun to watch a horror film where Hugh Grant is the bad guy.  Heretic Website  The film will be released in theaters on Friday, November 8, 2024. 

 

                                                                    Until Next Time!

The Happytime Murders

My View: The Happytime Murders  (2018) R  In a world where humans and puppets co-exist, a puppet cast of an 80’s children’s TV show is being murdered one by one. A disgraced former policeman (Bill Barretta) and a detective (Melissa McCarthy) team up to find the killer. First off this is not for kids, there is a lot of languages, violence, and even some puppet sex. The film isn’t funny enough to make it fun to watch, it goes for the easy laughs too often, and the plot is incredibly weak. I am also getting tired of Melissa McCarthy’s one-note act in every movie she is in. The final problem with this film is that all the funny bits in the film are in the trailer.   My Rating: Cable

In Case You Missed It (A movie just released on DVD/Blu-Ray): Life of the Party  (2018)  PG-13  After her husband asks for a divorce, a middle-aged mother (Melissa McCarthy) goes back to college to complete her degree at the same school her daughter goes to. Another comedy dud from the married team of Ben Falcone and Melissa McCarthy. This tedious and unfunny film feels twice as long as its one hour and forty-five-minute running time. The film’s plot is highly predictable and with plot holes the size of a keg of stale beer. McCarthy’s fish-out-of-water performance gets old very fast, and Gillian Jacobs’ performance as ‘Coma Girl’ is strange and offsetting. Rent Back to School, instead, and stay away from this mess of a film.    My Rating:  You Would Have to Pay Me to See it Again    The Happytime Murders

In Memory of Ed Wood (A Movie I've Only Seen in Trailers but Just Looks Like a Bad Idea): Hell Fest (2018)  A masked serial killer turns a horror-themed amusement park into his personal killing zone. When you don’t recognize any of the cast, it’s never a good sign.   Hell Fest Website

Forgotten Film:  Croupier  (1998) An writer, Jack (Clive Owen) who is down on his luck and takes a job at a London casino as a croupier (a dealer). As Jack’s relationship with his girlfriend (Gina McKee) starts to fall apart, Jack starts seeing a woman  (Alex Kingston) who is drowning in debt to the casino. She proposes that with Jack’s help they defraud the casino. The reason to watch this film is Clive Owen, who gives a mesmerizing performance as a man who thinks he is in control of his world but soon realizes he isn’t.    My Rating: Full Price   Croupier Info

Weird Credits: From the credits of The Happytime Murders: Puppet Builder

Coming Soon to a Theatre Near You:  Love Gilda  (2018)  In her own words from a recently discovered audio tape, Gilda Radner tells her life story in her own words. She was my favorite from the original Saturday Night Live cast, and I can’t wait to see this documentary.     Love Gilda Website

Until Next Time!