My View: Morbius (2022) Pg-13 Biochemist Michael Morbius (Jared Leto) is trying to find a cure for a rare blood disease, one he has himself. In his attempt to find the cure, he inadvertently infects himself with a form of vampirism instead. I have no clue why this film was made or why Jared Leto, who has done some impressive stuff lately, would want to be in this film. Morbius isn’t your typical Marvel film, as our hero, when he becomes a vampire, is more about killing than saving people. The second half of this film is such a mess that I didn’t care who lived or died; I just wanted the film to end. Add in the fact that it makes vampire bats out to be killers that tear apart animals (which they are not, and Bat Conservation International must be pissed) makes this film feel so out of touch, making it feel like the schlock-horror films of the 60s. The ending is a mess of a battle between two vampires who have powers that are never really explained. And yes, there are two mid-credit scenes that set up the next film and are connected with the upcoming Multi-verse films like Dr. Strange, but I don’t care what this character does in the future. My Rating: Cable Morbius Website Now playing in theatres nationwide.
Indiefest: You Won’t Be Alone (2022) R Set in a 19th-century mountain village, a young girl is kidnapped and transformed into a witch by an ancient spirit. Subsequently, the witch accidentally kills a woman (Noomi Rapace) and takes her form to learn about what it means to be a human. This is one of those films that I just never could connect with. It’s a film narrated by the young person who has been taken and transformed into a witch. When the witch gets mad at the young person, the witch abandons her, and the girl goes and takes the place of a young woman she accidentally kills. It’s a distributing film to watch as the person goes through many lives, trying out life in different bodies, all the while the witch keeps showing up checking up on her, reminding her that she isn’t one of them. It’s a story of someone who longs to belong but never quite fits in and is constantly reminded that they aren’t a part of the humanity they desperately want to understand and live with. My Rating: Bargain Matinee You Won't Be Alone Website Now playing in select theatres.
Familyfaire: Better Nate Than Ever (2022) PG 13-year-old Nate Foster (Rueby Wood) dreams of being on Broadway. Despite losing out on the lead in his middle school’s production, Nate and his best friend, Libby (Aria Brooks), travel to New York City to try out for a new Broadway musical. It’s a trip that Nate hopes will bring him the stardom he thinks he deserves. This reminds me of the Disney films that the studio used to put out in the 60s, full of energy, schmaltz, and good, wholesome family entertainment. Nate is a little over the top, but Rueby Wood carries it off with such enthusiasm and energy that you kind of forgive him for it. Wood shows his Broadway chops in several musical numbers; the best is a rousing number in Times Square that gets Nate noticed on YouTube. Lovers of Broadway musicals will eat this up, as Nate is a walking, talking Broadway kid at heart. I enjoyed going along with Nate and Libby in Nate’s dream of making it on Broadway. Break a leg, Nate! My Rating: Full Price Better Late Than Ever Website Now playing on the Disney+ platform.
My View: The Bubble (2022) R A group of actors are stuck inside a pandemic bubble in a hotel making a sci-fi film called Cliff Beasts 6, where anything and everything will go wrong. As most of us know, even the best Judd Apatow film goes a little too long, but this unfunny film feels about twice as long as its 126 minutes running time. The problem is that this is a one-joke film; is it funny how a bunch of Hollywood actors behave when they don’t get everything they think they are entitled to. Most of the impressive cast is wasted, especially Maria Bakalova, who was so good in the Borat movie and is badly misused as a hotel worker who lusts after one of the cast. The first time we see the cast making the Cliff Beasts movie in front of a green screen is pretty funny, but that it keeps happening just gets old fast. I did enjoy two characters in the film; Leslie Mann is funny as the vapid actress who in the Cliff Beast films plays some sort of Southern archeologist who continually spouts off horrible lines, and Iris Apatow as a Tik Tok star who has been hired with no acting experience to give the film a boost in the social media. I don’t think it would be a surprise that Mann is married to Judd, and Iris is their daughter in real life. Funny how that worked. Skip this film and watch one of Apatow’s older films when he let other people edit his movies. My Rating: Cable The Bubble Website Now playing on the Netflix platform>
My View: Apollo 10 1/2 (2022) PG-13 The first moon landing in the summer of 1969 is about to happen, and we see it through the eyes of a kid growing up in the home of mission control, Houston, Texas. I will confess that I loved this film because what we see in this film was not only filmmaker Richard Linklater’s childhood, it was also mine (without all the brothers and sisters). I loved this slice of life in 1969 Texas, with all its late 60s glory. The film follows a young man growing up in a new suburb of Houston. His father works for NASA, but instead of building rocket ships, his dad makes sure that things like pencils are ordered for the facility. Apollo 10 1/2 is a film not only about growing up in a time where landing on the moon dominated everything, but it’s also about imagination, as the young boy also creates his own story in his imagination, one where NASA has picked him to test out the lunar lander (because they made it too small for adults). Linklater lets us experience the young boy's world, full of TV, playground games, and stealing wood from construction sites to make forts. The film uses animation to give us a look into not only the daily life of a boy in Houston but an inside look at what every young boy was thinking at that time, that maybe, somehow, someway, they could fly to the moon also. My Rating: I Would Pay to See it Again Apollo 10 1/2 Website Now playing on the Netflix platform.
Indiefest: Gagarine (2020) Youri (Alseni Bathily) has lived his whole life in the Gagarine Towers, a vast housing project on the outskirts of Paris. When Youri learns of plans to demolish his beloved Gagarine, he decides to take on a mission. With his friends to help, a mission that just might save his home. This is a beautiful and moving tale of a young man who his mother and the system have forgotten. Youri wants to protect the only place where he has been happy and feels loved. But the city wants to tear his beloved community apart, and he decides to stay behind, retreating into a world of creative fantasy, where Youri dreams of his apartment turning into a spaceship that will take him away from all the bad things that are happening in his life. Bathily is brilliant as the intelligent and likable Youri, who will do anything to stay in the only home he knows. My Rating: Full Price Gagarine Website Now playing in select theatres.
Forgotten Film: Beautiful Dreamers (1990) PG-13 Dr. Maurice Bucke (Colm Feore) is the new superintendent of a Canadian insane asylum. Dr. Bucke believes in using compassion and understanding when dealing with his patients instead of treating them like caged animals. Dr. Bucke and his wife soon meet the writer Walt Whitman, who champions the young doctor’s ideas, but that has a price as the poet’s reputation could be a hindrance rather than a boost. The film is highlighted by a brilliant performance by Rip Torn as Walt Whitman, as he dominates every scene that he is in. Don’t be fooled by the horrible trailer; this is a beautiful film about a real, groundbreaking doctor who started to change how we think about mental illness. My Rating: Full Price Beautiful Dreamers Info
Weird Credits: From the credits of Morbius: Graffiti Artist
Coming Soon to A Screen Near You: Firestarter (2022) Based on the Stephen King novel, a young girl has the ability to set things on fire with her mind. She is the result of a secret government experiment, and they want her back. The film was first made in 1984, starring a very young Drew Barrymore. It wasn’t a good film then, so will it be good this time around? Firestarter Website
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