The Devil Wears Prada 2

My View: The Devil Wears Prada 2  (2026)  PG-13  In The Devil Wears Prada 2, Miranda (Meryl Streep) is nearing retirement, and the sharks are circling around. In walks Andy (Anne Hathaway) to help Miranda, and is forced to take on her former assistant turned rival: Emily (Emily Blunt). Ever go back to your hometown and go out for a night with friends that you used to stay out until 4 am? And you realize around 10 pm that it’s not as fun as it was back then, and there is no way you are staying until 4 again. That’s what it’s like seeing The Devil Wears Prada 2. It’s fun and enjoyable, but it’s not the same feeling you got from the first film. The problem is, it’s been 20 years, and Andy is no longer naive, young, and eager to please. Well, maybe still eager to please. There isn’t anything wrong with this sequel, and all the actors are giving their all to the roles, but it’s hard for lightning to strike twice, and it never quite hits the mark like the first one. The saving grace of this film is the chemistry between Andy and Emily, making this film more about the two of them than about Andy and Miranda. Yes, there are dazzling fashions, and Miranda is still snarky with Streep giving great looks, but the film doesn’t have the bite or the charm of the first film. You will still have a good time, but you won’t want it to keep going (like those old parties you used to go to), and you'll be ready for it to be over.   My Rating: Bargain Matinee  The Devil Wears Prada 2 Website  Now playing in theaters

My View:  Hokum  (2026)  R  Hokum follows Ohm Bauman (Adam Scott), a horror writer, who travels to a remote part of Ireland to spread the ashes of his deceased parents, unaware that his rental property is haunted by a witch. Ohm is a person whom you don’t want to be around. He is self-righteous, hates interruptions, and people who want him to do anything, even sign a book. He goes to Ireland because he is tired of seeing his parents’ urns on the mantle, and we get the feeling that he hates his father. While staying at a hotel his parents loved and always wanted to return to, he encounters some strange people who believe the witch is real. Hokum is a very scary, well-made horror film that does a superb job of building tension while feeding us a few scraps of clues about the mysterious hotel and its past. Scott does a fabulous job of making us hate the man from the start, then root for him to uncover the hotel's hidden mysteries. It’s creepy, with only a few jump scares, as the fear factor keeps ramping up the longer Ohm is in the hotel, and keeps us guessing on what is going on until the very end. Does Ohm solve the mystery, and does he get out alive? You will have to wait until the last chapter to find out.  My Rating: Full Price  Hokum Website Now playing in theaters

Indiefest: Omaha  (2025)   PG-13  Omaha follows a widowed father (John Magaro) who takes his two young children (Molly Belle Wright, Wyatt Solis) on a sudden, mysterious cross-country road trip. This is a film that, at times, is heartwarming and funny, and at other times, it just rips your heart out. The film puts you in the car with the family (dog included) on a road trip; we don’t know where it’s going, or even whether the family will get there, since the car only starts with a running push from the father and daughter. The kids are a treat to watch as they go on this roller coaster of a trip, full of many highs and lows. This is a film you know will probably not end well because the father won’t give up on where the family is going, and we see throughout that the family is in trouble. John Magaro gives us a performance in which we only see glimpses of what he is going through, but we can feel the weight of the world on his shoulders. I loved Molly Bell Wright as the older of the two, who keeps trying to figure out what is going on and makes every effort to be as supportive to her dad as she can. There is a reason the family is traveling to Omaha, and it is masterfully revealed in the film's last frames. Omaha is a slow-moving, engaging look at a family that loves each other, but sometimes that isn’t enough. John Margaro’s performance is going to stay with you long after you leave the theater.   My Rating: Full Price  Omaha Website  Now playing in theaters

Forgotten Film: My Summer of Love  (2004)  R  In the Yorkshire countryside, two young girls from very different backgrounds, a tomboy, Mona (Natalie Press), and a rich girl, Tamsin (Emily Blunt), meet and start a friendship that will help both survive the summer of chaos and change. This is Emily Blunt’s feature film debut, and she is amazing as the exotic, rich girl with some hidden secrets. Natalie Press is equally brilliant as the girl who knows that she can’t stay in Yorkshire and be happy. The cinematography perfectly captures the summer countryside. While it’s a romance, the film is more about finding your way among the trouble and tribulations of being young and unhappy with your life.  My Rating: Full Price  My Summer of Love Website  The film is available to rent on Apple TV+ and Amazon. 

Weird Credits:  From the credits of The Devil Wears Prada 2:  Helium Balloon Supervisor

Coming Soon to a Screen Near You: Disclosure Day  (2026)  PG-13  Disclosure Day follows Daniel (Josh O’Connor), a cybersecurity expert with access to long-held government secrets about extraterrestrial life, as it becomes evident that an alien presence is on Earth, including Margaret (Emily Blunt), a local TV meteorologist who starts speaking an alien language during a live telecast. The film is from Steven Spielberg, who gave us two of the classic extraterrestrial movies of all time: Close Encounters of the Third Kind (1977) and E.T. the Extra-Terrestrial (1982).   Disclosure Day Website  The film will be in theaters on Friday, June 12, 2026

Until Next Time!

Michael

My View: Michael  (2026) PG-13  Michael tells the story of Michael Jackson’s journey from child star of the Jackson Five to the “King of Pop”. It would have been really easy to rename this film “Saint Michael.” Other than some very slight hints that Michael might develop a drug problem, this film does nothing to help us understand Michael as a person and never attempts to show him in a bad light. If you want to sing along with the hits and see recreations of Michael performing, then go ahead and buy a ticket. If you want to know anything at all about Michael other than he didn’t have any friends (except his animals, his bodyguard/driver, and his lawyer), this isn’t the film for you. The film keeps hitting us over the head with what a horrible person Joseph (Colman Domingo), Michael’s father, was. How his mother, Katherine (Nia Long), loved Michael, but other than being Michael’s TV-watching pal, did little to keep Michael from being constantly abused by Joseph. As for Michael’s brothers, I feel for the actors who portrayed them, because they had only a few lines and were used as background scenery. Oh, and by the way, Janet, I guess, was just a figment of our imagination because in this film, she doesn’t exist. Colman Domingo gives us his all, but the character is such a cardboard cutout of a horrible dad that it wears out its welcome very quickly. Both Juliano Valdi, as the young Michael, and Jaafar Jackson, as the teen/adult Michael, do a great job of re-creating the dance moves of Michael, but so does every Las Vegas impersonator. We learn almost nothing about Michael other than that he got the name of his hit album Thriller from old horror movies and that he studied Gene Kelly and Little Richard for dance moves. If you want to spend over two hours watching what I am calling “The Michael Jackson Musical Experience,” then this film is for you. If you want a film that explores the man, the myth, the legend, and tries to understand what made him the musical genius that he was, then this isn’t your movie. And by the way, the film ends with a title card that says "His Story Continues." News flash: I don't care.  My Rating: Cable  Michael Website   Now playing in theaters nationwide

Indiefest:  Mother Mary  (2026)  R   Mother Mary is about the world-famous pop star Mary (Anne Hathaway), who is on the eve of a comeback tour and is in need of some costumes. She reaches out to reconcile with her estranged best friend, Sam (Michaela Coel), which triggers a terrifying look into their complicated, messy past. This is a film where the music and costumes dominate a story that struggles to keep up with its visuals. Hathaway has a beautiful voice and a stage presence that fully convinces you that her character is a huge music star. And that’s one of the problems with this film, those scenes with Mother Mary on stage are incredible, and the music is beautiful, so much so that you want more of that and less of Mother Mary and Sam talking in riddles to each other. The visuals in this film are stunning, from the set designs to the costumes that fill the movie. The problem is that the more the two talk, the more confusing what they are talking about becomes. And I'm not taking anything away from Michaela Coel’s performance, which she delivers with a steely flair that perfectly spares with Hathaway’s Mother Mary. Filmmaker David Lowery, who gives us A Ghost Story, where we watched someone eat a pie for 10 minutes, and the breathtaking The Green Knight, tells us at the start that “This Is Not a Love Story” and “This Is Not a Ghost Story”. Fine, all I know is that it is a stunningly beautiful film without much of a story.  My Rating: Bargain Matinee  Mother Mary Website Now playing in theaters

My View:  Apex  (2026)   R   In Apex, Sasha (Charlize Theron) is in the Australian Outback to conquer riding down a notorious river. She soon discovers something far more dangerous than a roaring river: a man (Taron Egerton) who wants to hunt her for sport. Besides Tom Cruise (because he is nuts), I always wonder what makes an actor take a job that will require very strenuous action sequences and working under very uncomfortable conditions, like Liam Neeson in The Grey, or Ed Harris in The Abyss. Now we have perineal Oscar contender Charlize Theron, white-water rafting and rock climbing, and doing an outstanding, convincing job that makes us believe she is a thrill-seeker extraordinaire. I enjoyed this cat-and-mouse game between a fit, fearless woman, Sasha, and a crazy outback man, Ben, who is excited that he finally has a prey that will give him a good chase. The action sequences are thrilling, the scenery is amazing (wish it was shown on a big theatre screen), and Theron is a force of nature, making me believe she could scale enormous cliffs free solo. Taron Egerton makes an adversary, and I will warn you that his character’s secret is pretty horrendous, but this is Charlize’s film, and she deserves a climber's congrats with a hearty shout, “Project Sent!”   My Rating: Full Price   Apex Website  Now playing on the Netflix platform

My View: Over Your Dead Body  (2026) R  In Over Your Dead Body, a married couple on the brink of divorce, Lisa (Samara Weaving) and Dan (Jason Segel), have gone to a secluded cabin by a lake to try to patch up their marriage. Instead, they find out that they have plans to kill each other. The best way to describe this is War of the Roses with a whole lot of blood and gore. The first third of the film is the couple trying to out-duel each other in ways to kill your spouse. Then some unwanted guests drop in, and the madness starts flowing with body parts flying and blood spewing. This is a dark comedy with tones of cartoon-like violence that keeps you guessing as the beatings and guns hitting body parts start piling up. I found the film hilarious in parts, but it seemed that director Jorma Taccone wanted to see how much an audience could stomach and then go a little further. Weaving and Segel play off each other well, and it’s fun to see their war of words continue as the stakes get higher. If you can stand the sight of blood and body parts coming off while laughing, then pull up a seat. Just don’t sit too close to the screen. You might get some blood splatter on you. My Rating: Bargain Matinee Over Your Dead Body Website  Now playing in theaters 

My View: I Swear (2025) R  I Swear follows the true-life story of John Davidson (Robert Aramayo), who wanted to be a soccer player, but life had other plans, as John had a rough childhood, being diagnosed with Tourette’s syndrome. John eventually finds people he can trust, including a mentor named Dottie (Maxine Peake), who helps him deal with a world that doesn’t understand him or his condition. This is one of the best films of the year, and in it is an amazing performance by Robert Aramayo. Aramayo is a joy to watch as you see John struggle through life, taking what seems like one step forward to seemingly be pushed back two steps. However, through a group of friends and co-workers, he finds a home where he can be himself without feeling pressured to fit in. The film does a remarkable job of letting us into John’s life, from when he was a kid who had a bright future as a soccer goalie to being bullied at school, being arrested when he wasn’t the cause of the incident, or being hurt, both mentally and physically, by people who didn’t understand his condition. It’s a brilliant, astonishing performance full of life, warmth, and humor. This is a rare film that gives us a person, not as a saint (looking at you, Michael), but someone who shows us who he is and doesn’t back down on how hard it is to cope. It’s a film that shows us not only how John deals with his life but also how some beautiful people accepted John into their lives, not judging him by his words but by his actions and intentions. It’s a tightrope act that writer/director Kirk Jones navigates with a light touch, letting us understand John and where he comes from. There is a scene near the end of the film that will have you reaching for a tissue or two. I Swear is a journey you want to take, and you will be a better person for walking along with him, because he has made this a better world for us all, not just for people with Tourette’s.  My Rating: I Would Pay to See it Again  I Swear Website    Now playing in theaters

Forgotten Film:  The River Wild  (1994)  PG-13  Gail (Meryl Streep) is a former Montana river guide who, in an attempt to mend her family differences, takes her husband (David Strathairn) and son (Joseph Mazzello) on a rafting trip. As they travel down the raging river, a group of three men begin to follow them. It turns out the three men, led by Wade (Kevin Bacon), are on the run from a robbery gone bad and need help escaping down the rapids. The film has some major plot problems, but it’s fun to watch Streep and Bacon play together on-screen. The river scenes are exciting, but the film tries too hard to make David Strathairn’s character the hero and not letting Streep’s character do it all. My Rating: Bargain Matinee  The River Wild Info The film is available to rent on Apple TV+ and Amazon Prime

Weird Credits:  From the credits of Mother Mary:  Red Woman Electrician

Coming Soon to a Screen Near You: Mortal Kombat II  (2026)  Champions, including newcomer Johnny Cage (Karl Urban), battle to end Shao Kahn’s savage rule, which threatens Earthenrealm’s existence. This is a sequel to the 2021 film.  Mortal Kombat II Website  In theaters on Friday, May 8, 2026

Until Next Time!

Lee Cronin's The Mummy

My View: Lee Cronin’s The Mummy  (2026)  R   Lee Cronin’s The Mummy is about a young daughter (Natalie Grace) of a journalist who disappears without a trace in the desert. Eight years later, the daughter suddenly appears, but what should be a joyful reunion is quickly shattered by a nightmare that may never end. I liked Cronin’s Evil Dead Rises, calling it ‘one of the better horror / possession films of the past few years.” I can’t say the same thing for a film that I am calling “Evil Dead Rises for Mummies”. And because moms take center stage in this gore fest, you can say mommies, too. The first problem with this film is that it’s incredibly, butt-numbingly long at two hours and thirteen minutes. The second problem is that I didn’t like the parents, who are the most irresponsible pair I have ever seen in a film. They apparently don’t know that their kidnapped daughter, missing for eight years, was found inside a three-thousand-year-old sarcophagus wrapped in ancient wrappings. And while the mom (Lala Costa) is a nurse (I think), they aren’t set up for the 24-hour care that their catatonic, twitchy, old as heck looking daughter, who has a tendency to projectile vomit, spit, and crush hands. Your first clue to their incompetent parenting is dragging the child up what seems like 20 flights of stairs in a wheelchair (which I kept waiting for the child to fall out of). The father (Jack Reynor) was a rising news anchor before the kidnapping, but he misses all the clues that this film hits us over the head with, and takes almost two hours to figure out that something is wrong with his daughter. The film tries to outgross itself at every opportunity, including a toenail-clipping scene that drags on for what seems like ten minutes. I could go on about how stupid this family is, including a grandmother who keeps getting close to the girl, even though every time she does, it seems she gets the crap beaten out of her. Or the Mummy’s two siblings, both of whom, even though the girl is weird as crap, get fooled by the old “cute voice through the door” trick. The tagline for this movie is “Some Things Are Meant To Stay Buried.” I sure wish the script had been one of those things. Well, at least with the director/writer putting his name in the title, we know who to blame for this mess of a film.   My Rating: You Would Have to Pay Me to See it Again  Lee Cronin's The Mummy Website  Now playing in theaters

My View:  Normal  (2025)   R  In Normal, Ulysses (Bob Odenkirk) has come to the sleepy town of Normal, Minnesota, to become the temporary sheriff after the passing of the long-time sheriff in the town. Not only did the sheriff die under suspicious circumstances, but things get really weird after the local bank is robbed, and Ulysses suspects that the town might be hiding a huge secret. I find it very enjoyable that Bob Odenkirk has gotten into the action-hero game, and this film certainly delivers a lot of action. Odenkirk plays a flawed hero who is just passing through as a caretaker for a few weeks and then moving on to the next town. However, this town isn’t what it seems, and it has some very serious connections (which we see right from the start), and Ulysses is in for a mess of a fight. I had fun with this film for a while, but I had trouble keeping up with who had been killed (the kill rate in this film is incredibly high) and how. I did enjoy how Ulysses finds allies in very unexpected places while the whole town is out to kill him. Then the film kind of became more of the same, and I started wanting it to resolve itself (which it does, unconvincingly). I have a feeling critics will compare this film to Fargo (because of the small-town weirdness) and to John Wick (the nonstop violence), and I will admit that, about halfway through, I kept thinking I had seen this film before. Then I realized Odenkirk had just done the Nobody films. But hey, we have plenty of history with action heroes doing the same version of their films over and over, and we have continued to see them. So go ahead, Bob, and become the next Liam Neeson. I won’t mind. Just don’t become the next Steven Seagal. We don’t have the stomach to go through that again.  My Rating: Bargain Matinee  Normal Website  Now playing in theaters

My View:  Lorne  (2026)  R  Lorne is a documentary about Lorne Michaels, who created Saturday Night Live in 1975 and is still the driving force behind the legendary late-night comedy show. I have been a fan of SNL since it started. I still remember sitting with my dad watching the first episode back in 1975 (yes, I’m that old), when the first host was George Carlin (his first monologue bombed so bad he asked the audience if they had heard the jokes before). So I was excited to see a documentary about the man who created the show. This is a film that, while I really enjoyed at the time, the more I think about it, the less I like it. Award-winning director Morgan Neville, who brought us the Academy Award-winning documentary 20 Feet from Stardom and the delightful Won’t You Be My Neighbor?, tells us right from the start that this is about a man who not only doesn’t enjoy being interviewed, he also doesn’t like being filmed at all. And that’s the problem. It’s about a man whom even his close friends know little about. So we get a film more about how the show is put together, and we get a ton of highlights on how the show has impacted comedy and the nation with its continued look at what is happening in America at any given time. There are a ton of clips from old shows and even more interviews with cast members (most of the interviews seem to be from casts from the last ten years). Looking back at this documentary, my enjoyment came from watching the vast array of comedy gems the show has given us, along with interviews with (surprise) very funny people who know how to tell a story or deliver a quip. I came away with the idea that this man does have an eye for talent, knows what is funny and what works on TV, but I already knew that. The problem is that this is a film about one man, Loren Michaels, not his show or the sketches, and we learn almost nothing about him. Lorne is like going on a blind date and realizing at the end of the evening, while you had a great time, you did all the talking.   My Rating: Bargain Matinee  Lorne Website  Now playing in theaters

My View: #Skyking  (2026)   #Skyking is a documentary about Richard ‘Beebo’ Russell, a troubled 28-year-old ground service agent with no pilot experience, whose impulsive decision to hijack and pilot a commercial plane shocked a nation. I vaguely remember a pilot taking a plane out for what I thought was a joyride that went wrong. I don’t remember learning that it wasn’t a joyride but a suicide. Director Patricia E. Gillespie does a masterful job of giving us a look at Beebo and why he did what he did. It’s an amazing story that gives us insight into why someone without any piloting experience would do what he did. The film does a brilliant job of letting us get to know both Beebo and his family and friends, and how shocked they were when he did this. Suicide is always a tricky subject, mostly because a lot of times we don’t know why they felt their only choice was to take their own life. We listen to Beebo’s flight recordings as his friends and family also listen in, many for the first time. It’s a gut-wrenching watch to see how many people cared about him and didn’t know the extent of his hurt. #Skyking gives us the reasoning why Beebo felt that maybe his suicide would make an impact and wake up the company he worked for on how they treated their employees. The film is moving, mostly because Beebo seems like a guy you would want to know. It’s horrible that we will never get that chance.   My Rating: Full Price  #Skyking Info    Now playing on the Hulu platform

Indiefest: The Christophers  (2025) R  In The Christophers, the grown-up children of a once-famous artist, Julian (Ian McKellen), hire a forger, Lori (Michaela Coel), to complete some of his unfinished and long abandoned paintings so they will have an inheritance when he dies. This is one of those rare films where I was having such a good time that I looked at my watch and said, “Crap, only fifteen more minutes of this.” I want more, much more. Ian McKellen and Michaela Coel are an absolute delight to watch. McKellen, as you would expect, spouts lines so effortlessly that you wonder if he even breathes. Coel, on the other hand, is the perfect foil, allowing McKellen to spout those lines while keeping us wondering what her character is thinking and whether there will be any sort of reaction. The Christophers is a fascinating film about lost youth, lost faith in your talent, and how life can knock you down, and you just might never get back up. This is a funny, moving film with witty, meaningful dialogue and, surprisingly, warmth. This is a film that captures what it must be like to see McKellen on the stage, as he seemingly floats along, with witty lines coming fast and furious, as Julian has an opinion on everything and everyone. Go for the absolute blast of seeing McKellen duel with Coel, but stay for the wonderful feeling you get as you leave the theater. My Rating: I Would Pay to See it Again  The Christophers Website  Now playing in theaters 

Indiefest:  Bunnylovr  (2025)  Bunnylovr follows Rebecca (Katarina Zhu), a Chinese American webcam model, as she navigates a toxic client relationship while reconnecting with her dying, estranged father (Perry Yung). Rebecca is the type of person who is always late, shows up to meet friends, leaves ten minutes later with an excuse, and has an assistant job she is horrible at. She makes extra money by doing webcam chats. Nothing too dirty, but she wears skimpy clothes and will do some slightly risqué things to keep the chats going. She encounters a client who wants some private time but doesn’t want to be seen. Rebecca is also trying to reconnect with her father, with whom she hasn’t been in contact for a long time. As her father tries to keep up with her, she becomes more and more involved with the client, who gives her lots of money to be at his beck and call. Writer/director Katarina Zhu has a winning style on camera, and we like Rebecca at first. However, the film’s biggest problem is that it meanders, touching many storylines without giving us much depth. There are only a few times when you really connect with Rebeca, as she spends a lot of time on the screen walking from one acquaintance to another, never spending too much time with anyone, as she seems to commit only to a few moments. This gives the film a shallow feel, never letting us connect with Rebecca, not caring whether she succeeded or not. The film ends as it starts,, with Rebecca alone in bed listening to a self-help recording, making us feel that we never really knew her. My Rating: Bargain Matinee Bunnylovr Website Now playing in select theaters 

Forgotten Film: The Omen (1976) R  An American ambassador (Gregory Peck) to Britain and his wife (Lee Remick) deal with a series of increasingly deadly ‘accidents’ that always seem to happen around their son Damien (Harvey Spencer Stephens). This 70s film distinguished itself from most horror films of the 60s and 70s by the stylish work of its director, Richard Donner, and its cast, which included Academy Award winner Peck and Oscar-nominated Remick. The film has one of the creepiest performances by a child and some shocking deaths, some of which come out of the blue. Even the ending sets this film apart from the run-of-the-mill horror films that came before. By the way, the horror that Lee Remick shows when the car is attacked by baboons (has to be seen to be believed) was real because they had an actual baboon in the car with her.    My Rating: Full Price  The Omen Info  The film is available to rent on Apple TV+ and Fandango

Weird Credits: From the credits of Lee Cronin’s The Mummy: Hurdy Gurdy

Coming Soon to a Screen Near You: The Devil Wears Prada 2 (2026) PG-13  Miranda (Meryl Streep) is nearing retirement, and the sharks are circling around. In walks Andy (Anne Hathaway) to help Miranda, and is forced to take on her former assistant turned rival: Emily (Emily Blunt). If anyone can pull off a sequel, it’s Meryl.  The Devil Wears Prada 2 Website  Coming to theaters nationwide on Friday, May 1, 2026

Until Next Time!

Turning Red

Familyfaire: Turning Red  (2022) PG   Mei Lee (voiced by Rosalie Chiang) is a 13-year-old who has her best friends always at her side, and unfortunately, her overbearing mother, Ming (voiced by Sandra Oh), watching her every move. It’s bad enough to be a teenager, but suddenly, Mei Lee is turning into a giant Red Panda every time she gets excited. What’s a girl to do? I am a huge fan of Pixar, as they constantly bring us films that are funny warm and make you think about your place in the world. Turning Red is about puberty, an event that, when growing up, no one ever warns you about but hits everyone with a bang. In this case, Mei Lee is hit with a curse that turns her into a big Red Panda when she gets overly excited, something hard to avoid when your body and mind are put into overdrive by puberty. This is a beautiful, brilliant, and laugh-out-loud film that gives us a profound look at a young woman who survives the heartbreak and stress with the help of her family, friends, and maybe just a little help from a boy band. Filmmaker Domee Shi gives us a tale that, like Mei Lee, is both unique and relatable at the same time, one that will be treasured.    My Rating: I Would Pay to See it Again   Turning Red Website  Now playing on the Disney+ platform.

My View: The Adam Project  (2022) PG-13   A time-traveling pilot (Ryan Reynolds) teams up with his 12-year-old younger self (Walker Scobell) and his father (Mark Ruffalo) to stop time travel and save the Earth from destruction. First, let's give Netflix some props for putting together one of the most likable casts ever with a group including Ryan Reynolds, Mark Ruffalo, Jennifer Ganer, Catherine Keener, Zoe Saldana, and Walker Scobell. The film lets Reynolds riff like we know he can, but he has met his match in Walker Scobell, who plays Reynolds's younger self as the wise-cracking young Adam, a kid who makes up for his lack of size with his wit and humor. Scobell is perfect in the role of the young Adam and is able to keep up with Reynolds, making their interactions the best part of the film. Keener is a bit wasted as the villain of the piece, and it’s never quite clear what her master plan is, but the film moves a such a quick pace, with quips flying across the screen, that you probably won’t notice it. I thoroughly enjoyed the fact that the film constantly makes fun of sci-fi tropes like the multiverse, and the sacred timelines from the future can’t intersect with the past. It helps that Zoe Saldana comes in to kick some butt while giving us a romantic partner for Reynolds to pine after. While not a great film due to its rather flimsy plot, it's a blast to watch because Reynolds and Scobell are having such a fun time trying to save us from the evils of time travel.   My Rating: Full Price   The Adam Project Website  Now playing on the Netflix platform.

Indiefest: All My Friends Hate Me  (2021) R  Pete (Tom Stourton) reluctantly goes on a birthday weekend trip with his old college crew. Soon, Pete notices that his friends are slowly turning against him. Is he being punished, paranoid, or is this some sort of sick revenge for something he did in the past? This is one of those films that will take me a while to figure out if I liked it, but I'm glad I did watch it. Part horror film, part dark comedy, it's a film that you, like Pete, are trying to figure out if Pete’s friends are just out and out mean, or is it all in Pete’s mind? All My Friends Hate Me is a film that plays on our expectations of how things should go versus how things turn out. Is it Pete’s fault for feeling his friends don’t like him, or are they truly turning against him? You won’t find out until near the end, but it’s worth the experience the get the answer.   My Rating: Full Price   All My Friends Hate Me Website  Now playing in select theatres.

Indiefest: Tyson’s Run (2022) PG   Tyson (Major Dodson) is a teen with autism who, up to now, has been home-schooled by his mother (Amy Smart). He decides to go to the high school where his father (Rory Cochrane) is the football coach. To try to be close to his father and with the help with a fellow student (Layla Felder) and a professional runner (Barkhad Abdi), Tyson decides to run a marathon. It’s a decision that will change Tyson and his family forever. I have a soft spot in my heart for films like this, a movie that doesn’t quite deliver but is so earnest in the attempt. Tyson’s Run is a story that never get the tug on the heartstrings that it needs and a plot that is incredibly thin in its story. The film is helped by a strong performance by Amy Smart, as the mother who believes in her son, and a welcomed performance by Barkhad Abdi, who plays a former professional runner who takes Tyson under his wing. The film has an ending that pushes reality to almost a breaking point, but it’s a movie with a good heart. I just wish the writing was better.   My Rating: Bargain Matinee   Tyson's Run Website  Now playing in theaters nationwide.

Indiefest: Compartment No. 6 (2021) R  An archeology student from Finland, Laura (Seidi Haarla), is taking a train all the way up to the arctic circle in Russia to visit an archeological site. Unfortunately, on this long train trip, she has to share a tiny sleeping compartment on the train with a gruff Russian stranger, Ljoha (Yurly Borisov), with whom she has nothing in common with. Hollywood has been making this story for as long as movies have been around; the two strangers, who have no common ground, and against the odds, find love and friendship with each other. Except, in this case, the two characters, unlike most Hollywood tales, aren’t very likable and at no time during this film do we believe that they should be together. What makes this film worth watching is just that; two characters that shouldn’t be together stuck on a long train ride in cramp quarters and through their time together, find out that maybe, just maybe, they have something in common that they can share with each other. Hollywood would have turned this into a rom-com, a film full of laughs and a happy ending. However, Finnish filmmaker Juho Kuosmanen gives us a more realistic movie, with two unhappy, ordinary people finding common ground to connect with long enough to survive a brutal trip into the unknown. My Rating; Full Price   Compartment No. 6 Website  Now playing in select theatres.

Forgotten Film: Ironweed (1987) R   In 1938 Albany, New York, two lost souls, Francis (Jack Nicholson) and Helen (Meryl Streep), find each other, and for a time, that is enough until the sins of the past come back. This is a hard film to watch as Streep and Nicholson, at the height of their acting profession, play two alcoholics who use liquor to hide from their past. Francis is haunted by the deaths he has caused, and Helen is tormented by what she could have become. It’s a film filled with two performances that will astound you and make you shake your head in despair. Streep’s performance is one of her best, and her entrance, thirty minutes into the film, is jaw-dropping. Ironweed is a film that you probably will only watch once, but it is one that will long stay with you.   My Rating: Full Price   Ironweed Info

Weird Credits: From the credits of Turning Red: Sweatbox Manager

Coming Soon to a Screen Near You: The Twin (2022) A mother (Teresa Palmer) is still grieving for her dead son when the surviving twin starts acting strange around her. She must now confront the unbearable truth about her surviving son. I am a fan of Teresa Palmer, and I hope that this horror film will give us a scare or two.   The Twin Info

Until Next Time!

The Prom

 Note to readers: I currently am not willing to risk my health (I’m 62 and an asthmatic) by visiting a theatre. All films that I have seen for review have been screened in my home. I am not going to tell you whether or not to attend a theatre. Just be aware of the risks, do your research, and follow the instructions to the letter.

My View: The Prom (2020) PG-13   Two down on their luck Broadway stars (Meryl Streep, Jame Corden) travel to a small Indiana town to support a high school girl, Emma (Jo Ellen Pellman), who, against the wishes of the townspeople, wants to take her girlfriend to the prom. First, I didn’t expect that this film would go longer (2 hours eleven minutes) than some proms have. The film must have twenty musical numbers. So many musical numbers that they kind of all just crash into each other. I loved the lead actress, Jo Ellen Pellman, who has a beautiful singing voice and is perfect as the sweet, innocent Emma. The film is based on a somewhat actual event and was performed on Broadway. This film's star power should have made it much more fun than it is with a cast that includes Nicole Kidman, Kerry Washington, Keegan-Michael Key, Andrew Rannells, Tracey Ullman, Kevin Chamberlin, and Mary Kay Place. The film feels slapped together with a storyline stretched so thin it collapses under its own weight as it goes over the top, time after time. Now, don’t get me wrong, Meryl Streep steals the spotlight every time she is on the screen, and her numbers are bright and campy. That being said, I never found myself loving or even liking most of the film that was, for this musical film-loving critic, a chore to watch.    My Rating: Bargain Matinee   The Prom Website     Available on the Netflix platform and currently playing in select theatres including Landmark Midtown Art  and Springs Cinema and Taphouse in the Atlanta area.

Indiefest: Wild Mountain Thyme (2020) PG-13   Rosemary (Emily Blunt), against her family's wishes, is head over heels in love with her neighbor Anthony (Jamie Dornan). The problem is Anthony is cursed, as madness runs in the family, and he remains oblivious to Rosemary and her advances. In walks, an American (Jon Hamm), who wants to buy Anthony’s family farm and also, just might take Rosemary away too. I wanted this film to be as good as its premise, but unfortunately, the film fails to capture any magic that its location of Ireland deserves. The on-location shots are beautiful, but the film never can find its footing, as it tries to get us interested in what the movie feels are star-crossed lovers, but we never quite get a hold of why the characters are supposed to be together in the first place, other than the fact that they grew up next to each other. Christopher Walken plays Anthony’s father, a man who I couldn’t understand where he was coming from, what his reasoning was because he seems to change his mind as many times as he lights a pipe. I love Emily Blunt, and she is the best part of this film, but the chemistry between her and Jamie Dornan isn’t there. In fact, as soon as Jon Hamm shows up, there are more sparks between him and Blunt in just a few scenes than there is for the rest of the movie between the two main characters. The last third of this film will baffle you, making you wonder what the heck happened and also ask: ‘What the heck kind of accent was Christopher Walken using?”   My Rating: Cable    Wild Mountain Thyme Website    The film is currently playing in select theatres including Landmark Midtown Art and Springs Cinema and Taphouse, and is available to rent on participating on-demand services.

Indiefest: Wander Darkly (2020) R   New parents Adrienne (Sienna Miller) and Matteo (Diego Luna) are in a troubled relationship that gets harder when they are forced to reckon with trauma. They must revisit their past while trying to unravel the truth to face their uncertain future. This film takes you a while to get into as Adrienne is dealing with a horrible tragedy, but about halfway through the film, I started to really enjoy the format the movie used to let Adrienne explore her feelings and grief. It’s a film that allows Sienna Miller to shine, and she is brilliant as the difficult, headstrong woman who has trouble even admitting that she loves Matteo, much less think their love can last. What I loved about this film is that we see everything through Adrienne's eyes that it is her story to explore and understand. I wasn’t sure where this film would end up, but I was pleased with the exploration of Adrienne and her life that the movie took us on.   My Rating: Full Price    Wander Darkly Website    The film is available to rent on participating on-demand services 

Indiefest: The Dark Divide (2020)  Urged on by his wife’s (Debra Messing) last wish, renowned butterfly expert Robert Pyle (David Cross) barks on a trip he has long put off, to trek through the Gifford Pinchot National Forest. The problem is Robert has never hiked on his own for such a dangerous and lengthy journey, a trek full of beauty and challenges. Oh, man is this a beautiful, gorgeous film to watch that makes me miss movie theaters so much. The scenery is breathtaking, and the musical score is perfect for the film. Shot on location, the film makes the forest its main character, full of beauty but also full of danger and, at times, a mystery. The Dark Divide isn’t a high-action film but a movie about a man who has suffered a devastating loss and has gone on a trip to explore not only the wilderness but also deal with his own personal grief. While a good deal of the film is Robert by himself, he does come across a few people during his travels, and that lets us explore how man deals with the wilderness in various ways. As an Everyman, David Cross is very relatable in the film, as he plays a man who isn’t an outdoorsman but is willing to keep going on his journey of discovery, no matter how hard or scary it gets. If you love the wonder and beauty of nature, along with the exploration of the human character, then this is a film for you.   My Rating: Full Price    The Dark Divide Website    The film is available to rent on participating on-demand services. 

Indiefest: Minding the Gap (2018)   Documentary on three young men who grew up together in the Rust-Belt, using their love for skateboarding as an escape from their volatile family life and the adult responsibilities they now have. It would be easy to say that this is a simple film about three young men trying to grow up in a tough time, but that would be too simple. The filmmaker, Bing Liu, uses his camera to explore what it means to be a man in this modern world. Liu explores not only the lives of his two best friends, the easy going Keire and the charismatic but troubled Zack, but also looks at his own unhappy childhood with a father who abandoned his family and a stepfather who beat both Bing and his mother. Liu, as well, turns the camera on Zack, who has a baby with a girlfriend who he constantly fights with, and Keire, a black teen whose own father died just when he needed him the most. Liu was one of those kids who always had a camera on him, so that we see the three grow up before our eyes and how skateboarding became the base of a family that they needed to go to when things got tough. Minding the Gap is a film that is profoundly moving and is brilliantly shot and edited. It is worthy of its nomination at the 2019 Oscars and is worth your spending time with this skateboarding gang.   My Rating: Full Price    Minding the Gap Website   The film is available on the Hulu platform.

Forgotten Film: Heartbreakers (2001)  PG-13 Max (Sigourney Weaver) and Page (Jennifer Love Hewitt) are a mother and daughter con team. Their specialty; Max romances wealthy men into marrying her, and then Page slides in to seduce the husband, thereby letting Max take them to the bank in a divorce settlement. Their next mark is supposed to be their last, a zillionaire named William B. Tensy, who just might bring the con duo down. Two reasons to watch this comedy; Gene Hackman and all the small roles of actors who soon made it big that fill out the supporting cast. Hackman is hilarious as a wisecracking, awful man who can’t stop being a jerk or smoking. The supporting cast includes Sarah Silverman, Zach Galifianakis, and singer/songwriter Shawn Colvin. It’s a fun film that is a little dated, but it is a blast to watch Hackman have so much fun with a role that he obliviously loved playing.   My Rating: Bargain Matinee    Heartbreakers Info

Weird Credits: From the credits of The Dark Divide: Lepidoptera Consultant

Coming Soon to a Screen Near You: Hunter Hunter (2020) Joseph (Devon Sawa), his wife Anne (Camille Sullivan), and their daughter Renée (Summer H. Howell) are a family living in the remote wilderness, struggling to survive as they earn a living as fur trappers. To their dismay, a rogue wolf has returned and is robbing their traps. Joseph leaves his family behind to trap the wolf, with Anne and Renée to fend for themselves in woods that has become dark and deadly. The trailer looks great, and the film seems to have a lot of twists and turns, which should make it a fun, scary ride to watch.     Hunter Hunter Website

Until Next Time!

Paddington 2

Family Faire:  Paddington 2  (2017)  PG  Paddington (voiced by Ben Whishaw), who is happily living with the Brown family (Sally Hawkins, Hugh Bonneville), picks up a series of odd jobs around the neighborhood to buy the perfect present for Aunt Lucy’s (voiced by Imelda Staunton) 100th birthday party.  I loved the first Paddington film and found it fun and delightful. I am happy to say that this movie is even better than the first. The CGI special effects are breathtaking, as the film has a number of close-ups of Paddington that show fantastic detail. The film is full of funny scenes, and I love how Paddington is so nice and polite that he even wins over hardened criminals to his way of positively looking at life. Paddington 2 is a film that the whole family can love and enjoy. We all need a little Paddington in our lives. Be sure to stay through the credits as there is a wonderful surprise at the end.  My Rating: I Would Pay to See it Again   Paddington 2 Website

My View:  The Post  (2017)  PG-13  When a government cover-up that spanned four U.S. Presidents is uncovered, the country’s first female publisher, Kay Graham (Meryl Streep), must put her reputation and her paper at risk to publish the story at the urging of a hard-headed editor by the name of Ben Bradlee (Tom Hanks). The Post has one of the best ensemble casts I have ever seen. Streep and Hanks have never worked together before, but you wouldn’t know it as their timing and chemistry is flawless. Streep gives a brilliant performance as a woman who, due to the death of her husband, is asked to do things out of her comfort zone but steps up to the task. The dialogue is smart and makes the film move along at a quick pace. The storyline is strong and compelling, and even though I knew the outcome, the film still has plenty of twists and turns. This is a film you will not want to miss.     My Rating:  I Would Pay to See it Again    The Post Facebook Page

My View:  The Commuter  (2017)  PG-13  Michael (Liam Neeson) is an insurance salesman who is on his way home via the subway. A stranger contacts him and offers Michael $100,000 if he can identify a hidden person on the train before he gets to his stop. Michael soon realizes that the passengers and his family are in danger if he doesn’t solve the puzzle.  You get what you expect with this Liam Neeson vehicle, some close action fights, suspenseful scenes and Liam being Liam. The film does contain a satisfying mystery that I never figured out before it was revealed. The ending is a little far-fetched, though it does contain a rather exciting action sequence. If you like Neeson action movies, you will like this one.    My Rating: Bargain Matinee   The Commuter Website

Forgotten Film:  Burden of Dreams  (1982)  A documentary on the making of the classic Werner Herzog film, Fitzcarraldo (1982). Almost everything that could go wrong does when this film was being made. From losing major cast members halfway through production to getting caught up in a war between Peru and Ecuador, it’s amazing the film was completed, much less turned out as an outstanding classic film. It’s a brilliant documentary that shows just how hard it is to make a film.    My Rating:  I Would Pay to See it Again    Burden of Dreams Info

Weird Credits:  From the credits of Paddington 2:  Special Effects Teeth

Coming Soon to a Theatre Near You:  The Upside  (2017)  An unusual pairing of an unemployed man (Kevin Hart) and a wealthy paraplegic (Bryan Cranston) that will change both their lives. The film is a remake of the 2016 French film called, The Intouchables.  If it is half as good as that film, it will be outstanding.    The Upside Info

Until Next Time!