They Will Kill You

My View: They Will Kill You  (2026)  R   They Will Kill You follows a young woman (Zazie Beetz) who takes a job as a housekeeper at a NYC high-rise that has a history of mysterious disappearances. She soon realizes that the high-rise is a deathtrap, and she is its latest victim. They have no idea who they hired, but the high-rise is about to find out. Anyone who has seen the trailer for this film knows it's going to be a wild ride. I just didn’t know how wild a ride it is. The first fight sequence has an incredibly shocking conclusion that I won’t reveal, but just say that this film is absolutely a nutty, off-the-wall, throw-everything-at-us-it-can kind of film. Zazie Beetz does an amazing job of being a tough, kill them with anything type of warrior while also being able to handle some of the film’s comedic moments (which had me laughing quite a bit at the wondrousness of it all). The fight sequence where Zazie’s character takes on the bad guys in a darkened room with a fireman’s axe that she has set ablaze (why not?) is thrilling and well done. This is a bloody mess of a film that takes a while to reveal its full plot, but it's such a fun ride that I just wanted to see how Beetz’s character was going to get out of this maze of hell. It’s one bloody ride into crazy town, and I loved it.  My Rating: Full Price  They Will Kill You Website Now playing in theaters

My View:  Forbidden Fruits  (2026)  R   In Forbidden Fruits, Apple (Lili Reinhart) runs an after-hours “femme witchy cult” within a ritzy mall store called Free Eden. Her followers include Cherry (Victoria Pedretti) and Fig (Alexandra Shipp), and they are soon joined by a fellow mall employee, Pumpkin (Lola Tung). Pumpkin will eventually challenge Apple’s reign, and unlike their outfits, it will not be pretty. Forbidden Fruits is a film that wants to become a cult classic (think of some witch movies of the past 30 years), but never reaches the level of comedy or satire that could elevate it to that stature. The film always seems to be just on the edge, but rarely delivers a scene, trying too hard to make a point. Forbidden Fruits takes a long time to set up the confrontation and then goes into a really convoluted storyline that comes out of nowhere. The cast tries hard to make the film work, but they aren’t given enough material to keep us interested. Do stay through the first portion of the credits, as there is a bonus scene that explains a little bit of the missing plot. Just not enough to make it work.  My Rating: Cable  Forbidden Fruits Website Now   playing in theaters

Indiefest: A Magnificent Life  (2025)   PG-13 A Magnificent Life is about the famous French filmmaker, playwright, and novelist Marcel Pagnol, who, in this animated film, sits down to write his memoirs. He is visited by his younger self, who guides him to tell his story of his years in cinema, along with the ups and downs of his personal life. This is a loving look at a filmmaker who had a great impact on French filmmaking. The animation is lovely to look at, with colors that are inspired by paintings and Pagnol's own movies. However, the film is incredibly slow and spends most of its time trying to cover the vast body of Pagnol's work, which makes it feel a little shallow. Instead, we get an almost newsreel feel to a life that was filled with too much product to be shown in such little time.  My Rating: Bargain Matinee  A Magnificent Life Website  Now playing in select theaters

My View:  Pretty Lethal  (2026)  R  Pretty Lethal is about five ballerinas on their way to a dance competition whose bus has broken down, and they have taken refuge in a remote inn. A group of armed men shows up, and the women will have to use their rigorous training and dance skills to transform their art into a weapon. This is another in a long list of films that would play well with crowds at a midnight horror film festival, but doesn’t have the staying power to make it in the feature film world. It’s a film with a great premise, but it runs out of steam soon after the first fight, when the ballerinas realize they can use their dance moves to kill and maim the bad guys. Uma Thurman hams it up with a horrible accent as the ballerina turned mobster who runs the hotel and wants to expand her reach or get revenge (I never quite figured that part out). The action sequences are fun at first and then become increasingly silly, but not in a fun way. I became bored with the plot about halfway through. I had high hopes for this film with the cast of Iris Apatow, Maddie Ziegler, Lana Condor, Avantika, and Millicent Simmonds playing the ballerinas, but they were given a script that could have been a fun short, but not a feature film.  My Rating: Cable  Pretty Lethal Website  Now playing on the Amazon Prime platform

My View: Mike & Nick & Nick & Alice  (2026)   R  In Mike & Nick & Nick & Alice, Nick (Vince Vaughn), a mobster, must use a time machine to travel back in time to save his friend, Mike (James Marsden), from being murdered. To complicate matters, Nick has just found out that Mike has been having an affair with Nick’s wife (Eiza González).   Mike & Nick & NIck & Alice Website  Now playing on the Hulu platform   The review will be up Friday night

Indiefest:  The AI Doc: Or How I Became an Apocaloptimist  (2026)  PG-13   The documentary The AI Doc: Or How I Became an Apocaloptimist is told through the perspective of filmmaker Daniel Roher. Daniel is about to become a father and is worried about the existential threats posed by artificial intelligence. So he goes and talks to the experts in the AI world, including the CEOs of companies trying to capitalize on the technology. This is such an interesting film, part horror, part comedy, and full of information you will still be sorting out long after leaving the theater. Roher is hilarious as the filmmaker trying to figure out AI, using incredible stock clips, animation, and even conversations with his wife to be the everyman wanting to know what AI is and whether it can be the end of civilization as we know it. The film is told in parts, with the first part interviewing a wide range of experts who have come to the conclusion that we are all doomed by AI. Roher follows that with talking with experts who believe AI will save us and make the world better. And then that is followed by experts who say it will be a little of both. This is a fascinating film about an incredibly complex subject, but Roher presents the interviews and ideas with a flair for keeping the story interesting and captivating. I loved the ending, which I won’t ruin, but let’s say both he and his wife have ideas on the subject. Is it going to stop you from asking AI about how to make your garden gopher-proof? Probably not, but it will make you think and just might get you to investigate this subject further or even call someone in Congress.  My Rating: Full Price   The AI Doc Website   Now playing in theaters

Indiefest:  Marc by Sofia (2025) PG-13  Marc by Sofia is a documentary that gives an intimate, unconventional portrait of the iconic American designer Marc Jacobs. It's a documentary that only Marc Jacobs fans will love. While it is fun to watch how much work and detail go into staging a fashion show that lasts only minutes, that's about all I learned about the subject. I found out almost nothing about Jacobs in this documentary, other than that he makes some really weird clothes, has worked with and for some famous people, Sofia Coppola has known Jacobs for a long time, and Jacobs is obsessed with details. The documentary feels more like a Vogue or Vanity Fair pictorial: lots of glamour and fluff, but very little detail about the man himself. Marc by Sofia is Coppola's first attempt at a documentary, and I will say this: she appears in the film almost as much as the subject himself.  My Rating: Bargain Matinee  Marc by Sofia Website  Now playing in select theaters 

Forgotten Film:  Purple Violets  (2007) R  This is the story of two couples at a crossroads who encounter their college sweethearts. The couples that are destined to be together are writer Brian (Patrick Wilson) and a failed writer turned realtor, Patti (Selma Blair), and lawyer Michael (Ed Burns) and teacher Kate (Debra Messing). All are in relationships, but their attraction to each other is what makes this film work. Written and directed by Ed Burns, this is a fun and funny romance about lost love and having to decide if your life has turned out the way you wanted it. Blair and Wilson are the couple you root for from their ‘meet cute’ and make this little-seen film worth watching. My Rating: Full Price  Purple Violents Info  The film is available on most streaming platforms

Weird Credits: From the credits of Forbidden Fruits:  Movie Animals Protected Representative

Coming Soon to a Screen Near You:  Fantasy Life   (2025) R  Fantasy Life follows Sam (Matthew Shear), a law school dropout who has just lost another job. His psychiatrist (Judd Hirsch) gives him a job babysitting the psychiatrist’s three granddaughters, and Sam soon falls for Dianne (Amanda Peet), the mother of the girls, who just happens to be in a bad marriage. This is Amanda Peet's first feature film since 2015's Sleeping with Other People.  Fantasy Life Website In theaters on Friday, April 3, 2026

Until Next Time!

Project Hail Mary

My View: Project Hail Mary  (2026)  PG-13 In Project Hail Mary, science teacher Ryland Grace (Ryan Gosling) wakes up on a spaceship light-years from home with no idea who he is or how he got there. He soon figures out that his mission is to somehow stop a mysterious substance from killing the sun. Ryland is not alone up there and discovers unexpected help from an alien. There are some films that you enjoy from beginning to end, and this is one of them. You are going to fall in love with the alien that Ryland names Rocky. Project Hail Mary is such a wonderful film, from brilliant and jaw-dropping effects to a storyline that keeps you on the edge of your seat while simultaneously laughing, that it is a wonder to behold. Gosling is perfect in the role of an everyman who isn’t trained to be an astronaut, much less a hero, but who is smart and willing to meet an alien life form not only halfway but become that life form's friend. While the running length may seem daunting at over two and a half hours, you never feel its length, as the story keeps you interested, excited, and joyful. There are some amazing space sequences that keep you on the edge of your seat, but the heart of this film is the friendship and trust that develops between Ryland and Rocky, as they try to save their worlds while feeling the weight of not wanting to fail. Project Hail Mary is a film full of wonder, humor, and suspense, and one you just might go see again.  My Rating: I Would Pay to See it Again  Project Hail Mary Website  Now playing in theaters nationwide

My View:  Ready or Not 2: Here I Come  (2026)  R Ready or Not 2: Here I Come begins after surviving the game where the family Grace (Samara Weaving) was marrying into tried to kill her. She has now been kidnapped by four rival families, vying for a throne by killing her. To raise the stakes, Grace’s sister (Kathryn Newton) is now her partner in the new game. I loved the first film, Ready or Not, which I said was a perfect example of the definition of a ‘dark comedy,’ a film that makes light of a subject that is generally considered taboo, and I loved the gutty and fiery performance of Samara Weaving. While I enjoyed this film, as you would expect from a sequel, it doesn’t quite deliver the thrills of the original. Kathryn Newton’s addition to the cast as the estranged sister of Grace, who has a chip on her shoulder for being abandoned by Grace when she was 15, is a boon, as their interplay throughout is a lot of fun. There are still some fun kills, and yes, people do still blow up, getting blood everywhere (kind of a running gag in this one). I did enjoy the new characters, including the twins, played by Sarah Michelle Gellar and Shawn Hatosy, who have a very strange relationship. I will say that I was thrilled with the ending, so if you liked or loved the first film, go on another escape the nutty family with Grace, and this time you have her sister to help deal with all the blood. My Rating: Bargain Matinee   Ready or Not 2 Website Now playing in theaters

Indiefest:  Tow  (2025)  R  Tow is about Amanda Ogle (Rose Byrne), a homeless woman in Seattle who has been living in her car for the past few years. Her world comes crashing down when her car is stolen and is found in a tow company's holding yard. To get her stolen car back, she will have to sue the company after receiving a bill that she can never afford to pay. Rose Byrne and a stellar supporting cast, including Demi Lovato, Dominic Sessa, Octavia Spencer, Ariana DeBose, Simon Rex, and Elsie Fisher, try to overcome both a script that tends to wander and a direction that never can find a place to concentrate on. We get a cast of characters that don’t help the storyline and are asked to say lines like, “No porn on the Lord’s Wi-Fi.” We get a lot of scenes of phone calls and texts between Amanda and her daughter, Avery (Elsie Fisher), that amount to a lot of feeling guilty and Avery feeling abandoned, all of which could be shown in one or two conversations, instead of every five to ten minutes. The final courtroom scene falls flat, making Amanda’s victory feel hollow and powerless. It’s a long way to go on a journey that never really gets started.   My Rating: Cable  Tow Website  Now playing in theaters

Indiefest:  André Is an Idiot  (2025)  André Is an Idiot is a documentary about a self-proclaimed ‘idiot’, André Ricciardi, who learns that, after skipping the colonoscopy that could have saved him, he is dying of colon cancer. He decides to go out with how he has always lived his life: with irreverence, humor, and curiosity. I really enjoyed this documentary, but man, I am glad that I never knew the guy because he would have driven me crazy. To say that André’s view of the world is a little off-kilter would be an understatement. However, if you are going on a journey with a man who is going to die of cancer, you might as well go on that journey with a guy who sees the world as his playground, and we are all just there for him to mock. There is a ton of animated scenes that illustrate Andre's kooky ideas, including a game show where contestants vie to kill him. André fights as long as he can and does it on his terms, and no one else is going to change his mind. My Rating: Full Price  Andre is an Idiot Website  Now playing in select theaters

Forgotten Film: Cold Souls  (2009) PG-13  Paul (Paul Giamatti) is an actor preparing for his Broadway role in “Uncle Vanya”. However, Paul isn’t feeling it, and he learns that there is a doctor who can put his soul in storage, giving him a new outlook. When losing his soul doesn’t work, he asks for someone else’s and is given a new one, one of a Russian poet. It improves his performance but ruins everything else in his life, and he is desperate to get his old soul back. This is a very strange comedy that is worth seeing because of Paul Giamatti, who is brilliant in this strange, deadpan comedy that wonders if you really need a soul. My Rating; Full Price  Cold Souls Info  The film is available on Amazon Prime

Weird Credits:  From the credits of Project Hail Mary:  Royal Navy Logistics

Coming Soon to a Screen Near You:Mike & Nick & Nick & Alice  (2026) R   In Mike & Nick & Nick & Alice, Nick (Vince Vaughn), a mobster, must use a time machine to travel back in time to save his friend, Mike (James Marsden), from being murdered. To complicate matters, Nick has just found out that Mike has been having an affair with Nick’s wife (Eiza González). I love the tagline of the film, “A time-traveling, double-crossing, ass-kicking comedy.”  Mike & Nick & Nick & Alice Website  Premiering on Hulu on Friday, March 27, 2026.

Until Next Time!

Mike's Fearless Oscar Picks

 

As always these are who I think are going to win on Sunday night, not who I think should win.  If I have a Spoiler listed, it's a someone/film that I think has a chance to win.

Winners in blue!  I got 21 out of 24.

Best Picture:  One Battle After Another               Spoiler: Sinners

Best Director:     Paul Thomas Anderson (One  Battle After Another)                             

Best Actress:   Jessie Buckley (Hamnet)

Best Actor:  Michael B. Jordan (Sinners                                      Spoiler:   Timothee Chalamet (Marty Supreme)

Best Supporting Actress:  Amy Madigan (Weapons)                 Spoiler:  Wunmi Mosaku (Sinners)

Best Supporting Actor:  Sean Penn (One Battle After Another)

                                                                                             Spoiler: Stellan Skarsgard (Sentimental Value)

Best Adapted Screenplay:  One Battle After Another

Best Original Screenplay:   Sinners   

Best Casting:  One Battle After Another                                    Spoiler:    Sinners                    

Best Cinematography:  One Battle After Another                Spoiler: Sinners

Best Costume Design:  Frankenstein

Best Film Editing:   One Battle After Another                                           Spoiler:  Sinners

Best Makeup and Hairstyling:   Frankenstein

Best Production Design:   Frankenstein                                     Spoiler:   Sinners

Best Score:  Sinners

Best Song:   Golden (KPop Demon Hunters)                                    

Best Sound:   F1                                            Spoiler: Sinners

Best Visual Effects:  Avatar: Fire and Ash                             Spoiler: F1

Best Animated Feature:   KPop Demon Hunters

Best Documentary Feature:  The Perfect Neighbor                Spoiler:  Mr. Nobody Against Putin

Best International Film:   Sentimental Value                      Spoiler:   The Secret Agent

Best Animated Short:    Butterfly                      Spoiler: The Girl Who Cried Pearls

Best Documentary Short:  All the Empty Rooms                Spoiler: Armed Only with a Camera

Best Live Action Short:  Two People Exchanging Saliva                  Spoiler:  A Friend of Dorothy 

Reminders of Him

My View:  Reminders of Him  (2026) PG-13  Reminders of Him is about Kenna (Maika Monroe), who, after a perfect date, makes an unbearable mistake that lands her in prison for 7 years. She has returned to her hometown, hoping to rebuild her life and reunite with her young daughter. It’s a reunion that may never happen because of her past. I am a fan of Maika Monroe (who has a bit of a resume as a ‘Scream Queen’ in It Follows and Longlegs), but she is let down by a script that tries to tug the heartstrings at every turn but fails each time. Throughout the film, we are led to believe that Kenna has done something horrible to cause the death of her boyfriend, Scotty (Rudy Pankow). When it is revealed, I said to myself, “That’s it?” Kenna gets involved with a former pro football player, Ledger (Tyriq Withers), who owns a bar that she wanders into one night. We find out that Ledger was Scotty’s best friend forever, but Ledger never met Kenna. I guess being a football player means you don’t go to your friend’s funeral or her killer’s trial. That’s what the entire film feels like one setup after another, just there to create emotional pull. Reminders of Him is all about second chances, but I don’t think I’ll give the film that second chance look.  My Rating: Cable  Reminders of Him Website    Now playing in theaters

My View:  undertone  (2025) R   undertone follows the host of a popular paranormal podcast, Evy (Nina Kiri), who is sent a series of mysterious and terrifying audio recordings that somehow become real in Evy’s world. I thought the trailer for this film was amazing, making me want to see this film, ready for a frightful experience. Instead, I got a lot of buildup that never delivered any scares until the very end. This is a very frustrating film to watch, as the camera shot placement and often panning to open spaces imply that we are about to see something. Instead, all you get are empty spaces, except for one very predictable jump scare. The buildup at the start is well done, and we are all in for listening to scary recordings, but most aren’t all that scary, and to say the ending is incredibly disappointing would be an understatement. I won’t get into some of the very strange plot devices that stand out like a sore thumb. It’s fine to create tension in a film, but at some point, you have to reveal the creation of that tension, and this film never does. Instead, we get a mishmash of earlier scenes that are a complete letdown. If I were a listener of this podcast, I would have turned it off after just a few minutes. Instead, I was stuck in the theatre for an hour and a half.   My Rating: Cable undertone website Now playing in theaters

My View:  Slanted  (2025)  R    Slanted follows Joan (Shirley Chen), an insecure Chinese-American high school student, who, hoping to be voted prom queen, undergoes ‘ethnic modification surgery’ to appear white. Life will not become what Joan had hoped it would be. Slanted is born from a radical idea, but it never delivers the punch that it needs to be provocative, funny, or decisive. It needed to be bolder and delve more into satire to work as either a comedy or a drama. Instead, it seems to tiptoe around the topic of being white in America and never delivers the killer blow this film needs. Slanted’s heart is in the right place, but the storyline never delivers more than a tale about a teen being really selfish and turning her back on her friends and family. It's disappointing because the premise suggested that it could have been much more.  My Rating: Cable   Slanted Website Now playing in theaters

Indiefest:  Scared to Death  (2025)    In Scared to Death, a movie crew and its actors decide to enhance their upcoming horror film by experiencing a real seance. They chose a 70-year-old abandoned children’s shelter to conduct the seance, and they become trapped by the murdered orphans who were found ‘scared to death’ in 1942. This is a campy horror film with a few intentional laughs thrown in that is low on scares but is more a tribute to low budget horror films than anything else. I think fans of low budget horror will enjoy it, especially with legendary scream queen Lin Sheye playing it up as a ego maniac film director that gets processed early on in the film. The effects are pretty weak and some of the acting is a little too campy for my taste but it would do nicely at a midnight showing at a horror film festival.  My Rating: Cable   Scared to Death Website    Now playing in select theaters

Indiefest:  Seeds  (2025)  Seeds is a documentary that explores the lives of Black generational farmers. This black-and-white film gives you the feeling of Black farmers at the end of their rope, trying to survive in a system that throws up roadblock after roadblock. This is a document about a vanishing way of life: a small farmer's ability to survive in a system that favors large, corporate-run farms. The film shows us the connection that these farmers and their families have to the land and to each other. Seeds give us insight into how the government has promised help but never delivered to these families and their farms. Seeds follows three families throughout their daily lives, offering insight into a way of life that may soon be forever gone.  My Rating: Full Price  Seeds Website   Now playing in select theaters 

Forgotten Film: The Tall Blond Man with One Black Shoe  (1972) PG  In this French farce, an orchestra musician (Pierre Richard) is picked out in an airport to be an unwitting pawn decoy by the French Secret Service, all because he has (because of a prank) one brown shoe and one black one. The man has no idea what is happening, just that things keep happening to him, like being seduced by a beautiful woman, and people being shot near him. Fans of Jacque Tati and Buster Keaton will love this film. And please, do not check out the 80s English language remake The Man With One Red Shoe, which is one of the worst movies Tom Hanks ever made.  The Blond Man with One Black Shoe Info  My Rating: Full Price  The film is available to rent/buy on Amazon

Weird Credits: From the credits of Reminders of Him: Miniature pigeons by

Coming Soon to a Screen Near You: Michael  (2026) PG-13  The story of Michael Jackson, from child star of the Jackson Five to the “King of Pop”. The film is directed by Antoine Fuqua, known for his films Training Day, The Replacement Killers, Brooklyn’s Finest, Olympus Has Fallen, and The Equalizer. I have high hopes for this film because Fuqua got his training in directing music videos for Usher, Prince, Stevie Wonder, Toni Braxton, and Coolio.  The film will be released in theaters and IMAX on Friday, April 24, 2026

Until Next Time!

The Bride!

My View:  The Bride!  (2026) R The Bride! is a retelling of the story of the Bride of Frankenstein. In the 1930s, Frankenstein’s monster (Christian Bale) had traveled to Chicago to seek the aid of Dr. Eupronius (Annette Bening) in creating a companion. Together, they revive a murdered woman, creating The Bride (Jessie Buckley), who is far more than expected. This sparks a romance, police attention, and more. It’s very hard to describe what this film is. Is it a horror film? Sort of. A musical? Sort of. A comedy? Sometimes. A romance?Nearly. Hard to follow? Absolutely. It is a film with some outstanding performances by Christian Bale as the love-lorn monster and Jessie Buckley as his intended love interest, but to say this movie is off-the-wall bonkers and all over the place would be putting it mildly. I mean, this film even has an homage to Mel Brooks’ Young Frankenstein. Buckley gives an incredible performance of a young woman who is raised from the dead and has a second person in her brain. That person is Mary Shelley, the author of Frankenstein, credited with creating a story that is the origin of both horror and science fiction. Few actors could master this role, but Buckley mesmerizes, switching smoothly between characters, even within a single line. Bale’s monster is mostly a sidekick to The Bride and is happy to go along for the ride. Writer/director Maggie Gyllenhaal went for way over the top with a storyline that just gets weirder as it goes along, with musical numbers, murders, and lots of yelling. It’s a big swing by Gyllenhaal that just never connected for me and, frankly, by the end of the film, gave me a bit of a headache. A little of this film goes a long way, and I wasn’t willing to go that far with it. Still, Bale’s monster in tux and tails, doing a song-and-dance number, will stick with me for a long time. Ultimately, The Bride! left me more exhausted than entertained. There is a mid-credit scene if you can make that far.   My Rating: Bargain Matinee  The Bride! Website  Now playing in theaters

My View:  Hoppers  (2026)  PG  Hoppers takes place after a group of scientists invent a way to “hop” a human mind into a lifelike robot-animal body. Mabel (voiced by Piper Curda), an animal-loving teen, ‘hops’ into a robotic beaver to thwart a construction company from destroying an animal habitat. Mabel discovers that the animal world is full of surprises, including her unwitting role in an animal uprising. Hoppers is a fun, funny, and delightful return to good filmmaking for Pixar. The storyline is inventive, and the humor works from start to finish. Hoppers message about taking care of the environment is effective without being preachy. The film is fast-moving, and young kids are going to love all the talking animals. The humor makes this film stand out, and while the kids will be laughing at the antics, adults will enjoy all the side quips the characters make. Hoppers keeps the storyline moving as we go on a riotous adventure into the animal world that you won’t soon forget. The film has two post-credits scenes you'll want to stick around for. My Rating: Full Price  Hoppers Website  Now playing in theaters

My View: Protector  (2025)  R  Protector is about Nikki (Milla Jovovich), a decorated ex-soldier who left that life to raise her daughter, Chloe (Isabel Myers). When Chloe is kidnapped, Nikki sets off in a race against time to find her daughter, combing through the seamy criminal underworld. Nikki will stop at nothing to find and destroy the people who threaten her daughter. I have a feeling that they either didn’t have a huge budget or Milla wanted to take a day off, because once the film gets to the kidnapping, we are just told about Nikki’s first attempt to rescue Chloe. Then, later in the big battle sequence, there are a couple of times when we hear gunshots but see nothing other than Nikki coming through the doors where the shots were fired. I think fans of Milla will be disappointed with the action sequences, which mostly feature her shooting people rather than hand-to-hand combat. And Protector has an ending that just feels like the writer wanted a twist at the end and then said screw it, here’s a twist that will mess with you. Instead, it just makes you mad. My Rating: Cable   Protector Website   Now playing in theaters

Indiefest:  Dolly  (2025)  R  Macy (Fabianne Therese) is out in the woods with her boyfriend when they encounter a monstrous, doll-masked figure, Dolly (Max the Impaler), who takes Macy back to a house of horrors, where Dolly intends to raise Macy as their own child. This gore-fest horror film starts out strong but runs a bit out of steam by the end. The film is shot on 16mm film, which gives it a great 70s horror vibe, with plenty of Texas Chainsaw Massacre homages thrown in, but it lacks the scares to keep our interest in the slender storyline throughout. Fabianne Therese does an admirable job as our heroine, but there’s not enough in this film to make it more than an interesting idea that just doesn’t have enough substance for a full-length film. My Rating: Cable  Dolly Website     Now playing in theaters

Indiefest:  Heel  (2025)  Heel follows 19-year-old Tommy (Anson Boon), whose life revolves around drugs, parties, and violence. After a night of debauchery, he is kidnapped by a married couple (Stephen Graham and Andrea Riseborough) who hold him in the basement and subject him to relentless mind games in an attempt to put him on the right path and make him a ‘good boy.’ This is an interesting concept for a film that spends too long developing the story and then ends up very predictable. However, the film is worth watching for the two leads, with Stephen Graham as the dad/kidnapper/jailer and Anson Boon as the punk imprisoned and subjected to constant brainwashing. Stephen Graham has just the right amount of creepiness, making his character seem sincerely nuts while also showing a bit of caring. Anson Boon is perfect as the young man who thinks he can live forever and get away with anything he wants to, including violence. Boon keeps the film moving, and we never know when he will erupt and unleash the retribution he promises. Still, the film feels stunted in its character background, and we never find out why the whole family accepts the kidnapping. We just know that Tommy will never change. Or will he?  My Rating: Bargain Matinee   Heel Website  Now playing in select theaters and available to rent on some streaming platforms.

My Rating: Peaky Blinders: The Immortal Man  (2026) R Peaky Blinders: The Immortal Man is set in 1940 Birmingham, amidst the chaos of World War II. Tommy Shelby (Cillian Murphy), against his better judgment, has returned to face his own demons and choose between confronting his legacy or destroying it. This is a must-see for fans of the TV series, but if you haven’t seen the TV program, you can still get the gist of the plot pretty easily. This is a wonderful and interesting character study of two men: Tommy, who has lost everyone he cares about, and Tommy’s son, Duke (Barry Keoghan), who has taken over the Peaky Blinders gang. Duke is trying to make his own way in the world, but he's making some risky decisions that will have major consequences. Tommy has escaped into the countryside and is writing his memoirs. Two people show up to convince Tommy to save his son from a major mistake. His sister, Ada (Sophie Rundle), pleads for him to come back with little result, and Kaulo (Rebecca Ferguson), the twin sister of Duke’s mom, who was the love of Tommy’s life. Kaulo, though some seducing and Romani Gypsy logic, convinces Tommy to come back. Now the question is, can he reach Duke in time, and will Duke betray him? The film is a blast to watch, as Cillian Murphy does what he does best: brood and be imposing. Adding to the mix is Keoghan, who plays the wild-card kid perfectly, whose choice we don’t know what it will be or when he will erupt. This is a perfect companion to the series, and even if you don’t know the story, the film’s storyline and performances will keep you on the edge of your seat.  My Rating: Full Price  Peaky Blinders: The Immortal Man Website   Now in select theaters and on Netflix on Friday, March 20, 2026

Forgotten Film:  Best in Show (2000) PG-13  A behind-the-scenes mockumentary about what goes on in the cut-throat world of competitive dog shows. We follow a group of dog owners who are willing to do anything to ensure that their pampered canines have every chance of winning. Directed by Christopher Guest and co-written by Guest and Eugene Levy (though much of the film features improvised dialogue), the film is a hilarious look at a special group of people who believe their dogs are better than even they are. I picked this film out because, even though it has an all-star cast, the late Catherine O’Hara stands out as Cookie Fleck, the co-owner with her husband, Gerry (Eugene Levy), of their dog, Winky. Cookie, it seems, has slept with everyone at the show with the possible exception of her husband. O’Hara’s performance is a masterclass in how to deliver comedy with such ease and is a delight to watch. My Rating: I Would Pay to See it Again  Best in Show Info The film is available on most streaming platforms.

Weird Credits: From the credits of The Bride!: Special wigmaker to The Bride

Coming Soon to a Screen Near You: They Will Kill You (2026)  R  A young woman (Zazie Beetz) takes a job as a housekeeper at a NYC high-rise that has a history of mysterious disappearances. She soon realizes that the high-rise is a deathtrap, and she is its latest victim. They have no idea who they hired, but the high-rise is about to find out. Zazie has been on a hot streak with her Supporting Actress Emmy nod in the TV series Atlanta, and films like Good Luck, Have Fun, Don’t Die, and Joker: Folie a Deux.  They Will Kill You Website The film will be in theaters on Friday, March 17, 2026

Until Next Time!